The 1619 Project: A New Origin Story ![]() A Summer with Pascal ![]() American Indian Myths and Legends ![]() American Poetry : The Twentieth Century, Volume 1 : Henry Adams to Dorothy Parker ![]() Weighing in at nearly 1,000 pages, Volume One is the work of Robert Hass, John Hollander, Carolyn Kizer, Nathaniel Mackey, and Marjorie Perloff. This poetic Gang of Five has made a number of decisions that will delight some readers and rankle others. For instance, they've elected to include song lyrics from the likes of W.C. Handy, Ma Rainey, Irving Berlin, and Cole Porter. (Doubtless these remain diminished without the music—but who could be so churlish as to exclude the tongue-twisting couplets from "Anything Goes"?) They've also thrown in a variety of very minor works by very major writers, such as "Terminus," Edith Wharton's breathless account of her one-night stand with boy toy Morton Fullerton. But these are truly peccadilloes. There are hundreds of poems here, representing more than 80 authors, and thumbing through the selections by Marianne Moore or Robinson Jeffers or James Weldon Johnson or Robert Frost should be enough to send most readers into linguistic rapture. Lesser figures, from Sara Teasdale to H.P. Lovecraft, get their days in the sun. So too do complete obscurities like George Sterling or Elsa von Freytag-Loringhoven (whose capsule biography suggests that she may have been the most unhappy of a notoriously unhappy lot). Poetry lovers are free to argue themselves hoarse over who got the short end of the stick—and indeed, the relatively small slice of the pie allotted to T.S. Eliot says a great deal about the transience of literary reputation. But anthologies are by their very nature imperfect, and it's hard to imagine a more welcome, less imperfect one than this. —James Marcus American Poetry : The Twentieth Century, Volume 2 : E.E. Cummings to May Swenson ![]() An American Album: One Hundred and Fifty Years of Harper's Magazine ![]() Lewis Lapham edited the anthology and also writes a long, detailed forward. Surveying the successes and failures of the past with an impossibly authoritative tone, Lapham is like a teacher rapping on his desk: All right class!! He writes about the '60s with quaint phrases like "the go-go expectations of the Age of Aquarius." Later he talks about writing that is "appropriately human." Readers of Lapham's monthly essays will recognize his obscure, demanding take on what is "appropriate." They will also recognize the rich world of his magazine, which through its layout, presentation, and content usually manages to announce itself with understated gusto and pitch-perfect dramatics—as in one cover package titled: "DOES AMERICA STILL EXIST? Looking for Reasons To Believe." A word of warning: An American Album will frustrate readers who like to know where they are at all times. Although selections are divided by decade, no attempt is made to label pieces by category. Shorts stories, essays, and unsigned editorials exist side by side, each leading into the next. Paging through, it's unclear whether you're reading a piece of fiction, opinion, or fact. If Harper's were the kind of magazine that aspired to the blurring of boundaries, I'd understand these omissions. There's something interesting and unnerving about getting three paragraphs into an Alice Walker piece and still wondering: Is this a short story or a confession? Since Harper's has always been a vessel of clarity and big, confident pronouncements, I attributed this smudging of categories to careless oversight, not postmodern conceit. Either way, the reading is good, sometimes great. It matters. —Emily White Berlin Stories ![]() The Best of Bad Faulkner: choice entries from the faux faulkner contest ![]() The Best Short Stories 2022: The O. Henry Prize Winners ![]() Black Women Writers at Work ![]() Cat Heaven ![]() Celebrated Cases of Judge Dee ![]() The Chicago Manual of Style ![]() Democracy in America (Everyman's Library (Cloth)) ![]() Escape to the Tatras: A Boy, a War and a Life Interrupted ![]() Florence Stories ![]() Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection ![]() The FSG Poetry Anthology ![]() Geometries ![]() Gsx Mini Modern Classics Box Set ![]() Hamletics: Shakespeare, Kafka, Beckett ![]() Harlem Renaissance Novels: the Library of America Collection: ![]() Hot & Spicy: Red Hot & Sizzling Dishes ![]() Hot Type: Our Most Celebrated Writers Introduce the Next Word in Contemporary American Fiction (Collier Fiction) ![]() How to Be a Stoic ![]() Indian Deliciously Authenic Dishes ![]() Japanese Cooking ![]() John Steinbeck : Novels and Stories, 1932-1937 : The Pastures of Heaven / To a God Unknown / Tortilla Flat / In Dubious Battle / Of Mice and Men (Library of America 72) ![]() John Steinbeck: The Grapes of Wrath and Other Writings 1936-1941: The Grapes of Wrath, The Harvest Gypsies, The Long Valley, The Log from the Sea of Cortez (Library of America 86) ![]() The Koran ![]() Leonardo on Painting: An Anthology of Writings by Leonardo da Vinci with a Selection of Documents Relating to his Career ![]() Love Speaks Its Name: Gay and Lesbian Love Poems ![]() Mac OS X Technology Guide to Automator ![]() Mac OS X Technology Guide to Dashboard ![]() Mexican Healthy Ways With a Favorite Cu ![]() Molto Rumore per Nulla ![]() Notting Hill Editions Gift Box: 1 ![]() On Cats: An Anthology ![]() On the Couch: Writers Analyze Sigmund Freud ![]() Out of the Studio ![]() Pathologies: The Downfall of Johan Van Vere de With ![]() The Penguin Book of Murder Mysteries ![]() The Penguin Book of the Modern American Short Story ![]() Remedios Varo: Science Fictions ![]() Rubens and Brueghel: A Working Friendship (Getty Trust Publications: J. Paul Getty Museum) ![]() Published to coincide with an exhibition at the Getty Museum to be held July 5 to September 24, 2006, the catalogue features twenty-six color plates of such Rubens/Brueghel paintings as The Return from War, The Feast of Achelous, and Madonna and Child in a Garland of Flowers, along with Rubens and Brueghel's collaborations with important contemporaries such as Frans Snyders and Hendrick van Balen. This is the first such publication to fully address and reproduce these works in depth. Russian Fairy Tales ![]() The Sign of Three: Dupin, Holmes, Peirce ![]() Steinbeck Novels 1942-1952: The Moon Is Down / Cannery Row / The Pearl / East of Eden ![]() Stories of Books and Libraries ![]() Stories of Southern Italy ![]() T. S. Eliot Complete Poems: Volume 2 ![]() T. S. Eliot the Poems: Volume 1 ![]() The Fable of the Bees: Or Private Vices, Publick Benefits ![]() The Paris Review Poets At Work ![]() The Psychology of Music, Second Edition (Cognition and Perception) ![]() The Suicides ![]() The Writer's Chapbook ![]() The Writer's Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from the Twentieth Century's Preeminent Writers (Modern Library) ![]() ence," etc.); Part II is "Technical Matters" ("On Style," "On Plot," etc.); Part III is "Different Forms" ("On Biography," "On Journalism"); and Part IV is "The Writer's Life," covering topics like conferences, courses, and teaching, along with a section in which writers provided portraits of other writers. The Writer's Chapbook is a fund of observations by writers on writing. These range from marvel- ous one-liners (Eugene O'Neill on critics: "I love every bone in their heads"; T. S. Eliot on editors: "I suppose some editors are failed writers—but so are most writers") to expositions on plot, character, and the technical process of putting pen to paper and doing it for a living. "I don't even have a plot," says Norman Mailer; Paul Bowles describes writing in bed; Toni Morrison talks about inventing characters; and Edward Albee and Tom Wolfe explain where they discovered the titles for Who's Afraid of Virginia Woolf and The Bonfire of the Vanities. This book is a treasure. But beware: What is true for the Writers at Work series holds for The Writer's Chapbook even more—a reader who picks it up, intending just to dip into it, might not emerge for days. Today I Wrote Nothing ![]() Ultimate Soup Bible ![]() Under Twenty-five: Duke Narrative And Verse, 1945 - 1962 ![]() Vegetarian: Over 300 Healthy and Wholesome Recipes Chosen From Around the World ![]() Venice Stories ![]() Water Sessions ![]() Wok & Stir Fry ![]() Women At Work ![]() Women At Work Vol. II ![]() Writers at Work Around The World ![]() The Wrong Turning: Encounters with Ghosts ![]() York Mystery Plays: A Selection in Modern Spelling ![]() Imagining Characters: Six Conversations About Women Writers: Jane Austen, Charlotte Bronte, George Eliot, Willa Cather, Iris Murdoch, and Toni Morrison ![]() Flatlandia. Racconto fantastico a più dimensioni ![]() Forbidden Fruit: From The Letters of Abelard and Heloise ![]() All books in this series: Cures for Love Doomed Love The Eaten Heart First Love Forbidden Fruit The Kreutzer Sonata A Mere Interlude Of Mistresses, Tigresses and Other Conquests The Seducers Diary Alphabetical Africa ![]() The Fourth Dimension of a Poem: and Other Essays ![]() The Mirror and the Lamp: Romantic Theory and the Critical Tradition ![]() The African Trilogy: Things Fall Apart, No Longer at Ease, and Arrow of God (Everyman's Library (Cloth)) ![]() Beginning with the best-selling Things Fall Apart—on the heels of its fiftieth anniversary—The African Trilogy captures a society caught between its traditional roots and the demands of a rapidly changing world. Achebe’s most famous novel introduces us to Okonkwo, an important member of the Igbo people, who fails to adjust as his village is colonized by the British. In No Longer at Ease we meet his grandson, Obi Okonkwo, a young man who was sent to a university in England and has returned, only to clash with the ruling elite to which he now believes he belongs. Arrow of God tells the story of Ezuelu, the chief priest of several Nigerian villages, and his battle with Christian missionaries. In these masterful novels, Achebe brilliantly sets universal tales of personal and moral struggle in the context of the tragic drama of colonization. THINGS FALL APART (Everyman's Library) ![]() Call Me by Your Name: A Novel ![]() A Publishers Weekly Best Book of the Year A Washington Post Best Fiction Book of the Year A New York Magazine “Future Canon” Selection A Chicago Tribune Favorite Book of the Year One of The Seattle Times’ Michael Upchurch’s Favorite Books of the Year An Amazon Top 100 Editors’ Picks of the Year An Amazon Top 10 Editors’ pick: Debut Fiction (#6) An Amazon Top 10 Editors’ pick: Gay & Lesbian (#1) Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents' cliffside mansion on the Italian Riviera. During the restless summer weeks, unrelenting but buried currents of obsession, fascination, and desire intensify their passion as they test the charged ground between them and verge toward the one thing both already fear they may never truly find again: total intimacy. André Aciman's critically acclaimed debut novel is a frank, unsentimental, heartrending elegy to human passion. Enigma Variations: A Novel ![]() Italy, where as a boy he has a crush on his parents’ cabinetmaker, or a snowbound campus in New England, where his enduring passion for a girl he’ll meet again and again over the years is punctuated by anonymous encounters with men; whether he’s on a tennis court in Central Park, or on a New York sidewalk in early spring, his attachments are ungraspable, transient, and forever underwritten by raw desire―not for just one person’s body but, inevitably, for someone else’s as well. In Enigma Variations, Aciman maps the most inscrutable corners of passion, proving to be an unsparing reader of the human psyche and a master stylist. With language at once lyrical, bare-knuckled, and unabashedly candid, he casts a sensuous, shimmering light over each facet of desire to probe how we ache, want, and waver, and ultimately how we sometimes falter and let go of those who may want to offer only what we crave from them. Ahead of every step Paul takes, his hopes, denials, fears, and regrets are always ready to lay their traps. Yet the dream of love lingers. We may not always know what we want. We may remain enigmas to ourselves and to others. But sooner or later we discover who we’ve always known we were. Find Me: A Novel ![]() No novel in recent memory has spoken more movingly to contemporary readers about the nature of love than André Aciman’s haunting Call Me by Your Name. First published in 2007, it was hailed as “a love letter, an invocation . . . an exceptionally beautiful book” (Stacey D’Erasmo, The New York Times Book Review). Nearly three quarters of a million copies have been sold, and the book became a much-loved, Academy Award–winning film starring Timothée Chalamet as the young Elio and Armie Hammer as Oliver, the graduate student with whom he falls in love. In Find Me, Aciman shows us Elio’s father, Samuel, on a trip from Florence to Rome to visit Elio, who has become a gifted classical pianist. A chance encounter on the train with a beautiful young woman upends Sami’s plans and changes his life forever. Elio soon moves to Paris, where he, too, has a consequential affair, while Oliver, now a New England college professor with a family, suddenly finds himself contemplating a return trip across the Atlantic. Aciman is a master of sensibility, of the intimate details and the emotional nuances that are the substance of passion. Find Me brings us back inside the magic circle of one of our greatest contemporary romances to ask if, in fact, true love ever dies. Homo Irrealis: Essays ![]() Out of Egypt: A Memoir ![]() Hindoo Holiday: An Indian Journal ![]() My Dog Tulip: Movie tie-in edition ![]() My Father and Myself ![]() We Think the World of You ![]() Hawksmoor ![]() The Dirk Gently Omnibus ![]() Mostly Harmless ![]() So Long, and Thanks for All the Fish (The Hitch Hiker's Guide to the Galaxy) ![]() The More Than Complete Hitchhikers Guide ![]() God's Debris: A Thought Experiment ![]() "What's in the package?" the narrator asks. "It's the answer to your question." "I wasn't expecting any answers," the deliveryman admits. About this time, the narrator begins to realize that he's not dealing with a feeble-minded old man; he's dealing with a situation that could alter his life. The sincerity and metaphysical complexity of this fable will surprise those who expect comedy, but Adams is following a tradition set by such writers as Dan Millman (Way of the Peaceful Warrior) and Richard Bach (Illusions). As in many parables that have come before, the deliveryman learns the meaning of life from an illusive mentor who seems to arise from a wrinkle in time. The cleverness of the God's Debris concept is original and bound to leave readers pondering some altered definitions of God, the universe, and just about everything else. —Gail Hudson Adonis: Selected Poems ![]() Experimental in form and prophetic in tone, Adonis’s poetry sings exultantly of both the sweet promise of eros and the lingering problems of the self. Steeped in the anguish of exile and the uncertainty of existence, Adonis demonstrates the poet’s profound affection for Arabic and European lyrical traditions even as his poems work to destabilize those very aesthetic and moral sensibilities. This collection positions the work of Adonis within the pantheon of the great poets of exile, including César Vallejo, Joseph Brodsky, and Paul Celan, providing for English readers the most complete vision yet of the work of the man whom the cultural critic Edward Said called “today’s most daring and provocative Arab poet.” (20100610) An Oresteia: Agamemnon by Aiskhylos; Elektra by Sophokles; Orestes by Euripides ![]() The Oresteia: Agamemnon, Choephoroe, Eumenides ![]() The three plays of the Oresteia portray the bloody events that follow the victorious return of King Agamemnon from the Trojan War, at the start of which he had sacrificed his daughter Iphigeneia to secure divine favor. After Iphi-geneia’s mother, Clytemnestra, kills her husband in revenge, she in turn is murdered by their son Orestes with his sister Electra’s encouragement. Orestes is pursued by the Furies and put on trial, his fate decided by the goddess Athena. Far more than the story of murder and ven-geance in the royal house of Atreus, the Oresteia serves as a dramatic parable of the evolution of justice and civilization that is still powerful after 2,500 years. The trilogy is presented here in George Thomson’s classic translation, renowned for its fidelity to the rhythms and richness of the original Greek. (Book Jacket Status: Jacketed) From the Land of the Moon ![]() Compulsory Games ![]() Robert Aickman’s self-described “strange stories” are confoundingly and uniquely his own. These superbly written tales terrify not with standard thrills and gore but through a radical overturning of the laws of nature and everyday life. His territory of the strange, of the “void behind the face of order,” is a surreal region that grotesquely mimics the quotidian: Is that river the Thames, or is it even a river? What does it mean when a prospective lover removes one dress, and then another—and then another? Does a herd of cows in a peaceful churchyard contain the souls of jilted women preparing to trample a cruel lover to death? Published for the first time under one cover, the stories in this collection offer an unequaled introduction to a profoundly original modern master of the uncanny. Go Back at Once ![]() What Strange Paradise: A novel ![]() Leave the World Behind: A Novel ![]() Stretching My Mind: The Collected Essays 1960 to 2005 ![]() Albee has brought the same critical force to his non-theatrical prose. Stretching My Mind collects for the first time ever the author's writings on theater, literature, and the political and cultural battlegrounds that have defined his career. Many of the selections were drawn from Albee's private papers, and almost all previously published materialdating from 1960 to the presenthas never been reprinted. Topics include Samuel Beckett, Eugene Ionesco, Sam Shepherd, as well as autobiographical writings about Albee's life, work, and worldview. The Collected Plays Of Edward Albee: Volume 1 1958 - 1965 ![]() Volume I contains the eight plays written by Albee during his first decade as a playwright, from 1958 through 1965. These range from the four brilliant one-act plays with which he exploded on the New York theater scene in 1958-59 (The Zoo Story, The Death of Bessie Smith, The Sandbox, and The American Dream) to his early masterpiece, Whos Afraid of Virginia Woolf? (1961-62). They also include two adaptations from notable American novels (The Ballad of the Sad Café and Malcolm) and Albees mysteriously fascinating Tiny Alice. The volume includes a new introduction by Mr. Albee. George, Being George: George Plimpton's Life as Told, Admired, Deplored, and Envied by 200 Friends, Relatives, Lovers, Acquaintances, Rivals—and a Few Unappreciative ... ![]() This book is the party that was George’s life–and it’s a big one–attended by scores of people, including Peter Matthiessen, Robert Silvers, Jean Stein, William Styron, Maggie Paley, Gay Talese, Calvin Trillin, and Gore Vidal, as well as lesser-known intimates and acquaintances, each with candid and compelling stories to tell about George Plimpton and childhood rebellion, adult indiscretions, literary tastes, ego trips, loyalties and jealousies, riches and drugs, and embracing life no matter the consequences. In George, Being George people feel free to say what guests say at parties when the subject of the conversation isn’t around anymore. Some even prove the adage that no best-loved man goes unpunished. Together, they provide a complete portrait of George Plimpton. They talk about his life: its privileged beginnings, its wild and triumphant middle, its brave, sad end. They say that George was a man of many parts: “the last gentleman”; founder and first editor of one of our best literary magazines, The Paris Review; the graceful writer who brought the New Journalism to sports in bestsellers such as Paper Lion, Bogey Man, and Out of My League; and Everyman’s proxy boxer, trapeze artist, stand-up comic, Western movie villain, and Playboy centerfold photographer. And one of the brave men who wrestled Sirhan Sirhan, the armed assassin of his friend Bobby Kennedy, to the ground. A Plimpton party was full of intelligent, funny, articulate people. So is this one. Many try hard to understand George, and some (not always the ones you would expect) are brilliant at it. Here is social life as it’s actually lived by New York’s elites. The only important difference between a party at George’s and this book is that no one here is drunk. They just talk about being drunk. George’s last years were awesome, truly so. His greatest gift was to be a blessing to others–not all, sadly–and that gift ended only with his death. But his parties, if this is one, need never end at all. Marcel Proust's Search for Lost Time: A Reader's Guide to The Remembrance of Things Past ![]() At seven volumes, three thousand pages, and more than four hundred characters, as well as a towering reputation as a literary classic, Proust’s novel can seem daunting. But though begun a century ago, in 1909, it is in fact as engaging and relevant to our times as ever. Patrick Alexander is passionate about Proust’s genius and appeal—he calls the work “outrageously bawdy and extremely funny”—and in his guide he makes it more accessible to the general reader through detailed plot summaries, historical and cultural background, a guide to the fifty most important characters, maps, family trees, illustrations, and a brief biography of Proust. Essential for readers and book groups currently reading Proust and who want help keeping track of the huge cast and intricate plot, this Reader’s Guide is also a wonderful introduction for students and new readers and a memory-refresher for long-time fans. LOCOS: A COMEDY OF GESTURES ![]() The Divine Comedy of Dante Alighieri: Purgatorio (Galaxy Books) ![]() The Divine Comedy: Inferno; Purgatorio; Paradiso ![]() Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets. This Everyman’s edition–containing in one volume all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize—winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations. (Book Jacket Status: Jacketed) La Vita Nuova ![]() David Slavitt gives us a readable and appealing translation of one of the early, defining masterpieces of European literature, animating its verse and prose with a fluid, lively, and engaging idiom and rhythm. His translation makes this first major book of Dante’s stand out as a powerful work of art in its own regard, independent of its “junior” status to La Commedia. In an Introduction, Seth Lerer considers Dante as a poet of civic life. “Beatrice,” he reminds us, “lives as much on city streets and open congregations as she does in bedroom fantasies and dreams.” (20101029) The Divine Comedy of Dante Alighieri: Inferno (Galaxy Books) ![]() The Divine Comedy: Volume 3: Paradiso (Galaxy Books) ![]() Apple Pro Training Series: Motion (Apple Pro Training) ![]() Apropos of Nothing ![]() The Complete Prose of Woody Allen ![]() Mere Anarchy ![]() Here, in his first collection since his three hilarious classics Getting Even, Without Feathers, and Side Effects, Woody Allen has managed to write a book that not only answers the most profound questions of human existence but is the perfect size to place under any short table leg to prevent wobbling. “I awoke Friday, and because the universe is expanding it took me longer than usual to find my robe,” he explains in a piece on physics called “Strung Out.” In other flights of inspirational sanity we are introduced to a cast of characters only Allen could imagine: Jasper Nutmeat, Flanders Mealworm, and the independent film mogul E. Coli Biggs, just to name a few. Whether he is writing about art, sex, food, or crime (“Pugh has been a policeman as far back as he can remember. His father was a notorious bank robber, and the only way Pugh could get to spend time with him was to apprehend him”) he is explosively funny. In “This Nib for Hire,” a Hollywood bigwig comes across an author’s book in a little country store and describes it in a way that aptly captures this magnificent volume: “Actually,” the producer says, “I’d never seen a book remaindered in the kindling section before.” Three One-Act Plays: Riverside Drive Old Saybrook Central Park West ![]() Woody Allen’s first dramatic writing published in years, “Riverside Drive,” “Old Saybrook,” and “Central Park West” are humorous, insightful, and unusually readable plays about infidelity. The characters, archetypal New Yorkers all, start out talking innocently enough, but soon the most unexpected things arise—and the reader enjoys every minute of it (though not all the characters do). These plays (successfully produced on the New York stage and in regional theaters on the East Coast) dramatize Allen’s continuing preoccupation with people who rationalize their actions, hide what they’re doing, and inevitably slip into sexual deception—all of it revealed in Allen’s quintessentially pell-mell dialogue. Woody Allen on Woody Allen ![]() Bachanalia: The Essential Listener's Guide to Bach's Well-Tempered Clavier ![]() Gabriella garofano e cannella ![]() Charles Bovary, Country Doctor: Portrait of a Simple Man ![]() Jean Améry undertakes one of the most unusual projects in twentieth-century literature: a novel-essay devoted to salvaging the poor bungler Charles Bovary from the depredations of his creator, Gustave Flaubert. As a once-promising novelist reduced to hack journalism for two decades after the Second World War, Améry had a particular sympathy for failure, and Charles Bovary, Country Doctor is his phenomenology of the loser, blending fiction and philosophy to assert the moral claims of the most famous, most risible cuckold in all of Western literature. Charles tells his side, Améry vindicates Flaubert’s hated bourgeoisie, and in the end, the Master himself winds up in the docket, forced to account for the implausibility of his own vaunted realism. At the same time, in Charles’s words, Améry offers a moving paean to the majesty of Emma Bovary herself, and to the supreme value of love. The Alteration ![]() How Hubert realizes what lies in store for him and how he deals with the whirlpool of piety, menace, terror, and passion that he soon finds himself in are the subject of a classic piece of counterfactual fiction equal to Philip K. Dick’s The Man in the High Castle. The Alteration won the John W. Campbell Memorial Award for best science-fiction novel in 1976. Dear Illusion: Collected Stories ![]() The King's English: A Guide to Modern Usage ![]() Lucky Jim (Penguin Classics) ![]() Lionel Asbo: State of England ![]() Lionel Asbo, a terrifying yet weirdly loyal thug (self-named after England's notorious Anti-Social Behaviour Order), has always looked out for his ward and nephew, the orphaned Desmond Pepperdine. He provides him with fatherly career advice (always carry a knife, for example) and is determined they should share the joys of pit bulls (fed with lots of Tabasco sauce), Internet porn, and all manner of more serious criminality. Des, on the other hand, desires nothing more than books to read and a girl to love (and to protect a family secret that could be the death of him). But just as he begins to lead a gentler, healthier life, his uncle—once again in a London prison—wins £140 million in the lottery and upon his release hires a public relations firm and begins dating a cannily ambitious topless model and “poet.” Strangely, however, Lionel's true nature remains uncompromised while his problems, and therefore also Desmond's, seem only to multiply. London Fields ![]() London Fields ![]() First published in 1989, LONDON FIELDS is set ten years into a dark future, against a backdrop of environmental and social decay and the looming threat of global cataclysm. As the dreaded millennium approaches, Nicola Six, a “black hole” of sex and self-loathing, attempts to orchestrate her own extinction, choosing her thirty-fifth birthday, November 5, 1999, as the date of her murder. Whom to manipulate into killing her is the question; her choice wavers between violent lowlife Keith Talent, who is obsessed with winning a darts tournament, and a dimly romantic banker named Guy Clinch. When Samson Young—a writer suffering from a long bout of writer’s block—stumbles upon these three, he believes he has found a story that will write itself. A highly unusual mystery with an unexpected twist at the end, LONDON FIELDS is also a corrosively funny narrative of pyrotechnic complexity and scalding moral vision. (Book Jacket Status: Jacketed) The Rub of Time: Bellow, Nabokov, Hitchens, Travolta, Trump: Essays and Reportage, 1994-2017 ![]() For more than thirty years, Martin Amis has turned his keen intellect and unrivaled prose loose on an astonishing range of topics—politics, sports, celebrity, America, and, of course, literature. Now, at last, these incomparable essays have been gathered together. Here is Amis at the 2011 GOP Iowa Caucus, where, squeezed between "windbreakers and woolly hats," he pores over The Ron Paul Family Cookbook and laments the absence of "our Banquo," Herman Cain. He writes about finally confronting the effects of aging on his athletic prowess. He revisits, time and time again, the worlds of Bellow and Nabokov, his "twin peaks," masters who have obsessed and inspired him. Brilliant, incisive, and savagely funny, The Rub of Time is a vital addition to any Amis fan's bookshelf, and the perfect primer for readers discovering his fierce and tremendous journalistic talents for the first time. The Information ![]() David Bowie and Philosophy: Rebel Rebel ![]() Among the topics explored in David Bowie and Philosophy are the nature of Bowie as an institution and a cult; Bowie’s work in many platforms, including movies and TV; Bowie’s spanning of low and high art; his relation to Andy Warhol; the influence of Buddhism and Kabuki theater; the recurring theme of Bowie as a space alien; the dystopian element in Bowie’s thinking; the role of fashion in Bowie’s creativity; the aesthetics of theatrical rock and glam rock; and Bowie’s public identification with bisexuality and his influence within the LGBTQ community. Samskara: A Rite for a Dead Man ![]() Praneshacharyah finds himself unable to provide the answer, though an answer is urgently needed since as he wonders and the villagers wait and the body festers, more and more people are falling sick and dying. But when Praneshacharyah goes to the temple to seek a sign from God, he discovers something else entirely—unless that something else is also God. Samskara is a tale of existential suspense, a life-and-death encounter between the sacred and the profane, the pure and the impure, the ascetic and the erotic. Step into Xcode: Mac OS X Development ![]() Empty Places: A Performance ![]() Laurie Anderson: All the Things I Lost in the Flood ![]() A few years ago, Anderson began poring through her extensive archive of nearly forty years of work, which includes scores of documentation, notebooks, and sketchbooks. In the process, she rediscovered important work and looked at well-known projects with a new lens. In this landmark volume, the artist brings together the most comprehensive collection of her artwork to date, some of which has never before been seen or published. Spanning drawing, multimedia installations, performance, and new projects using augmented reality, the extensive volume traverses four decades of her groundbreaking art. Each chapter includes commentary written by Anderson herself, offering an intimate understanding of her work through the artist’s own words. Laurie Anderson: Dal Vivo ![]() Laurie Anderson: Night Life ![]() Laurie Anderson: Nothing in My Pockets ![]() Stories from the Nerve Bible: A Twenty-Year Retrospective ![]() Talk Normal ![]() Sherwood Anderson: Collected Stories: Winesburg, Ohio / The Triumph of the Egg / Horses and Men / Death in the Woods / Uncollected Stories ![]() Omer Pasha Latas: Marshal to the Sultan ![]() Omer Pasha Latas is set in nineteenth-century Sarajevo, where Muslims and Christians live in uneasy proximity while entertaining a common resentment of faraway Ottoman rule. Omer is the seraskier, commander in chief of the Sultan’s armies, and as the book begins he arrives from Istanbul, dispatched to bring Sarajevo’s landowners to heel, a task that he accomplishes with his usual ferocity and efficiency. And yet the seraskier’s expedition to Bosnia is a time of reckoning for him as well: he was born in the Balkans, a Serb and a subject of the Austro-Hungarian Empire, a bright boy who escaped his father’s financial disgrace by running away and converting to Islam. Now, at the height of his power, he heads an army of misfits, adventurers, and outcasts from across Europe and Asia, and yet wherever he goes he remains a stranger. Ivo Andrić, who won the Nobel Prize in 1961, is a spellbinding storyteller and a magnificent stylist, and here, in his final novel, he surrounds his enigmatic central figure with many vivid and fascinating minor characters, lost souls and hopeless dreamers all, in a world that is slowly sliding towards disaster. Omer Pasha Latas combines the leisurely melancholy of Joseph Roth’s The Radetzky March with the stark fatalism of an old ballad. The Bridge on the Drina ![]() "No better introduction to the study of Balkan and Ottoman history exists, nor do I know of any work of fiction that more persuasively introduces the reader to a civilization other than our own. It is an intellectual and emotional adventure to encounter the Ottoman world through Andric's pages in its grandiose beginning and at its tottering finale. It is, in short, a marvelous work, a masterpiece, and very much sui generis. . . . Andric's sensitive portrait of social change in distant Bosnia has revelatory force."—William H. McNeill, from the introduction "The dreadful events occurring in Sarajevo over the past several months turn my mind to a remarkable historical novel from the land we used to call Yugoslavia, Ivo Andric's The Bridge on the Drina."—John M. Mohan, Des Moines Sunday Register Born in Bosnia, Ivo Andric (1892-1975) was a distinguished diplomat and novelist. He was awarded the Nobel Prize for Literature in 1961. His books include The Damned Yard: And Other Stories, and The Days of the Consuls. All God's Children Need Traveling Shoes ![]() Even the Stars Look Lonesome ![]() The compelling wisdom and deeply felt perceptions of Maya Angelou have been cherished by millions of readers. Now, in a continuation of her bestseller Wouldn't Take Nothing for My Journey Now, she shares many of her most treasured personal experiences, reflecting on the ideas and inspirations that have touched her heart. Even the Stars Look Lonesome is a profound series of essays that explores aspects of life both big and small, with Maya Angelou serving as the unique, spellbinding guide to a powerful spiritual journey. The Heart of a Woman ![]() The Heart of a Woman is filled with unforgettable vignettes of such renowned people as Billie Holiday and Malcom X, but perhaps most importantly chronicles the joys and the burdens of a black mother in America and how the son she has cherished so intensely and worked for so devotedly finally grows to be a man. I Know Why the Caged Bird Sings ![]() Sent by their mother to their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” When she journeys at eight to her mother’s side in St. Louis, she is attacked by a man many times her age. Years later, in San Francisco, she learns about love for herself–and has to live with the consequences for a lifetime. The kindness of others, Maya’s own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful–now in a beautiful keepsake edition–I Know Why the Caged Bird Sings will touch hearts and change minds as long as people read. Letter to My Daughter ![]() Whether she is recalling lost friends such as Coretta Scott King and Ossie Davis, extolling honesty, decrying vulgarity, explaining why becoming a Christian is a “lifelong endeavor,” or simply singing the praises of a meal of red rice, Maya Angelou writes from the heart to millions of women she considers her extended family. Life Doesn't Frighten Me ![]() Singin' and Swingin' and Gettin' Merry Like Christmas ![]() Charged with Maya Angelou’s remarkable sense of life and love, Singin’ and Swingin’ and Gettin’ Merry Like Christmas is a unique celebration of the human condition–and an enthralling saga that has touched, inspired, and empowered readers worldwide. Wouldn't Take Nothing for My Journey Now ![]() Divina Trace ![]() First Italian Reader: A Dual-Language Book ![]() This is a "first reader" in the sense of its introduction to Italian literature from the 1300s to the 1920s. A solid background in Italian grammar is necessary for the fullest appreciation of the original text. The excerpts are unadulterated, not retold or simplified. Readers can sample the works of men renowned for other talents, such as Michelangelo and Galileo, and discover the original language of The Decameron, The Prince, and even Pinocchio. This self-contained anthology can be used with or without an instructor. It will thrill anyone seeking a fast-paced survey of a vital body of literature from one of the world's greatest cultural legacies. Eichmann and the Holocaust ![]() Inspired by the trial of a bureaucrat who helped cause the Holocaust, this radical work on the banality of evil stunned the world with its exploration of a regime's moral blindness and one man's insistence that he be absolved all guilt because he was 'only following orders'. HANNAH ARENDT THE FREEDOM TO BE FREE /ANGLAIS ![]() Predictably Irrational, Revised and Expanded Edition: The Hidden Forces That Shape Our Decisions ![]() When it comes to making decisions in our lives, we think we're making smart, rational choices. But are we? In this newly revised and expanded edition of the groundbreaking New York Times bestseller, Dan Ariely refutes the common assumption that we behave in fundamentally rational ways. From drinking coffee to losing weight, from buying a car to choosing a romantic partner, we consistently overpay, underestimate, and procrastinate. Yet these misguided behaviors are neither random nor senseless. They're systematic and predictable—making us predictably irrational. Orlando Furioso ![]() The Basic Works of Aristotle ![]() How to Tell a Story: An Ancient Guide to the Art of Storytelling for Writers and Readers ![]() One Swallow Does Not Make a Summer ![]() Mostly Dead Things ![]() "This book is my song of the summer." ―Parul Sehgal, The New York Times A Most Anticipated Book of 2019 at Esquire, The Week, BuzzFeed, NYLON, Bustle, HuffPost, The Boston Globe, and more. One morning, Jessa-Lynn Morton walks into the family taxidermy shop to find that her father has committed suicide, right there on one of the metal tables. Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo’s wife―and the only person Jessa’s ever been in love with―walks out without a word. As Jessa seeks out less-than-legal ways of generating income, her mother’s art escalates―picture a figure of her dead husband and a stuffed buffalo in an uncomfortably sexual pose―and the Mortons reach a tipping point. For the first time, Jessa has no choice but to learn who these people truly are, and ultimately how she fits alongside them. Kristen Arnett’s debut novel is a darkly funny, heart-wrenching, and eccentric look at loss and love. John Ashbery: Collected Poems, 1956-1987 ![]() Foundation, Foundation and Empire, Second Foundation (Everyman's Library (Cloth)) ![]() It is the saga of the Galactic Empire, crumbling after twelve thousand years of rule. And it is the particular story of psychohistorian Hari Seldon, the only man who can see the horrors the future has in store—a dark age of ignorance, barbarism, and violence that will last for thirty thousand years. Gathering a band of courageous men and women, Seldon leads them to a hidden location at the edge of the galaxy, where he hopes they can preserve human knowledge and wisdom through the age of darkness. In 1966, the Foundation trilogy received a Hugo Award for Best All-Time Series, and it remains the only fiction series to have been so honored. More than fifty years after their original publication, the three Foundation novels stand as classics of thrilling, provocative, and inspired world-building. In Joy Still Felt: The Autobiography of Isaac Asimov, 1954-1978 ![]() In Memory Yet Green: The Autobiography of Isaac Asimov, 1920-1954 ![]() The Collected Stories of Machado de Assis ![]() Widely acclaimed as the progenitor of twentieth-century Latin American fiction, Machado de Assis (1839–1908)―the son of a mulatto father and a washerwoman, and the grandson of freed slaves―was hailed in his lifetime as Brazil’s greatest writer. His prodigious output of novels, plays, and stories rivaled contemporaries like Chekhov, Flaubert, and Maupassant, but, shockingly, he was barely translated into English until 1963 and still lacks proper recognition today. Drawn to the master’s psychologically probing tales of fin-de-siecle Rio de Janeiro, a world populated with dissolute plutocrats, grasping parvenus, and struggling spinsters, acclaimed translators Margaret Jull Costa and Robin Patterson have now combined Machado’s seven short-story collections into one volume, featuring seventy-six stories, a dozen appearing in English for the first time. Born in the outskirts of Rio, Machado displayed a precocious interest in books and languages and, despite his impoverished background, miraculously became a well-known intellectual figure in Brazil’s capital by his early twenties. His daring narrative techniques and coolly ironic voice resemble those of Thomas Hardy and Henry James, but more than either of these writers, Machado engages in an open playfulness with his reader―as when his narrator toys with readers’ expectations of what makes a female heroine in “Miss Dollar,” or questions the sincerity of a slave’s concern for his dying master in “The Tale of the Cabriolet.” Predominantly set in the late nineteenth-century aspiring world of Rio de Janeiro―a city in the midst of an intense transformation from colonial backwater to imperial metropolis―the postcolonial realism of Machado’s stories anticipates a dominant theme of twentieth-century literature. Readers witness the bourgeoisie of Rio both at play, and, occasionally, attempting to be serious, as depicted by the chief character of “The Alienist,” who makes naively grandiose claims for his Brazilian hometown at the expense of the cultural capitals of Europe. Signifiers of new wealth and social status abound through the landmarks that populate Machado’s stories, enlivening a world in the throes of transformation: from the elegant gardens of Passeio Público and the vibrant Rua do Ouvidor―the long, narrow street of fashionable shops, theaters and cafés, “the Via Dolorosa of long-suffering husbands”―to the port areas of Saúde and Gamboa, and the former Valongo slave market. One of the greatest masters of the twentieth century, Machado reveals himself to be an obsessive collector of other people’s lives, who writes: “There are no mysteries for an author who can scrutinize every nook and cranny of the human heart.” Now, The Collected Stories of Machado de Assis brings together, for the first time in English, all of the stories contained in the seven collections published in his lifetime, from 1870 to 1906. A landmark literary event, this majestic translation reintroduces a literary giant who must finally be integrated into the world literary canon. 6 illustratoins; Map Dom Casmurro: A Novel ![]() The Alienist ![]() Brilliant physician Simão Bacamarte sacrifices a prestigious career to return home and dedicate himself to the budding field of psychology. Bacamarte opens the first asylum in Brazil hoping to crown himself and his hometown with “imperishable laurels.” But the doctor begins to see signs of insanity in more and more of his neighbors. . . . With dark humor and sparse prose, The Alienist lets the reader ponder who is really crazy. *** This is a Hybrid Book. Melville House HybridBooks combine print and digital media into an enhanced reading experience by including with each title additional curated material called Illuminations — maps, photographs, illustrations, and further writing about the author and the book. The Melville House Illuminations are free with the purchase of any title in the HybridBook series, no matter the format. Purchasers of the print version can obtain the Illuminations for a given title simply by scanning the QR code found in the back of each book, or by following the url also given in the back of the print book, then downloading the Illumination in whatever format works best for you. Purchasers of the digital version receive the appropriate Illuminations automatically as part of the ebook edition. Epitaph of a Small Winner ![]() The Looking-Glass: Essential Stories ![]() The Handmaid's Tale ![]() A gripping vision of our society radically overturned by a theocratic revolution, Margaret Atwood’s The Handmaid's Tale has become one of the most powerful and most widely read novels of our time. Offred is a Handmaid in the Republic of Gilead, serving in the household of the enigmatic Commander and his bitter wife. She may go out once a day to markets whose signs are now pictures because women are not allowed to read. She must pray that the Commander makes her pregnant, for in a time of declining birthrates her value lies in her fertility, and failure means exile to the dangerously polluted Colonies. Offred can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name. Now she navigates the intimate secrets of those who control her every move, risking her life in breaking the rules. Like Aldous Huxley’s Brave New World and George Orwell’s Nineteen Eighty-Four, The Handmaid's Tale has endured not only as a literary landmark but as a warning of a possible future that is still chillingly relevant. Paper Boat: New and Selected Poems: 1961-2023 ![]() The Testaments: The Sequel to The Handmaid's Tale ![]() Margaret Atwood's dystopian masterpiece, The Handmaid's Tale, has become a modern classic—and now she brings the iconic story to a dramatic conclusion in this riveting sequel. More than fifteen years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results. Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third voice: a woman who wields power through the ruthless accumulation and deployment of secrets. As Atwood unfolds The Testaments, she opens up the innermost workings of Gilead as each woman is forced to come to terms with who she is, and how far she will go for what she believes. The Patrick Melrose Novels: Never Mind, Bad News, Some Hope, Mother's Milk, At Last ![]() Collected Poems ![]() This volume includes all the poems that Auden wished to preserve, in a text that includes his final revisions, with corrections based on the latest research. Auden divided his poems into sections that corresponded to what he referred to as chapters in his life, each one beginning with a change in his inner life or external circumstances: the moment in 1933 when he first knew “exactly what it means to love one’s neighbor as oneself”; his move from Britain to America in 1939; his first summer in Italy in 1948; his move to a summerhouse in Austria in 1958; and his return to England in 1972. Auden’s work has perhaps the widest range and the greatest depth of any English poet of the past three centuries. From the anxious warnings of his early verse through the expansive historical perspectives of his middle years to the celebrations and thanksgiving in his later work, Auden wrote in a voice that addressed readers personally rather than as part of a collective audience. His styles and forms extend from ballads and songs to haiku and limericks to sonnets, sestinas, prose poems, and dozens of other constructions of his own invention. His tone ranges from spirited comedy to memorable profundity–often within the same work. His poems manage to be secular and sacred, philosophical and erotic, personal and universal. “All the poems I have written were written for love,” Auden once said. This book includes his famous early poems about transient love (“Lay your sleeping head, my love,” “Stop all the clocks, cut off the telephone”) and his later poems about enduring love (“In Sickness and in Health,” “First Things First”). The book also includes Auden’s longer, more thematically varied poems, from the expressionist charade “Paid on Both Sides” to the formal couplets of “New Year Letter”; the darkly comic sequel to The Tempest, “The Sea and the Mirror”; and a baroque eclogue set in a wartime bar, “The Age of Anxiety.” This new edition includes a critical appreciation of Auden by Edward Mendelson, the editor of the present volume and Auden’s literary executor. “W. H. Auden had the greatest gifts of any of our poets in the twentieth century, the greatest lap full of seed.” –James Fenton, The New York Review of Books “At the beginning of the new century, [Auden] is an indispensable poet. Even people who don’t read poems often turn to poetry at moments when it matters, and Auden matters now.” –Adam Gopnik, The New Yorker The Complete Works of W. H. Auden: Poems, Volume I: 1927–1939 ![]() The Complete Works of W. H. Auden: Poems, Volume II: 1940–1973 ![]() Lectures on Shakespeare ![]() Nobody can accuse Auden of parroting the party line on this greatest of English writers. In one of the nuttier moments in the lecture series, in fact, he expressed his distaste for The Merry Wives of Windsor by declining to say a word about it—instead he simply played a recording of Verdi's Falstaff for the perplexed audience. Elsewhere his tendency was to view Shakespeare's creations as flesh-and-blood characters rather than poetic constructs: "If Antony and Cleopatra have a more tragic fate than we do, that is because they are far more successful than we are, not because they are essentially different." He's harder pressed to locate any success stories in Julius Ceasar: the protagonist strikes him as a fading despot, Octavius is "a very cold fish," and Cassius "a choleric man—a General Patton." And sometimes, as in this discussion of Falstaff's role in the double-decker Henry IV, Auden spins off his own freestanding riffs, which amount to short prose poems on Shakespearean themes: A fat man looks like a cross between a very young child and a pregnant mother. The Greeks thought of Narcissus as a slender youth, but I think they were wrong. I see him as a middle-aged man with a corporation, for, however ashamed he may be of displaying it in public, in private a man with a belly loves it dearly—it may be an unprepossessing child to look at, but he's borne it all by himself. Auden would return to the Bard's terrain many times in his career, most notably in "The Sea and the Mirror." But for sheer penetration and puckish humor, Lectures on Shakespeare is hard to beat, and demonstrates that for all their differences, both the speaker and his subject had a crucial thing in common—what Auden calls "a fabulously good taste for words." —James Marcus The Dyer's Hand ![]() Auden: Poems (Everyman's Library Pocket Poets) ![]() Mimesis: The Representation of Reality in Western Literature ![]() A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote Mimesis, publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive—and impassioned—response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, Mimesis is among the finest works of literary criticism ever written. This Princeton Classics edition includes a substantial introduction by Edward Said as well as an essay in which Auerbach responds to his critics. The Confessions ![]() As Augustine explains how, when, and why he became the man he is, he probes the great themes that others were to explore after himCfaith, time, truth, identity, and self-understanding—with a richness of detail unmatched in ancient literature. Dense with vivid portrayals of friends, family, colleagues, and enemies, The Confessions chronicles the passage from a life of sensuality and superstition to a genuine spiritual awakening—in a powerful narrative of one man's inner education that continues to shape the way we think and act today. (Book Jacket Status: Not Jacketed) Meditations (Everyman's Library (Cloth)) ![]() Persuasion ![]() Of all Jane Austen’s great and delightful novels, Persuasion is widely regarded as the most moving. It is the story of a second chance. Anne Elliot, daughter of the snobbish, spendthrift Sir Walter Elliot, is a woman of quiet charm and deep feelings. When she was nineteen, she fell in love with–and was engaged to–a naval officer, the fearless and headstrong Captain Wentworth. But the young man had no fortune, and Anne allowed herself to be persuaded, against her profoundest instinct, to give him up.Now, at twenty-seven, and believing that she has lost her bloom, Anne is startled to learn that Captain Wentworth has returned to the neighborhood, a rich man and still unwed. Her never-diminished love is muffled by her pride. He seems cold and unforgiving. Even worse, he appears to be infatuated by the flighty and pretty Louisa Musgrove. What happens as Anne and Wentworth are thrown together in the social world of Bath–and as an eager new suitor appears for Anne–is touchingly and wittily told in a masterpiece that is also one of the most entrancing novels in the English language. Pride and Prejudice (Everyman's Library) ![]() Sense and Sensibility ![]() Crime and Punishment ![]() The Interior Castle ![]() Language, Truth and Logic ![]() Eve's Hollywood ![]() Journalist, party girl, bookworm, artist, muse: by the time she’d hit thirty, Eve Babitz had played all of these roles. Immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha’s Five 1965 Girlfriends, Babitz’s first book showed her to be a razor-sharp writer with tales of her own. Eve’s Hollywood is an album of vivid snapshots of Southern California’s haute bohemians, of outrageously beautiful high-school ingenues and enviably tattooed Chicanas, of rock stars sleeping it off at the Chateau Marmont. And though Babitz’s prose might appear careening, she’s in control as she takes us on a ride through an LA of perpetual delight, from a joint serving the perfect taquito, to the corner of La Brea and Sunset where we make eye contact with a roller-skating hooker, to the Watts Towers. This “daughter of the wasteland” is here to show us that her city is no wasteland at all but a glowing landscape of swaying fruit trees and blooming bougainvillea, buffeted by earthquakes and the Santa Ana winds—and every bit as seductive as she is. I Used to Be Charming: The Rest of Eve Babitz ![]() With Eve’s Hollywood Eve Babitz lit up the scene in 1974. The books that followed, among them Slow Days, Fast Company and Sex and Rage, have seduced generations of readers with their unfailing wit and impossible glamour. What is less well known is that Babitz was a working journalist for the better part of three decades, writing for the likes of Rolling Stone, Vogue, and Esquire, as well as for off-the-beaten-path periodicals like Wet: The Magazine of Gourmet Bathing and Francis Ford Coppola’s short-lived City. Whether profiling Hollywood darlings, getting to the bottom of health crazes like yoga and acupuncture, remembering friends and lovers from her days hobnobbing with rock stars at the Troubadour and art stars at the Ferus Gallery, or writing about her beloved, misunderstood hometown, Los Angeles, Babitz approaches every assignment with an energy and verve that is all her own. I Used to Be Charming gathers nearly fifty pieces written between 1975 and 1997, including the full text of Babitz’s wry book-length investigation into the pioneering lifestyle brand Fiorucci. The title essay, published here for the first time, recounts the accident that came close to killing her in 1996; it reveals an uncharacteristically vulnerable yet never less than utterly charming Babitz. Slow Days, Fast Company: The World, The Flesh, and L.A. ![]() Il Gabbiano Jonathan Livingston ![]() Complete Essays ![]() Evidence of Things Not Seen ![]() The Fire Next Time; Nobody Knows My Name; No Name in the Street; The Devil Finds Work: Introduction by Eddie S. Glaude Jr. ![]() Giovanni's Room ![]() Giovanni's Room ![]() Giovanni's Room ![]() Go Tell It on the Mountain ![]() James Baldwin : Collected Essays : Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays ![]() James Baldwin: Early Novels and Stories: Go Tell It on a Mountain / Giovanni's Room / Another Country / Going to Meet the Man ![]() James Baldwin: Later Novels: Tell Me How Long the Train's Been Gone / If Beale Street Could Talk / Just Above My Head: ![]() Little Man, Little Man: A Story of Childhood ![]() Now available for the first time in forty years, this new edition of Little Man, Little Man—which retains the charming original illustrations by French artist Yoran Cazac—includes a foreword by Baldwin’s nephew Tejan "TJ" Karefa-Smart and an afterword by his niece Aisha Karefa-Smart, with an introduction by two Baldwin scholars. In it we not only see life in 1970s Harlem from a black child’s perspective, but we also gain a fuller appreciation of the genius of one of America’s greatest writers. Census ![]() The New York Times • The Chicago Reader • Nylon • The Boston Globe • The Huffington Post • The Rumpus • The AV Club • Southern Living • The Millions • Buzzfeed A powerful and moving new novel from an award-winning, acclaimed author: in the wake of a devastating revelation, a father and son journey north across a tapestry of towns When a widower receives notice from a doctor that he doesn’t have long left to live, he is struck by the question of who will care for his adult son—a son whom he fiercely loves, a boy with Down syndrome. With no recourse in mind, and with a desire to see the country on one last trip, the man signs up as a census taker for a mysterious governmental bureau and leaves town with his son. Traveling into the country, through towns named only by ascending letters of the alphabet, the man and his son encounter a wide range of human experience. While some townspeople welcome them into their homes, others who bear the physical brand of past censuses on their ribs are wary of their presence. When they press toward the edges of civilization, the landscape grows wilder, and the towns grow farther apart and more blighted by industrial decay. As they approach “Z,” the man must confront a series of questions: What is the purpose of the census? Is he complicit in its mission? And just how will he learn to say good-bye to his son? Mysterious and evocative, Census is a novel about free will, grief, the power of memory, and the ferocity of parental love, from one of our most captivating young writers. The Girl with the Golden Eyes ![]() The Human Comedy: Selected Stories ![]() Characters from every corner of society and all walks of life—lords and ladies, businessmen and military men, poor clerks, unforgiving moneylenders, aspiring politicians, artists, actresses, swindlers, misers, parasites, sexual adventurers, crackpots, and more—move through the pages of The Human Comedy, Balzac’s multivolume magnum opus, an interlinked chronicle of modernity in all its splendor and squalor. The Human Comedy includes the great roomy novels that have exercised such a sway over Balzac’s many literary inheritors, from Dostoyevsky and Henry James to Marcel Proust; it also contains an array of short fictions in which Balzac is at his most concentrated and forceful. Nine of these, all newly translated, appear in this volume, and together they provide an unequaled overview of a great writer’s obsessions and art. Here are “The Duchesse de Langeais,” “A Passion in the Desert,” and “Sarrasine”; tales of madness, illicit passion, ill-gotten gains, and crime. What unifies them, Peter Brooks points out in his introduction, is an incomparable storyteller’s fascination with the power of storytelling, while throughout we also detect what Proust so admired: the “mysterious circulation of blood and desire.” The Human Comedy: Selected Stories ![]() Characters from every corner of society and all walks of life—lords and ladies, businessmen and military men, poor clerks, unforgiving moneylenders, aspiring politicians, artists, actresses, swindlers, misers, parasites, sexual adventurers, crackpots, and more—move through the pages of The Human Comedy, Balzac’s multivolume magnum opus, an interlinked chronicle of modernity in all its splendor and squalor. The Human Comedy includes the great roomy novels that have exercised such a sway over Balzac’s many literary inheritors, from Dostoyevsky and Henry James to Marcel Proust; it also contains an array of short fictions in which Balzac is at his most concentrated and forceful. Nine of these, all newly translated, appear in this volume, and together they provide an unequaled overview of a great writer’s obsessions and art. Here are “The Duchesse de Langeais,” “A Passion in the Desert,” and “Sarrasine”; tales of madness, illicit passion, ill-gotten gains, and crime. What unifies them, Peter Brooks points out in his introduction, is an incomparable storyteller’s fascination with the power of storytelling, while throughout we also detect what Proust so admired: the “mysterious circulation of blood and desire.” Old Goriot (Everyman's Library (Cloth)) ![]() Rastignac is appalled at first by the greed and corruption he finds in Paris, but he soon sets his sights on conquering high society. He joins forces with the array of schemers who surround him, while the suffering, self-sacrificing Goriot yearns in vain for his daughters’ love. The sprawling, vibrant, and turbulent Paris of the post-Napoleonic era is itself a major character in the novel, an emblem of the social upheaval that Balzac portrays so brilliantly. Old Goriot was the first of Balzac’s novels to employ his famous technique of recurring characters, and it has come to be seen as the keystone in his grand project, The Human Comedy. Translated by Ellen Marriage (Book Jacket Status: Not Jacketed) Eugenie Grandet ![]() The Lily in the Valley ![]() The Unknown Masterpiece ![]() Terminal Paradox: The Novels of Milan Kundera ![]() Ancient Light ![]() Is there any difference between memory and invention? That is the question that fuels this stunning novel, written with the depth of character, the clarifying lyricism and the sly humor that have marked all of John Banville’s extraordinary works. And it is the question that haunts Alexander Cleave, an actor in the twilight of his career and of his life, as he plumbs the memories of his first—and perhaps only—love (he, fifteen years old, the woman more than twice his age, the mother of his best friend; the situation impossible, thrilling, devouring and finally devastating) . . . and of his daughter, lost to a kind of madness of mind and heart that Cleave can only fail to understand. When his dormant acting career is suddenly, inexplicably revived with a movie role portraying a man who may not be who he says he is, his young leading lady—famous and fragile—unwittingly gives him the opportunity to see with aching clarity the “chasm that yawns between the doing of a thing and the recollection of what was done.” Ancient Light is a profoundly moving meditation on love and loss, on the inscrutable immediacy of the past in our present lives, on how invention shapes memory and memory shapes the man. It is a book of spellbinding power and pathos from one of the greatest masters of prose at work today. April in Spain: A Novel ![]() Athena ![]() The Blue Guitar: A novel ![]() Equally self-aggrandizing and self-deprecating, our narrator, Oliver Otway Orme (“O O O. An absurdity. You could hang me over the door of a pawnshop”), is a painter of some renown and a petty thief who has never before been caught and steals only for pleasure. Both art and the art of thievery have been part of his “endless effort at possession,” but now he’s pushing fifty, feels like a hundred, and things have not been going so well. Having recognized the “man-killing crevasse” that exists between what he sees and any representation he might make of it, he has stopped painting. And his last act of thievery—the last time he felt its “secret shiver of bliss”—has been discovered. The fact that the purloined possession was the wife of the man who was, perhaps, his best friend has compelled him to run away—from his mistress, his home, his wife; from whatever remains of his impulse to paint; and from a tragedy that has long haunted him—and to sequester himself in the house where he was born. Trying to uncover in himself the answer to how and why things have turned out as they have, excavating memories of family, of places he has called home, and of the way he has apprehended the world around him (“one of my eyes is forever turning towards the world beyond”), Olly reveals the very essence of a man who, in some way, has always been waiting to be rescued from himself. Book of Evidence ![]() The Book of Evidence, The Sea (Everyman's Library (Cloth)) ![]() The Book of Evidence is a brilliantly disturbing portrait of an improbable murderer. Freddie Montgomery is an aimless, eccentric, and highly cultured man whose arrest for the murder of a servant girl prompts him to offer the reader an extended testimony. However, the evidence Freddie offers is not of his innocence, but of his life—of the circumstances that led to and (in his chillingly amoral mind) justified his grisly crime. Hauntingly reminiscent of Camus, Dostoevsky, and Nabokov, The Book of Evidence is among the most darkly compelling novels in international literature. The Sea follows retired art historian Max Morden to the seaside town where he spent his childhood summers. Max is grieving the loss of his wife, Anna, but returning to the seaside brings back intense memories of the wealthy and mysterious family in whose presence he had first learned about love and loss. Banville’s exploration of the unpredictable power of memory—a force as treacherous as the sea that pulses through the story. What Max comes to understand about the past, and about its indelible effects on him—is at the center of this elegiac, vividly dramatic, beautifully written novel. The Drowned: From award-winning author John Banville, a searing literary thriller: Detective Inspector Strafford and pathologist Quirke team up again ![]() Eclipse ![]() Ghosts ![]() The Infinities ![]() But the Godley family is not alone in their vigil. Around them hovers a family of mischievous immortals—among them, Zeus, who has his eye on young Adam’s wife; Pan, who has taken the doughy, perspiring form of an old unwelcome acquaintance; and Hermes, who is the genial and omniscient narrator: “We too are petty and vindictive,” he tells us, “just like you, when we are put to it.” As old Adam’s days on earth run down, these unearthly beings start to stir up trouble, to sometimes wildly unintended effect. . . . Blissfully inventive and playful, rich in psychological insight and sensual detail, The Infinities is at once a gloriously earthy romp and a wise look at the terrible, wonderful plight of being human—a dazzling novel from one of the most widely admired and acclaimed writers at work today. The Lock-Up: A Novel ![]() Marlowe ![]() Mrs. Osmond: A novel ![]() Isabel Archer is a young American woman, swept off to Europe in the late nineteenth century by an aunt who hopes to round out the impetuous but naïve girl's experience of the world. When Isabel comes into a large, unexpected inheritance, she is finagled into a marriage with the charming, penniless, and—as Isabel finds out too late—cruel and deceitful Gilbert Osmond, whose connection to a certain Madame Merle is suspiciously intimate. On a trip to England to visit her cousin Ralph Touchett on his deathbed, Isabel is offered a chance to free herself from the marriage, but nonetheless chooses to return to Italy. Banville follows James's story line to this point, but Mrs. Osmond is thoroughly Banville's own: the narrative inventiveness; the lyrical precision and surprise of his language; the layers of emotional and psychological intensity; the subtle, dark humor. And when Isabel arrives in Italy—along with someone else!—the novel takes off in directions that James himself would be thrilled to follow. Shroud ![]() The Singularities: A novel ![]() Snow: A Novel ![]() Time Pieces: A Dublin Memoir ![]() As much about the life of the city as it is about a life lived, sometimes, in the city, John Banville's "quasi-memoir" is as layered, emotionally rich, witty, and unexpected as any of his novels. Born and bred in a small town a train ride away from Dublin, Banville saw the city as a place of enchantment when he was a child, a birthday treat, the place where his beloved, eccentric aunt lived. And though, when he came of age and took up residence there, and the city became a frequent backdrop for his dissatisfactions (not playing an identifiable role in his work until the Quirke mystery series, penned as Benjamin Black), it remained in some part of his memory as fascinating as it had been to his seven-year-old self. And as he guides us around the city, delighting in its cultural, architectural, political, and social history, he interweaves the memories that are attached to particular places and moments. The result is both a wonderfully idiosyncratic tour of Dublin, and a tender yet powerful ode to a formative time and place for the artist as a young man. The Untouchable ![]() The Elegance of the Hedgehog ![]() We are in the center of Paris, in an elegant apartment building inhabited by bourgeois families. Renée, the concierge, is witness to the lavish but vacuous lives of her numerous employers. Outwardly she conforms to every stereotype of the concierge: fat, cantankerous, addicted to television. Yet, unbeknownst to her employers, Renée is a cultured autodidact who adores art, philosophy, music, and Japanese culture. With humor and intelligence she scrutinizes the lives of the buildings tenants, who for their part are barely aware of her existence. Then theres Paloma, a twelve-year-old genius. She is the daughter of a tedious parliamentarian, a talented and startlingly lucid child who has decided to end her life on the sixteenth of June, her thirteenth birthday. Until then she will continue behaving as everyone expects her to behave: a mediocre pre-teen high on adolescent subculture, a good but not an outstanding student, an obedient if obstinate daughter. Paloma and Renée hide both their true talents and their finest qualities from a world they suspect cannot or will not appreciate them. They discover their kindred souls when a wealthy Japanese man named Ozu arrives in the building. Only he is able to gain Palomas trust and to see through Renées timeworn disguise to the secret that haunts her. This is a moving, funny, triumphant novel that exalts the quiet victories of the inconspicuous among us. A Heavy Feather ![]() Nightwood ![]() Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (TLS). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936. Arthur & George ![]() In the vast expanse of late-Victorian Britain, two boys come to life: George, the son of a Midlands vicar, and Arthur, in shabby genteel Edinburgh, both of them feeling at once near to and impossibly distant from the beating heart of Empire. One falls prey to a series of pranks en route to a legal vocation, while the other studies medicine before discovering a different calling entirely, and it is years before their destinies are entwined in a mesmerizing alliance. We follow each through outrageous accusation and unrivaled success, through faith and perseverance and dogged self-recrimination, whether in the dock awaiting complete disgrace or at the height of fame while desperately in love with a woman not his wife, and gradually realize that George is half-Indian and that Arthur becomes the creator of the world’s most famous detective. Ranging from London clubs to teeming prisons, from a lost century to the modern age, this novel is a panoramic revelation of things we thought we knew or else had no clue of, as well as a gripping exploration of what goals drive us toward whatever lies in wait–an experience resounding with issues, no less relevant today, of crime and spirituality; of identity and nationality; of what we think, what we believe and what we can prove. Intriguing, relentless and, most of all, moving, Arthur & George richly extends the reach and achievement of a novelist described by the Philadelphia Inquirer as “a dazzling mind in mercurial flight.” Before She Met Me ![]() Changing My Mind ![]() Cross Channel ![]() "Barnes is a witty, playful and ironic writer at the top of his form...Cross Channel is in the best sense an artful book."—San Francisco Chronicle "Fluently written, finely observed...delicately patterned."—New York Times Elizabeth Finch: A novel ![]() England, England ![]() Flaubert's Parrot ![]() Flaubert's Parrot; A History of the World in 10 1/2 Chapters (Everyman's Library (Cloth)) ![]() Flaubert's Parrot, Julian Barnes's breakthrough book—shortlisted for the Booker Prize in 1984—is the story of Geoffrey Braithwaite, a retired doctor who is obsessed with the French author and with tracking down a stuffed parrot that once inspired him. Barnes playfully combines a literary detective story with a character study of its detective, embedded in a brilliant riff on literary genius. A History of the World in 10 1/2 Chapters is a mix of fictional and historical narratives of voyage and discovery—ranging from a woodworm's perspective on Noah's ark to a survivor from the sinking of the Titanic—that question our ideas of history. One of his most inventive works, it was praised by Salman Rushdie as "frequently brilliant, funny, thoughtful, iconoclastic, and a delight to read." A History of the World in 10 1/2 Chapters ![]() Keeping an Eye Open: Essays on Art ![]() As Julian Barnes notes: “Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting . . . But it is a rare picture that stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.” This is the exact dynamic that informs his new book. In his 1989 novel A History of the World in 10½ Chapters, Barnes had a chapter on Géricault’s The Raft of the Medusa, and since then he has written about many great masters of nineteenth- and twentieth-century art, including Delacroix, Manet, Fantin-Latour, Cézanne, Degas, Redon, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Lucian Freud and Howard Hodgkin. The seventeen essays gathered here help trace the arc from Romanticism to Realism and into Modernism; they are adroit, insightful and, above all, a true pleasure to read. Letters from London ![]() Levels of Life ![]() Levels of Life is a book about ballooning, photography, love and loss; about putting two things, and two people, together, and about tearing them apart. One of the judges who awarded Barnes the 2011 Booker Prize described him as “an unparalleled magus of the heart.” This book confirms that opinion. “Spare and beautiful...a book of rare intimacy and honesty about love and grief. To read it is a privilege. To have written it is astonishing.” —Ruth Scurr, The Times of London “A remarkable narrative that is as raw in its emotion as it is characteristically elegant in its execution.” —Eileen Battersby, The Irish Times Love, etc. ![]() From such questions, and using all the surprising, sophisticated ingredients of a delightful farce, Julian Barnes has created a tragicomedy of human frailties and needs. Love, etc. stars three characters introduced a decade ago in Talking It Over—to which this novel has an eerie, freestanding relation. Which is precisely how Stuart feels toward Gillian, his wife before his witty, feckless, former best friend Oliver stole her away. True, he did make a fuss at their subsequent wedding, and spied on them in their French village; but he was agreeable about the divorce, moved to America, remarried briefly, prospered, then returned to London shortly after Oliver and Gillian, avec les enfants, did. Meanwhile, Oliver’s artistic ambitions have turned to ashes in his mouth, so it’s Gillian supporting the household—until Stuart rejoins them. What transpires to further complicate the situation doesn’t bear repeating, especially as the three principals (along with many others) are allowed to speak directly to the reader, to whisper their secrets and argue their own particular versions of what actually happened, and why. Indeed, emerging from this crux are a number of truths we all live by: faith and generosity, trust and commitment, toward ourselves and our loved ones; or, absent those, banality and even brutality. Every bit as funny and intelligent as anything Julian Barnes has written, Love, etc. is also fabulously engaging, powerfully dramatic, and profoundly unsettling. The Man in the Red Coat ![]() Metroland ![]() The Noise of Time ![]() Nothing to Be Frightened Of ![]() If the fear of death is “the most rational thing in the world,” how does one contend with it? An atheist at twenty, an agnostic at sixty, Barnes looks into the various arguments for and against and with God, and at the bloodline whose archivist, following his parents’ death, he has become—another realm of mystery, wherein a drawer of mementos and his own memories (not to mention those of his philosopher brother) often fail to connect. There are other ancestors, too: the writers—“most of them dead, and quite a few of them French”—who are his daily companions, supplemented by composers and theologians and scientists whose similar explorations are woven into this account with an exhilarating breadth of intellect and felicity of spirit. Deadly serious, masterfully playful, and surprisingly hilarious, Nothing to Be Frightened Of is a riveting display of how this supremely gifted writer goes about his business and a highly personal tour of the human condition and what might follow the final diagnosis. The Pedant in the Kitchen ![]() The Porcupine ![]() Pulse: Stories ![]() From an imperial capital in the eighteenth century to Garibaldi’s adventures in the nineteenth, from the vineyards of Italy to the English seaside in our time, he finds the “stages, transitions, arguments” that define us. A newly divorced real estate agent can’t resist invading his reticent girlfriend’s privacy, but the information he finds reveals only his callously shallow curiosity. A couple come together through an illicit cigarette and a song shared over the din of a Chinese restaurant. A widower revisiting the Scottish island he’d treasured with his wife learns how difficult it is to purge oneself of grief. And throughout, friends gather regularly at dinner parties and perfect the art of cerebral, sometimes bawdy banter about the world passing before them. Whether domestic or extraordinary, each story pulses with the resonance, spark, and poignant humor for which Barnes is justly heralded. The Sense of an Ending ![]() This intense new novel follows a middle-aged man as he contends with a past he has never much thought about—until his closest childhood friends return with a vengeance, one of them from the grave, another maddeningly present. Tony Webster thought he’d left all this behind as he built a life for himself, and by now his marriage and family and career have fallen into an amicable divorce and retirement. But he is then presented with a mysterious legacy that obliges him to reconsider a variety of things he thought he’d understood all along, and to revise his estimation of his own nature and place in the world. A novel so compelling that it begs to be read in a single sitting, with stunning psychological and emotional depth and sophistication, The Sense of an Ending is a brilliant new chapter in Julian Barnes’s oeuvre. Something to Declare: Essays on France and French Culture ![]() Staring at the Sun ![]() Talking It Over ![]() Through the Window: Seventeen Essays and a Short Story ![]() In these seventeen essays (plus a short story and a special preface, “A Life with Books”), Julian Barnes examines the British, French and American writers who have shaped his writing, as well as the cross-currents and overlappings of their different cultures. From the deceptiveness of Penelope Fitzgerald to the directness of Hemingway, from Kipling’s view of France to the French view of Kipling, from the many translations of Madame Bovary to the fabulations of Ford Madox Ford, from the National Treasure status of George Orwell to the despair of Michel Houellebecq, Julian Barnes considers what fiction is, and what it can do. As he writes, “Novels tell us the most truth about life: what it is, how we live it, what it might be for, how we enjoy and value it, and how we lose it.” The Lemon Table : Stories ![]() “Life is just a premature reaction to death,” was what Viv’s husband used to say. Once her lover and friend, he is now Viv’s semi-helpless charge, who is daily sinking ever deeper into dementia. In “Appetite,” Viv has found a way to reach her husband: by reading aloud snippets of recipe books until he calls out indelible — and sometimes unfortunate — scenes locked away in his brain. In “The Things You Know,” two elderly friends enjoy their monthly breakfast meetings that neither would ever think of missing. Of course, all they really have in common is a fondness for flat suede shoes and a propensity for thinking spiteful, unspoken thoughts about one another’s dead husbands. “The Fruit Cage” is narrated by a middle-aged man whose seemingly orderly upbringing is harrowingly undone when he discovers that his parents’ old age is not necessarily a time of serenity but actually an age of aroused, perhaps violent, passions. In these stories, Julian Barnes displays the erudition, wit and uncanny insight into the human mind that mark him as one of today’s great writers, one whose intellect and humour never obscure a genuine affection for his characters. Klee and Kandinsky: Neighbors, Friends, Rivals ![]() they lived next door to one another, and exchanged their artistic ideas on a daily basis. This unique book explores their 30-year relationship, from the time of the Blue Rider group around 1912, to the Bauhaus years in Weimar and Dessau until the late 1930s. With the culture of the Weimar Republic as a backdrop, this book traces the eventful history of an artistic friendship. Kandinsky’s idealism is juxtaposed with Klee’s irony, and we learn that their relationship was characterized in equal measure by friendship and competitiveness, mutual influence and the need to establish distance. The focus is on the artistic dialogue they enacted through their art. They were joined by an aspiration to spiritualize art and explore its intrinsic laws. At the same time, Kandinsky’s commitment to abstraction contrasted strongly with Klee’s allegiance to natural models. Gospel: A Novel ![]() Envisioning Modernism: The Janice and Henri Lazarof Collection ![]() Dark Lies the Island ![]() * Short-listed for the Frank O'Connor Short Story Award * Winner of the Sunday Times Short Story Award * One of last year's most critically acclaimed books in the UK * A Guernica Best Book of the Year * A Library Journal "Best Indie Fiction of 2013" * Dark Lies the Island is a wickedly funny and hugely original collection of stories about misspent love and crimes gone horribly wrong. In the Sunday Times Short Story Award–winning "Beer Trip to Llandudno," a pack of middle-aged ale fanatics seeking the perfect pint find more than they bargained for. A pair of sinister old ladies prowl the countryside for a child to make their own. And a poet looking for inner calm buys an ancient inn on the west coast of Ireland but finds instead rancorous locals and catastrophic floodwaters. Kevin Barry's dazzling language, razor-sharp ear for the vernacular, and keen eye for the tragedies and comedies of daily life invest these tales with a startling vitality. Dark Lies the Island was short-listed for the Frank O'Connor International Short Story Award, and as one of the most acclaimed collections in Europe in many years, it heralds the arrival of a new master of the short story. Cruddy: A Novel ![]() The Book of Ten Nights and a Night: Eleven Stories ![]() Chimera ![]() Collected Stories ![]() This collection of Barth’s short fiction is a landmark event, bringing all of his previous collections together in one volume for the first time. Its occasion helps readers assess a remarkable lifetime’s work and represents an important chapter in the history of American literature. Dalkey Archive will reissue a number of Barth’s novels over the next few years, preserving his work for generations to come. Coming Soon!!!: A Narrative ![]() The Development ![]() Every Third Thought: A Novel in Five Seasons ![]() As the novel unfolds, so do these uncanny coincidences, and it is clear that, as ever, Barth possesses an unmatched talent in balancing his characteristic style and wit with vivid, page-turning storytelling. Final Fridays ![]() The Friday Book ![]() Further Fridays: Essays, Lectures, and Other Nonfiction, 1984 - 1994 ![]() Giles Goat-Boy ![]() The Last Voyage of Somebody the Sailor ![]() Letters: A Novel ![]() Lost in the Funhouse ![]() On With the Story: Stories ![]() Once Upon a Time: A Floating Opera ![]() Postscripts ![]() Sabbatical: A Romance ![]() Sot-Weed Factor ![]() The Floating Opera and The End of the Road ![]() The Tidewater Tales ![]() Donald Barthelme: Collected Stories (LOA #343) ![]() The Garden of the Finzi-Continis ![]() Giorgio Bassani’s acclaimed novel of unrequited love and the plight of the Italian Jews on the brink of World War II has become a classic of modern Italian literature. Made into an Academy Award—winning film in 1970, The Garden of the Finzi—Continis is a richly evocative and nostalgic depiction of prewar Italy. The narrator, a young middle-class Jew in the Italian city of Ferrara, has long been fascinated from afar by the Finzi-Continis, a wealthy and aristocratic Jewish family, and especially by their daughter Micol. But it is not until 1938 that he is invited behind the walls of their lavish estate, as local Jews begin to gather there to avoid the racial laws of the Fascists, and the garden of the Finzi-Continis becomes an idyllic sanctuary in an increasingly brutal world. Years after the war, the narrator returns in memory to his doomed relationship with the lovely Micol, and to the predicament that faced all the Ferrarese Jews, in this unforgettably wrenching portrait of a community about to be destroyed by the world outside the garden walls. Soul of the Age: A Biography of the Mind of William Shakespeare ![]() His acts being seven ages.” In this illuminating, innovative biography, Jonathan Bate, one of today’s most accomplished Shakespearean scholars, has found a fascinating new way to tell the story of the great dramatist. Using the Bard’s own immortal list of a man’s seven ages in As You Like It, Bate deduces the crucial events of Shakespeare’s life and connects them to his world and work as never before. Here is the author as an infant, born into a world of plague and syphillis, diseases with which he became closely familiar; as a schoolboy, a position he portrayed in The Merry Wives of Windsor, in which a clever, cheeky lad named William learns Latin grammar; as a lover, married at eighteen to an older woman already pregnant, perhaps presaging Bassanio, who in The Merchant of Venice won a wife who could save him from financial ruin. Here, too, is Shakespeare as a soldier, writing Henry the Fifth’s St. Crispin’s Day speech, with a nod to his own monarch Elizabeth I’s passionate addresses; as a justice, revealing his possible legal training in his precise use of the law in plays from Hamlet to Macbeth; and as a pantaloon, an early retiree because of, Bate postulates, either illness or a scandal. Finally, Shakespeare enters oblivion, with sonnets that suggest he actively sought immortality through his art and secretly helped shape his posthumous image more than anyone ever knew. Equal parts masterly detective story, brilliant literary analysis, and insightful world history, Soul of the Age is more than a superb new recounting of Shakespeare’s experiences; it is a bold and entertaining work of scholarship and speculation, one that shifts from past to present, reality to the imagination, to reveal how this unsurpassed artist came to be. Head First Java, 2nd Edition ![]() 1,000 Indian Recipes ![]() You'll discover delicious choices for dishes that make Indian food unforgettable: crispy fritters; tangy pickles; chaat snacks and salads; refreshing yogurt raitas; richly flavored curries; comforting legume (dal) dishes; creative vegetable and meat main courses and side dishes; decadent desserts; and exotic drinks. To guide your cooking, Neelam Batra provides time-and labor-saving methods, ingredient substitutions, and menu suggestions, and addresses modern health concerns without sacrificing flavor. This is a book Indian food lovers—and health-conscious eaters and vegetarians, too—can turn to for everyday meals and special occasions for years to come! The Indian Vegetarian: Flavors for the American Kitchen ![]() Praise for The Indian Vegetarian: "Congratulations to Neelam! She has written a comprehensive book on the fascinating tradition of Indian vegetarian cooking. By combining the bright palate of fruits and vegetables available to us today with her knowledge of traditional cooking techniques learned in India at her mother's knee, she has created a very fresh and appealing style of vegetarian cooking." — Viana LaPlace, author of Verdura and The Unplugged Kitchen "Ever since I first saw Neelam Batra teach a cooking class twelve years ago and tasted her food, I have been hoping she would write a book of her delicious recipes. The Indian Vegetarian was definitely worth waiting for. Neelam makes fabulous Indian cuisine accessible to busy, health-conscious cooks. If you are interested in adding wonderful vegetable dishes to your menus, you will love this book." — Faye Levy, author of Faye Levy's International Vegetable Cookbook and The New Casserole Symbols and Allegories in Art ![]() Nature’s Palette: A Color Reference System from the Natural World ![]() Baudelaire: Poems (Everyman's Library Pocket Poets) ![]() The Most Beautiful Walk in the World: A Pedestrian in Paris ![]() In this enchanting memoir, acclaimed author and long- time Paris resident John Baxter remembers his yearlong experience of giving "literary walking tours" through the city. Baxter sets off with unsuspecting tourists in tow on the trail of Paris's legendary artists and writers of the past. Along the way, he tells the history of Paris through a brilliant cast of characters: the favorite cafÉs of Ernest Hemingway, F. Scott Fitzgerald, and James Joyce; Pablo Picasso's underground Montmartre haunts; the bustling boulevards of the late-nineteenth-century flÂneurs; the secluded "Little Luxembourg" gardens beloved by Gertrude Stein; the alleys where revolutionaries plotted; and finally Baxter's own favorite walk near his home in Saint-Germain-des-PrÉs. Paris, by custom and design, is a pedestrian's city—each block a revelation, every neighborhood a new feast for the senses, a place rich with history and romance at every turn. The Most Beautiful Walk in the World is your guide, par excellence, to the true, off-the-beaten-path heart of the City of Lights. The Feud: Vladimir Nabokov, Edmund Wilson, and the End of a Beautiful Friendship ![]() In 1940, Edmund Wilson was the undisputed big dog of American letters. Vladimir Nabokov was a near-penniless Russian exile seeking asylum in the States. Wilson became a mentor to Nabokov, introducing him to every editor of note, assigning him book reviews for The New Republic, engineering a Guggenheim Fellowship. Their intimate friendship blossomed over a shared interest in all things Russian, ruffled a bit by political disagreements. But then came the worldwide best-selling novel Lolita, and the tables were turned. Suddenly Nabokov was the big (and very rich) dog. The feud finally erupted in full when Nabokov published his hugely footnoted and virtually unreadable literal translation of Pushkin’s famously untranslatable verse novel, Eugene Onegin. Wilson attacked his friend’s translation with hammer and tongs in The New York Review of Books. Nabokov counterattacked. Back and forth the increasingly aggressive letters flew, until the narcissism of small differences reduced their friendship to ashes. Alex Beam has fashioned this clash of literary titans into a delightful and irresistible book—a comic contretemps of a very high order and a poignant demonstration of the fragility of even the deepest of friendships. (With black-and-white illustrations throughout) Women & Power: A Manifesto ![]() "A modern feminist classic."―The Guardian From the internationally acclaimed classicist and New York Times best-selling author comes this timely manifesto on women and power. At long last, Mary Beard addresses in one brave book the misogynists and trolls who mercilessly attack and demean women the world over, including, very often, Mary herself. In Women & Power, she traces the origins of this misogyny to its ancient roots, examining the pitfalls of gender and the ways that history has mistreated strong women since time immemorial. As far back as Homer’s Odyssey, Beard shows, women have been prohibited from leadership roles in civic life, public speech being defined as inherently male. From Medusa to Philomela (whose tongue was cut out), from Hillary Clinton to Elizabeth Warren (who was told to sit down), Beard draws illuminating parallels between our cultural assumptions about women’s relationship to power―and how powerful women provide a necessary example for all women who must resist being vacuumed into a male template. With personal reflections on her own online experiences with sexism, Beard asks: If women aren’t perceived to be within the structure of power, isn’t it power itself we need to redefine? And how many more centuries should we be expected to wait? The Beatles Anthology ![]() What a book The Beatles Anthology is! Each page is brimming with personal stories and rare vintage images. Snapshots from their family collections take us back to the days when John Lennon, Paul McCartney, George Harrison and Richard Starkey were just boys growing up in Liverpool. They talk in turn about those early years and how they came to join the band that would make them known around the world as John, Paul, George and Ringo. Then, weaving back and forth, they tell the astonishing story of life as The Beatles: the first rough gigs, the phenomenon of their rise to fame, the musical and social change of their heyday, all the way through to their breakup. From the time Ringo tried to take this drum kit home on the bus to their much anticipated audience with Elvis, from the making of the Sgt. Pepper album to their last photo session together at John's house, The Beatles Anthology is a once-in-a-lifetime collection of The Beatles' own memories. Interwoven with these are the recollections of such associates as road manager Neil Aspinall, producer George Martin and spokesman Derek Taylor. And included in the vast array of photographs are materials from both Apple and EMI, who also opened their archives for this project. This, indeed, is the inside story, providing a wealth of previously unpublished material in both word and image. Created with their full cooperation, The Beatles Anthology is, in effect, The Beatles' autobiography. Like their music has been a part of so many of our lives, it's warm, frank, funny, poignant and bold. At last, here is The Beatles' own story. What Is Existentialism? ![]() Moby-Dick (English Library) ![]() The Hermaphrodite ![]() Song Reader ![]() Featuring original art from Marcel Dzama (who created the imagery for Beck’s acclaimed Guero), Leanne Shapton, Josh Cochran, Jessica Hische, and many more. Including an introduction by Jody Rosen (Slate, the New York Times) and a preface by Beck. Readers’ (and select musicians’) renditions of the songs will be featured on the McSweeney’s website. Many Subtle Channels: In Praise of Potential Literature ![]() An international organization of writers, artists, and scientists who embrace formal and procedural constraints to achieve literature’s possibilities, the Oulipo (the French acronym stands for “workshop for potential literature”) is perhaps best known as the cradle of Georges Perec’s novel A Void, which does not contain the letter e. Drawn to the Oulipo’s mystique, Levin Becker secured a Fulbright grant to study the organization and traveled to Paris. He was eventually offered membership, becoming only the second American to be admitted to the group. From the perspective of a young initiate, the Oulipians and their projects are at once bizarre and utterly compelling. Levin Becker’s love for games, puzzles, and language play is infectious, calling to mind Elif Batuman’s delight in Russian literature in The Possessed. In recent years, the Oulipo has inspired the creation of numerous other collectives: the OuMuPo (a collective of DJs), the OuMaPo (marionette players), the OuBaPo (comic strip artists), the OuFlarfPo (poets who generate poetry with the aid of search engines), and a menagerie of other Ou-X-Pos (workshops for potential something). Levin Becker discusses these and other intriguing developments in this history and personal appreciation of an iconic—and iconoclastic—group. Echo's Bones ![]() This little-known text is introduced by the preeminent Beckett scholar, Dr. Mark Nixon, who situates the work in terms of its biographical context and textual references, examining how it is a vital link in the evolution of Beckett's early work. Beckett confessed that he included "all I knew" in the story. It harnesses an immense range of subjects: science, philosophy, religion, literature; combining fairy tales, gothic dreams, and classical myth. This posthumous publication marks the unexpected and highly exciting return of a literary legend. Waiting for Godot: A Tragicomedy in Two Acts ![]() Molloy, Malone Dies, The Unnamable (Everyman's Library) ![]() Appleseed: A Novel ![]() In the House upon the Dirt between the Lake and the Woods ![]() This novel, from one of our most exciting young writers, is a powerful exploration of the limits of parenthood and marriage—and of what happens when a marriage’s success is measured solely by the children it produces, or else the sorrow that marks their absence. Refuse to Be Done: How to Write and Rewrite a Novel in Three Drafts ![]() Bellow: Novels 1970-1982: Mr. Sammler's Planet / Humboldt's Gift / The Dean's December ![]() It All Adds Up: From the Dim Past to the Uncertain Future ![]() Saul Bellow: Letters ![]() Saul Bellow was a dedicated correspondent until a couple of years before his death, and his letters, spanning eight decades, show us a twentieth-century life in all its richness and complexity. Friends, lovers, wives, colleagues, and fans all cross these pages. Some of the finest letters are to Bellow's fellow writers-William Faulkner, John Cheever, Philip Roth, Martin Amis, Ralph Ellison, Cynthia Ozick, and Wright Morris. Intimate, ironical, richly observant, and funny, these letters reveal the influcences at work in the man, and illuminate his enduring legacy-the novels that earned him a Nobel Prize and the admiration of the world over. Saul Bellow: Letters is a major literary event and an important edition to Bellow's incomparable body of work. Saul Bellow: Novels 1944-1953: Dangling Man, The Victim, and The Adventures of Augie March ![]() The comic tour-de-force The Adventures of Augie March (1953) introduced to American literature a startlingly original expressiveness-uninhibited, jazzy, infused with Yiddishisms and Depression-era voices. Ebullient irony bears Bellow's prose aloft. March comes of age in a Chicago bustling with characters as large and vital as the city itself, and his travels abroad lead him through love's byways and the disappointments of vanishing youth. Martin Amis calls it "the Great American Novel" for its "fantastic inclusiveness, its pluralism, its qualmless promiscuity. . . . Everything is in here." Bellow's sparer first two novels possess a more Flaubertian precision. Dangling Man (1944) penetrates the psychology of a jobless man's anxiousness as he awaits draft orders. The Victim (1947), an increasingly nightmarish story of one man's extraordinary claims on a casual acquaintance, explores our obligations to others and the unfathomable workings of chance. After a half century, Bellow's earliest novels remain as fresh, incisive, and entertaining as ever. Included in this edition are helpful notes and a chronology of the author's life. Saul Bellow: Novels 1956-1964: Seize the Day, Henderson the Rain King, Herzog ![]() Saul Bellow: Novels 1984-2000 ![]() There Is Simply Too Much to Think About: Collected Nonfiction ![]() The year 2015 marks several literary milestones: the centennial of Saul Bellow’s birth, the tenth anniversary of his death, and the publication of Zachary Leader’s much anticipated biography. Bellow, a Nobel Laureate, Pulitzer Prize winner, and the only novelist to receive three National Book awards, has long been regarded as one of America’s most cherished authors. Here, Benjamin Taylor, editor of the acclaimed Saul Bellow: Letters, presents lesser-known aspects of the iconic writer. Arranged chronologically, this literary time capsule displays the full extent of Bellow’s nonfiction, including criticism, interviews, speeches, and other reflections, tracing his career from his initial success as a novelist until the end of his life. Bringing together six classic pieces with an abundance of previously uncollected material, There Is Simply Too Much to Think About is a powerful reminder not only of Bellow’s genius but also of his enduring place in the western canon and is sure to be widely reviewed and talked about for years to come. Nest in the Bones: Stories by Antonio Benedetto ![]() The Silentiary ![]() Zama ![]() First published in 1956, Zama is now universally recognized as one of the masterpieces of modern Argentine and Spanish-language literature. Written in a style that is both precise and sumptuous, weirdly archaic and powerfully novel, Zama takes place in the last decade of the eighteenth century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunción, the capital of remote Paraguay. There, eaten up by pride, lust, petty grudges, and paranoid fantasies, he does as little as he possibly can while plotting his eventual transfer to Buenos Aires, where everything about his hopeless existence will, he is confident, be miraculously transformed and made good. Don Diego’s slow, nightmarish slide into the abyss is not just a tale of one man’s perdition but an exploration of existential, and very American, loneliness. Zama, with its stark dreamlike prose and spare imagery, is at once dense and unforeseen, terse and fateful, marked throughout by a haunting movement between sentences, paragraphs, and sections, so that every word seems to emerge from an ocean of things left unsaid. The philosophical depths of this great book spring directly from its dazzling prose. Great Ideas the Work of Art in the Age of Mechanical Reproduction ![]() Illuminations: Essays and Reflections ![]() Hannah Arendt selected the essays for this volume and introduces them with a classic essay about Benjamin's life in dark times. Also included is a new preface by Leon Wieseltier that explores Benjamin's continued relevance for our times. Reflections: Essays, Aphorisms, Autobiographical Writings ![]() The Storyteller Essays ![]() “The Storyteller” is one of Walter Benjamin’s most important essays, a beautiful and suggestive meditation on the relation between narrative form, social life, and individual existence—and the product of at least a decade’s work. What might be called the story of The Storyteller Essays starts in 1926, with a piece Benjamin wrote about the German romantic Johann Peter Hebel. It continues in a series of short essays, book reviews, short stories, parables, and even radio shows for children. This collection brings them all together to give readers a new appreciation of how Benjamin’s thinking changed and ripened over time, while including several key readings of his own—texts by his contemporaries Ernst Bloch and Georg Lukács; by Paul Valéry; and by Herodotus and Montaigne. Finally, to bring things around, there are three short stories by “the incomparable Hebel” with whom the whole intellectual adventure began. Four Stories ![]() The Uncommon Reader: A Novella ![]() The Mothers: A Novel ![]() "Luminous… engrossing and poignant, this is one not to miss." –People, Pick of the Week "Fantastic… a book that feels alive on the page." –The Washington Post One of The Today Show's "Must-Read Books for Fall" A nationally bestselling novel from an exciting new voice, The Mothers is a surprising story about young love, a big secret in a small community—and the things that ultimately haunt us most. Set within a contemporary black community in Southern California, Brit Bennett's mesmerizing first novel is an emotionally perceptive story about community, love, and ambition. It begins with a secret. "All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season." It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently? The possibilities of the road not taken are a relentless haunt. In entrancing, lyrical prose, The Mothers asks whether a "what if" can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever. Midnight in the Garden of Good and Evil: A Savannah Story ![]() The Third Hotel: A Novel ![]() "There’s Borges and Bolaño, Kafka and Cortázar, Modiano and Murakami, and now Laura van den Berg." ―The Washington Post An August 2018 IndieNext Selection. Named a Summer 2018 Read by The Washington Post, Vulture, Nylon, Elle, BBC, InStyle, Refinery29, Bustle, O, the Oprah Magazine, Entertainment Weekly, Harper's Bazaar, Conde Nast Traveler, Southern Living, Lit Hub, and Vol. 1 Brooklyn In Havana, Cuba, a widow tries to come to terms with her husband’s death―and the truth about their marriage―in Laura van den Berg’s surreal, mystifying story of psychological reflection and metaphysical mystery. Shortly after Clare arrives in Havana, Cuba, to attend the annual Festival of New Latin American Cinema, she finds her husband, Richard, standing outside a museum. He’s wearing a white linen suit she’s never seen before, and he’s supposed to be dead. Grief-stricken and baffled, Clare tails Richard, a horror film scholar, through the newly tourist-filled streets of Havana, clocking his every move. As the distinction between reality and fantasy blurs, Clare finds grounding in memories of her childhood in Florida and of her marriage to Richard, revealing her role in his death and reappearance along the way. The Third Hotel is a propulsive, brilliantly shape-shifting novel from an inventive author at the height of her narrative powers. Smoke ![]() "Once upon a time, men, women and (secretly) children smoked." This charming illustrated work reflects on the cultural implications of smoking, and suggests, through a series of brilliantly inventive illustrations, that society's attitude to smoke is both paradoxical and intolerant. It portrays a world in which smokers, banished from public places, must encounter one another as outlaws. Meanwhile, car exhausts and factory chimneys continue to pollute the atmosphere. Smoke is a beautifully illustrated prose poem that lingers in the mind. "A cigarette is a breathing space. It makes a parenthesis. The time of a cigarette is a parenthesis, and if it is shared you are both in that parenthesis. It's like a proscenium arch for a dialogue." - John Berger (in interview) John Berger Steps Towards a Small Theory of the Visible /anglais ![]() Marco Polo: From Venice to Xanadu ![]() In this lively blend of history, biography, and travelogue, acclaimed author Laurence Bergreen separates myth from history, creating the most authoritative account yet of Polo's remarkable adventures. Exceptionally narrated and written with a discerning eye for detail, Marco Polo is as riveting as the life it describes. The Hedgehog and the Fox: An Essay on Tolstoy's View of History ![]() My Prizes: An Accounting ![]() Written in 1980 but published here for the first time, these texts tell the story of the various farces that developed around the literary prizes Thomas Bernhard received in his lifetime. Whether it was the Bremen Literature Prize, the Grillparzer Prize, or the Austrian State Prize, his participation in the acceptance ceremony—always less than gracious, it must be said—resulted in scandal (only at the awarding of the prize from Austria’s Federal Chamber of Commerce did Bernhard feel at home: he received that one, he said, in recognition of the great example he set for shopkeeping apprentices). And the remuneration connected with the prizes presented him with opportunities for adventure—of the new-house and luxury-car variety. Here is a portrait of the writer as a prizewinner: laconic, sardonic, and shaking his head with biting amusement at the world and at himself. A revelatory work of dazzling comedy, the pinnacle of Bernhardian art. How I Raised Myself from Failure to Success in Selling ![]() When Frank Bettger was twenty-nine he was a failed insurance salesman. By the time he was forty he owned a country estate and could have retired. What are the selling secrets that turned Bettger’s life around from defeat to unparalleled success and fame as one of the highest paid salesmen in America? The answer is inside How I Raised Myself from Failure to Success in Selling. Bettger reveals his personal experiences and explains the foolproof principles that he developed and perfected. He shares instructive anecdotes and step-by-step guidelines on how to develop the style, spirit, and presence of a winning salesperson. No matter what you sell, you will be more efficient and profitable—and more valuable to your company—when you apply Bettger’s keen insights on: • The power of enthusiasm • How to conquer fear • The key word for turning a skeptical client into an enthusiastic buyer • The quickest way to win confidence • Seven golden rules for closing a sale Johann Sebastian Bach As His World Knew Him ![]() Natasha And Other Stories ![]() HHhH: A Novel ![]() A Finalist for the National Book Critics Circle Award for Fiction A Financial Times Best Book of the Year A New York Times Book Review Editors' Choice HHhH: "Himmlers Hirn heisst Heydrich," or "Himmler's brain is called Heydrich." The most lethal man in Hitler's cabinet, Reinhard Heydrich seemed indestructible―until two exiled operatives, a Slovak and a Czech, killed him and changed the course of history. In Laurent Binet's mesmerizing debut, we follow Jozef Gabcík and Jan Kubiš from their dramatic escape from Nazi-occupied Czechoslovakia to their fatal attack on Heydrich and their own brutal deaths in the basement of a Prague church. A seamless blend of memory, actuality, and Binet's own remarkable imagination, HHhH is at once thrilling and intellectually engrossing―a fast-paced novel of the Second World War that is also a profound meditation on the debt we owe to history. The Seventh Function of Language: A Novel ![]() Paris, 1980. The literary critic Roland Barthes dies―struck by a laundry van―after lunch with the presidential candidate François Mitterand. The world of letters mourns a tragic accident. But what if it wasn’t an accident at all? What if Barthes was . . . murdered? In The Seventh Function of Language, Laurent Binet spins a madcap secret history of the French intelligentsia, starring such luminaries as Jacques Derrida, Umberto Eco, Gilles Deleuze, Michel Foucault, Judith Butler, and Julia Kristeva―as well as the hapless police detective Jacques Bayard, whose new case will plunge him into the depths of literary theory (starting with the French version of Roland Barthes for Dummies). Soon Bayard finds himself in search of a lost manuscript by the linguist Roman Jakobson on the mysterious “seventh function of language.” A brilliantly erudite comedy with more than a dash of The Da Vinci Code―The Seventh Function of Language takes us from the cafés of Saint-Germain to the corridors of Cornell University, and into the duels and orgies of the Logos Club, a secret philosophical society that dates to the Roman Empire. Binet has written both a send-up and a wildly exuberant celebration of the French intellectual tradition. Sheppard Lee, Written by Himself ![]() Sheppard Lee, Written By Himself is a work of dark satire from the early years of the American Republic. Published as an autobiography and praised by Edgar Allan Poe, this is the story of a young idler who goes in search of buried treasure and finds instead the power to transfer his soul into other men's bodies. What follows is one increasingly practiced body snatcher's picaresque journey through early American pursuits of happiness, as each new form Sheppard Lee assumes disappoints him anew while making him want more and more. When Lee's metempsychosis draws him into the marriage market, the money market, and the slave market, Bird's fable of American upward mobility takes a more sinister turn. Lee learns that everything in America, even virtue and vice, are interchangeable; everything is an object and has its price. Looking forward to Melville's The Confidence-Man and beyond that to William Burroughs’s Naked Lunch, this strange and compelling story is a penetrating critique of American life and values as well as a crucial addition to the canon of American literature. The 5 Years Before You Retire, Updated Edition: Retirement Planning When You Need It the Most ![]() The Most Dangerous Book: The Battle for James Joyce’s Ulysses ![]() For more than a decade, the book that literary critics now consider the most important novel in the English language was illegal to own, sell, advertise or purchase in most of the English-speaking world. James Joyce’s big blue book, Ulysses, ushered in the modernist era and changed the novel for all time. But the genius of Ulysses was also its danger: it omitted absolutely nothing. All of the minutiae of Leopold Bloom’s day, including its unspeakable details, unfold with careful precision in its pages. The New York Society for the Suppression of Vice immediately banned the novel as obscene, lewd, and lascivious.” Joyce, along with some of the most important publishers and writers of his era, had to fight for years to win the freedom to publish it. The Most Dangerous Book tells the remarkable story surrounding Ulysses, from the first stirrings of Joyce’s inspiration in 1904 to its landmark federal obscenity trial in 1933. Literary historian Kevin Birmingham follows Joyce’s years as a young writer, his feverish work on his literary masterpiece, and his ardent love affair with Nora Barnacle, the model for Molly Bloom. Joyce and Nora socialized with literary greats like Ezra Pound, Ernest Hemingway, T. S. Eliot and Sylvia Beach. Their support helped Joyce fight an array of anti-vice crusaders while his book was disguised and smuggled, pirated and burned in the United States and Britain. The long struggle for publication added to the growing pressures of Joyce’s deteriorating eyesight, finances and home life. Salvation finally came from the partnership of Bennett Cerf, the cofounder of Random House, and Morris Ernst, a dogged civil liberties lawyer. With their stewardship, the case ultimately rested on the literary merit of Joyce’s master work. The sixty-year-old judicial practices governing obscenity in the United States were overturned because a federal judge could get inside Molly Bloom’s head. Birmingham’s archival work brings to light new information about both Joyce and the story surrounding Ulysses. Written for ardent Joyceans as well as novices who want to get to the heart of the greatest novel of the twentieth century, The Most Dangerous Book is a gripping examination of how the world came to say yes to Ulysses. Gustav Klimt: The Magic of Line ![]() Christine Falls: A Novel ![]() A Death in Summer: A Novel ![]() Elegy for April ![]() Even the Dead: A Quirke Novel ![]() Holy Orders: A Quirke Novel ![]() The Secret Guests ![]() The Silver Swan: A Novel ![]() Vengeance: A Novel ![]() Wolf on a String: A Novel ![]() Poems and Prophecies ![]() Blake: Poems (Everyman's Library Pocket Poets) ![]() The New Bloomsday Book: A Guide Through Ulysses ![]() Journey Into the Mind's Eye: Fragments of an Autobiography ![]() “My book is not altogether autobiography, nor altogether travel or history either. You will just have to invent a new category,” Lesley Blanch wrote about Journey into the Mind’s Eye, a book that remains as singularly adventurous and intoxicating now as when it first came out in 1968. Russia seized Lesley Blanch when she was still a child. A mysterious traveler—swathed in Siberian furs, bearing Fabergé eggs and icons as gifts along with Russian fairy tales and fairy tales of Russia—came to visit her parents and left her starry-eyed. Years later the same man returned to sweep her off her feet. Her love affair with the Traveller, as she calls him, transformed her life and fueled an abiding fascination with Russia and Russian culture, one that would lead her to dingy apartments reeking of cabbage soup and piroshki on the outskirts of Paris in the 1960s, and to Siberia and beyond. North by Shakespeare: A Rogue Scholar's Quest for the Truth Behind the Bard's Work ![]() The American Canon: Literary Genius from Emerson to Pynchon ![]() Harold Bloom is our greatest living student of literature, "a colossus among critics" (The New York Times) and a "master entertainer" (Newsweek). Over the course of a remarkable career spanning more than half a century, in such best-selling books as The Western Canon and Shakespeare: The Invention of the Human, he transformed the way we look at the masterworks of western literature. Now, in the first collection devoted to his illuminating writings specifically on American literature, Bloom reflects on the surprising ways American writers have influenced each other across more than two centuries. The American Canon gathers five decades of Bloom's essays, occasional pieces, and introductions as well as excerpts from several of his books, weaving them together into an unrivalled tour of the great American bookshelf. Always a champion of aesthetic power, Bloom tells the story of our national literature in terms of artistic struggle against powerful predecessors and the American thirst for selfhood. All of the visionary American writers who have long preoccupied Bloom—Emerson and Whitman, Hawthorne and Melville, and Dickinson, Faulkner, Crane, Frost, Stevens, and Bishop—are here, along with Hemingway, James, O'Connor, Ellison, Hurston, LeGuin, Ashbery and many others. Bloom's enthusiasm for these American geniuses is contagious, and he reminds us how these writers have shaped our sense of who we are, and how they can summon us to be yet better versions of ourselves. The American Religion: The Emergence of The Post-Christian Nation ![]() American Religious Poems: An Anthology by Harold Bloom ![]() Spanning four centuries and more than 200 poets, American Religious Poems is a bountiful and moving gathering of voices that offers countless moments of inspiration, solace, meditation, and transcendence. The poems in this unprecedented volume are a lasting testimony to the American spirit and its unremitting quest for ultimate truth and meaning. This deluxe collector's edition features: - an introduction by Harold Bloom - a reader's guide to significant topics and themes in the poems - Smyth-sewn binding and flexible, leatherette covers - and a ribbon page-marker The Anatomy of Influence: Literature as a Way of Life ![]() For more than half a century, Bloom has shared his profound knowledge of the written word with students and readers. In this, his most comprehensive and accessible study of influence, Bloom leads us through the labyrinthine paths which link the writers and critics who have informed and inspired him for so many years. The result is "a critical self-portrait," a sustained meditation on a life lived with and through the great works of the Western canon: Why has influence been my lifelong obsessive concern? Why have certain writers found me and not others? What is the end of a literary life? Featuring extended analyses of Bloom's most cherished poets—Shakespeare, Whitman, and Crane—as well as inspired appreciations of Emerson, Tennyson, Browning, Yeats, Ashbery, and others, The Anatomy of Influence adapts Bloom's classic work The Anxiety of Influence to show us what great literature is, how it comes to be, and why it matters. Each chapter maps startling new literary connections that suddenly seem inevitable once Bloom has shown us how to listen and to read. A fierce and intimate appreciation of the art of literature on a scale that the author will not again attempt, The Anatomy of Influence follows the sublime works it studies, inspiring the reader with a sense of something ever more about to be. Anthony Burgess ![]() The Anxiety of Influence: A Theory of Poetry ![]() This second edition contains a new Introduction, which explains the genesis of Bloom's thinking and the subsequent influence of the book on literary criticism of the past twenty years.criticism of the past twenty years. Here, Bloom asserts that the anxiety of influence comes out of a complex act of strong misreading, a creative interpretation he calls "poetic misprision." The influence-anxiety does not so much concern the forerunner but rather is an anxiety achieved in and by the story, novel, play, poem, or essay. In other words, without Keats's reading of Shakespeare, Milton, and Wordsworth, we could not have Keats's odes and sonnets and his two Hyperions. Given the enormous attention generated by Bloom's controversial The Western Cannon, this new edition is certain to find a readymade audience among the new generation of scholars, students, and layreaders interested in the Bloom cannon. The Art of Reading Poetry ![]() The Book of J ![]() The Bright Book of Life: Novels to Read and Reread ![]() Cleopatra: I Am Fire and Air ![]() Cleopatra is one of the most famous women in history—and thanks to Shakespeare, one of the most intriguing personalities in literature. She is lover of Marc Antony, defender of Egypt, and, perhaps most enduringly, a champion of life. Cleopatra is supremely vexing, tragic, and complex. She has fascinated readers and audiences for centuries and has been played by the greatest actresses of their time, from Elizabeth Taylor to Vivien Leigh to Janet Suzman to Judi Dench. Award-winning writer and beloved professor Harold Bloom writes about Cleopatra with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are in high school and college and another when we are adults, Bloom explains his shifting understanding of Cleopatra over the course of his own lifetime. The book becomes an extraordinarily moving argument for literature as a path to and a measure of our own humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare’s characters make. With Cleopatra, he delivers exhilarating clarity and invites us to look at this character as a flawed human who might be living in our world. The result is an invaluable resource from our greatest literary critic. The Daemon Knows: Literary Greatness and the American Sublime ![]() Pairing Walt Whitman with Herman Melville, Ralph Waldo Emerson with Emily Dickinson, Nathaniel Hawthorne with Henry James, Mark Twain with Robert Frost, Wallace Stevens with T. S. Eliot, and William Faulkner with Hart Crane, Bloom places these writers’ works in conversation with one another, exploring their relationship to the “daemon”—the spark of genius or Orphic muse—in their creation and helping us understand their writing with new immediacy and relevance. It is the intensity of their preoccupation with the sublime, Bloom proposes, that distinguishes these American writers from their European predecessors. As he reflects on a lifetime lived among the works explored in this book, Bloom has himself, in this magnificent achievement, created a work touched by the daemon. Praise for Harold Bloom and The Daemon Knows “The sublime The Daemon Knows is a veritable feast for the general reader (me) as well as the advanced (I assume) one.”—John Ashbery “[Bloom] is, by any reckoning, one of the most stimulating literary presences of the last half-century.”—Sam Tanenhaus, The New York Times Book Review “As always, Bloom conveys the intimate, urgent, compelling sense of why it matters that we read these canonical authors.”—Kirkus Reviews (starred review) “Bloom thinks in the sweep of millennia, of intellectual patterns that unfold over centuries, of a vast and intricate labyrinth of interconnections between artists from Plato to Pater.”—Michael Lindgren, The Washington Post “A colossus among critics.”—Adam Begley, The New York Times Magazine “Probably the most celebrated literary critic in the United States.”—Frank Kermode, The Guardian Fallen Angels ![]() Every angel is terrifying, Rilke wrote. For Bloom, too, this is true in one sense, since he maintains that all angels are fallen angels. The image of Satan, the greatest of fallen angels, retains the ability to fascinate and frighten us, he argues, because we share a close kinship with him. Indeed, from a human perspective, we must agree that we are fallen angels. Fallenness is ultimately a human condition: the recognition of our own mortality. Throughout world literature angels have always served as metaphors for death. We may take consolation, however, in our double awareness that angels also represent love and the celebration of human possibilities. Falstaff: Give Me Life ![]() Falstaff is both a comic and tragic central protagonist in Shakespeare’s three Henry plays: Henry IV, Parts One and Two, and Henry V. He is companion to Prince Hal (the future Henry V), who loves him, goads, him, teases him, indulges his vast appetites, and commits all sorts of mischief with him—some innocent, some cruel. Falstaff can be lewd, funny, careless of others, a bad creditor, an unreliable friend, and in the end, devastatingly reckless in his presumption of loyalty from the new King. Award-winning author and beloved professor Harold Bloom writes about Falstaff with the deepest compassion and sympathy and also with unerring wisdom. He uses the relationship between Falstaff and Hal to explore the devastation of severed bonds and the heartbreak of betrayal. Just as we encounter one type of Anna Karenina or Jay Gatsby when we are young adults and another when we are middle-aged, Bloom writes about his own shifting understanding of Falstaff over the course of his lifetime. Ultimately we come away with a deeper appreciation of this profoundly complex character, and the book as a whole becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare’s characters make. He delivers that kind of exhilarating intimacy and clarity in Falstaff, inviting us to look at a character as a flawed human who might live in our world. The result is deeply intimate and utterly compelling. The Flight to Lucifer: A Gnostic Fantasy ![]() Genius: a Mosaic of One Hundred Exemplary Creative Minds ![]() How to Read and Why ![]() Shedding all polemic, Bloom addresses the solitary reader, who, he urges, should read for the purest of all reasons: to discover and augment the self. His ultimate faith in the restorative power of literature resonates on every page of this infinitely rewarding and important book. Iago: The Strategies of Evil ![]() In all of literature, few antagonists have displayed the ruthless cunning and unscrupulous deceit of Iago, the antagonist to Othello. Often described as Machiavellian, Iago is a fascinating psychological specimen: at once a shrewd expert of the human mind and yet, himself a deeply troubled man. One of Shakespeare’s most provocative and culturally relevant plays, Othello is widely studied for its complex and enduring themes of race and racism, love, trust, betrayal, and repentance. It remains widely performed across professional and community theatre alike and has been the source for many film and literary adaptations. Now award-winning writer and beloved professor Harold Bloom investigates Iago’s motives and unthinkable actions with razor-sharp insight, agility, and compassion. Why and how does Iago uses fake news to destroy Othello and several other characters in his path? What can Othello tell us about racism? Bloom is mesmerizing in the classroom, treating Shakespeare’s characters like people he has known all his life. He delivers that kind of exhilarating intimacy and clarity in these pages, writing about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure, so that Iago also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. This is a provocative study for our time. Jesus and Yahweh: The Names Divine ![]() There is very little evidence of the historical Jesus-who he was, what he said. As Bloom writes, "There is not a sentence concerning Jesus in the entire New Testament composed by anyone who ever had met the unwilling King of the Jews." And so Bloom has used his unsurpassed skills as a literary critic to examine the character of Jesus, noting the inconsistencies, contradictions, and logical flaws throughout the Gospels. He also examines the character of Yahweh, who he finds has more in common with Mark's Jesus than he does with God the Father of the Christian and later rabbinic Jewish traditions. Bloom further argues that the Hebrew Bible of the Jews and the Christian Old Testament are very different books with very different purposes, political as well as religious. Jesus and Yahweh is a thrilling and mind-opening read. It is paradigm-changing literary criticism that will challenge and illuminate Jews and Christians alike, and is sure to be one of the most discussed, debated, and celebrated books of the year. At a time when religion has come to take center stage in our political arena, Bloom's shocking conclusion, that there is no Judeo-Christian tradition-that the two histories, Gods, and even Bibles, are not compatible-may make readers rethink everything we take for granted about what we believed was a shared heritage. Kabbalah And Criticism (Continuum Impacts) ![]() Lear: The Great Image of Authority ![]() King Lear is perhaps the most poignant character in literature. The aged, abused monarch—a man in his eighties, like Harold Bloom himself—is at once the consummate figure of authority and the classic example of the fall from majesty. He is widely agreed to be William Shakespeare’s most moving, tragic hero. Award-winning writer and beloved professor Harold Bloom writes about Lear with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Emma Bovary or Hamlet when we are seventeen and another when we are forty, Bloom writes about his shifting understanding—over the course of his own lifetime—of Lear, so that this book also explores an extraordinarily moving argument for literature as a path to and a measure of our humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare’s characters make. He delivers that kind of exhilarating intimacy, pathos, and clarity in Lear. Macbeth: A Dagger of the Mind ![]() From the ambitious and mad titular character to his devilish wife Lady Macbeth to the moral and noble Banquo to the mysterious Three Witches, Macbeth is one of William Shakespeare’s more brilliantly populated plays and remains among the most widely read, performed in innovative productions set in a vast array of times and locations, from Nazi Germany to Revolutionary Cuba. Macbeth is a distinguished warrior hero, who over the course of the play, transforms into a brutal, murderous villain and pays an extraordinary price for committing an evil act. A man consumed with ambition and self-doubt, Macbeth is one of Shakespeare’s most vital meditations on the dangerous corners of the human imagination. Award-winning writer and beloved professor Harold Bloom investigates Macbeth’s interiority and unthinkable actions with razor-sharp insight, agility, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are seventeen and another when we are forty, Bloom writes about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure, so that the book also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare’s characters make. He delivers that kind of exhilarating intimacy and clarity in Macbeth, the final book in an essential series. A Map of Misreading ![]() For the first time, in a new preface, Bloom will consider the map of misreading drawn by contemporary poets such as Ann Carson and Henri Cole. Bloom's new exploration of contemporary poetry over the last twenty years will illuminate how modern texts relate to previous texts, and contribute to the literary legacy of their predecessors. Novelists and Novels ![]() Omens of the Millennium: The Gnosis of Angels, Dreams, and Resurrection ![]() Poetics of Influence ![]() Possessed by Memory: The Inward Light of Criticism ![]() Gone are the polemics. Here, instead, in a memoir of sorts—an inward journey from childhood to ninety—Bloom argues elegiacally with nobody but Bloom, interested only in the influence of the mind upon itself when it absorbs the highest and most enduring imaginative literature. He offers more than eighty meditations on poems and prose that have haunted him since childhood and which he has possessed by memory: from the Psalms and Ecclesiastes to Shakespeare and Dr. Johnson; Spenser and Milton to Wordsworth and Keats; Whitman and Browning to Joyce and Proust; Tolstoy and Yeats to Delmore Schwartz and Amy Clampitt; Blake to Wallace Stevens—and so much more. And though he has written before about some of these authors, these exegeses, written in the winter of his life, are movingly informed by "the freshness of last things." As Bloom writes movingly: "One of my concerns throughout Possessed by Memory is with the beloved dead. Most of my good friends in my generation have departed. Their voices are still in my ears. I find that they are woven into what I read. I listen not only for their voices but also for the voice I heard before the world was made. My other concern is religious, in the widest sense. For me poetry and spirituality fuse as a single entity. All my long life I have sought to isolate poetic knowledge. This also involves a knowledge of God and gods. I see imaginative literature as a kind of theurgy in which the divine is summoned, maintained, and augmented." Romanticism and Consciousness: Essays in Criticism ![]() Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present ![]() The Shadow of a Great Rock: A Literary Appreciation of the King James Bible ![]() Bloom calls it an "inexplicable wonder" that a rather undistinguished group of writers could bring forth such a magnificent work of literature, and he credits William Tyndale as their fountainhead. Reading the King James Bible alongside Tyndale's Bible, the Geneva Bible, and the original Hebrew and Greek texts, Bloom highlights how the translators and editors improved upon—or, in some cases, diminished—the earlier versions. He invites readers to hear the baroque inventiveness in such sublime books as the Song of Songs, Ecclesiastes, and Job, and alerts us to the echoes of the King James Bible in works from the Romantic period to the present day. Throughout, Bloom makes an impassioned and convincing case for reading the King James Bible as literature, free from dogma and with an appreciation of its enduring aesthetic value. (20110523) Shakespeare: The Invention of the Human ![]() Stories and Poems for Extremely Intelligent Children of All Ages ![]() Here are old favorites by beloved writers of children's literature, as well as exciting rediscoveries and wonderful works penned by writers better known for their adult classics, such as Herman Melville, Leo Tolstoy, Edith Wharton, and Walt Whitman. Encompassing the natural world and the supernatural; childhood, romance, and death; pets, wild animals, and goblins; mystery, adventure, and humor; the selections reflect the passion and erudition of our most revered literary critic. Arranged by season, Stories and Poems for Extremely Intelligent Children of All Ages is a must-have anthology, sure to delight readers young and old for years to come. Take Arms Against a Sea of Troubles: The Power of the Reader’s Mind over a Universe of Death ![]() The Best Poems of the English Language : From Chaucer Through Frost ![]() Till I End My Song: A Gathering of Last Poems ![]() The Visionary Company: A Reading of English Romantic Poetry ![]() Wallace Stevens: The Poems of Our Climate ![]() Where Shall Wisdom Be Found? ![]() For anyone who reads to find meaning, Bloom's new book will not only further understanding but also send readers with renewed enthusiasm and urgency back to the pages of the writers who have contributed most to our sense of who we are. It is a profound and illuminating work that itself is certain to become part of our literary canon. William Faulkner's the Sound and the Fury ![]() They're today's most popular study guides-with everything you need to succeed in school. Written by Harvard students for students, since its inception "SparkNotes(TM) has developed a loyal community of dedicated users and become a major education brand. Consumer demand has been so strong that the guides have expanded to over 150 titles. "SparkNotes'(TM) motto is "Smarter, Better, Faster because: - They feature the most current ideas and themes, written by experts. - They're easier to understand, because the same people who use them have also written them. - The clear writing style and edited content enables students to read through the material quickly, saving valuable time. And with everything covered—context; plot overview; character lists; themes, motifs, and symbols; summary and analysis, key facts; study questions and essay topics; and reviews and resources—you don't have to go anywhere else! Decameron ![]() In the summer of 1348, with the plague ravaging Florence, ten young men and women take refuge in the countryside, where they entertain themselves with tales of love, death, and corruption, featuring a host of characters, from lascivious clergymen and mad kings to devious lovers and false miracle-makers. Named after the Greek for “ten days,” Boccaccio’s book of stories draws on ancient mythology, contemporary history, and everyday life, and has influenced the work of myriad writers who came after him. J. G. Nichols’s new translation, faithful to the original but rendered in eminently readable modern English, captures the timeless humor of one of the great classics of European literature. The Eaten Heart: Unlikely Tales of Love ![]() All books in this series: Cures for Love Doomed Love The Eaten Heart First Love Forbidden Fruit The Kreutzer Sonata A Mere Interlude Of Mistresses, Tigresses and Other Conquests The Seducers Diary Life of Dante ![]() On Famous Women ![]() The Consolation of Philosophy ![]() The Souls of Black Folk ![]() With a dash of the Victorian and Enlightenment influences that peppered his impassioned yet formal prose, the book's largely autobiographical chapters take the reader through the momentous and moody maze of Afro-American life after the Emancipation Proclamation: from poverty, the neoslavery of the sharecropper, illiteracy, miseducation, and lynching, to the heights of humanity reached by the spiritual "sorrow songs" that birthed gospel and the blues. The most memorable passages are contained in "On Booker T. Washington and Others," where Du Bois criticizes his famous contemporary's rejection of higher education and accommodationist stance toward white racism: "Mr. Washington's programme practically accepts the alleged inferiority of the Negro races," he writes, further complaining that Washington's thinking "withdraws many of the high demands of Negroes as men and American citizens." The capstone of The Souls of Black Folk, though, is Du Bois' haunting, eloquent description of the concept of the black psyche's "double consciousness," which he described as "a peculiar sensation.... One ever feels this twoness—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder." Thanks to W.E.B. Du Bois' commitment and foresight—and the intellectual excellence expressed in this timeless literary gem—black Americans can today look in the mirror and rejoice in their beautiful black, brown, and beige reflections. —Eugene Holley Jr. W.E.B. Du Bois : Writings : The Suppression of the African Slave-Trade / The Souls of Black Folk / Dusk of Dawn / Essays and Articles ![]() Eunoia ![]() The Xenotext: Book 1 ![]() Internationally best-selling poet Christian Bök has spent more than ten years writing what promises to be the first example of "living poetry." After successfully demonstrating his concept in a colony of E. coli, Bök is on the verge of enciphering a beautiful, anomalous poem into the genome of an unkillable bacterium (Deinococcus radiodurans), which can, in turn, "read" his text, responding to it by manufacturing a viable, benign protein, whose sequence of amino acids enciphers yet another poem. The engineered organism might conceivably serve as a post-apocalyptic archive, capable of outlasting our civilization. Book I of The Xenotext constitutes a kind of "demonic grimoire," providing a scientific framework for the project with a series of poems, texts, and illustrations. A Virgilian welcome to the Inferno, Book I is the "orphic" volume in a diptych, addressing the pastoral heritage of poets, who have sought to supplant nature in both beauty and terror. The book sets the conceptual groundwork for the second volume, which will document the experiment itself. The Xenotext is experimental poetry in the truest sense of the term. Christian Bök is the author of Crystallography (1994) and Eunoia (2001), which won the Griffin Poetry Prize. He teaches at the University of Calgary in Alberta, Canada. The Illusion of Separateness: A Novel ![]() Borges at Eighty: Conversations ![]() Borges: Selected Poems ![]() Though universally acclaimed for his dazzling fictions, Jorge Luis Borges always considered himself first and foremost a poet. This new bilingual selection brings together some two hundred poems—the largest collection of Borges' poetry ever assembled in English, including scores of poems never previously translated. Edited by Alexander Coleman, the selection draws from a lifetime's work—from Borges' first published volume of verse, Fervor de Buenos Aires (1923), to his final work, Los conjurados, published just a year before his death in 1986. Throughout this unique collection the brilliance of the Spanish originals is matched by luminous English versions by a remarkable cast of translators, including Robert Fitzgerald, Stephen Kessler, W. S. Merwin, Alastair Reid, Mark Strand, Charles Tomlinson, and John Updike. "A surfeit of riches. . . . Jorge Luis Borges' poetry alone would be enough to underwrite his immense reputation."— San Francisco Chronicle Exquisitely packaged edition with French flaps and rough front, quality paper stock. Collected Fictions ![]() Jorge Luis Borges has been called the greatest Spanish-language writer of our century. Now for the first time in English, all of Borges' dazzling fictions are gathered into a single volume, brilliantly translated by Andrew Hurley. From his 1935 debut with The Universal History of Iniquity, through his immensely influential collections Ficciones and The Aleph, these enigmatic, elaborate, imaginative inventions display Borges' talent for turning fiction on its head by playing with form and genre and toying with language. Together these incomparable works comprise the perfect one-volume compendium for all those who have long loved Borges, and a superb introduction to the master's work for those who have yet to discover this singular genius. * Exquisitely packaged edition with French flaps and rough front, quality paper stock * Named a Notable Book by the New York Times, Publishers Weekly, and the American Library Association "An unparalleled treasury of marvels." —Chicago Tribune "An event worthy of celebration . . . Hurley deserves our enthusiastic praise for this monumental piece of work." —San Francisco Chronicle Dreamtigers ![]() Jorge Luis Borges: The Last Interview: and Other Conversations ![]() —Jorge Luis Borges Days before his death, Borges gave an intimate interview to his friend, the Argentine journalist Gloria Lopez Lecube. That interview is translated for the first time here, giving English-language readers a new insight into his life, loves, and thoughts about his work and country at the end of his life. Accompanying that interview are a selection of the fascinating interviews he gave throughout his career. Highlights include his celebrated conversations with Richard Burgin during Borges's time as a lecturer at Harvard University, in which he gives rich new insights into his own works and the literature of others, as well as discussing his now oft-overlooked political views. The pieces combine to give a new and revealing window on one of the most celebrated cultural figures of the past century. Personal Anthology ![]() Professor Borges: A Course on English Literature ![]() Writing for Harper’s Magazine, Edgardo Krebs describes Professor Borges:“A compilation of the twenty-five lectures Borges gave in 1966 at the University of Buenos Aires, where he taught English literature. Starting with the Vikings’ kennings and Beowulf and ending with Stevenson and Oscar Wilde, the book traverses a landscape of ‘precursors,’cross-cultural borrowings, and genres of expression, all connected by Borges into a vast interpretive web. This is the most surprising and useful of Borges’s works to have appeared posthumously.” Borges takes us on a startling, idiosyncratic, fresh, and highly opinionated tour of English literature, weaving together countless cultural traditions of the last three thousand years. Borges’s lectures — delivered extempore by a man of extraordinary erudition — bring the canon to remarkably vivid life. Now translated into English for the first time, these lectures are accompanied by extensive and informative notes by the Borges scholars Martín Arias and Martín Hadis. Professor Borges: A Course On English Literature ![]() Writing for Harper’s magazine, Edgardo Krebs describes Professor Borges: “A compilation of the twenty-five lectures Borges gave in 1966 at the University of Buenos Aires, where he taught English literature. Starting with the Vikings’ kennings and Beowulf and ending with Stevenson and Oscar Wilde, the book traverses a landscape of ‘precursors,’ cross-cultural borrowings, and genres of expression, all connected by Borges into a vast interpretive web. This is the most surprising and useful of Borges’s works to have appeared posthumously.” Professor Borges: A Course On English Literature ![]() Writing for Harper’s magazine, Edgardo Krebs describes Professor Borges: “A compilation of the twenty-five lectures Borges gave in 1966 at the University of Buenos Aires, where he taught English literature. Starting with the Vikings’ kennings and Beowulf and ending with Stevenson and Oscar Wilde, the book traverses a landscape of ‘precursors,’ cross-cultural borrowings, and genres of expression, all connected by Borges into a vast interpretive web. This is the most surprising and useful of Borges’s works to have appeared posthumously.” Selected Non-Fictions ![]() Winner of the National Book Critics Circle Award in criticism Chosen International Book of the Year by George Steiner in the Times Literary Supplement Seven Nights ![]() This Craft of Verse ![]() Through a twist of fate that the author of Labyrinths himself would have relished, these lost lectures given in English at Harvard in 1967-1968 by Jorge Luis Borges return to us now, a recovered tale of a life-long love affair with literature and the English language. Transcribed from tapes only recently discovered, This Craft of Verse captures the cadences, candor, wit, and remarkable erudition of one of the most extraordinary and enduring literary voices of the twentieth century. In its wide-ranging commentary and exquisite insights, the book stands as a deeply personal yet far-reaching introduction to the pleasures of the word, and as a first-hand testimony to the life of literature. Though his avowed topic is poetry, Borges explores subjects ranging from prose forms (especially the novel), literary history, and translation theory to philosophical aspects of literature in particular and communication in general. Probably the best-read citizen of the globe in his day, he draws on a wealth of examples from literature in modern and medieval English, Spanish, French, Italian, German, Greek, Latin, Arabic, Hebrew, and Chinese, speaking with characteristic eloquence on Plato, the Norse kenningar, Byron, Poe, Chesterton, Joyce, and Frost, as well as on translations of Homer, the Bible, and the Rubáiyát of Omar Khayyám. Whether discussing metaphor, epic poetry, the origins of verse, poetic meaning, or his own "poetic creed," Borges gives a performance as entertaining as it is intellectually engaging. A lesson in the love of literature and in the making of a unique literary sensibility, this is a sustained encounter with one of the writers by whom the twentieth century will be long remembered. (20001106) Ficciones (Everyman's Library Series) ![]() Apple Design ![]() Malicroix ![]() Bosch ![]() Each book in TASCHEN’s Basic Art series features:a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importancea concise biographyapproximately 100 illustrations with explanatory captions The Life of Samuel Johnson ![]() Elizabeth Bowen: Collected Stories ![]() FileMaker 12 Developers Reference: Functions, Scripts, Commands, and Grammars ![]() There is no other book like this on the market. All FileMaker books include information on calculation formulas, scripting, etc., but none have expressly focused on giving readers one simple thing: a quick reference to be used in conjunction with their programming efforts. Some books teach, others explain, still others explore specific in-depth topics. This book will appeal to the entire FileMaker Pro community and be a great extension of their library. This edition is updated for the many new features coming with FileMaker 12, including the product's design functionality and the file format, and a new section dedicated to FileMaker Go, which is the iOS client. FileMaker(R) 9 Developer Reference: Functions, Scripts, Commands, and Grammars, with Extensive Custom Function Examples ![]() FileMaker 8 Functions and Scripts Desk Reference ![]() Kazimir Malevich, 1878-1935 ![]() Nabokov's Pale Fire : The Magic of Artistic Discovery ![]() On the Origin of Stories: Evolution, Cognition, and Fiction ![]() Art is a specifically human adaptation, Boyd argues. It offers tangible advantages for human survival, and it derives from play, itself an adaptation widespread among more intelligent animals. More particularly, our fondness for storytelling has sharpened social cognition, encouraged cooperation, and fostered creativity. After considering art as adaptation, Boyd examines Homer’s Odyssey and Dr. Seuss’s Horton Hears a Who! demonstrating how an evolutionary lens can offer new understanding and appreciation of specific works. What triggers our emotional engagement with these works? What patterns facilitate our responses? The need to hold an audience’s attention, Boyd underscores, is the fundamental problem facing all storytellers. Enduring artists arrive at solutions that appeal to cognitive universals: an insight out of step with contemporary criticism, which obscures both the individual and universal. Published for the bicentenary of Darwin’s birth and the 150th anniversary of the publication of Origin of Species, Boyd’s study embraces a Darwinian view of human nature and art, and offers a credo for a new humanism. Stalking Nabokov ![]() Boyd confronts Nabokov's life, career, and legacy; his art, science, and thought; his subtle humor and puzzle-like storytelling; his complex psychological portraits; and his inheritance from, reworking of, and affinities with Shakespeare, Pushkin, Tolstoy, and Machado de Assis. Boyd offers new ways of reading Nabokov's best English-language works: Lolita, Pale Fire, Ada, and the unparalleled autobiography, Speak, Memory, and he discloses otherwise unknown information about the author's world. Sharing his personal reflections, Boyd recounts the adventures, hardships, and revelations of researching Nabokov's biography and his unusual finds in the archives, including materials still awaiting publication. The first to focus on Nabokov's metaphysics, Boyd cautions against their being used as the key to unlock all of the author's secrets, showing instead the many other rooms in Nabokov's castle of fiction that need exploring, such as his humor, narrative invention, and psychological insight into characters and readers alike. Appreciating Nabokov as novelist, memoirist, poet, translator, scientist, and individual, Boyd helps us understand more than ever the author's multifaceted genius. (12/23/2011) Vladimir Nabokov : The American Years ![]() Vladimir Nabokov: The Russian Years ![]() The Heart's Invisible Furies: A Novel ![]() Selected one of New York Times Readers’ Favorite Books of 2017 Winner of the 2018 Goldsboro Books Glass Bell Award From the beloved New York Times bestselling author of The Boy In the Striped Pajamas, a sweeping, heartfelt saga about the course of one man's life, beginning and ending in post-war Ireland Cyril Avery is not a real Avery — or at least, that's what his adoptive parents tell him. And he never will be. But if he isn't a real Avery, then who is he? Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead. At the mercy of fortune and coincidence, he will spend a lifetime coming to know himself and where he came from - and over his many years, will struggle to discover an identity, a home, a country, and much more. In this, Boyne's most transcendent work to date, we are shown the story of Ireland from the 1940s to today through the eyes of one ordinary man. The Heart's Invisible Furies is a novel to make you laugh and cry while reminding us all of the redemptive power of the human spirit. A Ladder to the Sky: A Novel ![]() “Take Meg Wolitzer's novel The Wife...and cross it with Patricia Highsmith's classic Ripley stories, about a suave psychopath, and you've got something of the crooked charisma of John Boyne's new novel, A Ladder to the Sky." — NPR Maurice Swift is handsome, charming, and hungry for fame. The one thing he doesn’t have is talent – but he’s not about to let a detail like that stand in his way. After all, a would-be writer can find stories anywhere. They don’t need to be his own. Working as a waiter in a West Berlin hotel in 1988, Maurice engineers the perfect opportunity: a chance encounter with celebrated novelist Erich Ackermann. He quickly ingratiates himself with the powerful – but desperately lonely – older man, teasing out of Erich a terrible, long-held secret about his activities during the war. Perfect material for Maurice’s first novel. Once Maurice has had a taste of literary fame, he knows he can stop at nothing in pursuit of that high. Moving from the Amalfi Coast, where he matches wits with Gore Vidal, to Manhattan and London, Maurice hones his talent for deceit and manipulation, preying on the talented and vulnerable in his cold-blooded climb to the top. But the higher he climbs, the further he has to fall… Sweeping across the late twentieth century, A Ladder to the Sky is a fascinating portrait of a relentlessly immoral man, a tour de force of storytelling, and the next great novel from an acclaimed literary virtuoso. Amazing Cows: Udder Absurdity for Children ![]() The Ray Bradbury Collection: A Library of America Boxed Set ![]() The Stories of Ray Bradbury ![]() Here are the Martian stories, tales that vividly animate the red planet, with its brittle cities and double-mooned sky. Here are the stories that speak of a special nostalgia for Green Town, Illinois, the perfect setting for a seemingly cloudless childhood—except for the unknown terror lurking in the ravine. Here are the Irish stories and the Mexican stories, linked across their separate geographies by Bradbury’s astonishing inventiveness. Here, too, are thrilling, terrifying stories—including “The Veldt” and “The Fog Horn”—perfect for reading under the covers. Read for the first time, these stories become as unshakable as one’s own fantasies. Read again—and again—they reveal new, dazzling facets of the extraordinary art of Ray Bradbury. The Martian Chronicles ![]() Bradbury's quiet exploration of a future that looks so much like the past is sprinkled with lighter material. In "The Silent Towns," the last man on Mars hears the phone ring and ends up on a comical blind date. But in most of these stories, Bradbury holds up a mirror to humanity that reflects a shameful treatment of "the other," yielding, time after time, a harvest of loneliness and isolation. Yet the collection ends with hope for renewal, as a colonist family turns away from the demise of the Earth towards a new future on Mars. Bradbury is a master fantasist and The Martian Chronicles are an unforgettable work of art. —Blaise Selby A Million Heavens ![]() Upon the release of John Brandon's last novel, Citrus County, the New York Times declared that he "joins the ranks of writers like Denis Johnson, Joy Williams, Mary Robison and Tom Drury." Now, with A Million Heavens, Brandon brings his deadpan humor and hard-won empathy to a new realm of gritty surrealism—a surprising and exciting turn from one of the best young novelists of our time. Art and Beauty in the Middle Ages ![]() Final Cut Express 2 for Mac OS X : Visual QuickStart Guide (Visual Quickstart Guides) ![]() The Physiology of Taste: or Meditations on Transcendental Gastronomy ![]() First published in France in 1825 and continuously in print ever since, The Physiology of Taste is a historical, philosophical, and ultimately Epicurean collection of recipes, reflections, and anecdotes on everything and anything gastronomical. Brillat-Savarin, who spent his days eating through the famed food capital of Dijon, lent a shrewd, exuberant, and comically witty voice to culinary matters that still resonate today: the rise of the destination restaurant, diet and weight, digestion, and taste and sensibility. The FSG Book of Twentieth-Century Italian Poetry: An Anthology ![]() Even before Marinetti, poets such as Giovanni Pascoli had begun to clear the weedy rhetoric and withered diction from the once-glorious but by then decadent grounds of Italian poetry. And their winter labors led to an extraordinary spring: Giuseppe Ungaretti's wartime distillations and Eugenio Montale's “astringent music”; Umberto Saba's song of himself and Salvatore Quasimodo's hermetic involutions. After World War II, new generations—including such marvelously diverse poets as Sandro Penna, Pier Paolo Pasolini, Amelia Rosselli, Vittorio Sereni, and Raffaello Baldini—extended the enormous promise of the prewar era into our time. A surprising and illuminating collection, The FSG Book of 20th-Century Italian Poetry invites the reader to examine the works of these and other poets—seventy-five in all—in context and conversation with one another. Edited by the poet and translator Geoffrey Brock, these poems have been beautifully rendered into English by some of our finest English-language poets, including Seamus Heaney, Robert Lowell, Ezra Pound, Paul Muldoon, and many exciting younger voices. Cat Blessings ![]() The Runaway Soul ![]() Stories in an Almost Classical Mode ![]() The Ascent of Man ![]() The Identity of Man ![]() The Origins of Knowledge and Imagination ![]() Science and Human Values ![]() A sense of the future: Essays in natural philosophy ![]() Agnes Grey, The Tenant of Wildfell Hall ![]() Anne Brontë wrote these two fantastically successful novels just before her tragically early death, both of them in a much more grittily realistic mode than the more romantic ones favored by her sisters. Agnes Grey, the story of a governess working for disdainful and cruel employers, is a wrenching account of the desperate straits faced by Victorian women without money or husband. The Tenant of Wildfell Hall tells a story that was shocking for its time: a woman leaves her alcoholic and abusive husband in order to protect their young son and must live in hiding to prevent the law from taking her child away from her. These novels have become classics not only by dint of the subtle and ironic force of Anne Brontë's prose but because of the passionate indictments of social injustice that animate them. Jane Eyre (Everyman's Library (Cloth)) ![]() Charlotte Brontë’s novel about the passionate love between Jane Eyre, a young girl alone in the world, and the rich, brilliant, domineering Rochester has, ever since its publication in 1847, enthralled every kind of reader, from the most critical and cultivated to the youngest and most unabashedly romantic. It lives as one of the great triumphs of storytelling and as a moving affirmation of the prerogatives of the heart in the face of disappointment and misfortune. Jane Eyre has enjoyed huge popularity since first publication, and its success owes much to its exceptional emotional power. Shirley and The Professor ![]() These two classic novels, together with Brontë's well-known Jane Eyre and Villette, comprise a magnificent oeuvre, each one a singular achievement of characterization, human understanding, and narrative elegance and drama. Shirley is the story of a complicated friendship between two very different women: shy and socially constrained Caroline, the poor niece of a tyrannical clergyman; and the independent heiress Shirley, who has both the resources and the spirit to defy convention. The romantic entanglements of the two women with a local mill owner and his penniless brother pit the claims of passion against the boundaries of class and society. The Professor—the first novel Brontë completed, the last to be published—is both a disturbing love story and the coming-of-age tale of a self-made man. At its center is William Crimsworth, who has come to Brussels to work as an instructor in a school for girls. When he becomes entangled with Zoräide Reuter, a charismatic and brilliantly intellectual woman, the fervor of her feelings threatens both her own engagement and William's chance of finding true love. Wuthering Heights ![]() Virginia Woolf said of Emily Brontë that her writing could "make the wind blow and the thunder roar," and so it does in Wuthering Heights. Catherine Earnshaw, Heathcliff, and the windswept moors that are the setting of their mythic love are as immediately stirring to the reader of today as they have been for every generation of readers since the novel was first published in 1847. With an introduction by Katherine Frank. Emily Bronte: Poems : Pocket Poets (Everyman's Library Pocket Poets) ![]() A Book of Surrealist Games ![]() Life Against Death: The Psychoanalytical Meaning of History ![]() Religio Medici and Urne-Buriall ![]() Here this baroque master’s two most enduring and admired works, Religio Medici and Urne-Buriall, appear in a new edition that has been annotated and introduced by the distinguished scholars Ramie Targoff and Stephen Greenblatt (author of the best-selling Will in the World and the National Book Award–winning The Swerve). In Religio Medici Browne mulls over the relation between his medical profession and his profession of the Christian faith, pondering the respective claims of science and religion, questions that are still very much alive today. The discovery of an ancient burial site in an English field prompted Browne to write Urne-Buriall, which is both an early anthropological examination of different practices of interment and a profound meditation on mortality. Its grave and exquisite music has resounded for generations. Urn Burial ![]() De Umbris Idearum: On the Shadows of Ideas ![]() A Short History of Nearly Everything ![]() In a Sunburned Country ![]() The Life and Times of the Thunderbolt Kid: A Memoir ![]() The Master and Margarita ![]() The underground masterpiece of twentieth-century Russian fiction, Mikhail Bulgakov’s THE MASTER AND MARGARITA was written during Stalin’s regime and could not be published until many years after its author’s death. When the devil arrives in 1930s Moscow, consorting with a retinue of odd associates—including a talking black cat, an assassin, and a beautiful naked witch—his antics wreak havoc among the literary elite of the world capital of atheism. Meanwhile, the Master, author of an unpublished novel about Jesus and Pontius Pilate, languishes in despair in a pyschiatric hospital, while his devoted lover, Margarita, decides to sell her soul to save him. As Bulgakov’s dazzlingly exuberant narrative weaves back and forth between Moscow and ancient Jerusalem, studded with scenes ranging from a giddy Satanic ball to the murder of Judas in Gethsemane, Margarita’s enduring love for the Master joins the strands of plot across space and time. Black Snow ![]() In 1926, a play based on Mikhail Bulgakov’s novel The White Guard premiered at the prestigious Moscow Arts Theatre and it was an immediate and long-lasting success that laid the ground for the rest of Bulgakov’s career as a playwright and novelist. But it was not an entirely positive experience, and this novel, written near the end of Bulgakov’s life, skewers the theatrical fraternity he had been a part of for many years, and the Stalinist system of censorship that suppressed his work. Black Snow is the story of Maxudov, a young playwright whose play is chosen, almost at random, to be performed by the legendary Independent Theatre, and the chaos that ensues. The two co-directors of the theater, modeled after Stanislavski and his co-director, battle to control the production, star actresses throw daily fits, and with each rehearsal the chances of the play ever being ready to perform recedes. The ultimate backstage novel and a brilliant satire from one of the greatest modern Russian writers. A Country Doctor's Notebook ![]() In 1916 a 25-year-old, newly qualified doctor named Mikhail Bulgakov was posted to the remote Russian countryside. He brought to his position a diploma and a complete lack of field experience. And the challenges he faced didn’t end there: he was assigned to cover a vast and sprawling territory that was as yet unvisited by modern conveniences such as the motor car, the telephone, and electric lights. The stories in A Country Doctor’s Notebook are based on this two-year window in the life of the great modernist. Bulgakov candidly speaks of his own feelings of inadequacy, and warmly and wittily conjures episodes such as peasants applying medicine to their outer clothing rather than their skin, and finding himself charged with delivering a baby—having only read about the procedure in text books. Not yet marked by the dark fantasy of his later writing, this early work features a realistic and wonderfully engaging narrative voice—the voice, indeed, of twentieth century Russia’s greatest writer. A Dead Man's Memoir: A Theatrical Novel ![]() Best known for The Master and Margarita, Mikhail Bulgakov is one of twentieth-century Russia's most prominent novelists. A Dead Man's Memoir is a semi- autobiographical story about a writer who fails to sell his novel, then fails to commit suicide. When the writer's play is taken up for production in a theater, literary success beckons, but he is not prepared to reckon with the grotesquely inflated egos of the actors, directors, and theater managers. The Fatal Eggs ![]() Heart of a Dog ![]() White Guard ![]() In this volume Marian Schwartz, a leading translator, offers the first complete and accurate translation of the definitive original text of Bulgakov’s novel. She includes the famous dream sequence, omitted in previous translations, and beautifully solves the stylistic issues raised by Bulgakov’s ornamental prose. Readers with an interest in Russian literature, culture, or history will welcome this superb translation of Bulgakov’s important early work. This edition also contains an informative historical essay by Evgeny Dobrenko. The White Guard: Introduction by Orlando Figes ![]() Diaboliad ![]() Morphine ![]() Dark Avenues ![]() Written between 1938 and 1944 and set in the context of the Russian cultural and historical crises of the preceding decades, this collection of short fiction centres around dark, erotic liaisons. Love—in its many varied forms—is the unifying motif in a rich range of narratives, characterized by the evocative, elegiac, elegant prose for which Bunin is renowned. 99 Novels: The Best in English Since 1939 ![]() 1984-85 ![]() 1985 ![]() A Vision of Battlements ![]() Abba Abba ![]() Any Old Iron ![]() Beard's Roman women: A novel ![]() Beard's Roman Women: By Anthony Burgess ![]() But Do Blondes Prefer Gentlemen?: Homage to Qwert Yuiop and Other Writings ![]() Byrne: A Novel ![]() Chatsky & Miser, Miser! Two Plays by Anthony Burgess ![]() A Clockwork Orange ![]() The Clockwork Testament or: Enderby's End: By Anthony Burgess ![]() Collected Poems ![]() A Dead Man in Deptford ![]() The Devil Prefers Mozart: On Music and Musicians, 1962-1993 ![]() The Devil's Mode ![]() The Doctor Is Sick ![]() Earthly Powers ![]() The End of the World News ![]() English Literature: A Survey for Students ![]() Ernest Hemingway and His World ![]() The Eve of Saint Venus: A Novel ![]() Flame into Being: The Life and Work of D.H. Lawrence ![]() Homage to QWERT YUIOP: Selected Journalism, 1978-1985 ![]() Homage to QWERTYUIOP ![]() The Ink Trade: Selected Journalism 1961 - 1993 ![]() Despite his modest claims, Anthony Burgess was an enormously prolific journalist. During his life he published two substantial collections of journalism, Urgent Copy (1968) and Homage to Qwert Yuiop (1986); a posthumous collection of occasional essays, One Man’s Chorus, was published in 1998. These collections are now out of print, and Burgess’s journalism, a key part of his prodigious output, has fallen into neglect. The Ink Trade is a brilliant new selection of his reviews and articles, some savage, some crucial in establishing new writers, new tastes and trends. Between 1959 and his death in 1993 Burgess contributed to newspapers and periodicals around the world: he was provocative, informative, entertaining, extravagant, and always readable. Editor Will Carr presents a wealth of unpublished and uncollected material. Joysprick: Introduction to the Language of James Joyce ![]() Language Made Plain ![]() Little Wilson and Big God ![]() Little Wilson and Big God: The First Part of the Confession ![]() A long trip to teatime ![]() Man of Nazareth a Novel ![]() Mf ![]() Moses: A narrative ![]() A Mouthful of Air: Language, Languages...Especially English ![]() Mozart and the Wolf Gang: By Anthony Burgess ![]() Napoleon symphony ![]() Novel Now a Guide To Contemporary Fiction ![]() Obscenity & The Arts ![]() On Going to Bed ![]() On Mozart: A Paean for Wolfgang ![]() One Hand Clapping: A Novel ![]() One Man's Chorus: The Uncollected Writings ![]() The Pianoplayers ![]() The Pianoplayers: By Anthony Burgess ![]() Puma: By Anthony Burgess ![]() Puma is both the perfect way to for readers new to Burgess to discover one of the twentieth century's unique literary voices, and an essential addition to his better-known writings for those already familiar with his work Re Joyce ![]() Revolutionary Sonnets and Other Poems ![]() Richard Strauss, Der Rosenkavalier: Comedy for music in three acts ![]() Right to an Answer ![]() Shakespeare ![]() Shakespeare ![]() The Complete Enderby : Inside Mr. Enderby, Enderby Outside, the Clockwork Testament, Enderby's Dark Lady ![]() The Long Day Wanes: A Malayan Trilogy (The Norton Library) ![]() This Man and Music ![]() In these deeply insightful meditations, the renowned writer explores the meaning of music, the intention of the composer and the process of composition, and the seemingly elusive relationships between literature and music. Burgess shows how "the process of literary composition are revealed by the writers themselves" and then gathers evidence to understand the "inexplicable magic" of the details of the operation of music - what is musicÕs "intelligibility"? From Shakespeare to the lyric verse of Gerard Manley Hopkins, from the modernists T.S. Eliot and James Joyce to the modern lyricists Lorenz Hart and Stephen Sondheim, Burgess reveals how prose writers have struggled to tap the inherent musicality of their material. This treasured classic, at last back in print, provides a fascinating perspective on the mutually enriching relationship of these two creative arts by a man who mastered them both. This Man and Music: By Anthony Burgess ![]() Tremor Of Intent ![]() URGENT COPY: Literary Studies. ![]() A Vision of Battlements: By Anthony Burgess ![]() The Wanting Seed (Norton Paperback Fiction) ![]() You've Had Your Time - Being The Second Part Of The Confessions of Anthony Burgess ![]() The Moth ![]() Stories include: writer Malcolm Gladwell's wedding toast gone horribly awry; legendary rapper Darryl "DMC" McDaniels' obsession with a Sarah McLachlan song; poker champion Annie Duke's two-million-dollar hand; and A. E. Hotchner's death-defying stint in a bullring . . . with his friend Ernest Hemingway. Read about the panic of former Clinton Press Secretary Joe Lockhart when he misses Air Force One after a hard night of drinking in Moscow, and Dr. George Lombardi's fight to save Mother Teresa's life. This will be a beloved read for existing Moth enthusiasts, fans of the featured storytellers, and all who savor well-told, hilarious, and heartbreaking stories. The Emperor of Scent : A Story of Perfume, Obsession, and the Last Mystery of the Senses ![]() Luca Turin can distinguish the components of just about any smell, from the world’s most refined perfumes to the air in a subway car on the Paris metro. A distinguished scientist, he once worked in an unrelated field, though he made a hobby of collecting fragrances. But when, as a lark, he published a collection of his reviews of the world’s perfumes, the book hit the small, insular business of perfume makers like a thunderclap. Who is this man Luca Turin, they demanded, and how does he know so much? The closed community of scent creation opened up to Luca Turin, and he discovered a fact that astonished him: no one in this world knew how smell worked. Billions and billions of dollars were spent creating scents in a manner amounting to glorified trial and error. The solution to the mystery of every other human sense has led to the Nobel Prize, if not vast riches. Why, Luca Turin thought, should smell be any different? So he gave his life to this great puzzle. And in the end, incredibly, it would seem that he solved it. But when enormously powerful interests are threatened and great reputations are at stake, Luca Turin learned, nothing is quite what it seems. Acclaimed writer Chandler Burr has spent four years chronicling Luca Turin’s quest to unravel the mystery of how our sense of smell works. What has emerged is an enthralling, magical book that changes the way we think about that area between our mouth and our eyes, and its profound, secret hold on our lives. The Adding Machine ![]() Acclaimed by Norman Mailer more than twenty years ago as "possibly the only American writer of genius," William S. Burroughs has produced a body of work unique in our time. In these scintillating essays, he writes wittily and wisely about himself, his interests, his influences, his friends and foes. He offers candid and not always flattering assessments of such diverse writers as Ernest Hemingway, F. Scott Fitzgerald, Joseph Conrad, Graham Greene, Jack Kerouac, Allen Ginsberg, Samuel Beckett, and Marcel Proust. He ruminates on science and the often dubious paths into which it seems intent on leading us, whether into outer or inner space. He reviews his reviewers, explains his famous "cut-up" method, and discusses the role coincidence has played in his life and work. As satirist and parodist, William Burroughs has no peer, as these varied works, written over three decades, amply reveal. Max und Moritz auf lateinisch ![]() Bloodchild and Other Stories ![]() Bach: Mass in B Minor ![]() Game ![]() Medusa's Ankles: Selected Stories ![]() On Histories and Stories: Selected Essays (The Richard Ellmann Lectures in Modern Literature) ![]() Whether writing about the renaissance of the historical novel, discussing her own translation of historical fact into fiction, or exploring the recent European revival of interest in myth, folklore, and fairytale, Byatt's abiding concern here is with the interplay of fiction and history. Her essays amount to an eloquent and often moving meditation on the commitment to historical narrative and storytelling that she shares with many of her British and European contemporaries. With copious illustration and abundant insights into writers from Elizabeth Bowen and Henry Green to Anthony Burgess, William Golding, Muriel Spark, Penelope Fitzgerald, Julian Barnes, Martin Amis, Hilary Mantel, and Pat Barker, On Histories and Stories is an oblique defense of the art Byatt practices and a map of the complex affiliations of British and European narrative since 1945. (20010213) Peacock & Vine: On William Morris and Mariano Fortuny ![]() Born a generation apart in the mid-1800s, Fortuny and Morris were seeming opposites: Fortuny a Spanish aristocrat thrilled by the sun-baked cultures of Crete and Knossos; Morris a member of the British bourgeoisie, enthralled by Nordic myths. Through their revolutionary inventions and textiles, both men inspired a new variety of art that is as striking today as when it was first conceived. In this elegant meditation, Byatt traces their genius right to the source. Fortuny’s Palazzo Pesaro Orfei in Venice is a warren of dark spaces imbued with the rich hues of Asia. In his attic workshop, Fortuny created intricate designs from glowing silks and velvets; in the palazzo he found “happiness in a glittering cavern” alongside the French model who became his wife and collaborator, including on the famous “Delphos” dress—a flowing, pleated gown that evoked the era of classical Greece. Morris’s Red House outside London, with its Gothic turrets and secret gardens, helped inspire his stunning floral and geometric patterns; it likewise represented a coming together of life and art. But it was a “sweet simple old place” called Kelmscott Manor in the countryside that he loved best—even when it became the setting for his wife’s love affair with the artist Dante Gabriel Rossetti. Generously illustrated with the artists’ beautiful designs—pomegranates and acanthus, peacock and vine—among other aspects of their worlds, this marvel-filled book brings the visions and ideas of Fortuny and Morris to vivid life. Unruly Times: Wordsworth And Coleridge In Their Time ![]() Angels & Insects: Two Novellas ![]() Babel Tower ![]() The Children's Book ![]() for the Man Booker Prize A spellbinding novel, at once sweeping and intimate, from the Booker Prize–winning author of Possession, that spans the Victorian era through the World War I years, and centers around a famous children’s book author and the passions, betrayals, and secrets that tear apart the people she loves. When Olive Wellwood’s oldest son discovers a runaway named Philip sketching in the basement of the new Victoria and Albert Museum—a talented working-class boy who could be a character out of one of Olive’s magical tales—she takes him into the storybook world of her family and friends. But the joyful bacchanals Olive hosts at her rambling country house—and the separate, private books she writes for each of her seven children—conceal more treachery and darkness than Philip has ever imagined. As these lives—of adults and children alike—unfold, lies are revealed, hearts are broken, and the damaging truth about the Wellwoods slowly emerges. But their personal struggles, their hidden desires, will soon be eclipsed by far greater forces, as the tides turn across Europe and a golden era comes to an end. Taking us from the cliff-lined shores of England to Paris, Munich, and the trenches of the Somme, The Children’s Book is a deeply affecting story of a singular family, played out against the great, rippling tides of the day. It is a masterly literary achievement by one of our most essential writers. The Children's Book ![]() When children’s book author Olive Wellwood’s oldest son discovers a runaway named Philip sketching in the basement of a museum, she takes him into the storybook world of her family and friends. But the joyful bacchanals Olive hosts at her rambling country house—and the separate, private books she writes for each of her seven children—conceal more treachery and darkness than Philip has ever imagined. The Wellwoods’ personal struggles and hidden desires unravel against a breathtaking backdrop of the cliff-lined shores of England to Paris, Munich, and the trenches of the Somme, as the Edwardian period dissolves into World War I and Europe’s golden era comes to an end. Degrees of Freedom ![]() The Djinn in the Nightingale's Eye ![]() The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor. "A dreamy treat.... It is not merely strange, it is wondrous." —Boston Globe "Alternatingly erudite and earthy, direct and playful.... If Scheherazade ever needs a break, Byatt can step in, indefinitely." —Chicago Tribune "Byatt's writing is crystalline and splendidly imaginative.... These [are] perfectly formed tales." —Washington Post Book World Elementals: Stories of Fire and Ice ![]() The Game: A Novel ![]() Little Black Book of Stories ![]() Little Black Book of Stories offers shivers along with magical thrills. Leaves rustle underfoot in a dark wood: two middle-aged women, childhood friends reunited by chance, venture into a dark forest where once, many years before, they saw–or thought they saw–something unspeakable. Another woman, recently bereaved, finds herself slowly but surely turning into stone. A coolly rational ob-gyn has his world pushed off-axis by a waiflike art student with her own ideas about the uses of the body. Spellbinding, witty, lovely, terrifying, the Little Black Book of Stories is Byatt at the height of her craft. Passions of the Mind: Selected Writings ![]() Possession: A Romance ![]() Ragnarok: The End of the Gods ![]() Ragnarok retells the finale of Norse mythology. A story of the destruction of life on this planet and the end of the gods themselves: what more relevant myth could any modern writer choose? Just as Wagner used this dramatic and catastrophic struggle for the climax of his Ring Cycle, so AS Byatt now reinvents it in all its intensity and glory. As the bombs of the Blitz rain down on Britain, one young girl is evacuated to the countryside. She is struggling to make sense of her new wartime life. Then she is given a copy of Asgard and the Gods - a book of ancient Norse myths - and her inner and outer worlds are transformed. War, natural disaster, reckless gods and the recognition of impermanence in the world are just some of the threads that AS Byatt weaves into this most timely of books. Linguistically stunning and imaginatively abundant, this is a landmark. Still Life ![]() Sugar and Other Stories ![]() The Biographer's Tale ![]() It tells the story of Phineas G. Nanson, a disenchanted young graduate student who decides to escape the world of postmodern literary theory and immerse himself in the messiness of "real life" by writing a biography of a great biographer. For what could be more real than biography, the "art of things, of arranged facts"? But Phineas quickly discovers that facts can be unreliable, and a "whole life" hard to find. No matter how hard he tries, he unearths only fragments—disconnected manuscripts, bones and husks, strands of poetry, boxes of marbles, undated photographs. How does one put together the idea of a person? Phineas tracks his subjects' journeys to the deserts of Africa and the maelstroms of the Arctic in a series of adventures that are by turns intellectual and comic, scientific and erotic. He meets others who are building wholes from bits and pieces: a beautiful radiographer, ecologists, anthropologists, even travel agents offering the trip of your dreams. But they seem only to make his task more difficult. And as he tries to sort through the cabinet of curiosities that is the past, he must also decide his own future, and face the most difficult puzzle of all: which woman will guide him out of this dizzying labyrinth and back into his own life? With The Biographer's Tale, A. S. Byatt—hailed by the New York Times Book Review as "a storyteller who could keep a sultan on the edge of his throne for 1,001 nights"—asks provocative questions about our perennial quest for certainty, about "truth" in biography, about the nature of the imagination and the meaning of meaning, even as she spins a tantalizing yarn of detection and desire. The Matisse Stories ![]() The Shadow of the Sun ![]() The Virgin in the Garden ![]() A Whistling Woman ![]() Frederica Potter, a smart, spirited 33-year-old single mother, lucks into a job hosting a groundbreaking television talk show based in London. Meanwhile, in her native Yorkshire where her lover is involved in academic research, the university is planning a prestigious conference on body and mind, and a group of students and agitators is establishing an “anti-university.” And nearby a therapeutic community is beginning to take the shape of a religious cult under the influence of its charismatic religious leader. A Whistling Woman is a brilliant and thought-provoking meditation on psychology, science, religion, ethics, and radicalism, and their effects on ordinary lives. Writers on Artists ![]() Little Black Book of Stories ![]() Little Black Book of Stories offers shivers along with magical thrills. Leaves rustle underfoot in a dark wood: two middle-aged women walk into a forest, as they did when they were girls, confronting their childhood fears and memories and the strange thing they saw–or thought they saw–so long ago. A distinguished male obstetrician and a young woman artist meet in a hospital, but they have very different ideas about body parts, birth, and death. A man meets the ghost of his living wife; a woman turns to stone. And an innocent member of an evening creative writing class turns out to have her own decided views on the best way to use “raw material.” These unforgettable stories are by turns haunting, funny, sparkling, and scary. Byatt’s Little Black Book adds a deliciously dark note to her skill in mixing folk and fairy tales with everyday life. Arboretum ![]() Byrne’s enigmatic, enchanting collection teaches us that there is absolutely no reason to discount anything, of any type, anywhere. David Byrne: E.E.E.I. (Envisioning Emotional Epistemological Information) ![]() A History of the World ![]() How Music Works ![]() Acting as historian and anthropologist, raconteur and social scientist, he searches for patternsand shows how those patterns have affected his own work over the years with Talking Heads and his many collaborators, from Brian Eno to Caetano Veloso. Byrne sees music as part of a larger, almost Darwinian pattern of adaptations and responses to its cultural and physical context. His range is panoptic, taking us from Wagnerian opera houses to African villages, from his earliest high school reel-to-reel recordings to his latest work in a home music studio (and all the big studios in between). Touching on the joy, the physics, and even the business of making music, How Music Works is a brainy, irresistible adventure and an impassioned argument about music’s liberating, life-affirming power. Your Action World: Winners Are Losers with a New Attitude ![]() The Electric Toilet Virgin Death Lottery: And Other Outrageous Logic Problems ![]() Byron: Poems (Everyman's Library Pocket Poets) ![]() John Cage: A Mycological Foray - Variations on Mushrooms ![]() John Cage: Every Day is a Good Day: The Visual Art of John Cage ![]() The Selected Letters of John Cage ![]() Free Day ![]() In the marshy, misty countryside of southwestern France, fourteen-year-old Galla rides her battered bicycle from the private Catholic high school she attends on scholarship to the rocky, barren farm where her family lives. It’s a journey she makes every two weeks, forty miles round trip, traveling between opposite poles of ambition and guilt, school and home. Galla’s loving, overwhelmed, incompetent mother doesn’t want her to go to school; she wants her to stay at home, where Galla can look after her neglected little sisters, defuse her father’s brutal rages, and help with the chores. What does this dutiful daughter owe her family, and what does she owe herself? In Inès Cagnati’s haunting, emotionally and visually powerful novel Free Day, which won France’s Prix Roger Nimier in 1973, Galla makes an extra journey on a frigid winter Saturday to surprise her mother. As she anticipates their reunion, stopping often to pry caked, gelid mud off her bicycle wheels, she mentally retraces the crooked path of her family’s past and the more recent map of her school life as a poor but proud student. Galla’s rich, dense interior monologue blends with the landscape around her, building a powerful portrait of a girl who yearns to liberate herself from the circumstances that confine her, without losing their ties to her heart. Ardor ![]() In this revelatory volume, Roberto Calasso, whom The Paris Review has called “a literary institution,” explores the ancient texts known as the Vedas. Little is known about the Vedic people, who lived more than three thousand years ago in northern India: They left behind almost no objects, images, or ruins. They created no empires. Even the soma, the likely hallucinogenic plant that appears at the center of some of their rituals, has not been identified with any certainty. Only a “Parthenon of words” remains: verses and formulations suggesting a daring understanding of life. “If the Vedic people had been asked why they did not build cities,” writes Calasso, “they could have replied: we did not seek power, but rapture.” This is the ardor of the Vedic world, a burning intensity that is always present, both in the mind and in the cosmos. With his signature erudition and profound sense of the past, Calasso explores the enigmatic web of ritual and myth that defines the Vedas. Often at odds with modern thought, these texts illuminate the nature of consciousness more vividly than anything else has managed to till now. Following the “hundred paths” of the Śatapatha Brāhmaņa, an impressive exegesis of Vedic ritual, Ardor indicates that it may be possible to reach what is closest by passing through that which is most remote, as “the whole of Vedic India was an attempt to think further.” The Art of the Publisher ![]() In this fascinating memoir, the author and publisher Roberto Calasso meditates on the art of book publishing. Recalling the beginnings of Adelphi in the 1960s, he touches on the Italian house's defining qualities, including the considerations involved in designing the successful Biblioteca series and the strategy for publishing a wide range of authors of high literary quality, as well as the historic critical edition of the works of Nietzsche. With his signature erudition and polemical flair, Calasso transcends Adelphi to look at the publishing industry as a whole, from the essential importance of graphics, jackets, and cover flaps to the consequences of universal digitization. And he outlines what he describes as the "most hazardous and ambitious" profile of what a publishing house can be: a book comprising many books, a form in which "all the books published by a certain publisher could be seen as links in a single chain"―a conception akin to that of other twentieth-century publishers, from Giulio Einaudi to Roger Straus, of whom the book offers brief portraits. An essential book for writers, readers, and editors, The Art of the Publisher is a tribute to the elusive yet profoundly relevant art of making books. The Book of All Books ![]() The Celestial Hunter ![]() The Forty-nine Steps ![]() The first treatment of contemporary thought by the acclaimed cultural critic. In books lauded as "brilliant,"* "exhilarating,"** and "profound,"*** Roberto Calasso has revealed the unexpected intersections of ancient and modern through topics ranging from Greek and Indian mythology to what a legendary African kingdom can tell us about the French Revolution. In this first translation of his most important essays, Calasso brings his powerful intellect and elegant prose style to bear on the essential thinkers of our time, providing a sweeping analysis of the current state of Western culture. "Forty-nine steps" refers to the Talmudic doctrine that there are forty-nine steps to meaning in every passage of the Torah. Employing this interpretive approach, Calasso offers a "secret history" of European literature and philosophy in the wake of Nietzsche, Marx, and Freud. Calasso analyzes how figures ranging from Gustav Flaubert, Gottfried Benn, Karl Kraus, Martin Heidegger, Walter Benjamin, Franz Kafka, Bertolt Brecht, and Theodor Adorno have contributed to, or been emblematic of, the current state of Western thought. The book's theme, writ large, is the power of fable-specifically, its persistence in art and literature despite its exclusion from orthodox philosophy. In its breadth and the nature of its concerns, The Forty-nine Steps is a philosophical and literary twin to the widely-praised The Marriage of Cadmus and Harmony. Combining erudition with engaging prose and original insights, Calasso contributes a daring new interpretation of some of the most challenging writers of the past 150 years. Roberto Calasso is the author of The Marriage of Cadmus and Harmony (1993), The Ruin of Kasch (1994), Ka (1998), and Literature and the Gods (2000). He is the publisher of Adelphi Edizioni and lives in Milan. John Shepley is a freelance writer and translator who lives in New York City. His translation of Pasolini's Roman Nights and Other Stories won the first Italo Calvino Translation Award in 1987. Ka: Stories of the Mind and Gods of India ![]() La Folie Baudelaire ![]() In the eighteenth century, a Folie was a garden pavilion set aside for people of leisure, a place of delight and fantasy. Following Baudelaire, Calasso has created a brilliant and dramatic “Folie Baudelaire”—a place where the reader can encounter the poet himself, his peers, his city, and his extraordinary likes and dislikes, finally discovering that that places is situated in the middle of the land of “absolute literature.” Literature and the Gods ![]() Calasso sets out to uncover the divine— godly or otherwise—in specific texts, and finds it in what he calls "absolute literature." With its roots in early Vedic verse, absolute literature reached the apex of its expression during the period beginning with the German Romantics in 1798 and ending with Mallarmé's death in 1898. But Calasso also discovers the divine in the work of Valéry, Auden, Yeats, Montale, Borges, and Nabokov, and he reveals how these writers, in their own very particular ways, were articulating the same unnameable thing. Finally, he delineates the timeless, ever-mysterious laws that surround the creative act itself. With Literature and the Gods, Roberto Calasso profoundly deepens our understanding of our literary tradition. It is, itself, a literary masterpiece. The Marriage of Cadmus and Harmony ![]() From the Trade Paperback edition. The Ruin of Kasch ![]() The Tablet of Destinies ![]() Tiepolo Pink ![]() The Life and Opinions of Zacharias Lichter ![]() An NYRB Classics Original Ugly, unkempt, a haunter of low dives who begs for a living and lives on the street, Zacharias Lichter exists for all that in a state of unlikely rapture. After being engulfed by a divine flame as a teenager, Zacharias has devoted his days to doing nothing at all—apart, that is, from composing the odd poem he immediately throws away and consorting with a handful of stray friends: Poldy, for example, the catatonic alcoholic whom Zacharias considers a brilliant philosopher, or another more vigorous barfly whose prolific output of pornographic verses has won him the nickname of the Poet. Zacharias is a kind of holy fool, but one whose foolery calls in question both social convention and conventional wisdom. He is as much skeptic as ecstatic, affirming above all the truth of perplexity. This of course is what makes him a permanent outrage to the powers that be, be they reactionary or revolutionary, and to all other self-appointed champions of morality who are blind to their own absurdity. The only thing that scares Zacharias is that all-purpose servant of conformity, the psychiatrist. This Romanian classic, originally published under the brutally dictatorial Ceauşescu regime, whose censors initially let it pass because they couldn’t make head or tail of it, is as delicious and telling an assault on the modern world order as ever. Open Socrates: The Case for a Philosophical Life ![]() The Baron In The Trees ![]() The Castle of Crossed Destinies ![]() Le Citta Invisibili ![]() Collection of Sand ![]() Italo Calvino’s unbounded curiosity and masterly imagination are displayed in peak form in Collection of Sand, the last of his works published during his lifetime. Here he applies his graceful intellect to the delights of the visual world, in essays on subjects ranging from cuneiform and antique maps to Mexican temples and Japanese gardens. Never before translated into English, Collection of Sand is an incisive and often surprising meditation on observation and knowledge, the difference between the world as we perceive it and the world as it is. “Beautifully translated by Martin McLaughlin . . . To read [Collection of Sand] is to enter the presence of an exceptionally fervent and fertile mind . . . A brilliant collection that may change the way you see the world around you.” — PD Smith, Guardian The Complete Cosmicomics ![]() In Italo Calvino’s cosmicomics, primordial beings cavort on the nearby surface of the moon, play marbles with atoms, and bear ecstatic witness to Earth’s first dawn. Exploring natural phenomena and the origins of the universe, these beloved tales relate complex scientific concepts to our common sensory, emotional, human world. Now, The Complete Cosmicomics brings together all of the cosmicomic stories for the first time. Containing works previously published in Cosmicomics, t zero, and Numbers in the Dark, this single volume also includes seven previously uncollected stories, four of which have never been published in translation in the United States. This “complete and definitive collection” (Evening Standard) reconfirms the cosmicomics as a crowning literary achievement and makes them available to new generations of readers. “It’s a joy to have all the cosmicomics within one cover . . . A landmark in fiction, the work of a master.”—Ursula K. Le Guin, Guardian Cosmicomics ![]() Difficult Loves ![]() Fantastic Tales: Visionary and Everyday ![]() Hermit in Paris: Autobiographical Writings ![]() Into the War ![]() These three stories, set during the summer of 1940, draw on Italo Calvino’s memories of his own adolescence during the Second World War, too young to be forced to fight in Mussolini’s army but old enough to be conscripted into the Italian youth brigades. The callow narrator of these tales observes the mounting unease of a city girding itself for war, the looting of an occupied French town, and nighttime revels during a blackout. Appearing here in its first English translation, Into the War is one of Calvino’s only works of autobiographical fiction. It offers both a glimpse of this writer’s extraordinary life and a distilled dram of his wry, ingenious literary voice. “All three stories attest to the potentially magical, transformative space of adolescence . . . The seeds of the later Calvino — the fabulist who worked profound moral and ethical points into his narratives — are all here.” — Joseph Luzzi, Times Literary Supplement Invisible Cities ![]() Italian Folktales ![]() Italo Calvino: Letters, 1941-1985 ![]() The letters are filled with insights about Calvino's writing and that of others; about Italian, American, English, and French literature; about literary criticism and literature in general; and about culture and politics. The book also provides a kind of autobiography, documenting Calvino's Communism and his resignation from the party in 1957, his eye-opening trip to the United States in 1959-60, his move to Paris (where he lived from 1967 to 1980), and his trip to his birthplace in Cuba (where he met Che Guevara). Some lengthy letters amount almost to critical essays, while one is an appropriately brief defense of brevity, and there is an even shorter, reassuring note to his parents written on a scrap of paper while he and his brother were in hiding during the antifascist Resistance. This is a book that will fascinate and delight Calvino fans and anyone else interested in a remarkable portrait of a great writer at work. Last Comes the Raven: And Other Stories ![]() Marcovaldo: or the Seasons in the City ![]() Mr. Palomar ![]() The Nonexistent Knight and The Cloven Viscount ![]() The Nonexistent Knight and The Cloven Viscount ![]() NUMBERS IN THE DARK: And Other Stories ![]() The Path to the Spiders' Nests: Revised Edition ![]() The Road to San Giovanni ![]() In these autobiographical essays, published after Italo Calvino’s death, the intellectually vibrant writer not only reflects on his own past, but also inquires into the very workings of memory itself. From the title essay’s lyrical evocation of the author’s relationship with his father, and a charming account of teenage years spent in the glow of the cinema screen, to Calvino’s reminiscences of his experiences in the Italian Resistance during World War II and of his years in Paris, to his declaration of purpose as a writer in the final essay’s visionary fragments, these five “memory exercises” are heartfelt, affecting, and wise. “Brimming with Calvino’s beautifully crafted prose, dry humor, and continual questioning . . . Calvino has been very well served by his translator, Tim Parks.” —Observer Six Memos for the Next Millennium ![]() t zero ![]() The Watcher and Other Stories ![]() Under the Jaguar Sun ![]() Why Read the Classics? ![]() Following the title essay, which explores fourteen definitions of "the classic," Calvino offers writings that are at once critical appraisals and personal appreciations of, among others: Homer, Xenophon, Ovid, Pliny, Nezami, Ariosto, Cardano, Galileo, Defoe, Voltaire, Diderot, Ortes, Stendhal, Balzac, Dickens, Flaubert, Tolstoy, Twain, Henry James, Stevenson, Conrad, Pasternak, Gadda, Montale, Hemingway, Ponge, Borges, and Queneau. At a time when the Western canon and the very notion of "literary greatness" have come under increasing disparagement by the vanguard of so-called multiculturalism, Why Read the Classics? gives us an inspiriting corrective. The Written World And The Unwritten World: Essays ![]() If on a Winter's Night a Traveler (Everyman's Library (Cloth)) ![]() ITALO CALVINO THE NARRATIVE OF TRAJAN'S COLUMN /ANGLAIS ![]() The Terra-cotta Dog ![]() The Terra-cotta Dog opens with the inspector's mysterious tête-à-tête with a mafioso, some inexplicably abandoned loot from a supermarket heist, and dying words that lead him to an illegal arms cache in a mountain cave. There, in a secret grotto, he finds a harrowing scene: two young lovers, dead fifty years and still embracing, watched over by a life-size terra-cotta dog. Montalbano's passion to solve this old crime takes him, heedless of personal danger, on a journey through the island's past and into a family's dark heart amid the horrors of World War II bombardment. From sly comedy at the expense of his fellow policemen to personal soul searching that helps him enter the minds of those he must investigate, Montalbano is a detective whose earthiness and imagination coalesce into a unique, unfailing appeal. AUTHORBIO: Andrea Camilleri is the author of many books, including his Montalbano series, which has been adapted for Italian television and translated into German, French, Spanish, Portuguese, Greek, Japanese, Dutch, and Swedish. Stephen Sartarelli lives in upstate New York. A Skeleton Key to Finnegans Wake: Unlocking James Joyce's Masterwork ![]() Bread of Dreams: Food and Fantasy in Early Modern Europe ![]() "Camporesi is as much a poet as a historian. . . . His appeal is to the senses as well as to the mind. . . . Fascinating in its details and compelling in its overall message."—Vivian Nutton, Times Literary Supplement "It is not often that an academic monograph in history is also a book to fascinate the discriminating general reader. Bread of Dreams is just that."—Kenneth McNaught, Toronto Star "Not religion but bread was the opiate of the poor, Mr. Camporesi argues. . . . Food has always been a social and mythological construct that conditions what we vainly imagine to be matters of personal taste. Our hunger for such works should tell us that food is not only good but essential to think and to read as if our lives depended on it, which they do."—Betty Fussell, New York Times Book Review ALBERT CAMUS REFLECTIONS ON THE GUILLOTINE /ANGLAIS ![]() Great Ideas Myth of Sisyphus ![]() The Plague, The Fall, Exile and the Kingdom, and Selected Essays (Everyman's Library) ![]() From one of the most brilliant and influential thinkers of the twentieth century–two novels, six short stories, and a pair of essays in a single volume. In both his essays and his fiction, Albert Camus (1913—1960) de-ployed his lyric eloquence in defense against despair, providing an affirmation of the brave assertion of humanity in the face of a universe devoid of order or meaning. The Plague–written in 1947 and still profoundly relevant–is a riveting tale of horror, survival, and resilience in the face of a devastating epidemic. The Fall (1956), which takes the form of an astonishing confession by a French lawyer in a seedy Amsterdam bar, is a haunting parable of modern conscience in the face of evil. The six stories of Exile and the Kingdom (1957) represent Camus at the height of his narrative powers, masterfully depicting his characters–from a renegade missionary to an adulterous wife –at decisive moments of revelation. Set beside their fictional counterparts, Camus’s famous essays “The Myth of Sisyphus” and “Reflections on the Guillotine” are all the more powerful and philosophically daring, confirming his towering place in twentieth-century thought. Auto-da-Fe ![]() I Want to Keep Smashing Myself Until I Am Whole ![]() The Memoirs of Elias Canetti: The Tongue Set Free, The Torch in My Ear, The Play of the Eyes ![]() The uncompromising achievement of Elias Canetti has been matched by few writers this century. Canetti worked brilliantly in many forms, but the three volumes that comprise his autobiography are where his genius is perhaps most evident. The first volume, The Tongue Set Free, presents the events, personalities, and intellectual forces that fed Canetti's early creative development. The Torch in My Ear explores his admiration for the first great mentor of his adulthood, Karl Krauss, and also describes his first marriage. The final volume, The Play of the Eyes, is set in Vienna between 1931 and 1937, with the European catastrophe imminent; here he vividly portrays relationships with Hermann Broch and Robert Musil, among others. A Doubter's Almanac: A Novel ![]() Milo Andret is born with an unusual mind. A lonely child growing up in the woods of northern Michigan in the 1950s, he gives little thought to his own talent. But with his acceptance at U.C. Berkeley he realizes the extent, and the risks, of his singular gifts. California in the seventies is a seduction, opening Milo’s eyes to the allure of both ambition and indulgence. The research he begins there will make him a legend; the woman he meets there—and the rival he meets alongside her—will haunt him for the rest of his life. For Milo’s brilliance is entwined with a dark need that soon grows to threaten his work, his family, even his existence. Spanning seven decades as it moves from California to Princeton to the Midwest to New York, A Doubter’s Almanac tells the story of a family as it explores the way ambition lives alongside destructiveness, obsession alongside torment, love alongside grief. It is a story of how the flame of genius both lights and scorches every generation it touches. Graced by stunning prose and brilliant storytelling, A Doubter’s Almanac is a surprising, suspenseful, and deeply moving novel, a major work by a writer who has been hailed as “the most mature and accomplished novelist of his generation.” Praise for A Doubter’s Almanac “[Canin] is at the top of his form, fluent, immersive, confident. You might not know where he’s taking you, but the characters are so vivid, Hans’s voice rendered so precisely, that it’s impossible not to trust in the story. . . . The delicate networks of emotion and connection that make up a family are illuminated, as if by magic, via his prose.”—Slate “Alternately explosive and deeply interior.”—New York (“Eight Books You Need to Read”) “A blazingly intelligent novel.”—Los Angeles Times “Math made beautiful . . . Canin writes with such luxuriant beauty and tender sympathy that even victims of Algebra II will follow his calculations of the heart with rapt comprehension.”—The Washington Post “A masterful writer at his transcendent best.”—BBC “Elegant and devastating . . . A Doubter’s Almanac is exquisitely crafted. Canin takes us readers deep into the strange world of his troubled characters without ever making us aware of the effort involved. . . . An odd and completely captivating novel.”—NPR’s Fresh Air “There is a shimmering loveliness to Canin’s glimpses of higher mathematics. . . . A Doubter’s Almanac is a novel whose achievement is fully equal to the . . . tragedy it portrays. Ethan Canin understands both the allure of great intellectual accomplishment and the price it exacts from those who pursue it. Unlike his protagonist, his own prodigious effort has produced a work of exquisite and enduring beauty.”—Bookreporter “Ethan Canin writes about mathematics as brilliantly as T. S. Eliot writes about poetry. With this extraordinary novel, Ethan Canin now takes his place on the high wire with the best writers of his time.”—Pat Conroy “A book that raises the bar for novelists.”—Literary Hub “Staggeringly ambitious . . . a story of majestic sweep.”—Paste Emperor of the Air ![]() Alec: A Novel ![]() A Christmas Memory (Modern Library) ![]() Answered Prayers: The Unfinished Novel ![]() Breakfast at Tiffany's ![]() A Capote Reader ![]() The Dogs Bark ![]() The Early Stories of Truman Capote ![]() Recently rediscovered in the archives of the New York Public Library, these short stories provide an unparalleled look at Truman Capote writing in his teens and early twenties, before he penned such classics as Other Voices, Other Rooms, Breakfast at Tiffany’s, and In Cold Blood. This collection of more than a dozen pieces showcases the young Capote developing the unique voice and sensibility that would make him one of the twentieth century’s most original writers. Spare yet heartfelt, these stories summon our compassion and feeling at every turn. Capote was always drawn to outsiders—women, children, African Americans, the poor—because he felt like one himself from a very early age. Here we see Capote’s powers of empathy developing as he depicts his characters struggling at the margins of their known worlds. A boy experiences the violence of adulthood when he pursues an escaped convict into the woods. Petty jealousies lead to a life-altering event for a popular girl at Miss Burke’s Academy for Young Ladies. In a time of extraordinary loss, a woman fights to save the life of a child who has her lover’s eyes. In these stories we see early signs of Capote’s genius for creating unforgettable characters built of complexity and yearning. Young women experience the joys and pains of new love. Urbane sophisticates are worn down by cynicism. Children and adults alike seek understanding in a treacherous world. There are tales of crime and violence; of racism and injustice; of poverty and despair. And there are tales of generosity and tenderness; compassion and connection; wit and wonder. Above all there is the developing voice of a writer born in the Deep South who will use and eventually break from that tradition to become a literary figure like no other. With a foreword by the celebrated New Yorker critic Hilton Als, this volume of early stories is essential for understanding how a boy from Monroeville, Alabama, became a legend in American literature. Praise for The Early Stories of Truman Capote “Succeeds at conveying the writer’s youthful rawness . . . These stories capture a moment when Capote was hungry to capture the rural South, the big city, and the subtle emotions that so many around him were determined to keep unspoken.”—USA Today “A window on the young writer’s emerging voice and creativity . . . Capote’s ability to conjure a time, place and mood with just a few sentences is remarkable.”—Associated Press “[Capote’s early] stories are special. Not just because they give a glimpse of an author finding his voice; or for the traces of his masterpieces. But also because they stand in their own right as lovely vignettes of the lives of the lonely, broken and troubled. . . . If you consider they were written when he was a child—aged between eleven and nineteen—then they become breathtaking in their precocity, craftsmanship, simplicity and the tenderness he became renowned for.”—The Independent (U.K.) “These ten-plus stories were written when Capote was a teenager and young man and will shed light on his subsequent work while remaining sharply observed pleasures in their own right.”—Library Journal “[A] gathering of the great American prose stylist’s earliest pieces, published for the first time . . . Students of both Capote and the short story will find this instructive and entertaining.”—Kirkus Reviews The Grass Harp and The Tree of Night ![]() In Cold Blood ![]() Music for Chameleons ![]() Other Voices Other Rooms ![]() Other Voices, Other Rooms ![]() Other Voices, Other Rooms ![]() Fueled by a world-weariness that belied Capote’s tender age, this novel tempers its themes of waylaid hopes and lost innocence with an appreciation for small pleasures and the colorful language of its time and place. This new edition, featuring an enlightening Introduction by John Berendt, offers readers a fresh look at Capote’s emerging brilliance as a writer of protean power and effortless grace. Portraits and Observations ![]() Perhaps no twentieth-century writer was so observant and graceful a chronicler of his times as Truman Capote. Portraits and Observations is the first volume devoted solely to all the essays ever published by this most beloved of writers. Included are such masterpieces of narrative nonfiction as “The Muses Are Heard” and the short nonfiction novel “Handcarved Coffins,” as well as many long-out-of-print essays, including portraits of Mae West, Humphrey Bogart, and Marilyn Monroe. From his travel sketches of Brooklyn, New Orleans, and Hollywood, written when he was twenty-two, to the author’s last written words, “Remembering Willa Cather,” composed the day before his death in 1984, Portraits and Observations puts on display the full spectrum of Truman Capote’s brilliance. Certainly Capote was, as Somerset Maugham famously called him, “a stylist of the first quality.” But as the pieces gathered here remind us, he was also an artist of remarkable substance. Portraits and Observations: The Essays of Truman Capote ![]() Praise for Portraits and Observations NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST BOOK WORLD “A must-have treasure for Capote fans . . . These are delicious, dramatic, and tender nonfiction portraits and tales.” –NPR’s Morning Edition “A wonderful volume . . . Nearly every page can be read with real pleasure. . . . No matter what his subject, [Capote’s] canny, careful art gives it warm and breathing life” –The Washington Post Book World “Every piece is a treasure. . . . Pages and pages of remarkably evocative, careful and well-observed prose [delineate,] in a measured and elegant manner, one of the most remarkable American literary lives of the twentieth century.” –Jane Smiley, Los Angeles Times Book Review Summer Crossing: A Novel ![]() Set in New York during the summer of 1945, this is the story of a young carefree socialite, Grady, who must make serious decisions about the romance she is dangerously pursuing and the effect it will have on everyone involved. Fans of Breakfast at Tiffany’s and Capote’s short stories will be thrilled to read Summer Crossing. The Complete Stories of Truman Capote ![]() Answered Prayers : The Unfinished Novel ![]() Truth: Philosophy in Transit ![]() Oscar and Lucinda, True History of the Kelly Gang ![]() Oscar and Lucinda is a sweeping, irrepressibly inventive novel set in nineteenth-century Australia. Oscar, a nervous Anglican minister who gambles on the instructions of the Divine, joins forces with Lucinda, a teenaged heiress who buys a glassworks to help liberate her sex. The resulting narrative tangle of love, commerce, religion, and colonialism culminates in a half-mad expedition to transport a glass church across the Outback. In True History of the Kelly Gang, the legendary Australian outlaw Ned Kelly speaks for himself, scribbling his narrative in semiliterate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, but to his own people he is a hero defying the authority of the English. In a dazzling act of ventriloquism, Peter Carey brings the famous bushranger wildly and passionately to life. Sartor Resartus ![]() Explosion in a Cathedral ![]() Introduction by Timothy Brennan A swashbuckling tale set in the the Caribbean world at the time of the French revolution, Explosion in a Cathedral focuses on Victor Hugues, a historical figure who led the naval assault to take back the island of Guadeloupe from the English at the beginning of the nineteenth century. In Carpentier's telling, this piratical figure walks into the lives of the wealthy orphans Esteban and Sofia and casts them abruptly into the midst of the immense changes sweeping the world outside their Havana mansion. "Built around the exciting and timely theme of revolutionary-turned-tyrant, . . . Explosion in a Cathedral is a tour de force." New York Times Book Review "Woven into the story is a complete history and geography of the Caribbean." Times Literary Supplement Perhaps Cuba's most important intellectual figure of the twentieth century, Alejo Carpentier (1904-1980) was a novelist, a classically trained pianist and musicologist, a producer of avant-garde radio programming, and an influential theorist of politics and literature. Best known for his novels, Carpentier also collaborated with such luminaries as Igor Stravinsky, Darius Milhaud, Georges Bataille, and Antonin Artaud. Born in Havana, he lived for many years in France and Venezuela but returned to Cuba after the 1959 revolution. The Harp and the Shadow: The Beatification of Christopher Columbus: A Novel ![]() Exploring the consequences of the European discovery of the Americas and challenging the myth of Columbus, Alejo Carpentier-"the father of magical realism"-studies the first meetings of the Western and American cultures and the tragic consequences of tarnished and abandoned idealism. Alejo Carpentier (1904–1980) is considered one of the fathers of modern Latin American literature. He lived in Cuba, France, and Venezuela. Thomas Christensen and Carol Christensen have translated the works of Julio Cortázar, Laura Esquivel, and Carlos Fuentes. The Lost Steps ![]() Introduction by Timothy Brennan Translated into twenty languages and published in more than fourteen Spanish editions, The Lost Steps, originally published in 1953, is Alejo Carpentier's most heralded novel. A composer, fleeing an empty existence in New York City, takes a journey with his mistress to one of the few remaining areas of the world not yet touched by civilization-the upper reaches of a great South American river. The Lost Steps describes his search, his adventures, and the remarkable decision he makes in a village that seems to be truly outside history. "An erudite yet absorbing adventure story. . . A book full of riches-stylistic, sensory, visual." New York Times Book Review "The greatest novel to have appeared in Latin America in our time." Le Figaro Littéraire "Extraordinary." The New Yorker Perhaps Cuba's most important intellectual figure of the twentieth century, Alejo Carpentier (1904-1980) was a novelist, a classically trained pianist and musicologist, a producer of avant-garde radio programming, and an influential theorist of politics and literature. Best known for his novels, Carpentier also collaborated with such luminaries as Igor Stravinsky, Darius Milhaud, Georges Bataille, and Antonin Artaud. Born in Havana, he lived for many years in France and Venezuela but returned to Cuba after the 1959 revolution. Music in Cuba ![]() In the wake of the Buena Vista Social Club, the world has rediscovered the rich musical tradition of Cuba. A unique combination of popular and elite influences, the music of this island nation has fascinated since the golden age of the son‹that New World aural collision of Africa and Europe that made Cuban music the rage in Paris, New York, and Mexico beginning in the 1920s. Originally published in 1946 and never before available in an English translation, Music in Cuba is not only the best and most extensive study of Cuban musical history, it is a work of literature in its own right. Drawing on such primary documents as obscure church circulars, dog-eared musical scores pulled from attics, and the records of the Spanish colonial authorities, Music in Cuba sweeps panoramically from the sixteenth into the twentieth century. Carpentier covers European-style elite Cuban music as well as the popular rural Spanish folk and urban Afro-Cuban music. In a substantial introduction based on extensive original research, Timothy Brennan explores Carpentier's career prior to the writing of his novels. Looking especially at Carpentier's work as a music reviewer, radio producer, and musical theorist, Brennan suggests new ways of thinking about the role of Latin American artists in Europe between the wars and about the central place of radio and music-club cultures in the European avant-gardes. Perhaps Cuba's most important intellectual of the twentieth century, Alejo Carpentier (19041980) was a novelist, a classically trained pianist and musicologist, a producer of avant-garde radio programming, and an influential theorist of politics and literature. Best known for his novels, Carpentier also collaborated with such luminaries as Igor Stravinsky, Darius Milhaud, Georges Bataille, and Antonin Artaud. Born in Havana, he lived for many years in France and Venezuela but returned to Cuba after the 1959 revolution. Timothy Brennan is professor of cultural studies, comparative literature, and English at the University of Minnesota. Alan West-Durán is a freelance translator living in Massachusetts. The Chase ![]() Introduction by Timothy Brennan Three works of fiction by the inventor of magic realism-now back in print! "In a nameless, Havana-like city, an anonymous man flees a team of shadowy, relentless political assassins, and ultimately takes refuge in a symphony auditorium during a performance of Beethoven's Eroica. . . . This nightmarish novel does not so much tell a story as map the secret political infrastructure of cities, governments, churches, music, and bodies." The Independent "Carpentier was one of the early giants of modern Latin American literature, a man whose writing helped shape and define the period of 'magic realism.' . . . [The Chase is] a masterpiece." New York Times Book Review "A taut tale of political violence and psychological suspense." San Francisco Chronicle "One of the few perfect novellas in Spanish." G. Cabrera Infante Perhaps Cuba's most important intellectual figure of the twentieth century, Alejo Carpentier (1904-1980) was a novelist, a classically trained pianist and musicologist, a producer of avant-garde radio programming, and an influential theorist of politics and literature. Best known for his novels, Carpentier also collaborated with such luminaries as Igor Stravinsky, Darius Milhaud, Georges Bataille, and Antonin Artaud. Born in Havana, he lived for many years in France and Venezuela but returned to Cuba after the 1959 revolution. The Kingdom of This World: A Novel ![]() The Alienist ![]() The newly appointed police commissioner, Theodore Roosevelt, in a highly unorthodox move, enlists the two men in the murder investigation, counting on the reserved Kreizler's intellect and Moore's knowledge of New York's vast criminal underworld. They are joined by Sara Howard, a brave and determined woman who works as a secretary in the police department. Laboring in secret (for alienists, and the emerging discipline of psychology, are viewed by the public with skepticism at best), the unlikely team embarks on what is a revolutionary effort in criminology— amassing a psychological profile of the man they're looking for based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who has killed before. and will kill again before the hunt is over. Fast-paced and gripping, infused with a historian's exactitude, The Alienist conjures up the Gilded Age and its untarnished underside: verminous tenements and opulent mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. Here is a New York during an age when questioning society's belief that all killers are born, not made, could have unexpected and mortal consequences. The Complete Stories of Leonora Carrington ![]() Published to coincide with the centennial of her birth, THE COMPLETE STORIES OF LEONORA CARRINGTON collects for the first time all of her stories, including several never before seen in print. With a startling range of styles, subjects, and even languages (several of the stories are translated from French or Spanish), THE COMPLETE STORIES captures the genius and irrepressible spirit of an amazing artist's life. Down Below ![]() In 1937 Leonora Carrington—later to become one of the twentieth century’s great painters of the weird, the alarming, and the wild—was a nineteen-year-old art student in London, beautiful and unapologetically rebellious. At a dinner party, she met the artist Max Ernst. The two fell in love and soon departed to live and paint together in a farmhouse in Provence. In 1940, the invading German army arrested Ernst and sent him to a concentration camp. Carrington suffered a psychotic break. She wept for hours. Her stomach became “the mirror of the earth”—of all worlds in a hostile universe—and she tried to purify the evil by compulsively vomiting. As the Germans neared the south of France, a friend persuaded Carrington to flee to Spain. Facing the approach “of robots, of thoughtless, fleshless beings,” she packed a suitcase that bore on a brass plate the word Revelation. This was only the beginning of a journey into madness that was to end with Carrington confined in a mental institution, overwhelmed not only by her own terrible imaginings but by her doctor’s sadistic course of treatment. In Down Below she describes her ordeal—in which the agonizing and the marvelous were equally combined—with a startling, almost impersonal precision and without a trace of self-pity. Like Daniel Paul Schreber’s Memoirs of My Nervous Illness, Down Below brings the hallucinatory logic of madness home. The Hearing Trumpet ![]() Alice nel paese delle meraviglie-Attraverso lo specchio. Ediz. integrale ![]() Symbolic Logic and the Game of Logic ![]() The Annotated Alice: The Definitive Edition ![]() Antigonick ![]() Autobiography of Red ![]() National book Critics Circle Award Finalist "Anne Carson is, for me, the most exciting poet writing in English today."—Michael Ondaatje "This book is amazing—I haven't discovered any writing in years so marvelously disturbing." —Alice Munro The award-winning poet Anne Carson reinvents a genre in Autobiography of Red, a stunning work that is both a novel and a poem, both an unconventional re-creation of an ancient Greek myth and a wholly original coming-of-age story set in the present. Geryon, a young boy who is also a winged red monster, reveals the volcanic terrain of his fragile, tormented soul in an autobiography he begins at the age of five. As he grows older, Geryon escapes his abusive brother and affectionate but ineffectual mother, finding solace behind the lens of his camera and in the arms of a young man named Herakles, a cavalier drifter who leaves him at the peak of infatuation. When Herakles reappears years later, Geryon confronts again the pain of his desire and embarks on a journey that will unleash his creative imagination to its fullest extent. By turns whimsical and haunting, erudite and accessible, richly layered and deceptively simple, Autobiography of Red is a profoundly moving portrait of an artist coming to terms with the fantastic accident of who he is. "A profound love story . . . sensuous and funny, poignant, musical and tender."—The New York Times Book Review "A deeply odd and immensely engaging book. . . . [Carson] exposes with passionate force the mythic underlying the explosive everyday." —The Village Voice The Beauty of the Husband: A Fictional Essay in 29 Tangos ![]() This clear-eyed, brutal, moving, darkly funny book tells a single story in an immediate, accessible voice–29 “tangos” of narrative verse that take us vividly through erotic, painful, and heartbreaking scenes from a long-time marriage that falls apart. Only award-winning poet Anne Carson could create a work that takes on the oldest of lyrical subjects–love–and make it this powerful, this fresh, this devastating. Float ![]() Anne Carson consistently dazzles with her inventive, shape-shifting work and the vividness of her imagination. Float reaches an even greater level of brilliance and surprise. Presented in an arrestingly original format—individual chapbooks that can be read in any order, and that float inside a transparent case—this collection conjures a mix of voices, time periods, and structures to explore what makes people, memories, and stories "maddeningly attractive" when observed in spaces that are suggestively in-between. One can begin with Carson contemplating Proust on a frozen Icelandic plain, or on the art-saturated streets of downtown New York City. Or journey to the peak of Mount Olympus, where Zeus ponders his own afterlife. Or find a chorus of Gertrude Steins performing an essay about falling—a piece that also unearths poignant memories of Carson's own father and great-uncle in rural Canada. And a poem called "Wildly Constant" piercingly explores the highs and lows of marriage and monogamy, distilled in a wife's waking up her husband from the darkness of night, and asking him to make them eggs for breakfast. Exquisite, heartbreaking, disarmingly funny, Float kaleidoscopically illuminates the uncanny magic that comes with letting go of expectations and boundaries. It is Carson's most intellectually electrifying, emotionally engaging book to date. Glass, Irony and God ![]() Men in the Off Hours ![]() In Men in the Off Hours, Carson offers further proof of her tantalizing gifts. Reinventing figures as diverse as Oedipus, Emily Dickinson, and Audubon, Carson sets up startling juxtapositions: Lazarus among video paraphernalia, Virginia Woolf and Thucydides discussing war, Edward Hopper paintings illuminated by St. Augustine. And in a final prose poem, she meditates movingly on the recent death of her mother. With its quiet, acute spirituality and its fearless wit and sensuality, Men in the Off Hours shows us a fiercely individual poet at her best. Nay Rather ![]() Nox ![]() Red Doc> ![]() To live past the end of your myth is a perilous thing. The Sense of Wonder: A Celebration of Nature for Parents and Children ![]() If Not, Winter: Fragments of Sappho ![]() Of the nine books of lyrics the ancient Greek poet Sappho is said to have composed, only one poem has survived complete. The rest are fragments. In this miraculous new translation, acclaimed poet and classicist Anne Carson presents all of Sappho’s fragments, in Greek and in English, as if on the ragged scraps of papyrus that preserve them, inviting a thrill of discovery and conjecture that can be described only as electric—or, to use Sappho’s words, as “thin fire . . . racing under skin.” "Sappho's verse has been elevated to new heights in [this] gorgeous translation." —The New York Times "Carson is in many ways [Sappho's] ideal translator....Her command of language is hones to a perfect edge and her approach to the text, respectful yet imaginative, results in verse that lets Sappho shine forth." —Los Angeles Times Nostalgia ![]() The Bloody Chamber, Wise Children, Fireworks ![]() The Twenty-four Hour Mind: The Role of Sleep and Dreaming in Our Emotional Lives ![]() In The Twenty-four Hour Mind, sleep scientist Rosalind Cartwright brings together decades of research into the bizarre sleep disorders known as parasomnias to propose a new theory of how the human mind works consistently throughout waking and sleeping hours. Thanks to increasingly sophisticated EEG and brain imaging technologies, we now know that our minds do not simply "turn off" during sleep. Rather, they continue to be active, and research has indicated that one of the primary purposes of sleep is to aid in regulating emotions and processing experiences that occur during preceding waking hours. As such, when sleep is neurologically or genetically impaired or just too short, the processes that good sleep facilitates—those that usually have a positive effect on our mood and performance—can short circuit, with negative results that occasionally reach tragic proportions. Examining the interactions between conscious and unconscious forms of thinking as they proceed throughout the cycles of sleeping, dreaming, and waking, Cartwright demystifies the inner workings of the human mind that trigger sleep problems, how researchers are working to control them, and how they can apply what they learn to further our understanding of the brain. Along the way, she provides a lively account of the history of sleep research and the birth of sleep medicine that will initiate readers into this fascinating field of inquiry and the far-reaching implications it will have on the future of neuroscience. The Twenty-four Hour Mind offers a unique look at a relatively new area of study that will be of interest to those with and without sleep problems, as well as anyone captivated by the mysteries of the brain—and what sleep continues to teach us about the waking mind. History of My Life ![]() The name of Giacomo Casanova, Chevalier de Seingalt (1725-98), is now synonymous with amorous exploits, and there are plenty of these, vividly narrated, in his memoirs. But Casanova was not just an energetic lover. In his time he was a diplomat, businessman, trainee priest, traveler, prisoner, magician, confidence man, gambler, professional entertainer, and charlatan. He financed business projects, organized lotteries, wrote opera libretti, and dabbled in high politics. Above all he was an autobiographer of enduring brilliance and subtlety who left behind him what is probably the most remarkable confession ever written. Casanova explored to the full all the possibilities eighteenth-century Venice offered by way of love and profit before being imprisoned, escaping from jail, and fleeing from the city to begin travels that took him across Europe. In Moscow and London, Berlin and Constantinople, he met the famous men and women of his time—Catherine the Great, Voltaire, Louis XV, Rousseau—and recorded his encounters for the memoirs he wrote in retirement at the end of his life. History of My Life is by turns touching, thrilling, wonderfully comic, and quite irresistible. The present edition, which includes approximately one third of Casanova's enormous (and unfinished) book, contains all his major adventures and all his greatest affairs of the heart. Of Mistresses, Tigresses and Other Conquests ![]() All books in this series: Cures for Love Doomed Love The Eaten Heart First Love Forbidden Fruit The Kreutzer Sonata A Mere Interlude Of Mistresses, Tigresses and Other Conquests The Seducers Diary The Invention of Morel ![]() How to Achieve True Greatness ![]() Grumpy Cat: A Grumpy Book ![]() Heidegger and a Hippo Walk Through Those Pearly Gates: Using Philosophy ![]() The new book by the bestselling authors of Plato and a Platypus Walk Into a Bar is a hilarious take on the philosophy, theology, and psychology of mortality and immortality. That is, Death. The authors pry open the coffin lid on this one, looking at the Big D and also its prequel, Life, and its sequel, the Hereafter. Philosophers such as Schopenhauer, Nietzsche, Camus, and Sartre have been wrestling with the meaning of death for as long as they have been wrestling with the meaning of life. Fortunately, humorists have been keeping pace with the major thinkers by creating gags about dying. Death's funny that way-it gets everybody's attention. Death has gotten a bad rap. It's time to take a closer look at what the Deep Thinkers have to say on the subject, and there are no better guides than Cathcart and Klein. Death Comes for the Archbishop ![]() My Antonia ![]() O Pioneers! ![]() No other work of fiction so vividly evokes the harsh beauty and epic sweep of the Nebraska prairies that Cather knew and loved. The heroine of O Pioneers!, Alexandra Bergson, is a young Swedish immigrant at the turn of the twentieth century who inherits her father’s windblasted land and, through years of hard work, turns it into a prosperous farm. Fiercely independent, Alexandra sacrifices love and companionship in her passionate devotion to the land, until tragedy strikes and brings with it the chance for a new life. One of our most beloved classics, one of the great heroines of American literature. Treasures of the British Museum ![]() Mazurka for Two Dead Men ![]() The Amazing Adventures of Kavalier & Clay ![]() The beloved, award-winning The Amazing Adventures of Kavalier & Clay, a Michael Chabon masterwork, is the American epic of two boy geniuses named Joe Kavalier and Sammy Clay. Now with special bonus material by Michael Chabon. A “towering, swash-buckling thrill of a book” (Newsweek), hailed as Chabon’s “magnum opus” (The New York Review of Books), The Amazing Adventures of Kavalier & Clay is a triumph of originality, imagination, and storytelling, an exuberant, irresistible novel that begins in New York City in 1939. A young escape artist and budding magician named Joe Kavalier arrives on the doorstep of his cousin, Sammy Clay. While the long shadow of Hitler falls across Europe, America is happily in thrall to the Golden Age of comic books, and in a distant corner of Brooklyn, Sammy is looking for a way to cash in on the craze. He finds the ideal partner in the aloof, artistically gifted Joe, and together they embark on an adventure that takes them deep into the heart of Manhattan, and the heart of old-fashioned American ambition. From the shared fears, dreams, and desires of two teenage boys, they spin comic book tales of the heroic, fascist-fighting Escapist and the beautiful, mysterious Luna Moth, otherworldly mistress of the night. Climbing from the streets of Brooklyn to the top of the Empire State Building, Joe and Sammy carve out lives, and careers, as vivid as cyan and magenta ink. Spanning continents and eras, this superb book by one of America’s finest writers remains one of the defining novels of our modern American age. NEW YORK TIMES BESTSELLER Finalist for the PEN/Faulkner Award, National Book Critics Circle Award, and Los Angeles Times Book Prize Winner of the Bay Area Book Reviewers Award and the New York Society Library Book Award Named one of the 10 Best Books of the Decade by Entertainment Weekly Moonglow ![]() Naked Earth ![]() Set in the early years of Mao’s China, Naked Earth is the story of two earnest young people confronting the grim realities of revolutionary change. Liu Ch’üan and Su Nan meet in the countryside after volunteering to assist in the new land reform program. Eager to build a more just society, they are puzzled and shocked by the brutality, barely disguised corruption, and ruthless careerism they discover, but then quickly silenced by the barrage of propaganda and public criticism that is directed at anyone who appears to doubt a righteous cause. Joined together by the secret of their common dismay, they remain in touch when Liu departs to work on a newspaper in Peking, where Su Nan eventually also moves. Something like love begins to grow between them—but then a new round of purges sweeps through the revolutionary ranks. One of the greatest and most loved of modern Chinese writers, Eileen Chang illuminates the dark corners of the human existence with a style of disorienting beauty. Naked Earth, unavailable in English for more than fifty years, is a harrowing tale of perverted ideals, damaged souls, deepest loneliness, and terror. The Riverside Chaucer ![]() Canterbury Tales (Everyman's Library (Cloth)) ![]() A Strange and Sublime Address ![]() Cocoa Recipes for Mac OS X ![]() The Complete Short Novels ![]() A Russian Affair ![]() Oath and Honor: A Memoir and a Warning ![]() Exhalation ![]() Stories of Your Life and Others ![]() Learn FileMaker Pro 7 (Wordware Library for FileMaker) ![]() Cocoa Programming Developer's Handbook ![]() Yet for all its refined elegance and ease of use, the staggering size of the Cocoa family of APIs and the vast magnitude of the official documentation can be intimidating to even seasoned programmers. To help Mac OS X developers sort through and begin to put to practical use Cocoa’s vast array of tools and technologies, Cocoa Programming Developer’s Handbook provides a guided tour of the Cocoa APIs found on Mac OS X, thoroughly discussing—and showing in action—Cocoa’s core frameworks and other vital components, as well as calling attention to some of the more interesting but often overlooked parts of the APIs and tools. This book provides expert insight into a wide range of key topics, from user interface design to network programming and performance tuning. Cocoa Programming Fundamentals ![]() The Essential Chomsky ![]() On Language: Chomsky's Classic Works Language and Responsibility and Reflections on Language in One Volume ![]() In Part I, Language and Responsibility (1979), Chomsky presents a fascinating self-portrait of his political, moral, and linguistic thinking through a series of interviews with Mitsou Ronat, the noted French linguist. In Part II, Reflections on Language (1975), Chomsky explores the more general implications of the study of language and offers incisive analyses of the controversies among psychologists, philosophers, and linguists over fundamental questions of language. The Awakening ![]() The Simple Past ![]() And Then There Were None ![]() On the Heights of Despair ![]() On the Heights of Despair shows Cioran's first grappling with themes he would return to in his mature works: despair and decay, absurdity and alienation, futility and the irrationality of existence. It also presents Cioran as a connoisseur of apocalypse, a theoretician of despair, for whom writing and philosophy both share the "lyrical virtues" that alone lead to a metaphysical revelation. "No modern writer twists the knife with Cioran's dexterity. . . . His writing . . . is informed with the bitterness of genuine compassion."—Bill Marx, Boston Phoenix "The dark, existential despair of Romanian philosopher Cioran's short meditations is paradoxically bracing and life-affirming. . . . Puts him in the company of Nietzsche and Kierkegaard."—Publishers Weekly, starred review "This is self-pity as epigram, the sort of dyspeptic pronouncement that gets most people kicked out of bed but that has kept Mr. Cioran going for the rest of his life."—Judith Shulevitz, New York Times Book Review The Resedit All Night Diner/Book and Disk ![]() The House on Mango Street: Introduction by John Phillip Santos ![]() Beat Poets ![]() The defining work of Allen Ginsberg and Jack Kerouac provides the foundation for this collection, which also features statements on Beat poetics, selections from the alternately ardent, incendiary, and earnest correspondence of Beat Generation writers, and the improvisational verse of such Beat legends as Robert Creeley, Diane Di Prima, Gregory Corso, Denise Levertov, Lawrence Ferlinghetti, Philip Whalen, Bob Kaufman, and Peter Orlovsky, along with the work of other women writers and the lesser-known poets of this school. Visceral and powerful, infused with an unmediated spiritual and social awareness, Beat Poets is a rich and varied tribute and—in the populist spirit of the Beats—a vital addition to the libraries of readers everywhere. The Secret Lives of Color ![]() “Beautifully written . . . Full of anecdotes and fascinating research, this elegant compendium has all the answers.” —NPR, Best Books of 2017 The Secret Lives of Color tells the unusual stories of seventy-five fascinating shades, dyes and hues. From blonde to ginger, the brown that changed the way battles were fought to the white that protected against the plague, Picasso’s blue period to the charcoal on the cave walls at Lascaux, acid yellow to kelly green, and from scarlet women to imperial purple, these surprising stories run like a bright thread throughout history. In this book, Kassia St. Clair has turned her lifelong obsession with colors and where they come from (whether Van Gogh’s chrome yellow sunflowers or punk’s fluorescent pink) into a unique study of human civilization. Across fashion and politics, art and war, the secret lives of color tell the vivid story of our culture. “This passionate and majestic compedium will leave you bathed in the gorgeous optics of light.” —Elle Mac OS X Bible, Panther Edition ![]() Childhood's End ![]() But at what cost? With the advent of peace, man ceases to strive for creative greatness, and a malaise settles over the human race. To those who resist, it becomes evident that the Overlords have an agenda of their own. As civilization approaches the crossroads, will the Overlords spell the end for humankind . . . or the beginning? Rendezvous with Rama ![]() Piranesi ![]() Penguin Modern Box Set ![]() Did You Ever Have A Family ![]() “Masterly.” —The New York Times Book Review “Daring.” —NPR Starred Pre-Publication Reviews from Kirkus Reviews, Publishers Weekly, Library Journal, and Booklist One of Entertainment Weekly’s “Blockbuster Novels,” Fall Books Preview Glamour Magazine’s #1 Pick of “5 Things I’m Loving,” September issue A Buzzfeed “19 Awesome New Books You Need to Read This Fall” Pick The stunning debut novel from bestselling author Bill Clegg is a magnificently powerful story about a circle of people who find solace in the least likely of places as they cope with a horrific tragedy. On the eve of her daughter’s wedding, June Reid’s life is completely devastated when a shocking disaster takes the lives of her daughter, her daughter’s fiancé, her ex-husband, and her boyfriend, Luke—her entire family, all gone in a moment. And June is the only survivor. Alone and directionless, June drives across the country, away from her small Connecticut town. In her wake, a community emerges, weaving a beautiful and surprising web of connections through shared heartbreak. From the couple running a motel on the Pacific Ocean where June eventually settles into a quiet half-life, to the wedding’s caterer whose bill has been forgotten, to Luke’s mother, the shattered outcast of the town—everyone touched by the tragedy is changed as truths about their near and far histories finally come to light. Elegant and heartrending, and one of the most accomplished fiction debuts of the year, Did You Ever Have a Family is an absorbing, unforgettable tale that reveals humanity at its best through forgiveness and hope. At its core is a celebration of family—the ones we are born with and the ones we create. Generations: A Memoir ![]() The Muse Is Always Half-Dressed in New Orleans: and Other Essays ![]() The Alchemist: A Fable About Following Your Dream ![]() Along the way he meets many spiritual messengers, who come in unassuming forms such as a camel driver and a well-read Englishman. In one of the Englishman's books, Santiago first learns about the alchemists—men who believed that if a metal were heated for many years, it would free itself of all its individual properties, and what was left would be the "Soul of the World." Of course he does eventually meet an alchemist, and the ensuing student-teacher relationship clarifies much of the boy's misguided agenda, while also emboldening him to stay true to his dreams. "My heart is afraid that it will have to suffer," the boy confides to the alchemist one night as they look up at a moonless night. "Tell your heart that the fear of suffering is worse than the suffering itself," the alchemist replies. "And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second's encounter with God and with eternity." —Gail Hudson The Childhood of Jesus ![]() Nobel laureate and two-time Booker Prize winner J. M. Coetzee returns with a haunting and surprising novel about childhood and destiny that is sure to rank with his classic novels. Separated from his mother as a passenger on a boat bound for a new land, David is a boy who is quite literally adrift. The piece of paper explaining his situation is lost, but a fellow passenger, Simón, vows to look after the boy. When the boat docks, David and Simón are issued new names, new birthdays, and virtually a whole new life. Strangers in a strange land, knowing nothing of their surroundings, nor the language or customs, they are determined to find David’s mother. Though the boy has no memory of her, Simón is certain he will recognize her at first sight. But after we find her,” David asks, what are we here for?” An eerie allegorical tale told largely through dialogue, The Childhood of Jesus is a literary feata novel of ideas that is also a tender, compelling narrative. Coetzee’s many fans will celebrate his return while new readers will find The Childhood of Jesus an intriguing introduction to the work of a true master. Late Essays: 2006-2017 ![]() J. M. Coetzee is not only one of the most acclaimed fiction writers in the world, he is also an accomplished and insightful literary critic. In Late Essays: 2006–2016, a thought-provoking collection of twenty-three pieces, he examines the work of some of the world’s greatest writers, from Daniel Defoe in the early eighteenth century to Goethe and Irène Némirovsky to Coetzee’s contemporary Philip Roth. Challenging yet accessible, literary master Coetzee writes these essays with great clarity and precision, offering readers an illuminating and wise analysis of a remarkable list of works of international literature that span three centuries. Apple Training Series: iLife 09 ![]() • Master the iLife suite of tools quickly through fun, real-world projects • Turn your photos into cards, picture books, calendars, or a web gallery • Add motion and music to a slideshow, then publish it online • Create a video with polished transitions, music, effects, and even greenscreen • Learn “Hollywood-style” techniques for making better videos • Build a soundtrack in GarageBand, and learn to score a simple movie • Create websites, blogs, podcasts, and DVD menus in a snap. The Apple Training Series is both a self-paced learning tool and the official curriculum of the Apple Training and Certification Program. To find out more about Apple Training, or to find an Authorized Training Center near you, go to www.apple.com/training. Coleridge: Poems (Pocket Poets Series) ![]() His Monkey Wife ![]() "From the first sentence of the novel the reader is aware that he is in the presence of a magician…[Collier] casts a spell and he does so always with a smile."—Paul Theroux "A wayward masterpiece…Whatever this volume has cost you, it is, believe me, a great bargain."—Anthony Burgess "It is impossible to convey the subtle wit which makes you laugh out loud, the beauty and penetrating satire which blend so perfectly into its brilliance."—Booklist "The whole is written with sly humor throughout and is illuminated by splendid similes and metaphors which mark the author as a true humorist."—New York Times In the author's own words: "This is a strange book…an emotional melodrama, complete with a Medusa villainess, an honest simpleton of a hero, and an angelic if only anthropoid heroine, all functioning in the two dimensional world of the old Lyceum poster or the primitive fresco…where an angel may outsize a church, and where a man may marry a monkey on a foggy day."—from John Collier's "A Looking Glass" When Alfred Fatigay returns to his native London, he brings along his trustworthy pet chimpanzee Emily who, unbeknownst to Fatigay, has become civilized: literate, literaryand in love with Fatigay himself. After Emily meets Alfred's fiancée Amy Flint, a 1920's "modern woman," she sets out to save her beloved from Amy's cold grip. "Emily is the perfect outside observer," writes Eva Brann in her introduction, "because she is an African in Europe, a female in a man's world, a servant to liberated sophisticates, and above all an old-fashioned creature in a modern world." John Collier (1901–1980) was born in Britain, but spent much of his life in the U.S., where he wrote screenplays for Hollywood (The African Queen, Sylvia Scarlet, and I Am a Camera among them) and short stories for the New Yorker and other magazines. He was also a poet, editor, and reviewer. Diamond in the Rough: A Memoir ![]() Humorous and deeply honest, Colvin relates the experiences behind her best-loved songs in vivid color in this memoir. Diamond in the Rough captures her years of touring cross-country in bands and vans full of guys; falling in and out of love; meeting heroes like Joni Mitchell; searching for her musical identity; and making friendships that would last a lifetime. It is also an unflinching account of Colvin's struggles—weathering addiction and depression, learning to care for not only herself but also a child—and, always, channeling those experiences into song. With the wit, lyricism, and empathy that have characterized Colvin's performances and inspired audiences worldwide, Diamond in the Rough looks back over a rich lifetime of highs and lows with stunning insight and candor. In its pages, we witness the inspiring story of a woman honing her artistry, finding her voice, and making herself whole. The Analects ![]() Confucius addressed all these questions in dialogues, stories, and anecdotes gathered together as The Analects, which offers not lofty moral prescriptions but sensible advice based on principles of justice and moderation. So timeless was his thinking that even now, after two and a half thousand years, The Analects remains one of the most influential texts ever written. The Alchymist's Journal ![]() Mr Bridge ![]() Mrs. Bridge ![]() In Mrs. Bridge, Evan S. Connell, a consummate storyteller, artfully crafts a portrait using the finest of details in everyday events and confrontations. The novel is comprised of vignettes, images, fragments of conversations, events―all building powerfully toward the completed group portrait of a family, closely knit on the surface but deeply divided by loneliness, boredom, misunderstandings, isolation, sexual longing, and terminal isolation. In this special fiftieth anniversary edition, we are reminded once again why Mrs. Bridge has been hailed by readers and critics alike as one of the greatest novels in American literature. Nabokov's "Invitation to a Beheading": A Critical Companion ![]() Heart of Darkness ![]() Typhoon (Everyman's Library Classics) ![]() Victory ![]() “With Victory, Conrad inaugurated a new style and aesthetic,” writes Peter Lancelot Mallios in his Introduction. “The tremendous literary sophistication to be found in Victory does not result in the exclusion of the popular reader.” The text of this Modern Library Paperback Classic was set from the first British edition, published by Methuen & Co. in 1915. From the Trade Paperback edition. Adolphe ![]() First published in 1816, Adolphe is the story of a young man with all the privileges and advantages of a noble birth, bt who's still haunted by the meaninglessness of life. He seeks distraction in the pursuit of the beautiful, but older and married Ellenore, a fictionalized version of Madame de Stael. The young Adolphe, inexperienced in love, falls for her unexpectedly and falters under the burden of the illicit love. The Art of The Novella Series Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time. iOS Programming: The Big Nerd Ranch Guide ![]() Easily setting up elegant, efficient user interfaces with UIKitCreating effective visuals, animation, and effects with Core Graphics and Core AnimationMaking the most of the iOS multi-touch event handling and accelerometer dataBuilding location-aware iOS applications utilizing Core Location and MapKitLocalizing applications for international useCreating applications that capture audio and play mediaStoring data in files or with Core Data New chapters added to this edition include: iPad-friendly interfaces, including UIPopoverController and UISplitViewControllerBlocks and CategoriesInstruments and Xcode’s static analyzerUIWebView and connecting with web serversPush Notifications iOS Programming also includes a handy Xcode Quick Reference Card that lists Xcode 4's most commonly used keyboard shortcuts. Underbelly: Additional Observations on the Beauty/Ugliness of Mostly Pillowy Girls ![]() Homer's Odyssey: A Fearless Feline Tale, or How I Learned about Love and Life with a Blind Wonder Cat ![]() The last thing Gwen Cooper wanted was another cat. She already had two, not to mention a phenomenally underpaying job and a recently broken heart. Then Gwen’s veterinarian called with a story about a three-week-old eyeless kitten who’d been abandoned. It was love at first sight. Everyone warned that Homer would always be an “underachiever.” But the kitten nobody believed in quickly grew into a three-pound dynamo with a giant heart who eagerly made friends with every human who crossed his path. Homer scaled seven-foot bookcases with ease, survived being trapped alone for days after 9/11 in an apartment near the World Trade Center, and even saved Gwen’s life when he chased off an intruder who broke into their home in the middle of the night. But it was Homer’s unswerving loyalty, his infinite capacity for love, and his joy in the face of all obstacles that transformed Gwen’s life. And by the time she met the man she would marry, she realized that Homer had taught her the most valuable lesson of all: Love isn’t something you see with your eyes. Autobiography of a Pocket Handkerchief ![]() River of Ink ![]() But in different languages, in different contexts, meaning can become slippery. First inadvertently, then deliberately and dangerously, Asanka's version of the epic, centered on the killing of an unjust ruler, inspires and arouses the oppressed people of the land. Asanka must juggle the capricious demands of a king with the growing demands of his own political consciousness—and his heart—if he wishes to survive and imagine a future with the woman he loves. The first novel from a remarkable young writer, River of Ink is a powerful historical tale set in the shadow of oppression—one with deep allegorical resonances in any time—celebrating the triumph of literature and love. Blow-Up: And Other Stories ![]() Hopscotch ![]() Horacio Oliveira is an Argentinian writer who lives in Paris with his mistress, La Maga, surrounded by a loose-knit circle of bohemian friends who call themselves "the Club." A child's death and La Maga's disappearance put an end to his life of empty pleasures and intellectual acrobatics, and prompt Oliveira to return to Buenos Aires, where he works by turns as a salesman, a keeper of a circus cat which can truly count, and an attendant in an insane asylum. Hopscotch is the dazzling, freewheeling account of Oliveira's astonishing adventures. Hopscotch, Blow-Up, We Love Glenda So Much ![]() Proud Beggars ![]() Chief among Cossery’s proud beggars is Gohar, a former professor turned whorehouse accountant, hashish aficionado, and street philosopher. Such is his native charm that he has accumulated a small coterie that includes Yeghen, a rhapsodic poet and drug dealer, and El Kordi, an ineffectual clerk and would-be revolutionary who dreams of rescuing a consumptive prostitute. The police investigator Nour El Dine, harboring a dark secret of his own, suspects all three of the murder but finds himself captivated by their warm good humor. How is it that they live amid degrading poverty, yet possess a joie de vivre that even the most assiduous forces of state cannot suppress? Do they, despite their rejection of social norms and all ambition, hold the secret of contentment? And so this short novel, considered one of Cossery’s masterpieces, is at once biting social commentary, police procedural, and a mischievous delight in its own right. Unfaithful Music & Disappearing Ink ![]() Costello continues to add to one of the most intriguing and extensive songbooks of our day. His performances have taken him from strumming a cardboard guitar in his parents’ front room to fronting a rock and roll band on our television screens and performing in the world’s greatest concert halls in a wild variety of company. Unfaithful Music & Disappearing Ink describes how Costello’s career has endured for almost four decades through a combination of dumb luck and animal cunning, even managing the occasional absurd episode of pop stardom. This memoir, written entirely by Costello, offers his unique view of his unlikely and sometimes comical rise to international success, with diversions through the previously undocumented emotional foundations of some of his best-known songs and the hits of tomorrow. It features many stories and observations about his renowned cowriters and co-conspirators, though Costello also pauses along the way for considerations of the less appealing side of fame. Unfaithful Music & Disappearing Ink provides readers with a master’s catalogue of a lifetime of great music. Costello reveals the process behind writing and recording legendary albums like My Aim Is True, This Year’s Model, Armed Forces, Almost Blue, Imperial Bedroom, and King of America. He tells the detailed stories, experiences, and emotions behind such beloved songs as “Alison,” “Accidents Will Happen,” “Watching the Detectives,” “Oliver’s Army,” “Welcome to the Working Week,” “Radio Radio,” “Shipbuilding,” and “Veronica,” the last of which is one of a number of songs revealed to connect to the lives of the previous generations of his family. Costello recounts his collaborations with George Jones, Chet Baker, and T Bone Burnett, and writes about Allen Toussaint's inspiring return to work after the disasters following Hurricane Katrina. He describes writing songs with Paul McCartney, the Brodsky Quartet, Burt Bacharach, and The Roots during moments of intense personal crisis and profound sorrow. He shares curious experiences in the company of The Clash, Tony Bennett, The Specials, Van Morrison, and Aretha Franklin; writing songs for Solomon Burke and Johnny Cash; and touring with Bob Dylan; along with his appreciation of the records of Frank Sinatra, David Bowie, David Ackles, and almost everything on the Tamla Motown label. Costello chronicles his musical apprenticeship, a child's view of his father Ross MacManus' career on radio and in the dancehall; his own initial almost comical steps in folk clubs and cellar dive before his first sessions for Stiff Record, the formation of the Attractions, and his frenetic and ultimately notorious third U.S. tour. He takes readers behind the scenes of Top of the Pops and Saturday Night Live, and his own show, Spectacle, on which he hosted artists such as Lou Reed, Elton John, Levon Helm, Jesse Winchester, Bruce Springsteen, and President Bill Clinton. The idiosyncratic memoir of a singular man, Unfaithful Music & Disappearing Ink is destined to be a classic. Hart Crane: Complete Poems and Selected Letters ![]() This edition is the largest collection of Crane's writings ever published. Gathered here are the complete poems and published prose, along with a generous selection of Crane's letters, several of which have never before been published. In his letters Crane elucidates his aims as an artist and provides fascinating glosses on his poetry. His voluminous correspondence also offers an intriguing glimpse into his complicated personality, as well as his tempestuous relationships with family, lovers, and writers such as Allen Tate, Waldo Frank, Yvor Winters, Jean Toomer, Marianne Moore, E. E. Cummings, William Carlos Williams, and Katherine Anne Porter. Several letters included here are published for the first time. This landmark 850-page volume features a detailed and freshly-researched chronology of Crane's life by editor Langdon Hammer, chair of the English Department at Yale University and a biographer of Crane, as well as extensive explanatory notes, and over fifty biographical sketches of Crane's correspondents. The Complete Poems of Hart Crane ![]() Prose and Poetry: Maggie, A Girl of the Streets / The Red Badge of Courage / Stories, Sketches and Journalism / The Black Riders and War is Kind ![]() Eliot After "The Waste Land" ![]() Young Eliot: From St. Louis to The Waste Land ![]() Bowie ![]() Memory Theater ![]() A French philosopher dies during a savage summer heat wave. Boxes carrying his unpublished papers mysteriously appear in Simon Critchley’s office. Rooting through them, Critchley discovers a brilliant text on the ancient art of memory and a cache of astrological charts predicting the deaths of various philosophers. Among them is a chart for Critchley himself, laying out in great detail the course of his life and eventual demise. While waiting for his friend’s prediction to come through, Critchley receives the missing, final box, which contains a maquette of Giulio Camillo’s sixteenth-century Venetian memory theater, a space supposed to contain the sum of all knowledge. With nothing left to hope for, Critchley devotes himself to one final project before his death—the building of a structure to house his collective memories and document the remnants of his entire life. If Hemingway Wrote JavaScript ![]() The best authors are those who obsess about language—and the same goes for JavaScript developers. To master either craft, you must experiment with language to develop your own style, your own idioms, and your own expressions. To that end, If Hemingway Wrote JavaScript playfully bridges the worlds of programming and literature for the literary geek in all of us. Featuring original artwork by Miran Lipovaca. The Norse Myths ![]() The Oxford Dictionary of Original Shakespearean Pronunciation ![]() The Vanishing Velázquez: A 19th Century Bookseller's Obsession with a Lost Masterpiece ![]() When John Snare, a nineteenth-century provincial bookseller, traveled to a liquidation auction, he stumbled on a vivid portrait of King Charles I that defied any explanation. The Charles of the painting was young—too young to be king—and yet also too young to be painted by the Flemish painter to which the work was attributed. Snare had found something incredible—but what? His research brought him to Diego Velazquez, whose long-lost portrait of Prince Charles has eluded art experts for generations. Velazquez (1599–1660) was the official painter of the Madrid court, during the time the Spanish Empire teetered on the edge of collapse. When Prince Charles of England—a man wealthy enough to help turn Spain’s fortunes—ventured to the court to propose a marriage with a Spanish princess, he allowed just a few hours to sit for his portrait. Snare believed only Velazquez could have met this challenge. But in making his theory public, Snare was ostracized, victim to aristocrats and critics who accused him of fraud, and forced to choose, like Velazquez himself, between art and family. A thrilling investigation into the complex meaning of authenticity and the unshakable determination that drives both artists and collectors of their work, The Vanishing Velazquez travels from extravagant Spanish courts in the 1700s to the gritty courtrooms and auction houses of nineteenth-century London and New York. But it is above all a tale of mystery and detection, of tragic mishaps and mistaken identities, of class, politics, snobbery, crime, and almost farcical accident. It is a magnificently crafted page-turner, a testimony to how and why great works of art can affect us to the point of obsession. The Enormous Room ![]() i: six nonlectures ![]() E. E. Cummings: Complete Poems, 1904-1962 ![]() At the time of his death in 1962, E. E. Cummings was, next to Robert Frost, the most widely read poet in America. Combining Thoreau's controlled belligerence with the brash abandon of an uninhibited bohemian, Cummings, together with Pound, Eliot, and William Carlos Williams, helped bring about the twentieth-century revolution in literary expression. He is recognized on the one hand as the author of some of the most beautiful lyric poems written in the English language, and on the other as one of the most inventive American poets of his time—in the worlds of Richard Kostelanetz, "the major American poet of the middle-twentieth-century." E. E. Cummings: Complete Poems, 1904–1962 ![]() EIMI: A Journey Through Soviet Russia ![]() A Miscellany ![]() Selected Poems ![]() The Theatre of E. E. Cummings ![]() Lost Time: Lectures on Proust in a Soviet Prison Camp ![]() During the Second World War, as a prisoner of war in a Soviet camp, and with nothing but memory to go on, the Polish artist and soldier Józef Czapski brought Marcel Proust’s In Search of Lost Time to life for an audience of prison inmates. In a series of lectures, Czapski described the arc and import of Proust’s masterpiece, sketched major and minor characters in striking detail, and movingly evoked the work’s originality, depth, and beauty. Eric Karpeles has translated this brilliant and altogether unparalleled feat of the critical imagination into English for the first time, and in a thoughtful introduction he brings out how, in reckoning with Proust’s great meditation on memory, Czapski helped his fellow officers to remember that there was a world apart from the world of the camp. Proust had staked the art of the novelist against the losses of a lifetime and the imminence of death. Recalling that triumphant wager, unfolding, like Sheherazade, the intricacies of Proust’s world night after night, Czapski showed to men at the end of their tether that the past remained present and there was a future in which to hope. Loitering: New and Collected Essays ![]() Le Streghe ![]() 50 Secrets of Magic Craftsmanship ![]() Dali: The Salvador Dali Museum Collection ![]() The Secret Life of Salvador Dali ![]() Dalí: Les Dîners de Gala ![]() Prize Stories 1997: The O. Henry Awards (Prize Stories (O Henry Awards)) ![]() Universal Harvester: A Novel ![]() Jeremy works at the Video Hut in Nevada, Iowa―a small town in the center of the state, the first “a” in Nevada pronounced “ay.” This is the late 1990s, and while the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It’s good enough for Jeremy: It’s a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck. But when a local schoolteacher comes in to return her copy of Targets―an old movie, starring Boris Karloff, one Jeremy himself had ordered for the store―she has an odd complaint: “There’s something on it,” she says, but doesn’t elaborate. Two days later, a different customer returns She’s All That, a new release, and complains that there’s something wrong with it: “There’s another movie on this tape.” Jeremy doesn’t want to be curious. But he takes a look and, indeed, in the middle of the movie the screen blinks dark for a moment and She’s All That is replaced by a black-and-white scene, shot in a barn, with only the faint sounds of someone breathing. Four minutes later, She’s All That is back. But there is something profoundly unsettling about that scene; Jeremy’s compelled to watch it three or four times. The scenes recorded onto Targets are similar, undoubtedly created by the same hand. Creepy. And the barn looks much like a barn just outside of town. There will be no ignoring the disturbing scenes on the videos. And all of a sudden, what had once been the placid, regular old Iowa fields and farmhouses now feels haunted and threatening, imbued with loss and instability and profound foreboding. For Jeremy, and all those around him, life will never be the same . . . Descent of Man and Selection in Relation to Sex ![]() The Origin of Species and the Voyage of the Beagle ![]() The Origin of Species is here published together with Darwin’s earlier Voyage of the ‘Beagle’. This 1839 account of the journeys to South America and the Pacific islands that first put Darwin on the track of his remarkable theories derives an added charm from his vivid description of his travels in exotic places and his eye for the piquant detail. Running Mac OS X Panther ![]() Cocoa in a Nutshell (In a Nutshell) ![]() A Celtic Temperament: Robertson Davies as Diarist ![]() Born in Thamesville, Ontario, in 1913, he was educated at local schools, then Upper Canada College, Queen’s University and Oxford University. He worked in England at the famous Old Vic theatre as an actor and literary advisor before returning to Canada where he became the editor and publisher of the Peterborough Examiner, established himself as a prominent Canadian playwright, and published his first three novels now known as the Salterton Trilogy. By 1959, at the age of forty-five, Robertson Davies was already one of Canada’s leading literary figures. Even so the diaries show that he was frustrated by the limitations of his literary success, often exasperated with the distractions of his daily life and buffeted by his mental and emotional state. They also show that he enjoyed life, was deeply interested in the society he lived in, and in the people he encountered. More often than not he found comedy in the world around him and delighted in recording it. He kept not only a daily journal, but also more focused diaries such as his accounts of the Toronto and New York production of his play Love and Libel, when he worked closely with the great British director Tyrone Guthrie, and of the founding of Massey College, the brainchild of Vincent Massey. The descriptions of backstage and academic politics are invariably entertaining, but in his diaries Davies also reveals himself as intensely self-critical, frequently insecure, and with a highly changeable nature that he described as his “celtic temperament.” We also see him as a partner in an intensely happy and creative marriage, and as a man with an astonishing capacity for hard work. By the end of 1963 his life had taken a new direction. As master of Massey College, he finds himself a public figure, but he is increasingly preoccupied with a new novel he wants to write which he is calling Fifth Business. The publication of A Celtic Temperament establishes Robertson Davies as one of the great diarists. In their range, variety, intimacy, and honesty his diaries present an extraordinarily rich portrait of the man and his times. The Cornish Trilogy: The Rebel Angels; What's Bred in the Bone; The Lyre of Orpheus ![]() Happy Alchemy: On the Pleasures of Music and the Theatre ![]() High Spirits: A Collection of Ghost Stories ![]() The Merry Heart: Reflections On Reading, Writing, and the World of Books ![]() The Mirror of Nature ![]() Murther and Walking Spirits ![]() One Half of Robertson Davies ![]() The Papers of Samuel Marchbanks ![]() The Cunning Man ![]() The Deptford Trilogy ![]() The Lyre of Orpheus (Cornish Trilogy) ![]() The Lyre of Orpheus (Cornish Trilogy) ![]() The Rebel Angels (Cornish Trilogy) ![]() The Salterton Trilogy ![]() A Voice from the Attic: Essays on the Art of Reading ![]() What's Bred in the Bone (Cornish Trilogy) ![]() Party of the Century: The Fabulous Story of Truman Capote and His Black and White Ball ![]() The Silk Road: A Novel ![]() The Silk Road begins on a mat in yoga class, deep within a labyrinth on a settlement somewhere in the icy north, under the canny guidance of Jee Moon. When someone fails to rise from corpse pose, the Astronomer, the Archivist, the Botanist, the Keeper, the Topologist, the Geographer, the Iceman, and the Cook remember the paths that brought them there―paths on which they still seem to be traveling. The Silk Road also begins in rivalrous skirmishing for favor, in the protected Eden of childhood, and it ends in the harrowing democracy of mortality, in sickness and loss and death. Kathryn Davis’s sleight of hand brings the past, present, and future forward into brilliant coexistence; in an endlessly shifting landscape, her characters make their way through ruptures, grief, and apocalypse, from existence to nonexistence, from embodiment to pure spirit. Since the beginning of her extraordinary career, Davis has been fascinated by journeys. Her books have been shaped around road trips, walking tours, hegiras, exiles; and now, in this triumphant novel, a pilgrimage. The Silk Road is her most explicitly allegorical novel and also her most profound vehicle; supple and mesmerizing, the journey here is not undertaken by a single protagonist but by a community of separate souls―a family, a yoga class, a generation. Its revelations are ravishing and desolating. Essays One ![]() Lydia Davis is a writer whose originality, influence, and wit are beyond compare. Jonathan Franzen has called her “a magician of self-consciousness,” while Rick Moody hails her as "the best prose stylist in America." And for Claire Messud, “Davis's signal gift is to make us feel alive.” Best known for her masterful short stories and translations, Davis’s gifts extend equally to her nonfiction. In Essays One, Davis has, for the first time, gathered a selection of essays, commentaries, and lectures composed over the past five decades. In this first of two volumes, her subjects range from her earliest influences to her favorite short stories, from John Ashbery’s translation of Rimbaud to Alan Cote’s painting, and from the Shepherd’s Psalm to early tourist photographs. On display is the development and range of one of the sharpest, most capacious minds writing today. Essays Two: On Proust, Translation, Foreign Languages, and the City of Arles ![]() We Shall Overcome: The History of the Civil Rights Movement As It Happened (Book with 2 Audio CDs) ![]() Moll Flanders (Everyman's Library Classics) ![]() My Point...and I Do Have One ![]() Java How to Program ![]() AMORALMAN: A True Story and Other Lies ![]() Players ![]() Ratner's Star ![]() Ratner's Star ![]() Running Dog ![]() Don DeLillo: Three Novels of the 1980s ![]() Don DeLillo: Three Novels of the 1980s ![]() End Zone ![]() Great Jones Street ![]() Libra ![]() Point Omega: A Novel ![]() We see Richard Elster at the end of his service. He has retreated to the desert, in search of space and geologic time. There he is joined by a filmmaker and by Elster’s daughter Jessica—an “otherworldly” woman from New York. The three of them build an odd, tender intimacy, something like a family. Then a devastating event turns detachment into colossal grief, and it is a human mystery that haunts the landscape of desert and mind. The Silence: A Novel ![]() The Body Artist: A Novel ![]() Underworld: A Novel ![]() White Noise ![]() Zero K ![]() Jeffrey Lockhart’s father, Ross, is a billionaire in his sixties, with a younger wife, Artis Martineau, whose health is failing. Ross is the primary investor in a remote and secret compound where death is exquisitely controlled and bodies are preserved until a future time when biomedical advances and new technologies can return them to a life of transcendent promise. Jeff joins Ross and Artis at the compound to say “an uncertain farewell” to her as she surrenders her body. “We are born without choosing to be. Should we have to die in the same manner? Isn’t it a human glory to refuse to accept a certain fate?” These are the questions that haunt the novel and its memorable characters, and it is Ross Lockhart, most particularly, who feels a deep need to enter another dimension and awake to a new world. For his son, this is indefensible. Jeff, the book’s narrator, is committed to living, to experiencing “the mingled astonishments of our time, here, on earth.” Don DeLillo’s seductive, spectacularly observed and brilliant new novel weighs the darkness of the world—terrorism, floods, fires, famine, plague—against the beauty and humanity of everyday life; love, awe, “the intimate touch of earth and sun.” Zero K is glorious. Professional WebObjects with Java ![]() Spalding Gray's America ![]() From Bacteria to Bach and Back: The Evolution of Minds ![]() How did we come to have minds? For centuries, this question has intrigued psychologists, physicists, poets, and philosophers, who have wondered how the human mind developed its unrivaled ability to create, imagine, and explain. Disciples of Darwin have long aspired to explain how consciousness, language, and culture could have appeared through natural selection, blazing promising trails that tend, however, to end in confusion and controversy. Even though our understanding of the inner workings of proteins, neurons, and DNA is deeper than ever before, the matter of how our minds came to be has largely remained a mystery. That is now changing, says Daniel C. Dennett. In From Bacteria to Bach and Back, his most comprehensive exploration of evolutionary thinking yet, he builds on ideas from computer science and biology to show how a comprehending mind could in fact have arisen from a mindless process of natural selection. Part philosophical whodunit, part bold scientific conjecture, this landmark work enlarges themes that have sustained Dennett’s legendary career at the forefront of philosophical thought. In his inimitable style―laced with wit and arresting thought experiments―Dennett explains that a crucial shift occurred when humans developed the ability to share memes, or ways of doing things not based in genetic instinct. Language, itself composed of memes, turbocharged this interplay. Competition among memes―a form of natural selection―produced thinking tools so well-designed that they gave us the power to design our own memes. The result, a mind that not only perceives and controls but can create and comprehend, was thus largely shaped by the process of cultural evolution. An agenda-setting book for a new generation of philosophers, scientists, and thinkers, From Bacteria to Bach and Back will delight and entertain anyone eager to make sense of how the mind works and how it came about. 4 color, 18 black-and-white illustrations Prime Obsession: Bernhard Riemann and the Greatest Unsolved Problem in Mathematics ![]() PHP: Your Visual Blueprint for Creating Open Source, Server-Side Content ![]() Desserts to Die for ![]() The Librarianist: A Novel ![]() Undermajordomo Minor: A Novel ![]() A love story, an adventure story, a fable without a moral, and an ink-black comedy of manners, Undermajordomo Minor is Patrick deWitt’s long-awaited follow-up to the internationally bestselling and critically acclaimed novel The Sisters Brothers. Lucien (Lucy) Minor is the resident odd duck in the bucolic hamlet of Bury. Friendless and loveless, young and aimless, Lucy is a compulsive liar, a sickly weakling in a town famous for producing brutish giants. Then Lucy accepts employment assisting the Majordomo of the remote, foreboding Castle Von Aux. While tending to his new post as Undermajordomo, Lucy soon discovers the place harbors many dark secrets, not least of which is the whereabouts of the castle’s master, Baron Von Aux. He also encounters the colorful people of the local village—thieves, madmen, aristocrats, and Klara, a delicate beauty whose love he must compete for with the exceptionally handsome soldier, Adolphus. Thus begins a tale of polite theft, bitter heartbreak, domestic mystery, and cold-blooded murder in which every aspect of human behavior is laid bare for our hero to observe. Undermajordomo Minor is an adventure, a mystery, and a searing portrayal of rural Alpine bad behavior, but above all it is a love story and Lucy must be careful, for love is a violent thing. The Brief Wondrous Life of Oscar Wao ![]() Listen to Junot Díaz’s interview on iTunes “Meet the Author” here. Download iTunes here. A Tale of Two Cities (Everyman's Library (Cloth)) ![]() American Notes ![]() Barnaby Rudge (Everyman's Library) ![]() Charles Dickens’s first historical novel–set during the anti-Catholic riots of 1780–is an unparalleled portrayal of the terror of a rampaging mob, seen through the eyes of the individuals swept up in the chaos. Those individuals include Emma, a Catholic, and Edward, a Protestant, whose forbidden love weaves through the heart of the story; and the simpleminded Barnaby, one of the riot leaders, whose fate is tied to a mysterious murder and whose beloved pet raven, Grip, embodies the mystical power of innocence. The story encompasses both the rarified aristocratic world and the volatile streets and nightmarish underbelly of London, which Dickens characteristically portrays in vivid, pulsating detail. But the real focus of the book is on the riots themselves, depicted with an extraordinary energy and redolent of the dangers, the mindlessness, and the possibilities–both beneficial and brutal–of the mob. One of the lesser-known novels, Barnaby Rudge is nonetheless among the most brilliant–and most terrifying–in Dickens’s oeuvre. Bleak House (Everyman's Library (Cloth)) ![]() A Christmas Carol and Other Christmas Books ![]() No holiday season is complete without the story of tightfisted Mr. Scrooge, of his long-suffering and mild-mannered clerk, Bob Cratchit, of Bob’s kindhearted lame son, Tiny Tim, and of the Ghosts of Christmas Past, Present, and Future. First published in 1843, A Christmas Carol was republished in 1852 in a new edition with four other Christmas stories—The Chimes, The Cricket on the Hearth, The Battle of Life, and The Haunted Man. These beloved tales revived the notion of the Christmas “spirit”—and have kept it alive ever since. David Copperfield (Everyman's Library) ![]() Dombey and Son ![]() Ghost Stories ![]() This collection brings together all Dickens' ghost stories - twenty in all - including several long tales. Here are chilling histories of coincidence, insanity and revenge. Illustrated by various artists, with an afterword by David Stuart Davies. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautifully bound gift editions of much loved classic titles. Bound in real cloth, printed on high quality paper, and featuring ribbon markers and gilt edges, Macmillan Collector's Library are books to love and treasure. Great Expectations ![]() Hard Times ![]() By 1854, when Hard Times was published, Charles Dickens' magisterial progress as a writer had come to incorporate a many-sided, coherent vision of English society, both as it was and as he wished it to be. Hard Times, a classic Dickensian story of redemption set in a North of England town beset by industrialism, everywhere benefits from this vision - in the trenchancy of its satire, in its sweeping indignation at social injustice, and in the persistent humanity with which its author enlivens his largest and smallest incidents. (Book Jacket Status: Jacketed) Little Dorrit ![]() Martin Chuzzlewit ![]() Having unjustly disinherited Iris grandson, young Martin, the old fellow now trusts no one but Mary Graham, the pretty girl hired as Iris companion. Though she has been made to understand she will not inherit a penny, she remains old Chuzzlewit's only ally. As the viperish relations and hangers-on close in on him, we meet some of Dickens's most marvelous characters — among them Mr. Pecksniff (whose name has entered the language as a synonym for ultimate hypocrisy and self-importance); the fabulously evil Jonas Chuzzlewit; the strutting reptile Tigg Montague; and the ridiculous, terrible, comical Sairey Gamp. Reluctantly heading for America in search of opportunity, the penniless young Martin goes west, rides a riverboat, and is overtaken by bad company and mortal danger — while the battle for his grandfather's gold reveals new depths of family treachery, cunning, and ruthlessness. And in scene after wonderful scene of conflict and suspense, of high excitement and fierce and hilarious satire, Dickens's huge saga of greed versus decency comes to its magnificent climax. Mrs Lirriper ![]() Nicholas Nickleby ![]() Oliver Twist (Everyman's Library) ![]() Our Mutual Friend (Everyman's Library) ![]() Sketches of Young Gentlemen and Young Couples: With Sketches of Young Ladies by Edward Caswall ![]() The Mystery of Edwin Drood (Everyman's Library) ![]() Charles Dickens’s final, unfinished novel is in many ways his most intriguing. A highly atmospheric tale of murder, The Mystery of Edwin Drood foreshadows both the detective stories of Conan Doyle and the nightmarish novels of Kafka. As in many of Dickens’s greatest novels, the gulf between appearance and reality drives the action. Set in the seemingly innocuous cathedral town of Cloisterham, the story rapidly darkens with a sense of impending evil. Central to the plot is John Jasper: in public he is a man of integrity and benevolence; in private he is an opium addict. And while seeming to smile on the engagement of his nephew, Edwin Drood, he is, in fact, consumed by jealousy, driven to terrify the boy’s fiancée and to plot the murder of Edwin himself. Though The Mystery of Edwin Drood is one of its author’s darkest books, it also bustles with a vast roster of memorable–and delightfully named–minor characters: Mrs. Billikins, the landlady; the foolish Mr. Sapsea; the domineering philanthropist, Mr. Honeythunder; and the mysterious Datchery. Several attempts have been made over the years to complete the novel and solve the mystery, but even in its unfinished state it is a gripping and haunting masterpiece. The Pickwick Papers (Everyman's Library (Cloth)) ![]() Charles Dickens’s satirical masterpiece, The Pickwick Papers, catapulted the young writer into literary fame when it was first serialized in 1836–37. It recounts the rollicking adventures of the members of the Pickwick Club as they travel about England getting into all sorts of mischief. Laugh-out-loud funny and endlessly entertaining, the book also reveals Dickens’s burgeoning interest in the parliamentary system, lawyers, the Poor Laws, and the ills of debtors’ prisons. As G. K. Chesterton noted, “Before [Dickens] wrote a single real story, he had a kind of vision . . . a map full of fantastic towns, thundering coaches, clamorous market-places, uproarious inns, strange and swaggering figures. That vision was Pickwick.” The Uncommercial Traveller ![]() The work is quintessential Dickens, with each piece showcasing his imaginative writing style, his keen observational powers, and his characteristic wit. In this edition Daniel Tyler explores Dickens's fascination with the city and the book's connections with concerns evident in his fiction: social injustice, human mortality, a fascination with death and the passing of time. Often funny, sometimes indignant, always exuberant, The Uncommercial Traveller is a revelatory encounter with Dickens and the Victorian city he knew so well. What Christmas Is as We Grow Older ![]() Emily Dickinson's Poems: As She Preserved Them ![]() With its clear and uncluttered pages, the volume recommends itself as a valuable resource for the classroom and to general readers. A Dickinson scholar, Cristanne Miller supplies helpful notes that gloss the poet’s quotations and allusions and the contexts of her writing. Miller’s Introduction describes Dickinson’s practices in copying and circulating poems and summarizes contentious debates within Dickinson scholarship. Emily Dickinson’s Poems: As She Preserved Them brings us closer to the writing practice of a crucially important American poet and provides new ways of thinking about Dickinson, allowing us to see more fully her methods of composing, circulating, and copying than previous editions have allowed. It will be valued by all readers of Dickinson’s poetry. Dickinson: Poems (Everyman's Library Pocket Poets) ![]() Rameau's Nephew and D'Alembert's Dream ![]() White Album ![]() PLAY IT AS IT LAYS ![]() After Henry ![]() Blue Nights ![]() Blue Nights opens on July 26, 2010, as Didion thinks back to Quintana’s wedding in New York seven years before. Today would be her wedding anniversary. This fact triggers vivid snapshots of Quintana’s childhood—in Malibu, in Brentwood, at school in Holmby Hills. Reflecting on her daughter but also on her role as a parent, Didion asks the candid questions any parent might about how she feels she failed either because cues were not taken or perhaps displaced. “How could I have missed what was clearly there to be seen?” Finally, perhaps we all remain unknown to each other. Seamlessly woven in are incidents Didion sees as underscoring her own age, something she finds hard to acknowledge, much less accept. Blue Nights—the long, light evening hours that signal the summer solstice, “the opposite of the dying of the brightness, but also its warning”—like The Year of Magical Thinking before it, is an iconic book of incisive and electric honesty, haunting and profoundly moving. Democracy ![]() Fixed Ideas: America Since 9.11 ![]() "[Americans] recognized even then [immediately after 9/11], with flames still visible in lower Manhattan, that the words 'bipartisanship' and 'national unity' had come to mean acquiescence to the administration's preexisting agenda —for example the imperative for further tax cuts, the necessity for Arctic drilling, the systematic elimination of regulatory and union protections, even the funding for the missile shield." Frank Rich in his preface notes: "The reassuring point of the fixed ideas was to suppress other ideas that might prompt questions or fears about either the logic or hidden political agendas of those conducting what CNN branded as 'America's New War.'" He adds, "This White House is famously secretive and on-message, but its skills go beyond that. It knows the power of narrative, especially a single narrative with clear-cut heroes and evildoers, and it knows how to drown out any distracting subplots before they undermine the main story." Book and cover design by Milton Glaser, Inc. Joan Didion: Memoirs & Later Writings ![]() Joan Didion: The 1960s & 70s ![]() Joan Didion: The 1980s & 90s ![]() Miami ![]() As Didion follows Miami's drift into a Third World capital, she also locates its position in the secret history of the Cold War, from the Bay of Pigs to the Reagan doctrine and from the Kennedy assassination to the Watergate break-in. Miami is not just a portrait of a city, but a masterly study of immigration and exile, passion, hypocrisy, and political violence. From the Trade Paperback edition. Salvador ![]() Slouching Towards Bethlehem ![]() Contents: I. LIFE STYLES IN THE GOLDEN LAND Some Dreamers of the Golden Dream John Wayne: A Love Song Where the Kissing Never Stops Comrade Laski, C.P.U.S.A. (M.-L.) 7000 Romaine, Los Angeles 38 California Dreaming Marrying Absurd Slouching Towards Bethlehem II. PERSONALS On Keeping a Notebook On Self-Respect I Can't Get That Monster out of My Mind On Morality On Going Home III. SEVEN PLACES OF THE MIND Notes from a Native Daughter Letter from Paradise, 21° 19' N., 157° 52' W Rock of Ages The Seacoast of Despair Guaymas, Sonora Los Angeles Notebook Goodbye to All That South and West: From a Notebook ![]() Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles—and here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention. She writes about the stifling heat, the almost viscous pace of life, the sulfurous light, and the preoccupation with race, class, and heritage she finds in the small towns they pass through. And from a different notebook: the "California Notes" that began as an assignment from Rolling Stone on the Patty Hearst trial of 1976. Though Didion never wrote the piece, watching the trial and being in San Francisco triggered thoughts about the city, its social hierarchy, the Hearsts, and her own upbringing in Sacramento. Here, too, is the beginning of her thinking about the West, its landscape, the western women who were heroic for her, and her own lineage, all of which would appear later in her acclaimed 2003 book, Where I Was From. One of TIME’s most anticipated books of 2017 One of The New York Times Book Review's “What You’ll Be Reading in 2017” We Tell Ourselves Stories in Order to Live: Collected Nonfiction (Everyman's Library) ![]() The Year of Magical Thinking ![]() Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill with what seemed at first flu, then pneumonia, then complete septic shock. She was put into an induced coma and placed on life support. Days later–the night before New Year’s Eve–the Dunnes were just sitting down to dinner after visiting the hospital when John Gregory Dunne suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of forty years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LAX, she collapsed and underwent six hours of brain surgery at UCLA Medical Center to relieve a massive hematoma. This powerful book is Didion’s attempt to make sense of the “weeks and then months that cut loose any fixed idea I ever had about death, about illness . . . about marriage and children and memory . . . about the shallowness of sanity, about life itself.” Political Fictions ![]() Where I Was From ![]() Snow Leopard Server ![]() Whether you manage a large enterprise server or your own Macs at home or in a small office, this book has what you need to understand Apple's new Mac OS X Snow Leopard Server inside and out. Crammed with information, this detailed guide presents best practices and insights that have been field-tested by author Daniel Dilger, a professional administrator and Apple developer. You'll soon learn to deploy, administer, and update Apple's powerful new cat. Get to know Mac OS X Snow Leopard Server, Apple's scalable, 64-bit UNIX-based operating system, and the most powerful Mac OS X version yetExplains all aspects, both hardware and softwareShows how to host Web 2.0 applications, crunch tons of data, or centralize the day-to-day activities of a software development teamCovers installation and configuration, account authentication and authorization, using open directory, using print and file services, managing accounts and deployment, and using Apple Remote Desktop, Enterprise solutions, and command line controlExplores open source applications such as iChat Theater, Mail, iCal, Podcast Producer, and more Keep Mac OS X Snow Leopard Server purring with this practical guide. Pilgrim at Tinker Creek ![]() The Writing Life ![]() The Color Purple ![]() Essayism: On Form, Feeling, and Nonfiction ![]() Empire of Wild: A Novel ![]() “Empire of Wild is doing everything I love in a contemporary novel and more. It is tough, funny, beautiful, honest and propulsive—all the while telling a story that needs to be told by a person who needs to be telling it.”—Tommy Orange, author of There There A bold and brilliant new indigenous voice in contemporary literature makes her American debut with this kinetic, imaginative, and sensuous fable inspired by the traditional Canadian Métis legend of the Rogarou—a werewolf-like creature that haunts the roads and woods of native people’s communities. Joan has been searching for her missing husband, Victor, for nearly a year—ever since that terrible night they’d had their first serious argument hours before he mysteriously vanished. Her Métis family has lived in their tightly knit rural community for generations, but no one keeps the old ways . . . until they have to. That moment has arrived for Joan. One morning, grieving and severely hungover, Joan hears a shocking sound coming from inside a revival tent in a gritty Walmart parking lot. It is the unmistakable voice of Victor. Drawn inside, she sees him. He has the same face, the same eyes, the same hands, though his hair is much shorter and he's wearing a suit. But he doesn't seem to recognize Joan at all. He insists his name is Eugene Wolff, and that he is a reverend whose mission is to spread the word of Jesus and grow His flock. Yet Joan suspects there is something dark and terrifying within this charismatic preacher who professes to be a man of God . . . something old and very dangerous. Joan turns to Ajean, an elderly foul-mouthed card shark who is one of the few among her community steeped in the traditions of her people and knowledgeable about their ancient enemies. With the help of the old Métis and her peculiar Johnny-Cash-loving, twelve-year-old nephew Zeus, Joan must find a way to uncover the truth and remind Reverend Wolff who he really is . . . if he really is. Her life, and those of everyone she loves, depends upon it. How to Say No: An Ancient Guide to the Art of Cynicism ![]() Disoriental ![]() Kimiâ Sadr fled Iran at the age of ten in the company of her mother and sisters to join her father in France. Now twenty-five and facing the future she has built for herself as well as the prospect of a new generation, Kimiâ is inundated by her own memories and the stories of her ancestors, which come to her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them. In this high-spirited, kaleidoscopic story, key moments of Iranian history, politics, and culture punctuate stories of family drama and triumph. Yet it is Kimiâ herself––punk-rock aficionado, storyteller extraordinaire, a Scheherazade of our time, and above all a modern woman divided between family traditions and her own “disorientalization”––who forms the heart of this bestselling and beloved novel. Berlin Alexanderplatz ![]() Berlin Alexanderplatz, the great novel of Berlin and the doomed Weimar Republic, is one of the great books of the twentieth century, gruesome, farcical, and appalling, word drunk, pitchdark. In Michael Hofmann's extraordinary new translation, Alfred Döblin's masterpiece lives in English for the first time. As Döblin writes in the opening pages: The subject of this book is the life of the former cement worker and haulier Franz Biberkopf in Berlin. As our story begins, he has just been released from prison, where he did time for some stupid stuff; now he is back in Berlin, determined to go straight. To begin with, he succeeds. But then, though doing all right for himself financially, he gets involved in a set-to with an unpredictable external agency that looks an awful lot like fate. Three times the force attacks him and disrupts his scheme. The first time it comes at him with dishonesty and deception. Our man is able to get to his feet, he is still good to stand. Then it strikes him a low blow. He has trouble getting up from that, he is almost counted out. And finally it hits him with monstrous and extreme violence. Bright Magic: Stories ![]() Bright Magic includes all of Döblin’s first book, The Murder of a Buttercup, a work of savage brilliance and a landmark of literary expressionism, as well as two longer stories composed in the 1940s, when he lived in exile in Southern California. The early collection is full of mind-bending and sexually charged narratives, from the dizzying descent into madness that has made the title story one of the most anthologized of German stories to “She Who Helped,” where mortality roams the streets of nineteenth-century Manhattan with a white borzoi and a quiet smile, and “The Ballerina and the Body,” which describes a terrible duel to the death. Of the two later stories, “Materialism, A Fable,” in which news of humanity’s soulless doctrines reaches the animals, elements, and the molecules themselves, is especially delightful. The Vicar of Wakefield ![]() Andrew's Brain: A Novel ![]() Speaking from an unknown place and to an unknown interlocutor, Andrew is thinking, Andrew is talking, Andrew is telling the story of his life, his loves, and the tragedies that have led him to this place and point in time. And as he confesses, peeling back the layers of his strange story, we are led to question what we know about truth and memory, brain and mind, personality and fate, about one another and ourselves. Written with psychological depth and great lyrical precision, this suspenseful and groundbreaking novel delivers a voice for our times—funny, probing, skeptical, mischievous, profound. Andrew’s Brain is a surprising turn and a singular achievement in the canon of a writer whose prose has the power to create its own landscape, and whose great topic, in the words of Don DeLillo, is “the reach of American possibility, in which plain lives take on the cadences of history.” Praise for Andrew’s Brain “Andrew’s Brain is cunning. . . . [A] sly book . . . This babbling Andrew is a casualty of his times, binding his wounds with thick wrappings of words, ideas, bits of story, whatever his spinning mind can unspool for him. . . . One of the things that makes [Andrew] such a terrific comic creation is that he’s both maddeningly self-delusive and scarily self-aware: He’s a fool, but he’s no innocent. . . . Andrew may not be able to enjoy his brain, but Doctorow, freely choosing to inhabit this character’s whirligig consciousness, can.”—The New York Times Book Review “Too compelling to put down . . . fascinating, sometimes funny, often profound . . . Andrew is a provocatively interesting and even sympathetic character. . . . The novel seamlessly combines Doctorow’s remarkable prowess as a literary stylist with deep psychological storytelling pitting truth against delusion, memory and perception, consciousness and craziness. . . . [Doctorow] takes huge creative risks—the best kind.”—USA Today “A tour de force . . . Andrew’s ruminations can be funny, and his descriptions gorgeous.”—Associated Press “[An] evocative, suspenseful novel about the deceptive nature of human consciousness.”—More “A quick and acutely intelligent read.”—Entertainment Weekly “A tantalising tour de force . . . a journey worth taking . . . With exhilarating brio, the book plays off . . . two contrasting takes on mind and brain. . . . [Andrew’s Brain encompasses] an astonishing range of modes: vaudeville humour, tragic romance, philosophical speculation. . . . It fizzes with intellectual energy, verbal pyrotechnics and satiric flair.”—The Sunday Times (London) “Provocative . . . a story aswirl in a whirlpool of neuroscience, human relations, loss, guilt and recent American history . . . Doctorow reveals his mastery in the sheen of a text that is both window and mirror. Reading his work is akin to soaring in a glider. Buoyed by invisible breath, readers encounter stunning vistas stretching to horizons they’ve never imagined.”—The Plain Dealer Cloud Cuckoo Land: A Novel ![]() The Complete English Poems ![]() Donne: Poems (Everyman's Library Pocket Poets) ![]() Shakespeare ![]() How to Read a Book (A Touchstone Book) ![]() The Suicide Museum: A Novel ![]() Small Days And Nights ![]() Crime and Punishment (The World's Classics) ![]() The Brothers Karamazov ![]() Dostoevsky’s towering reputation as one of the handful of thinkers who forged the modern sensibility has sometimes obscured the purely novelistic virtues–brilliant characterizations, flair for suspense and melodrama, instinctive theatricality–that made his work so immensely popular in nineteenth-century Russia. The Brothers Karamazov, his last and greatest novel, published just before his death in 1881, chronicles the bitter love-hate struggle between the outsized Fyodor Karamazov and his three very different sons. It is above all the story of a murder, told with hair-raising intellectual clarity and a feeling for the human condition unsurpassed in world literature. This award-winning translation by Richard Pevear and Larissa Volokhonsky–the definitive version in English–magnificently captures the rich and subtle energies of Dostoevsky’s masterpiece. Humiliated and Insulted ![]() Oscar Wilde claimed that Humiliated and Insulted is "not at all inferior to the other great masterpieces," and Friedrich Nietzsche is said to have wept over it. Its construction is that of an intricate detective novel, and the reader is plunged into a world of moral degradation, childhood trauma, and, above all, unrequited love and irreconcilable relationships. Found at the center of the story are a young struggling author, an orphaned teenager, and a depraved aristocrat who not only foreshadows the great figures of evil in Dostoevsky's later fiction, but is a powerful and original presence in his own right. Includes photographs, a critical apparatus on Dostoevsky's life and works, an appendix on Humiliated and Insulted, anecdotes, critical perspectives, adaptations, and spin-offs. Notes from a Dead House ![]() Notes from Underground (Everyman's Library (Cloth)) ![]() The Adolescent (Everyman's Library (Cloth)) ![]() The illegitimate son of a landowner, Arkady Dolgoruky was raised by foster parents and tutors, and has scarcely ever seen his father, Versilov, and his mother, Versilov’s peasant common-law wife. Arkady goes to Petersburg to meet this “accidental family” and to confront the father who dominates his imagination and whom he both disdains and longs to impress. Having sewn into his coat a document that he believes gives him power over others, Arkady proceeds with an irrepressible youthful volatility that withstands blunders and humiliations at every turn. Dostoevsky masterfully depicts adolescence as a state of uncertainty, ignorance, and incompleteness, but also of richness and exuberance, in which everything is still possible. His tale of a youth finding his way in the disorder of Russian society in the 1870s is a high and serious comedy that borders on both farce and tragedy. The Double and The Gambler (Everyman's Library) ![]() The two strikingly original short novels brought together here–in new translations by award-winning translators–were both literary gambles of a sort for Dostoevsky. The Double, written in Dostoevsky’s youth, was a sharp turn away from the realism of his first novel, Poor Folk. The first real expression of his genius, The Double is a surprisingly modern hallucinatory nightmare in which a minor official named Goliadkin becomes aware of a mysterious doppelgänger–a man who has his name and his face and who gradually and relentlessly begins to displace him with his friends and colleagues. In the dilemma of this increasingly paranoid hero, Dostoevsky makes vividly concrete the inner disintegration of consciousness that would become a major theme of his work. The Gambler was written twenty years later, under the pressure of crushing debt. It is a stunning psychological portrait of a young man’s exhilarating and destructive addiction, a compulsion that Dostoevsky–who once gambled away his young wife’s wedding ring–knew intimately from his own experience. In the disastrous love affairs and gambling adventures of his character, Alexei Ivanovich, Dostoevsky explores the irresistible temptation to look into the abyss of ultimate risk that he believed was an essential part of the Russian national character. Demons (Everyman's Library ![]() The Idiot (Everyman's Library) ![]() Crime and Punishment ![]() Dostoevsky’s drama of sin, guilt, and redemption transforms the sordid story of an old woman’s murder into the nineteenth century’s profoundest and most compelling philosophical novel. Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, is determined to overreach his humanity and assert his untrammeled individual will. When he commits an act of murder and theft, he sets into motion a story that, for its excruciating suspense, its atmospheric vividness, and its depth of characterization and vision is almost unequaled in the literatures of the world. The best known of Dostoevsky’s masterpieces, Crime and Punishment can bear any amount of rereading without losing a drop of its power over our imaginations. Award-winning translators Richard Pevear and Larissa Volokhonsky render this elusive and wildly innovative novel with an energy, suppleness, and range of voice that do full justice to the genius of its creator. What Is the Grass: Walt Whitman in My Life ![]() Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself: A New Critical Edition by Angela Y. Davis ![]() In this new critical edition, legendary activist and feminist scholar Angela Davis sheds new light on the legacy of Frederick Douglass. In two philosophical lectures originally delivered at UCLA in autumn 1969, Davis focuses on Douglass’s intellectual and spiritual awakening, and the importance of self-knowledge in achieving freedom from all forms of oppression. With detailed attention to Douglass’s text, she interrogates the legacy of slavery and shares timeless lessons about oppression, resistance, and freedom. And in an extended introductory essay written for this edition, Davis comments on previous editions of the Narrative and re-examines Douglass through a contemporary feminist perspective. An important new edition of an American classic. The Narrative of the Life of Frederick Douglass, An American Slave ![]() Born a slave in 1818 on a plantation in Maryland, Douglass taught himself to read and write. In 1845, seven years after escaping to the North, he published Narrative, the first of three autobiographies. This book calmly but dramatically recounts the horrors and the accomplishments of his early years—the daily, casual brutality of the white masters; his painful efforts to educate himself; his decision to find freedom or die; and his harrowing but successful escape. An astonishing orator and a skillful writer, Douglass became a newspaper editor, a political activist, and an eloquent spokesperson for the civil rights of African Americans. He lived through the Civil War, the end of slavery, and the beginning of segregation. He was celebrated internationally as the leading black intellectual of his day, and his story still resonates in ours. Robert O’Meally is Zora Neale Hurston Professor of Literature at Columbia University and the Director of Columbia University’s Center for Jazz Studies. He wrote the introduction and notes to the Barnes & Noble classics edition of The Adventures of Huckleberry Finn. The Best American Poetry 2000 ![]() The New Annotated Sherlock Holmes: The Novels (A Study in Scarlet, The Sign of Four, The Hound of the Baskervilles, The Valley of Fear) ![]() The New Annotated Sherlock Holmes: The Complete Short Stories (2 Vol. Set) ![]() Apple Pro Training Series: OS X Lion Server Essentials: Using and Supporting OS X Lion Server ![]() The Apple Pro Training Series serves as both a self-paced learning tool and the official curriculum for the OS X Lion and OS X Lion Server certification programs. Apple Pro Training Series: OS X Server Essentials 10.9: Using and Supporting OS X Server on Mavericks ![]() • Provides authoritative explanations of OS X Server setup and management on Mavericks. • Focused lessons take you step by step through practical, real-world exercises. • Lesson review questions summarize what you learn to prepare you for the Apple certification exam. • Lesson files available for download. macOS Support Essentials 10.13 - Apple Pro Training Series: Supporting and Troubleshooting macOS High Sierra ![]() Designed for support technicians, help desk specialists, and ardent Mac users, this guide takes you deep inside macOS High Sierra. You will find in-depth, step-by-step instruction on everything from installing and configuring High Sierra to managing networks and system administration. Whether you run a computer lab or an IT department, you’ll learn to set up users, configure system preferences, manage security and permissions, use diagnostic and repair tools, troubleshoot peripheral devices, and more—all on your way to preparing for the industry-standard ACSP certification. This is a step-by-step guide that works through lessons designed to teach practical, real-world tasks, with lesson files let you practice as you learn. OS X Server 5.0 Essentials - Apple Pro Training Series: Using and Supporting OS X Server on El Capitan ![]() This book provides comprehensive coverage of OS X Server and is part of the Apple Pro Training series—the only Apple-certified books on the market. This guide teaches students how to install and configure OS X Server on El Capitan to provide network-based services. They’ll learn to use tools for efficiently managing and deploying OS X Server. You will learn key concepts and experience hands-on, practical exercises. Provides authoritative explanations of OS X Server setup and management on El Capitan Focused lessons take you step by step through practical, real-world exercises Lesson review questions summarize what you learn to prepare you for the Apple certification exam Lesson files available for download Dreyer's English: An Utterly Correct Guide to Clarity and Style ![]() *People (Book of the Week) We all write, all the time: books, blogs, emails. Lots and lots of emails. And we all want to write better. Benjamin Dreyer is here to help. As Random House’s copy chief, Dreyer has upheld the standards of the legendary publisher for more than two decades. He is beloved by authors and editors alike—not to mention his followers on social media—for deconstructing the English language with playful erudition. Now he distills everything he has learned from the myriad books he has copyedited and overseen into a useful guide not just for writers but for everyone who wants to put their best prose foot forward. As authoritative as it is amusing, Dreyer’s English offers lessons on punctuation, from the underloved semicolon to the enigmatic en dash; the rules and nonrules of grammar, including why it’s OK to begin a sentence with “And” or “But” and to confidently split an infinitive; and why it’s best to avoid the doldrums of the Wan Intensifiers and Throat Clearers, including “very,” “rather,” “of course,” and the dreaded “actually.” Dreyer will let you know whether “alright” is all right (sometimes) and even help you brush up on your spelling—though, as he notes, “The problem with mnemonic devices is that I can never remember them.” And yes: “Only godless savages eschew the series comma.” Chockful of advice, insider wisdom, and fun facts, this book will prove to be invaluable to everyone who wants to shore up their writing skills, mandatory for people who spend their time editing and shaping other people’s prose, and—perhaps best of all—an utter treat for anyone who simply revels in language. Praise for Dreyer’s English “Playful, smart, self-conscious, and personal . . . One encounters wisdom and good sense on nearly every page of Dreyer’s English.”—The Wall Street Journal “Destined to become a classic.”—The Millions “Dreyer can help you . . . with tips on punctuation and spelling. . . . Even better: He’ll entertain you while he’s at it.”—Newsday (What to Read This Week) W.E.B. Du Bois: Black Reconstruction ![]() Great Ideas Of The Dawn Of Freedom ![]() Talking Music: Conversations With John Cage, Philip Glass, Laurie Anderson, And 5 Generations Of American Experimental Composers ![]() Der Besuch der alten Dame ![]() Disaster Was My God: A Novel of the Outlaw Life of Arthur Rimbaud ![]() Arthur Rimbaud, the enfant terrible of French letters, more than holds his own with Lord Byron and Oscar Wilde in terms of bold writing and salacious interest. In the space of one year—1871—with a handful of startling poems he transformed himself from a teenaged bumpkin into the literary sensation of Paris. He was taken up, then taken in, by the older and married poet Paul Verlaine in a passionate affair. When Rimbaud sought to end it, Verlaine, in a jealous rage, shot him. Shortly thereafter, Rimbaud—just shy of his twentieth birthday—declared himself finished with literature. His resignation notice was his immortal prose poem A Season in Hell. In time, Rimbaud wound up a prosperous trader and arms dealer in Ethiopia. But a cancerous leg forced him to return to France, to the family farm, with his sister and loving but overbearing mother. He died at thirty-seven. Bruce Duffy takes the bare facts of Rimbaud’s fascinating existence and brings them vividly to life in a story rich with people, places, and paradox. In this unprecedented work of fictional biography, Duffy conveys, as few ever have, the inner turmoil of this calculating genius of outrage, whose work and untidy life essentially anticipated and created the twentieth century’s culture of rebellion. It helps us see why such protean rock figures as Bob Dylan, Jim Morrison, and Patti Smith adopted Rimbaud as their idol. LAST COMES THE EGG: A Novel ![]() The World as I Found It ![]() Lengthening Shadows Before Nightfall ![]() The Dud Avocado ![]() “I had to tell someone how much I enjoyed The Dud Avocado. It made me laugh, scream, and guffaw (which, incidentally, is a great name for a law firm).” –Groucho Marx "[The Dud Avocado] is one of the best novels about growing up fast..." -The Guardian Betty's Summer Vacation ![]() Christopher Durang Explains It All for You: 6 Plays ![]() Christopher Durang Volume I: 27 Short Plays ![]() Miss Witherspoon and Mrs. Bob Cratchit's Wild Christmas Binge: Two Plays ![]() The Lover, Wartime Notebooks, Practicalities ![]() Marguerite Duras was one of the leading intellectuals and novelists of postwar France, but her wartime writings were not published in full until after her death. The Wartime Notebooks trace Duras's formative experiences—including her difficult childhood in Indochina and her harrowing wait for her husband's return from Nazi internment—revealing the personal history behind her bestselling novels. The Lover is the best known of these; set in prewar Indochina, its haunting tale of a tumultuous affair between an adolescent French girl and her wealthy Chinese lover is based on her own life. In spare and luminous prose, Duras evokes life on the margins in the waning days of France's colonial empire, and the passionate relationship between two unforgettable outcasts. Practicalities is a collection of small and intensely personal pieces Duras dictated near the end of her life. These deceptively simple meditations on motherhood, domesticity, sex, love, alcohol, writing, and more are witty, earthy, outspoken, and surprisingly fresh and relevant today. Justine (Alexandria Quartet) ![]() The Inspector Barlach Mysteries: The Judge and His Hangman and Suspicion ![]() Apple Pro Training Series: Advanced Logic Pro 7 (Apple Pro Training) ![]() The Best Small Fictions 2016 ![]() The Coast of Chicago: Stories ![]() Critical Revolutionaries: Five Critics Who Changed the Way We Read ![]() Thinking in Java ![]() On Literature ![]() The Aesthetics of Thomas Aquinas ![]() Setting the stage with an account of the vivid aesthetic and artistic sensibility that flourished in medieval times, Eco examines Aquinas's conception of transcendental beauty, his theory of aesthetic perception or visio, and his account of the three conditions of beauty—integrity, proportion, and clarity—that, centuries later, emerged again in the writings of the young James Joyce. He examines the concrete application of these theories in Aquinas's reflections on God, mankind, music, poetry, and scripture. He discusses Aquinas's views on art and compares his poetics with Dante's. In a final chapter added to the second Italian edition, Eco examines how Aquinas's aesthetics came to be absorbed and superseded in late medieval times and draws instructive parallels between Thomistic methodology and contemporary structuralism. As the only book-length treatment of Aquinas's aesthetics available in English, this volume should interest philosophers, medievalists, historians, critics, and anyone involved in poetics, aesthetics, or the history of ideas. Apocalypse Postponed: Essays by Umberto Eco ![]() Baudolino ![]() Belief or Nonbelief?: A Confrontation ![]() The Bomb and the General ![]() The Book of Legendary Lands ![]() Chronicles of a Liquid Society ![]() Umberto Eco was an international cultural superstar. In this, his last collection, the celebrated essayist and novelist observes the changing world around him with irrepressible curiosity and profound wisdom. He sees with fresh eyes the upheaval in ideological values, the crises in politics, and the unbridled individualism that have become the backdrop of our lives—a “liquid” society in which it’s not easy to find a polestar, though stars and starlets abound. In these pieces, written for his regular column in L’Espresso magazine, Eco brings his dazzling erudition and keen sense of the everyday to bear on topics such as popular culture and politics, being seen, conspiracies, the old and the young, new technologies, mass media, racism, and good manners. It is a final gift to his reader—astute, witty, and illuminating. Confessions of a Young Novelist ![]() He begins by exploring the boundary between fiction and nonfiction—playfully, seriously, brilliantly roaming across this frontier. Good nonfiction, he believes, is crafted like a whodunnit, and a skilled novelist builds precisely detailed worlds through observation and research. Taking us on a tour of his own creative method, Eco recalls how he designed his fictional realms. He began with specific images, made choices of period, location, and voice, composed stories that would appeal to both sophisticated and popular readers. The blending of the real and the fictive extends to the inhabitants of such invented worlds. Why are we moved to tears by a character’s plight? In what sense do Anna Karenina, Gregor Samsa, and Leopold Bloom “exist”? At once a medievalist, philosopher, and scholar of modern literature, Eco astonishes above all when he considers the pleasures of enumeration. He shows that the humble list, the potentially endless series, enables us to glimpse the infinite and approach the ineffable. This “young novelist” is a master who has wise things to impart about the art of fiction and the power of words. (20110110) Experiences in Translation ![]() Overall, Eco identifies the different types of interpretive acts that count as translation. An enticing new typology emerges, based on his insistence on a common-sense approach and the necessity of taking a critical stance. Five Moral Pieces ![]() In the most personal of the essays, Eco recalls experiencing liberation from fascism in Italy as a boy, and examines the various historical forms of fascism, always with an eye toward such ugly manifestations today. And finally, in an intensely personal open letter to an Italian cardinal, Eco reflects on a question underlying all the reflections in the book—what does it mean to be moral or ethical when one doesn't believe in God? Foucault's Pendulum ![]() From the Tree to the Labyrinth: Historical Studies on the Sign and Interpretation ![]() Moving effortlessly from analyses of Aristotle and James Joyce to the philosophical difficulties of telling dogs from cats, Eco demonstrates time and again his inimitable ability to bridge ancient, medieval, and modern modes of thought. From the Tree to the Labyrinth is a brilliant illustration of Eco's longstanding argument that problems of interpretation can be solved only in historical context. History of Beauty ![]() How to Travel With a Salmon & Other Essays ![]() How to Write a Thesis ![]() Eco's approach is anything but dry and academic. He not only offers practical advice but also considers larger questions about the value of the thesis-writing exercise. How to Write a Thesis is unlike any other writing manual. It reads like a novel. It is opinionated. It is frequently irreverent, sometimes polemical, and often hilarious. Eco advises students how to avoid "thesis neurosis" and he answers the important question "Must You Read Books?" He reminds students "You are not Proust" and "Write everything that comes into your head, but only in the first draft." Of course, there was no Internet in 1977, but Eco's index card research system offers important lessons about critical thinking and information curating for students of today who may be burdened by Big Data. How to Write a Thesis belongs on the bookshelves of students, teachers, writers, and Eco fans everywhere. Already a classic, it would fit nicely between two other classics: Strunk and White and The Name of the Rose. This MIT Press edition will be available in three different cover colors. ContentsThe Definition and Purpose of a ThesisChoosing the TopicConducting ResearchThe Work Plan and the Index CardsWriting the ThesisThe Final Draft The Infinity of Lists: An Illustrated Essay ![]() Inventing the Enemy: Essays ![]() Kant and the Platypus: Essays on Language and Cognition ![]() The Limits of Interpretation ![]() "... a wealth of insight and instruction." ―J. O. Tate, National Review "If anyone can make [semiotics] clear, it's Professor Eco.... Professor Eco's theme deserves respect; language should be used to communicate more easily without literary border guards." ―The New York Times "The limits of interpretation mark the limits of our world. Umberto Eco's new collection of essays touches deftly on such matters." ―Times Literary Supplement "It is a careful and challenging collection of essays that broach topics rarely considered with any seriousness by literary theorists." ―Diacritics Umberto Eco focuses here on what he once called "the cancer of uncontrolled interpretation"―that is, the belief that many interpreters have gone too far in their domination of texts, thereby destroying meaning and the basis for communication. Misreadings ![]() Mouse Or Rat ![]() Numero Zero ![]() A newspaper committed to blackmail and mud slinging, rather than reporting the news. A paranoid editor, walking through the streets of Milan, reconstructing fifty years of history against the backdrop of a plot involving the cadaver of Mussolini's double. The murder of Pope John Paul I, the CIA, red terrorists handled by secret services, twenty years of bloodshed, and events that seem outlandish until the BBC proves them true. A fragile love story between two born losers, a failed ghost writer, and a vulnerable girl, who specializes in celebrity gossip yet cries over the second movement of Beethoven’s Seventh. And then a dead body that suddenly appears in a back alley in Milan. Set in 1992 and foreshadowing the mysteries and follies of the following twenty years, Numero Zero is a scintillating take on our times from the best-selling author of The Name of the Rose and Foucault's Pendulum. On the Shoulders of Giants ![]() In Umberto Eco’s first novel, The Name of the Rose, Nicholas of Morimondo laments, “We no longer have the learning of the ancients, the age of giants is past!” To which the protagonist, William of Baskerville, replies: “We are dwarfs, but dwarfs who stand on the shoulders of those giants, and small though we are, we sometimes manage to see farther on the horizon than they.” On the Shoulders of Giants is a collection of essays based on lectures Eco famously delivered at the Milanesiana Festival in Milan over the last fifteen years of his life. Previously unpublished, the essays explore themes he returned to again and again in his writing: the roots of Western culture and the origin of language, the nature of beauty and ugliness, the potency of conspiracies, the lure of mysteries, and the imperfections of art. Eco examines the dynamics of creativity and considers how every act of innovation occurs in conversation with a superior ancestor. In these playful, witty, and breathtakingly erudite essays, we encounter an intellectual who reads comic strips, reflects on Heraclitus, Dante, and Rimbaud, listens to Carla Bruni, and watches Casablanca while thinking about Proust. On the Shoulders of Giants reveals both the humor and the colossal knowledge of a contemporary giant. On Ugliness ![]() The Open Work ![]() This entirely new edition, edited for the English-language audience with the approval of Eco himself, includes an authoritative introduction by David Robey that explores Eco's thought at the period of The Open Work, prior to his absorption in semiotics. The book now contains key essays on Eco's mentor Luigi Pareyson, on television and mass culture, and on the politics of art. Harvard University Press will publish separately and simultaneously the extended study of James Joyce that was originally part of The Open Work, entitled The Aesthetics of Chaosmos: The Middle Ages of James Joyce. The Open Work explores a set of issues in aesthetics that remain central to critical theory, and does so in a characteristically vivid style. Eco's convincing manner of presenting ideas and his instinct for the lively example are threaded compellingly throughout. This book is at once a major treatise in modern aesthetics and an excellent introduction to Eco's thought. The Prague Cemetery ![]() The Search for the Perfect Language ![]() From the early Dark Ages to the Renaissance it was widely believed that the language spoken in the Garden of Eden was just such a language, and that all current languages were its decadent descendants from the catastrophe of the Fall and at Babel. The recovery of that language would, for theologians, express the nature of divinity, for cabbalists allow access to hidden knowledge and power, and for philosophers reveal the nature of truth. Versions of these ideas remained current in the Enlightenment, and have recently received fresh impetus in attempts to create a natural language for artificial intelligence. The story that Umberto Eco tells ranges widely from the writings of Augustine, Dante, Descartes and Rousseau, arcane treatises on cabbalism and magic, to the history of the study of language and its origins. He demonstrates the initimate relation between language and identity and describes, for example, how and why the Irish, English, Germans and Swedes - one of whom presented God talking in Swedish to Adam, who replied in Danish, while the serpent tempted Eve in French - have variously claimed their language as closest to the original. He also shows how the late eighteenth-century discovery of a proto-language (Indo-European) for the Aryan peoples was perverted to support notions of racial superiority. To this subtle exposition of a history of extraordinary complexity, Umberto Eco links the associated history of the manner in which the sounds of language and concepts have been written and symbolized. Lucidly and wittily written, the book is, in sum, a tour de force of scholarly detection and cultural interpretation, providing a series of original perspectives on two thousand years of European History. The paperback edition of this book is not available through Blackwell outside of North America. Serendipities: Language and Lunacy ![]() Six Walks in the Fictional Woods ![]() Talking of Joyce ![]() The Island of the Day Before ![]() The Mysterious Flame of Queen Loana ![]() The Name of the Rose ![]() A spectacular best seller and now a classic, The Name of the Rose catapulted Umberto Eco, an Italian professor of semiotics turned novelist, to international prominence. An erudite murder mystery set in a fourteenth-century monastery, it is not only a gripping story but also a brilliant exploration of medieval philosophy, history, theology, and logic. In 1327, Brother William of Baskerville is sent to investigate a wealthy Italian abbey whose monks are suspected of heresy. When his mission is overshadowed by seven bizarre deaths patterned on the book of Revelation, Brother William turns detective, following the trail of a conspiracy that brings him face-to-face with the abbey’s labyrinthine secrets, the subversive effects of laughter, and the medieval Inquisition. Caught in a power struggle between the emperor he serves and the pope who rules the Church, Brother William comes to see that what is at stake is larger than any mere political dispute–that his investigation is being blocked by those who fear imagination, curiosity, and the power of ideas. The Name of the Rose offers the reader not only an ingeniously constructed mystery—complete with secret symbols and coded manuscripts—but also an unparalleled portrait of the medieval world on the brink of profound transformation. This is Not the End of the Book ![]() These days it is almost impossible to get away from discussions of whether the book will survive the digital revolution. Blogs, tweets and newspaper articles appear daily on the subject, many of them repetitive, most of them admitting they don't know what will happen. Amidst the twittering, the thoughts of Jean-Claude Carrière and Umberto Eco come as a breath of fresh air. There are few people better placed to discuss the past, present and future of the book. Both of them avid book collectors with a deep understanding of history, they have explored through their work, both written and visual, the many and varied ways in which ideas have been represented through the ages. This beautifully produced book, an object of desire in itself, is the transcription of a long conversation between the two men in which they discuss a vast range of subjects, from what can be defined as the first book, to the idea of the library, the burning of books both accidental and deliberate, and what will happen to knowledge and memory when infinite amounts of information are available at the click of a mouse. En route there are delightful digressions into personal anecdote about everything from Eco's first computer to the book Carrière is most sad to have sold. Readers will close this book feeling that they have had the privilege of eavesdropping on an intimate discussion between two great minds. And while, as Carrière says, the one certain thing about the future is that it is unpredictable, it is clear from this conversation that, in some form or other, the book will survive. After all, as Eco says: like the spoon, once invented, it cannot be bettered. The Three Astronauts ![]() Turning Back the Clock: Hot Wars and Media Populism ![]() Reflections on the Name of the Rose ![]() How to Spot a Fascist ![]() In Memory of Junior ![]() An Editor’s Burial: Journals and Journalism from the New Yorker and Other Magazines ![]() Shakespeare Beyond Doubt: Evidence, Argument, Controversy ![]() Fridays with Red: A Radio Friendship ![]() The Devil's Element: Phosphorus and a World Out of Balance ![]() The Best of McSweeney's ![]() A Hologram for the King: A Novel ![]() One of the New York Times Book Review's 10 Best Books of the Year One of the Best Books of the Year from The Boston Globe and San Francisco Chronicle In a rising Saudi Arabian city, far from weary, recession-scarred America, a struggling businessman named Alan Clay pursues a last-ditch attempt to stave off foreclosure, pay his daughter's college tuition, and finally do something great. In A Hologram for the King, Dave Eggers takes us around the world to show how one man fights to hold himself and his splintering family together. McSweeney's Issue 35 ![]() Zeitoun ![]() Abdulrahman and Kathy Zeitoun run a house-painting business in New Orleans. In August of 2005, as Hurricane Katrina approaches, Kathy evacuates with their four young children, leaving Zeitoun to watch over the business. In the days following the storm he travels the city by canoe, feeding abandoned animals and helping elderly neighbors. Then, on September 6th, police officers armed with M-16s arrest Zeitoun in his home. Told with eloquence and compassion, Zeitoun is a riveting account of one family’s unthinkable struggle with forces beyond wind and water. A New York Times Notable Book An O, The Oprah Magazine Terrific Read of the Year A Huffington Post Best Book of the Year A New Yorker Favorite Book of the Year A Chicago Tribune Favorite Nonfiction Book of the Year A Kansas City Star Best Book of the Year A San Francisco Chronicle Best Book of the Year An Entertainment Weekly Best Book of the Decade The True Life of Johann Sebastian Bach ![]() Ideas and Opinions ![]() The Ultimate Quotable Einstein ![]() The Ultimate Quotable Einstein features 400 additional quotes, bringing the total to roughly 1,600 in all. This ultimate edition includes new sections—"On and to Children," "On Race and Prejudice," and "Einstein's Verses: A Small Selection"—as well as a chronology of Einstein’s life and accomplishments, Freeman Dyson’s authoritative foreword, and new commentary by Alice Calaprice. In The Ultimate Quotable Einstein, readers will also find quotes by others about Einstein along with quotes attributed to him. Every quotation in this informative and entertaining collection is fully documented, and Calaprice has carefully selected new photographs and cartoons to introduce each section. Features 400 additional quotationsContains roughly 1,600 quotations in allIncludes new sections on children, race and prejudice, and Einstein’s poetryProvides new commentaryBeautifully illustratedThe most comprehensive collection of Einstein quotes ever published Your Duck Is My Duck: Stories ![]() Deborah Eisenberg’s brutally funny, unsettling, and shrewdly perceptive stories have been captivating readers for decades. Exquisitely distilled meditations on the state of the Western world and the course of individual lives, they combine uneasiness, a magical glimmer, and comedy, in a manner that is uniquely candid and profoundly moving. In Your Duck is My Duck, her first new collection since 2006, Eisenberg presents us with characters swimming or drowning in a disintegrating environment – among them, some former Hollywood actors, an entitled young man who falls into an unlikely love affair with a human rights worker on a mysterious quest, a woman whose face illustrates her family’s history, a girl receiving treatment for an inexplicable psychological affliction, and a politically conscious puppeteer. With her finely tuned ear for dialogue and description, Eisenberg is at her pitch-perfect best in this fascinating collection, her deepest and most adventurous work yet. Wolf Winter ![]() He was silent for a long time. It’s the kind of winter that will remind us we are mortal,’ he said. Mortal and alone.’ Swedish Lapland, 1717. Maija, her husband Paavo and her daughters Frederika and Dorotea arrive from their native Finland, hoping to forget the traumas of their past and put down new roots in this harsh but beautiful land. Above them looms Blackåsen, a mountain whose foreboding presence looms over the valley and whose dark history seems to haunt the lives of those who live in its shadow. While herding the family’s goats on the mountain, Frederika happens upon the mutilated body of one of their neighbors, Eriksson. The death is dismissed as a wolf attack, but Maija feels certain that the wounds could only have been inflicted by another man. Compelled to investigate despite her neighbors’ strange disinterest in the death and the fate of Eriksson’s widow, Maija is drawn into the dark history of tragedies and betrayals that have taken place on Blackåsen. Young Frederika finds herself pulled towards the mountain as well, feeling something none of the adults around her seem to notice. As the seasons change, and the wolf winter,” the harshest winter in memory, descends upon the settlers, Paavo travels to find work, and Maija finds herself struggling for her family’s survival in this land of winter-long darkness. As the snow gathers, the settlers’ secrets are increasingly laid bare. Scarce resources and the never-ending darkness force them to come together, but Maija, not knowing who to trust and who may betray her, is determined to find the answers for herself. Soon, Maija discovers the true cost of survival under the mountain, and what it will take to make it to spring. The Illusion of Return ![]() "[A] vivid portrait of life in wartime Lebanon, and the temporary refuge provided by friends . . . poignant and evocative."-The Economist "El-Youssef is unflinchingly critical of aspects of his society. . . . Puncturing myth to allow for grief and understanding, the novel attempts to reveal a more complex human reality behind the smokescreen of tales of heroism and martyrdom."-Guardian "A nuanced, thought-provoking look at this world, free of easy, political answers."-New Statesman A young Palestinian living in exile in London confronts his past and the one explosive night that tore him from his friends and family. With humor and insight, he untangles the intimate forces that cause personal tragedy and historic tragedy to intersect. Deepening our understanding of the headlines, The Illusion of Return is an intelligent, funny, sympathetic, and intimate glimpse into the forces-political, religious, and otherwise-that thrust unwanted into people's lives. Samir El-Youssef is Palestinian, born in Rashidia (a Lebanese refugee camp), and is a widely respected Middle East peace activist. His first book, Gaza Blues, was co-authored with the Israeli author Etgar Keret. His writing has appeared in the Guardian, New Statesman, and The Washington Post. In 2005, he won the Swedish PEN Tucholsky Award for promoting peace and freedom of speech in the Middle East. He lives in London. This is his first novel in English. Adam Bede ![]() Middlemarch ![]() Middlemarch (Everyman's Library (Cloth)) ![]() The Mill on the Floss ![]() Silas Marner ![]() Daniel Deronda (Everyman's Library ![]() Christianity and Culture ![]() Four Quartets ![]() On Poetry and Poets ![]() The Sacred Wood and Major Early Essays ![]() Selected Prose of T.S. Eliot ![]() T. S. Eliot: Collected Poems, 1909-1962 ![]() The Waste Land ![]() About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehenive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide. The New and Improved Romie Futch ![]() Invisible Man (Modern Library) ![]() Emerson: Essays and Lectures: Nature: Addresses and Lectures / Essays: First and Second Series / Representative Men / English Traits / The Conduct of Life ![]() Seven Types of Ambiguity ![]() Ambiguity, according to Empson, includes "any verbal nuance, however slight, which gives room for alternative reactions to the same piece of language." From this definition, broad enough by his own admission sometimes to see "stretched absurdly far," he launches into a brilliant discussion, under seven classifications of differing complexity and depth, of such works, among others, as Shakespeare's plays and the poetry of Chaucer, Donne, Marvell, Pope, Wordsworth, Gerard Manley Hopkins, and T. S. Eliot. The Voyage of the Morning Light: A Novel ![]() Silence: A Novel ![]() "Silence I regard as a masterpiece, a lucid and elegant drama."-The New York Review of Books Seventeenth-century Japan: Two Portuguese Jesuit priests travel to a country hostile to their religion, where feudal lords force the faithful to publicly renounce their beliefs. Eventually captured and forced to watch their Japanese Christian brothers lay down their lives for their faith, the priests bear witness to unimaginable cruelties that test their own beliefs. Shusaku Endo is one of the most celebrated and well-known Japanese fiction writers of the twentieth century, and Silence is widely considered to be his great masterpiece. Actress: A Novel ![]() Sudden Death: A Novel ![]() "[A] novel without boundaries." —O, the Oprah Magazine "Mind-bending." —Wall Street Journal A daring, kaleidoscopic novel about the clash of empires and ideas, told through a tennis match in the sixteenth century between the radical Italian artist Caravaggio and the Spanish poet Francisco de Quevedo, played with a ball made from the hair of the beheaded Anne Boleyn. The poet and the painter battle it out in Rome before a crowd that includes Galileo, Mary Magdalene, and a generation of popes who would throw the world into flames. In England, Thomas Cromwell and Henry VIII execute Anne Boleyn, and her crafty executioner transforms her legendary locks into those most-sought-after tennis balls. Across the ocean in Mexico, the last Aztec emperors play their own games, as the conquistador Hernán Cortés and his Mayan translator and lover, La Malinche, scheme and conquer, fight and f**k, not knowing that their domestic comedy will change the course of history. In a remote Mexican colony a bishop reads Thomas More’s Utopia and thinks that it’s a manual instead of a parody. And in today’s New York City, a man searches for answers to impossible questions, for a book that is both an archive and an oracle. Álvaro Enrigue’s mind-bending story features assassinations and executions, hallucinogenic mushrooms, bawdy criminals, carnal liaisons and papal schemes, artistic and religious revolutions, love and war. A blazingly original voice and a postmodern visionary, Enrigue tells the grand adventure of the dawn of the modern era, breaking down traditions and upending expectations, in this bold, powerful gut-punch of a novel. Game, set, match. “Sudden Death is the best kind of puzzle, its elements so esoteric and wildly funny that readers will race through the book, wondering how Álvaro Enrigue will be able to pull a novel out of such an astonishing ball of string. But Enrigue absolutely does; and with brilliance and clarity and emotional warmth all the more powerful for its surreptitiousness.” —Lauren Groff, New York Times-bestselling author of Fates and Furies "Engrossing... rich with Latin and European history." —The New Yorker "[A] bawdy, often profane, sprawling, ambitious book that is as engaging as it is challenging.” —Vogue Writers Dreaming ![]() From the Trade Paperback edition. EPICURE BEING HAPPY /ANGLAIS ![]() A Guide through <i>Finnegans Wake</i> ![]() "Epstein is one of the foremost Joyce scholars, in fact, a pioneer. His guide is comprehensive and obviously the result of a lifetime of interaction with Joyce's book."—Fritz Senn, director, Zürich James Joyce Foundation "A book that every Joycean will want to own."—Sebastian Knowles, series editor Written in a complex, pun-based idiogloss and boasting a dreamlike narrative that defies conventions of plot and continuity, James Joyce's Finnegans Wake has been challenging readers since its first publication in 1939. The novel is so famously difficult that it is widely agreed that only the brave or foolhardy attempt to unravel this well-known but relatively little-read classic. Most tackle the text in reading groups, which provide mutual assistance (and moral support) in understanding Joyce's modern masterpiece. Now, with the publication of Edmund Epstein's A Guide through Finnegans Wake, no one has to go it alone. Recognized as one of the world's foremost Joyce scholars, Epstein has been reading and thinking about Joyce for over fifty years, and his considerable experience and enthusiasm is preserved here for the benefit of anyone with an interest in reading the Wake. This accessible guide approaches the daunting work in a way that provides handrails for beginners while, at the same time, presenting new insights for experienced readers. The Praise of Folly and Other Writings: A Norton Critical Edition ![]() The American Century ![]() Harold Evans leads us on a walk through the century now drawing to a close, taking us back over ground that far too many of us have let slip from our memories." —Shelby Foote, author of The Civil War The American Century is an epic work. With its spectacular illustrations and incisive and lucid writing, it is as exciting and inspiring as the hundred years it surveys. Harold Evans has dramatized a people's struggle to achieve the American Dream, but also offers a thoughtful and provocative analysis of the great movements and events in America's rise to a position of political and cultural dominance. There are 900 photographs, several hundred brought to light for the first time, and the richly researched narrative offers many surprises. In 1889, when the United States entered the second hundred years of its existence, it was by no means certain that a nation of such diverse peoples, manifold beliefs, and impossible ideals could survive its own exceptional experiment in democracy or manage to avoid a headlong slide into oblivion. Evans describes what happened to the democratic ideal amid the clash of personalities and the convulsions of great events. Here are assessments of the century's nineteen presidents, from Benjamin Harrison, who brought the Stars and Stripes into American life in 1889, to the movie star who waved it so vigorously a hundred years later. Here are the muckrakers who exposed the evils of rampant capitalism, and the women who fought to make a reality of the rhetoric of equality. Here are the robber barons—the Carnegies, the Rockefellers, and the Morgans — carving out great empires of unparalleled wealth, turning their millions into foundations for public benefit. Here are Al Capone and J. Edgar Hoover, Martin Luther King Jr. and the Ku Klux Klan, Joe McCarthy and Dwight Eisenhower. Here is the American heartland at peace (but on the wagon), America in two world wars, and at war with itself in the sixties. Evans analyzes the central questions of the era. Among them: How did the tradition arise that government should not meddle in business? How did anti-colonial America become an imperial power? How much was democracy threatened by the influence of money? What was the nature of American isolationism? Why did Woodrow Wilson take the United States into World War I? What caused the Great Depression, and why did it last so long? Did Franklin Roosevelt's New Deal succeed or fail? Did the protests of the sixties go too far? Was Vietnam a noble cause? Has the Watergate scandal been blown up out of all proportion? Who deserves the credit for the end of the Cold War? Throughout, Harold Evans lets us see how America prospered because of the power of an idea: the idea of freedom. The nation did not simply become the largest economic and military power, send men to the moon and jeans and consumer capitalism to Red Square—it strengthened Western society through acts of courage, generosity, and vision unequaled in history. The British may claim the nineteenth century by force, and the Chinese may cast a long shadow over the twenty-first, but the twentieth century belongs to the United States. This is America's story as it has never been told before. With 900 photographs The Diary Of John Evelyn ![]() Essential Mac OS X Panther Server Administration ![]() The Panopticon: A Novel ![]() Anais Hendricks, fifteen, is in the back of a police car. She is headed for the Panopticon, a home for chronic young offenders. She can't remember what’s happened, but across town a policewoman lies in a coma and Anais’s school uniform is covered in blood. Raised in foster care from birth and moved through twenty-three placements before she even turned seven, Anais has been let down by just about every adult she has ever met. Now a counter-culture outlaw, she knows that she can only rely on herself. And yet despite the parade of horrors visited upon her early life, she greets the world with the witty, fierce insight of a survivor. Anais finds a sense of belonging among the residents of the Panopticon – they form intense bonds, and she soon becomes part of an ad hoc family. Together, they struggle against the adults that keep them confined. When she looks up at the watchtower that looms over the residents though, Anais knows her fate: she is an anonymous part of an experiment, and she always was. Now it seems that the experiment is closing in. Named one of the best books of the year by the Times Literary Supplement and the Scotsman, The Panopticon is an astonishingly haunting, remarkable debut novel. In language dazzling, energetic and pure, it introduces us to a heartbreaking young heroine and an incredibly assured and outstanding new voice in fiction. The Art of East Asia ![]() An Irreverent Curiosity: In Search of the Church's Strangest Relic in Italy's Oddest Town ![]() In December 1983, a priest in the Italian hill town of Calcata shared shocking news with his congregation: the pride of their town, the foreskin of Jesus, had been stolen. Some postulated that it had been stolen by Satanists. Some said the priest himself was to blame. Some even pointed their fingers at the Vatican. In 2006, travel writer David Farley moved to Calcata, determined to find the missing foreskin, or at least find out the truth behind its disappearance. Farley recounts how the relic passed from Charlemagne to the papacy to a marauding sixteenth-century German solider before finally ending up in Calcata, where miracles occurred that made the sleepy town a major pilgrimage destination. Blending history, travel, and perhaps the oddest story in Christian lore, An Irreverent Curiosity is a weird and wonderful tale of conspiracy and misadventure. Mediterranean A Taste of the Sun in Over 150 Recipes ![]() Four ingredient cookbook: Fabulous, fast recipes with only four ingredients ![]() Snopes: The Hamlet, The Town, The Mansion ![]() The Sound and the Fury: The Corrected Text ![]() “I give you the mausoleum of all hope and desire. . . . I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all of your breath trying to conquer it. Because no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools.” —from The Sound and the Fury A Summer of Faulkner: As I Lay Dying/The Sound and the Fury/Light in August ![]() Titles include: As I Lay Dying This novel is the harrowing account of the Bundren family’s odyssey across the Mississippi countryside to bury Addie, their wife and mother. Told in turns by each of the family members–including Addie herself–the novel ranges in mood from dark comedy to the deepest pathos. Originally published in 1930. The Sound and the Fury First published in 1929, Faulkner created his “heart’s darling,” the beautiful and tragic Caddy Compson, whose story Faulkner told through separate monologues by her three brothers–the idiot Benjy, the neurotic suicidal Quentin and the monstrous Jason. Light in August Light in August, a novel about hopeful perseverance in the face of mortality, features some of Faulkner’s most memorable characters: guileless, dauntless Lena Grove, in search of the father of her unborn child; Reverend Gail Hightower, who is plagued by visions of Confederate horsemen; and Joe Christmas, a desperate, mysterious drifter consumed by his mixed ancestry. Originally published in 1932. Take a seat in Oprah’s Classroom and sign up for Faulkner 101 on www.oprah.com/bookclub. William Faulkner : Novels 1930-1935 : As I Lay Dying, Sanctuary, Light in August, Pylon ![]() William Faulkner : Novels 1936-1940 : Absalom, Absalom! / The Unvanquished / If I Forget Thee, Jerusalem / The Hamlet ![]() William Faulkner : Novels 1942-1954 : Go Down, Moses / Intruder in the Dust / Requiem for a Nun / A Fable ![]() William Faulkner: Novels 1926-1929: Soldiers' Pay / Mosquitoes / Flags in the Dust / The Sound and the Fury ![]() In these four novels we can track Faulkner's extraordinary evolution as, over the course of a few years, he discovers and masters the mode and matter of his greatest works. Soldiers' Pay (1926) expresses the disillusionment provoked by World War I through its account of the postwar experiences of homecoming soldiers, including a severely wounded R.A.F. pilot, in a style of restless experimentation. In Mosquitoes (1927), a raucous satire of artistic poseurs, many of them modeled after acquaintances of Faulkner in New Orleans, he continues to try out a range of stylistic approaches as he chronicles an ill-fated cruise on Lake Pontchartrain. With the sprawling Flags in the Dust (published in truncated form in 1929 as Sartoris), Faulkner began his exploration of the mythical region of Mississippi that was to provide the setting for most of his subsequent fiction. Drawing on family history from the Civil War and after, and establishing many characters who recur in his later books, Flags in the Dust marks the crucial turning point in Faulkner's evolution as a novelist. The volume concludes with Faulkner's masterpiece, The Sound and the Fury (1929). This multilayered telling of the decline of the Compson clan over three generations, with its complex mix of narrative voices and its poignant sense of isolation and suffering within a family, is one of the most stunningly original American novels. The editors of this volume are Joseph Blotner and Noel Polk. Joseph Blotner, who wrote the notes, is professor of English emeritus at the University of Michigan. Biographer of William Faulkner and Robert Penn Warren, he is a member of the Fellowship of Southern Writers and the French Legion of Honor. Noel Polk is professor of English at Mississippi State University and editor of The Mississippi Quarterly. He has edited the texts in all five volumes of William Faulkner's novels for The Library of America. In his first four novels, William Faulkner moved beyond early experiments to discover the themes and style of his maturity. With Soldiers' Pay, a sardonic distillation of postwar disillusionment, and Mosquitoes, a freewheeling roman à clef satirizing the writers and artists of his New Orleans milieu, Faulkner served his restless apprenticeship as a writer of fiction before settling in Flags in the Dust (first published in truncated form as Sartoris) on the material that would chiefly engage him: a mythic Mississippi region dense with ancestral memories and echoes of the Civil War. The volume concludes with what many consider Faulkner's greatest work, The Sound and the Fury, a novel of family torment whose audacities of form and fearless explorations of the inner life continue to astonish. The newly edited texts in this volume include passages altered or in some cases expurgated by the original publishers. William Faulkner: Novels, 1957-1962: The Town / The Mansion / The Reivers ![]() William Faulkner: Stories ![]() The Sound and the Fury ![]() Building WebObjects 5 Applications ![]() Cyberdog: The Complete Guide to Apple's Internet Productivity Technology ![]() FileMaker 12 In Depth ![]() Do more in less time! FileMaker 12 In Depth is the most comprehensive, coherent, and practical guide to creating professional-quality solutions with the newest versions of FileMaker! Drawing on his unsurpassed real-world experience as a FileMaker user, consultant, and developer, Jesse Feiler helps you gain practical mastery of today’s newest, most advanced FileMaker tools and features. • Use themes to build solutions for FileMaker Pro on Windows and OS X, FileMaker Go on iOS, and Instant Web Publishing • Get the most out of new container field technology • Quickly become a FileMaker 12 power user • Make the most of FileMaker fields, tables, layouts, and parts • Iteratively design reliable, high-performance FileMaker relational databases • Work with relationships, including self-joins and cross-product relationships • Write calculation formulas and use functions • Use event-driven scripts to make databases more interactive • Build clear and usable reports, publish them, and incorporate them into workflows • Secure applications with user accounts, privileges, file-level access, network security, and authentication • Use FileMaker’s Web Viewer to access live web-based data • Convert systems from older versions of FileMaker, and troubleshoot successfully • Share, exchange, export, and publish data via SQL and XML • Instantly publish databases on the web, and use advanced Custom Web Publishing techniques • Trigger automated behaviors whenever specific events occur • Extend FileMaker’s functionality with plug-ins • Set up, configure, tune, and secure FileMaker Server All In Depth books offer • Comprehensive coverage with detailed solutions • Troubleshooting help for tough problems you can’t fix on your own • Outstanding authors recognized worldwide for their expertise and teaching style Learning, reference, problem-solving... the only FileMaker 12 book you need! Novels in Three Lines ![]() Novels in Three Lines collects more than a thousand items that appeared anonymously in the French newspaper Le Matin in 1906—true stories of murder, mayhem, and everyday life presented with a ruthless economy that provokes laughter even as it shocks. This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy, anarchist, and critic of genius, the discoverer of Georges Seurat and the first French publisher of James Joyce, Fénéon carefully maintained his own anonymity, toiling for years as an obscure clerk in the French War Department. Novels in Three Lines is his secret chef-d’oeuvre, a work of strange and singular art that brings back the long-ago year of 1906 with the haunting immediacy of a photograph while looking forward to such disparate works as Walter Benjamin’s Arcades Project and the Death and Disaster series of Andy Warhol. Yellow Tulips ![]() City Lights Pocket Poets Anthology: 60th Anniversary Edition ![]() Lawrence Ferlinghetti founded the City Lights publishing house sixty years ago in 1955, launching the press with his now legendary Pocket Poets Series. First in the series was Pictures of the Gone World—and within a year, he had brought out two more volumes, translations by Kenneth Rexroth and then, poems by Kenneth Patchen. But it was the success and scandal of Number Four, Howl & Other Poems by Allen Ginsberg (1956), that put City Lights on the map, positioning the Pocket Poets Series at the forefront of the literary counterculture. A landmark sixtieth retrospective celebrating 60 years of publishing and cultural history, this edition provides an invaluable distillation of the energetic, iconoclastic and still fresh body of work represented in the ongoing series. Ferlinghetti has selected a handful of poems from each of the sixty volumes, including the work of Ginsberg, Kerouac, Corso, Pasolini, Voznesensky, Prévert, Mayakovsky, Cortázar, O'Hara, Ponsot, Levertov, di Prima, Duncan, Lamantia, Lowry, and more, all of the Pocket Poets Series' innovative, influential, and often ground-breaking American and international poets. Poetry as Insurgent Art ![]() The Violins of Saint-Jacques ![]() An NYRB Classics Original Patrick Leigh Fermor’s only novel displays the same lustrous way with words as his beloved travel trilogy (A Time of Gifts, Between the Woods and the Water, and The Broken Road), the memoir of his youthful walk from the Hook of Holland to Constantinople. This slim book starts with the meeting of an English traveler and an enigmatic elderly Frenchwoman on an Aegean island. He is captivated by her painting of a busy Caribbean port in the shadow of a volcano, which leads her to tell him the story of her childhood in that town back at the beginning of the twentieth century. The tale she unfolds, set in the tropical luxury of the island of Saint-Jacques, is one of romantic intrigue and decadence involving the descendants of slaves and a fading French aristocracy. Then, on the night of the annual Mardi Gras ball, a whole world comes to a catastrophic and haunting end. Advanced Quantum Mechanics ![]() Boxed Set Of Pleasure Of Finding Things Out & Meaning Of It All ![]() QED: The Strange Theory of Light and Matter ![]() The focus, as the title suggests, is quantum electrodynamics (QED), the part of the quantum theory of fields that describes the interactions of the quanta of the electromagnetic field-light, X rays, gamma rays—with matter and those of charged particles with one another. By extending the formalism developed by Dirac in 1933, which related quantum and classical descriptions of the motion of particles, Feynman revolutionized the quantum mechanical understanding of the nature of particles and waves. And, by incorporating his own readily visualizable formulation of quantum mechanics, Feynman created a diagrammatic version of QED that made calculations much simpler and also provided visual insights into the mechanisms of quantum electrodynamic processes. In this book, using everyday language, spatial concepts, visualizations, and his renowned "Feynman diagrams" instead of advanced mathematics, Feynman successfully provides a definitive introduction to QED for a lay readership without any distortion of the basic science. Characterized by Feynman's famously original clarity and humor, this popular book on QED has not been equaled since its publication. The Eyre Affair: A Thursday Next Novel ![]() Lost in a Good Book: A Thursday Next Novel ![]() One of Our Thursdays Is Missing ![]() Shades of Grey: A Novel ![]() Something Rotten ![]() Thursday Next: First Among Sequels ![]() The Well of Lost Plots: A Thursday Next Novel ![]() Tom Jones ![]() Measure for Measure: An Anthology of Poetic Meters ![]() After a century dominated by free verse, there is a new excitement about rediscovering poetry's ancient musical and performative roots. Iambic pentameter is the most familiar meter for most readers, but it only scratches the surface of the extraordinary diversity of rhythmic patterns that poets have employed over the ages. That astonishing variety is fully explored in this one-of-a-kind anthology, packed with great poems that beg to be read aloud. Measure for Measure is organized by meter, with brief explanatory headnotes covering accentual meter, trochees, anapests, dactyls, iambs, ballad meter, and more exotic species like amphibrachs, dipodics, hendecasyllabics, sapphics, and more. The entrancing examples of each meter are drawn from a wide range of poetic traditions, from Ovid and Sappho to Shakespeare and Milton, encompassing the Victorians, the Romantics, ballads, folk songs, poets of the Harlem Renaissance, and modern-day hip hop. Whether performed aloud or enjoyed in solitude, Measure for Measure is a treat for the ear, the heart, and the mind. Color: A Natural History of the Palette ![]() For example: Cleopatra used saffron—a source of the color yellow—for seduction. Extracted from an Afghan mine, the blue “ultramarine” paint used by Michelangelo was so expensive he couldn’t afford to buy it himself. Since ancient times, carmine red—still found in lipsticks and Cherry Coke today—has come from the blood of insects. How to Write a Sentence: And How to Read One ![]() “Both deeper and more democratic than The Elements of Style” – Adam Haslett, Financial Times “A guided tour through some of the most beautiful, arresting sentences in the English language.” – Slate “Like a long periodic sentence, this book rumbles along, gathers steam, shifts gears, and packs a wallop.” —Roy Blount Jr. In this entertaining and erudite New York Times bestseller, beloved professor Stanley Fish offers both sentence craft and sentence pleasure. Drawing on a wide range of great writers, from Philip Roth to Antonin Scalia to Jane Austen, How to Write a Sentence is much more than a writing manual—it is a spirited love letter to the written word, and a key to understanding how great writing works. The Beautiful and Damned ![]() The Great Gatsby ![]() This is the definitive, textually accurate edition of The Great Gatsby, edited by Matthew J. Bruccoli and authorized by the estate of F. Scott Fitzgerald. The first edition of The Great Gatsby contained many errors resulting from Fitzgerald's extensive revisions and a rushed production schedule, and subsequent editions introduced further departures from the author's intentions. This critical edition draws on the manuscript and surviving proofs of the novel, along with Fitzgerald's later revisions and corrections, to restore the text to its original form. It is The Great Gatsby as Fitzgerald intended it. I'd Die For You: And Other Lost Stories ![]() I’d Die For You is a collection of the last remaining unpublished and uncollected short stories by F. Scott Fitzgerald, edited by Anne Margaret Daniel. Fitzgerald did not design the stories in I’d Die For You as a collection. Most were submitted individually to major magazines during the 1930s and accepted for publication during Fitzgerald’s lifetime, but were never printed. Some were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald. They date from the earliest days of Fitzgerald’s career to the last. They come from various sources, from libraries to private collections, including those of Fitzgerald’s family. Readers will experience Fitzgerald writing about controversial topics, depicting young men and women who actually spoke and thought more as young men and women did, without censorship. Rather than permit changes and sanitizing by his contemporary editors, Fitzgerald preferred to let his work remain unpublished, even at a time when he was in great need of money and review attention. “I’d Die For You,” the collection’s title story, is drawn from Fitzgerald’s stays in the mountains of North Carolina when his health, and that of his wife Zelda, was falling apart. With the addition of a Hollywood star and film crew to the Smoky Mountain lakes and pines, Fitzgerald brings in the cinematic world in which he would soon be living. Most of the stories printed here come from this time period, during the middle and late1930s, though the collection spans Fitzgerald’s career from 1920 to the end of his life. The book is subtitled And Other Lost Stories in recognition of an absence until now. Some of the eighteen stories were physically lost, coming to light only in the past few years. All were lost, in one sense or another: lost in the painful shuffle of the difficulties of Fitzgerald’s life in the middle 1930s; lost to readers because contemporary editors did not understand or accept what he was trying to write; lost because archives are like that, and good things can wait patiently in libraries for many centuries sometimes. I’d Die For You And Other Lost Stories echoes as well the nostalgia and elegy in Gertrude Stein’s famous phrase “a lost generation,” that generation for whom Fitzgerald was a leading figure. Written in his characteristically beautiful, sharp, and surprising language, exploring themes both familiar and fresh, these stories provide new insight into the bold and uncompromising arc of Fitzgerald’s career. I’d Die For You is a revealing, intimate look at Fitzgerald’s creative process that shows him to be a writer working at the fore of modern literature—in all its developing complexities. Magnetism ![]() Tales of the Jazz Age ![]() With an afterword by Ned Halley. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautifully bound gift editions of much loved classic titles. Bound in real cloth, printed on high quality paper, and featuring ribbon markers and gilt edges, Macmillan Collector's Library are books to love and treasure. Tender Is the Night ![]() In Tender Is the Night, Fitzgerald deliberately set out to write the most ambitious and far-reaching novel of his career, experimenting radically with narrative conventions of chronology and point of view and drawing on early breakthroughs in psychiatry to enrich his account of the makeup and breakdown of character and culture. Tender Is the Night is also the most intensely, even painfully, autobiographical of Fitzgerald's novels; it smolders with a dark, bitter vitality because it is so utterly true. This account of a caring man who disintegrates under the twin strains of his wife's derangement and a lifestyle that gnaws away at his sense of moral values offers an authorial cri de coeur, while Dick Diver's downward spiral into alcoholic dissolution is an eerie portent of Fitzgerald's own fate. F. Scott Fitzgerald literally put his soul into Tender Is the Night, and the novel's lack of commercial success upon its initial publication in 1934 shattered him. He would die six years later without having published another novel, and without knowing that Tender Is the Night would come to be seen as perhaps its author's most poignant masterpiece. In Mabel Dodge Luhan's words, it raised him to the heights of "a modern Orpheus." This Side of Paradise ![]() F. Scott Fitzgerald’s extraordinary career as a novelist ended abruptly and unhappily, but it began with one of the most brilliant first novels in the history of American literature. Published when its author was just twenty-three, This Side of Paradise is about the education of a youth, and to this universal story Fitzgerald brought the promise of everything that was new in the vigorous, restless America during the years following World War I. Amory Blaine–egoistic, versatile, callow, and imaginative–inhabits a book that is interwoven with songs, poems, playscripts, and questions and answers. His growth from self-absorption to sexual awareness and personhood is described by means of a continuous improvisatory energy and delight. Far from being distracting, Fitzgerald’s formal inventiveness and verve only heighten our sense that the world being described is our own modern world. A profound coherence informs This Side of Paradise–a coherence born of its author’s uncanny ability to revel in the fragmented surfaces of human life while exploring and comprehending its serene depths. The Bookshop, The Gate of Angels, The Blue Flower ![]() Vikings : The North Atlantic Saga ![]() A Sentimental Education: The Story of a Young Man (World Classics) ![]() Bouvard And Pecuchet ![]() In the literary tradition of Rabelais, Cervantes, and Swift, this story is told in that blend of satire and sympathy that only genius can compound, and the reader becomes genuinely fond of these two Don Quixotes of Ideas. Apart from being a new translation, this edition includes Flaubert's Dictionary of Received Ideas. Bouvard and Pecuchet with The Dictionary of Accepted Ideas (Penguin Classics) ![]() Madame Bovary: Patterns of Provincial Life ![]() In Madame Bovary, his story of a shallow, deluded, unfaithful, but consistently compelling woman living in the provinces of nineteenth-century France, Gustave Flaubert invented not only the modern novel but also a modern attitude toward human character and human experience that remains with us to this day. One of the rare works of art that it would be fair to call perfect, Madame Bovary has had an incal?culable influence on the literary culture that followed it. This translation, by Francis Steeg?muller, is acknowledged by common consensus as the definitive English rendition of Flaubert’s text. The Temptation of Saint Anthony (Modern Library Classics) ![]() Here I Am: A Novel ![]() In the book of Genesis, when God calls out, “Abraham!” before ordering him to sacrifice his son, Isaac, Abraham responds, “Here I am.” Later, when Isaac calls out, “My father!” before asking him why there is no animal to slaughter, Abraham responds, “Here I am.” How do we fulfill our conflicting duties as father, husband, and son; wife and mother; child and adult? Jew and American? How can we claim our own identities when our lives are linked so closely to others’? These are the questions at the heart of Jonathan Safran Foer’s first novel in eleven years―a work of extraordinary scope and heartbreaking intimacy. Unfolding over four tumultuous weeks in present-day Washington, D.C., Here I Am is the story of a fracturing family in a moment of crisis. As Jacob and Julia Bloch and their three sons are forced to confront the distances between the lives they think they want and the lives they are living, a catastrophic earthquake sets in motion a quickly escalating conflict in the Middle East. At stake is the meaning of home―and the fundamental question of how much aliveness one can bear. Showcasing the same high-energy inventiveness, hilarious irreverence, and emotional urgency that readers loved in his earlier work, Here I Am is Foer’s most searching, hard-hitting, and grandly entertaining novel yet. It not only confirms Foer’s stature as a dazzling literary talent but reveals a novelist who has fully come into his own as one of our most important writers. The Hammer of Eden ![]() When controversial radio talk host John Truth broadcasts a terrorist threat of a man-made earthquake, few people take it seriously. Crackerjack young FBI agent Judy Maddox is assigned to track down the elusive, sinister group called the Hammer of Eden. Judy's boss, who has a grudge against her, thinks he has given her a waste-of-time assignment. But Judy's research leads her to maverick seismologist Michael Quercus, who gives her the shocking news that it might just be possible for an earthquake to be deliberately triggered. And when a tremor in a remote California desert shows evidence of being machine-generated, Judy knows the threat is terrifyingly real. Suddenly in charge of a life-or-death investigation, Judy must pinpoint the terrorists' next target, with the help of the erratic but attractive Michael. Their compelling romantic drama is played out as they race to beat the terrorist deadline and prevent an unthinkable disaster. Unknown to them, Michael's estranged wife, gorgeous but angry, has fallen under the spell of a clever, sexy cult leader called Priest—and they have stolen from Michael's computer the key data that enables the Hammer of Eden to carry out their cataclysmic threat. Worse still, Michael's son is with his wife—and under the control of Priest. All of them are in mortal jeopardy as Judy and Michael fight to save San Francisco from being brought down in ruins. Ken Follett became a best-selling author in 1978 with the publication of Eye of the Needle, which won the Edgar award and became a major motion picture. He has since written numerous other best-selling thrillers and historical novels, including The Third Twin, and A Place Called Freedom. Offerings: Buddhist Wisdom for Every Day ![]() Danielle and Olivier Föllmi share a message of peace and hope in this new book. Through subjects that preoccupy us today, the masters of Tibetan Buddhist thought-including His Holiness the Dalai Lama, Kalu Rinpoche, Chogyam Trungpa, Shabkar, Jack Kornfield, and Arnaud Desjardins-convey to us their vision of existence. Their collective and individual vision celebrates humanity and encourages continual self-improvement. Parade's End ![]() Parade's End was originally published in four parts (Some Do Not . . ., No More Parades, A Man Could Stand Up—, and Last Post) between 1924 and 1928. It explores the world of the English ruling class as it descends into the chaos of World War I, as seen through the life of Christopher Tietjens, an officer from a wealthy family who is torn between his unfaithful wife, Sylvia, and his suffragette mistress, Valentine. With scenes of sexual warfare that rival the devastation of its battlefield scenes, Parade's End is a profound dramatization of one man's internal struggles during a time of brutal world conflict. The culminating achievement of Ford's career, it fulfills his ambitious conception of the novelist's role as the historian of the present, capturing the essence of the age. The Bascombe Novels: Written and Introduced by Richard Ford ![]() David Lynch: Lithos ![]() Howards End ![]() A Passage to India ![]() Aspects of the Novel ![]() A Room with a View; Where Angels Fear to Tread ![]() Forster’s most memorably romantic exploration of the liberating effects of Italy on the English, A Room with a View follows the carefully chaperoned Lucy Honeychurch to Florence. There she meets the unconventional George Emerson and finds herself inspired by his refreshingly free spirit— which puts her in mind of “a room with a view”—to escape the claustrophobic snobbery of her guardians back in England. The wicked tragicomedy Where Angels Fear to Tread chronicles a young English widow’s trip to Italy and its messy aftermath. When Lilia Herriton impulsively marries a penniless Italian and then dies in childbirth, her first husband’s family sets out to rescue the child from his “uncivilized” surroundings. But in ways that they can’t possibly imagine, their narrow preconceptions will be upended by the rich and varied charms of Forster’s cherished Italy. Septology ![]() The Riddle of the Labyrinth: The Quest to Crack an Ancient Code ![]() When famed archaeologist Arthur Evans unearthed the ruins of a sophisticated Bronze Age civilization that flowered on Crete 1,000 years before Greece’s Classical Age, he discovered a cache of ancient tablets, Europe’s earliest written records. For half a century, the meaning of the inscriptions, and even the language in which they were written, would remain a mystery. Award-winning New York Times journalist Margalit Fox's riveting real-life intellectual detective story travels from the Bronze Age Aegean—the era of Odysseus, Agamemnon, and Helen—to the turn of the 20th century and the work of charismatic English archeologist Arthur Evans, to the colorful personal stories of the decipherers. These include Michael Ventris, the brilliant amateur who deciphered the script but met with a sudden, mysterious death that may have been a direct consequence of the deipherment; and Alice Kober, the unsung heroine of the story whose painstaking work allowed Ventris to crack the code. Unknown Masterpieces: Writers Rediscover Literature's Hidden Classics ![]() Lucid, polished, provocative, inspiring, these essays are models of critical appreciation, offering personal, impassioned, thoughtful responses to a wide range of wonderful books. Unknown Masterpieces is a treat for all lovers of great writing and a useful and stimulating guidebook for readers eager to venture off literature's beaten tracks. Eliot Weinberger on Hindoo Holiday by J.R. Ackerley Arthur C. Danto on The Unknown Masterpiece by Honoré de Balzac John Updike on Seven Men by Max Beerbohm Jonathan Lethem on On the Yard by Malcolm Braly Toni Morrison on The Radiance of the King by Camara Laye Colm Tóibín on The Go-Between by L.P. Hartley Francine Prose on A High Wind in Jamaica by Richard Hughes Susan Sontag on Letters: Summer 1926 by Boris Pasternak, Marina Tsvetayeva, and Rainer Maria Rilke Luc Sante on Classic Crimes by William Roughead James Wood on The Golovlyov Family by Shchedrin Elizabeth Hardwick on The Unpossessed by Tess Slesinger Lydia Davis on The Life of Henry Brulard by Stendhal Michael Cunningham on The Pilgrim Hawk by Glenway Wescott The Queen of Puerto Rico: And Other Stories (Queen of Puerto Rico) ![]() Remain in Love: Talking Heads, Tom Tom Club, Tina ![]() Flashman, Flash for Freedom!, Flashman in the Great Game ![]() Praised by everyone from John Updike to Jane Smiley, Fraser was an acknowledged master of comedy and satire, an unrivaled storyteller, whose craft was matched only by his impeccable historical research. And his greatest creation was, of course, Flashman. The novels collected here find our hero in the midst of his usual swashbuckling adventures of derring-do: fleeing adversaries in the First Anglo-Afghan War; meeting and nearly deceiving a young Abraham Lincoln in America; alternately impersonating a native Indian cavalry recruit and wooing women in India; and managing, whatever the circumstances, to keep his hero’s reputation unsullied. A must-have treat for the legions of dedicated Flashman fans, and a delightful introduction for those lucky enough to be encountering him for the first time. The Golden Bough ![]() Civilization and Its Discontents ![]() Deviant Love ![]() The Freud Reader ![]() What to read from the vast output of Sigmund Freud has long been a puzzle. Freudian thought permeates virtually every aspect of twentieth-century life; to understand Freud is to explore not only his scientific papers—on the psycho-sexual theory of human development, his theory of the mind, and the basic techniques of psychoanalysis—but also his vivid writings on art, literature, religion, politics, and culture. The fifty-one texts in this volume range from Freud's dreams, to essays on sexuality, and on to his late writings, including Civilization and Its Discontents. Peter Gay, a leading scholar of Freud and his work, has carefully chosen these selections to provide a full portrait of Freud's thought. His clear introductions to the selections help guide the reader's journey through each work. Most of the selections are reproduced in full. All have been selected from the Standard Edition, the only English translation for which Freud gave approval both to the editorial plan and to specific renderings of key words and phrases. The Freud Reader contains a full array of explanatory material: a substantial general introductiona full chronologyintroductions to each selectiona selected bibliography The Psychopathology of Everyday Life ![]() For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. History of Wolves: A Novel ![]() Fourteen-year-old Linda lives with her parents in the beautiful, austere woods of northern Minnesota, where their nearly abandoned commune stands as a last vestige of a lost counter-culture world. Isolated at home and an outlander at school, Linda is drawn to the enigmatic, attractive Lily and new history teacher Mr. Grierson. When Mr. Grierson is charged with possessing child pornography, the implications of his arrest deeply affect Linda as she wrestles with her own fledgling desires and craving to belong. And then the young Gardner family moves in across the lake and Linda finds herself welcomed into their home as a babysitter for their little boy, Paul. It seems that her life finally has purpose but with this new sense of belonging she is also drawn into secrets she doesn’t understand. Over the course of a few days, Linda makes a set of choices that reverberate throughout her life. As she struggles to find a way out of the sequestered world into which she was born, Linda confronts the life-and-death consequences of the things people doand fail to dofor the people they love. Winner of the McGinnis-Ritchie award for its first chapter, Emily Fridlund’s propulsive and gorgeously written History of Wolves introduces a new writer of enormous range and talent. Totempole ![]() Robert Frost: Collected Poems, Prose, and Plays ![]() The Fry Chronicles ![]() Heroes ![]() The Liar ![]() Moab Is My Washpot ![]() More Fool Me: A Memoir ![]() Mythos ![]() Odyssey ![]() Troy: The Greek Myths Reimagined ![]() Six Records of a Floating Life ![]() Terra Nostra ![]() Our Endless Numbered Days ![]() The Adventures of the Knight Theuerdank (Midsize) ![]() Agape Agape ![]() J R ![]() The Recognitions ![]() Norse Mythology ![]() Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales. In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki―son of a giant―blood brother to Odin and a trickster and unsurpassable manipulator. Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Once, when Thor’s hammer is stolen, Thor must disguise himself as a woman―difficult with his beard and huge appetite―to steal it back. More poignant is the tale in which the blood of Kvasir―the most sagacious of gods―is turned into a mead that infuses drinkers with poetry. The work culminates in Ragnarok, the twilight of the gods and rebirth of a new time and people. Through Gaiman’s deft and witty prose emerge these gods with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again. Everyone Knows Your Mother Is a Witch: A Novel ![]() Dialogue Concerning the Two Chief World Systems: Ptolemaic and Copernican ![]() Dialogues Concerning Two New Sciences ![]() Old Filth ![]() "Gardam's superb new novel is surely her masterpiece . . . one of the most moving fictions I have read in years . . . This is the rare novel that drives its readers forward while persistently waylaying and detaining by the sheer beauty and inventiveness of it style."The Guardian "The Whitbread winner scores again with a compelling novel based, in part, on the early life of Rudyard Kipling."Time Out Sir Edward Feathers has progressed from struggling young barrister to wealthy expatriate lawyer to distinguished retired judge, living out his last days in comfortable seclusion in Dorset. The engrossing and moving account of his life, from birth in colonial Malaya, to Wales, where he is sent as a "Raj orphan," to Oxford, his career and marriage, parallels much of the 20th century's torrid and twisted history. Old Filth was nominated for the 2005 Orange Prize. Jane Gardam lives with her husband and three children in England. She has won Katherine Mansfield Award, the PEN Macmillan Silver Pen Award, the Whitbread Novel Award (twice), and has been shortlisted for the Booker Prize. She was recently awarded the Heywood Hill Literary Prize in recognition of a distinguished literary career. Grendel ![]() October Light ![]() Fever at Dawn ![]() July 1945. Miklos is a twenty-five-year-old Hungarian who has survived the camps and has been brought to Sweden to convalesce. His doctor has just given him a death sentence — his lungs are filled with fluid and in six months he will be gone. But Miklos has other plans. He didn't survive the war only to drown from within, and so he wages war on his own fate. He acquires the names of the 117 Hungarian women also recovering in Sweden, and he writes a letter to each of them in his beautiful cursive hand. One of these women, he is sure, will become his wife. In another part of the country, Lili reads his letter and decides to write back. For the next few months, the two engage in a funny, absurd, hopeful epistolary dance. Eventually, they find a way to meet. Based on the true story of Péter Gárdos's parents, and drawn from their letters, Fever at Dawn is a vibrant, ribald, and unforgettable tale, showing the death-defying power of the human will to live and to love. Quack This Way: David Foster Wallace & Bryan A. Garner Talk Language and Writing ![]() Garner's Modern American Usage ![]() Politically Correct Bedtime Stories: Modern Tales for Our Life & Times ![]() Birds of Southern California ![]() Tests of Time ![]() Willie Masters' Lonesome Wife ![]() Like Laurence Sterne and Lewis Carroll before him, Gass uses a variety of visual devices: photographs, comic-strip balloons, different typefaces, parallel story lines (sometimes three or four to the page), even coffee stains. As Larry McCaffery has pointed out, "the lonesome lady of the book's title, who is gradually revealed to be lady language herself, creates an elaborate series of devices which she hopes will draw attention to her slighted charms [and] force the reader to confront what she literally is: a physically exciting literary text." Life Sentences: Literary Judgments and Accounts ![]() It begins with the personal, both past and present. It emphasizes Gass’s lifelong attachment to books and moves on to the more analytical, as he ponders the work of some of his favorite writers (among them Kafka, Nietzsche, Henry James, Gertrude Stein, Proust). He writes about a few topics equally burning but less loved (the Nobel Prize–winner and Nazi sympathizer Knut Hamsun; the Holocaust). Finally, Gass ponders theoretical matters connected with literature: form and metaphor, and specifically, one of its genetic parts—the sentence. Gass embraces the avant-garde but applies a classic standard of writing to all literature, which is clear in these essays, or, as he describes them, literary judgments and accounts. Life Sentences is William Gass at his Gassian best. Middle C ![]() Gass’s new novel moves from World War II Europe to a small town in postwar Ohio. In a series of variations, Gass gives us a mosaic of a life—futile, comic, anarchic—arranged in an array of vocabularies, altered rhythms, forms and tones, and broken pieces with music as both theme and structure, set in the key of middle C. It begins in Graz, Austria, 1938. Joseph Skizzen's father, pretending to be Jewish, leaves his country for England with his wife and two children to avoid any connection with the Nazis, who he foresees will soon take over his homeland. In London with his family for the duration of the war, he disappears under mysterious circumstances. The family is relocated to a small town in Ohio, where Joseph Skizzen grows up, becomes a decent amateur piano player, in part to cope with the abandonment of his father, and creates as well a fantasy self—a professor with a fantasy goal: to establish the Inhumanity Museum . . . as Skizzen alternately feels wrongly accused (of what?) and is transported by his music. Skizzen is able to accept guilt for crimes against humanity and is protected by a secret self that remains sinless. Middle C tells the story of this journey, an investigation into the nature of human identity and the ways in which each of us is several selves, and whether any one self is more genuine than another. William Gass set out to write a novel that breaks traditional rules and denies itself easy solutions, cliff-edge suspense, and conventional surprises . . . Middle C is that book; a masterpiece by a beloved master. Cartesian Sonata and Other Novellas ![]() Conversations with William H. Gass ![]() Eyes: Novellas and Stories ![]() It begins with "In Camera," the first of the two novellas, and tells the story, which grows darker and dustier by the speck, of a Mr. Gab (who doesn’t have the gift) and his photography shop (in a part of town so drab even robbers wouldn’t visit), a shop stuffed with gray-white, gray-bleach photographs, each in its own cellophane sheet, loosely side-filed in cardboard boxes, tag attached . . . an inner sanctum where little happens beyond the fulsome, deep reverence for Mr. Gab’s images and vast collection, a homemade museum in the midst of the outer maelstrom . . . until a Mr. Stu (as in u-stew-pid) enters the shop, inspecting the extraordinary collection, and Mr. Gab’s treasure-filled, dust-laden, meticulously contained universe begins to implode . . . In the story “Don’t Even Try, Sam,” the upright piano from the 1942 Warner Bros. classic Casablanca is interviewed (“I know why you want to talk to me,” the piano says. “It’s because everybody else is dead. Stars go out. Directors die. Companies fold. But some of the props get preserved. I’ve seen my friend the Vichy water bottle in the storeroom as wrapped up as the Maltese Falcon. We’d fetch a price now”) . . . In another story, “Charity,” a young lawyer, whose business it is to keep hospital equipment honestly produced, offers a simple gift and is brought to the ambiguous heart of charity itself. In “Soliloquy for a Chair,” a folding chair does just that—talks in a barbershop that is ultimately bombed . . . and in “The Toy Chest,” Disneylike creatures take on human roles and concerns and live in an atmosphere of a child’s imagination. An enchanting Gassian journey; a glorious fantasia; a virtuoso delight. Fiction and the Figures of Life ![]() Finding a Form: Essays ![]() In the Heart of the Heart of the Country: And Other Stories ![]() Omensetter's Luck ![]() On Being Blue: A Philosophical Inquiry ![]() Gass writes: Of the colors, blue and green have the greatest emotional range. Sad reds and melancholy yellows are difficult to turn up. Among the ancient elements, blue occurs everywhere: in ice and water, in the flame as purely as in the flower, overhead and inside caves, covering fruit and oozing out of clay. Although green enlivens the earth and mixes in the ocean, and we find it, copperish, in fire; green air, green skies, are rare. Gray and brown are widely distributed, but there are no joyful swatches of either, or any of exuberant black, sullen pink, or acquiescent orange. Blue is therefore most suitable as the color of interior life. Whether slick light sharp high bright thin quick sour new and cool or low deep sweet dark soft slow smooth heavy old and warm: blue moves easily among them all, and all profoundly qualify our states of feeling. Reading Rilke: Reflections on the Problems of Translation ![]() A Temple of Texts ![]() The Tunnel ![]() The William H. Gass Reader ![]() It begins with his essays, in which Gass looks back at varying points in his writing life at those writers (from Plato, Hobbes, and James, to Joyce, Beckett, Stein, and Gaddis) whose work he found inspiring . . . and at those whose work he explores and embraces (Laurence Sterne's Tristram Shandy; Ford Madox Ford's Parade's End; Thomas Mann's The Magic Mountain; Stendhal's The Red and the Black). He writes (from A Temple of Texts) on the nature and value of writing ("The true alchemists do not change lead into gold; they change the world into words"). Here is a rich experience of Gass's short fiction: from Eyes, his masterfully crafted novella, "In Camera," about collecting, hording; about suspicions run amok . . . from Cartesian Sonata . . . and In the Heart of the Heart of the Country (1968), a mythical reimagining of America's heartland. And from his nimble, daredevil novels: Middle C (2013), the chronicle of an Austrian-born man who, as a child with his mother, relocates to America's Midwest (Woodbine, Ohio), grows up a low-skilled amateur piano player to become a music professor at a small Bible college; his only hobby a fantasy life as the curator of his Inhumanity Museum . . . and from The Tunnel ("The most beautiful, most complex, most disturbing novel to be published in my lifetime" —Michael Silverblatt, Los Angeles Times). The Annotated African American Folktales ![]() Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation―a spider who plots and weaves in scandalous ways―The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical backgroundThe familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern WorkmanAn entire section of Caribbean and Latin American folktales that finally become incorporated into the canonApproximately 200 full-color, museum-quality imagescolor throughout; 160 illustrations Freud: A Life for Our Time ![]() The Criminal Child: Selected Essays ![]() Quando Cucinano Gli Angeli. La Semplice Cucina Tradizionale ![]() The Christians and the Fall of Rome ![]() The Collected Works ![]() For the first time, all the major works of this beloved writer are gathered together in one hardcover volume. Poet, artist, and mystic, Kahlil Gibran was born in 1883 to a poor Christian family in Lebanon and immigrated to the United States as an adolescent. His masterpiece, The Prophet, a book of poetic essays that he began while still a youth in Lebanon, is one of the most cherished books of our time and has sold millions of copies in more than twenty languages since its publication in 1923. But all of Gibran’s works—essays, stories, parables, and prose poems—are imbued with equally powerful simplicity and wisdom, whether they are addressing marriage or children, friendship or grief, work or pleasure. Perhaps no other twentieth-century writer has touched the hearts and minds of so remarkably varied and widespread a readership. Included in this volume are The Prophet, The Wanderer, Jesus the Son of Man, A Tear and a Smile, Spirits Rebellious, Nymphs of the Valley, Prose Poems, The Garden of the Prophet, The Earth Gods, Sand and Foam, The Forerunner, and The Madman. Ulysses Annotated ![]() Beginning PHP 5 and MySQL: From Novice to Professional ![]() Life with Picasso ![]() Françoise Gilot was in her early twenties when she met the sixty-one-year-old Pablo Picasso in 1943. Brought up in a well-to-do upper-middle-class family, who had sent her to Cambridge and the Sorbonne and hoped that she would go into law, the young woman defied their wishes and set her sights on being an artist. Her introduction to Picasso led to a friendship, a love affair, and a relationship of ten years, during which Gilot gave birth to Picasso’s two children, Paloma and Claude. Gilot was one of Picasso’s muses; she was also very much her own woman, determined to make herself into the remarkable painter she did indeed become. Life with Picasso is an indispensable record of his thinking about art, as well as an often very funny account of his relationships with other artists and with dealers and hangers-on. It is also about Françoise Gilot. This is a brilliant self-portrait of a young woman of enormous talent and exacting intelligence figuring out who she wants to be. Best Minds of My Generation: A Literary History of the Beats ![]() Ginsberg was seminal to the creation of a public perception of Beat writers and knew all of the major figures personally, making him uniquely qualified to be the historian of the movement. In The Best Minds of My Generation, Ginsberg shares anecdotes of meeting Kerouac, Burroughs, and other writers for the first time, explains his own poetics, elucidates the importance of music to Beat writing, discusses visual influences and the cut-up method, and paints a portrait of a group who were leading a literary revolution. For Beat aficionados and neophytes alike, The Best Minds of My Generation is a personal yet critical look at one of the most important literary movements of the twentieth century. Howl and Other Poems ![]() Family Lexicon ![]() An Italian family, sizable, with its routines and rituals, crazes, pet phrases, and stories, doubtful, comical, indispensable, comes to life in the pages of Natalia Ginzburg’s Family Lexicon. Giuseppe Levi, the father, is a scientist, consumed by his work and a mania for hiking—when he isn’t provoked into angry remonstration by someone misspeaking or misbehaving or wearing the wrong thing. Giuseppe is Jewish, married to Lidia, a Catholic, though neither is religious; they live in the industrial city of Turin where, as the years pass, their children find ways of their own to medicine, marriage, literature, politics. It is all very ordinary, except that the background to the story is Mussolini’s Italy in its steady downward descent to race law and world war. The Levis are, among other things, unshakeable anti-fascists. That will complicate their lives. Family Lexicon is about a family and language—and about storytelling not only as a form of survival but also as an instrument of deception and domination. The book takes the shape of a novel, yet everything is true. “Every time that I have found myself inventing something in accordance with my old habits as a novelist, I have felt impelled at once to destroy [it],” Ginzburg tells us at the start. “The places, events, and people are all real.” Family Sayings ![]() Valentino and Sagittarius ![]() The Open Road ![]() Irish Folktales ![]() Edited by Henry Glassie With black-and-white illustrations throughout Part of the Pantheon Fairy Tale and Folklore Library Margery Kempe ![]() Temporary Sanity: A Novel ![]() Watching The Body Burn ![]() Hypnerotomachia Poliphili: The Strife of Love in a Dream ![]() It is a strange, pagan, pedantic, erotic, allegorical, mythological romance relating in highly stylized Italian the quest of Poliphilo for his beloved Polia. The author (presumed to be Francesco Colonna, a friar of dubious reputation) was obsessed by architecture, landscape, and costume—it is not going too far to say sexually obsessed—and its 174 woodcuts are a primary source for Renaissance ideas on both buildings and gardens. In 1592 a beginning was made to produce an English version but the translator gave up partway. The task has been triumphantly accomplished by Joscelyn Godwin, who succeeds in reproducing all its wayward charm and arcane learning in language accessible to the modern reader. 174 b/w illustrations. Selected Works (Everyman's Library (Cloth)) ![]() One of the towering figures of world literature, Goethe has never held quite as prominent a place in the English-speaking world as he deserves. This collection of his four major works, together with a selection of his finest letters and poems, shows that he is not only one of the very greatest European writers: he is also accessible, entertaining, and contemporary. The Sorrows of Young Werther is a story of self-destructive love that made its author a celebrity overnight at the age of twenty-five. Its exploration of the conflicts between ideas and feelings, between circumstance and desire, continues in his controversial novel probing the institution of marriage, Elective Affinities. The cosmic drama of Faust goes far beyond the realism of the novels in a poetic exploration of good and evil, while Italian Journey, written in the author’s old age, recalls his youth in Italy and the impact of Mediterranean culture on a young northerner. Translators include W. H. Auden, Louise Bogan, David Constantine, Barker Fairley, and Elizabeth Mayer The Collected Tales ![]() From the acclaimed translators of War and Peace, Crime and Punishment, and The Brothers Karamazov, a brilliant translation of Nikolai Gogol’s short fiction. Collected here are Gogol’s finest tales—stories that combine the wide-eyed, credulous imagination of the peasant with the sardonic social criticism of the city dweller—allowing readers to experience anew the unmistakable genius of a writer who paved the way for Dostoevsky and Kafka. All of Gogol’s most memorable creations are here: the minor official who misplaces his nose, the downtrodden clerk whose life is changed by the acquisition of a splendid new overcoat, the wily madman who becomes convinced that a dog can tell him everything he needs to know. The wholly unique blend of the mundane and the supernatural that Gogol crafted established his reputation as one of the most daring and inventive writers of his time. Dead Souls ![]() Nikolai Gogol’s Dead Souls is the great comic masterpiece of Russian literature–a satirical and splendidly exaggerated epic of life in the benighted provinces. Gogol hoped to show the world “the untold riches of the Russian soul” in this 1842 novel, which he populated with a Dickensian swarm of characters: rogues and scoundrels, landowners and serfs, conniving petty officials–all of them both utterly lifelike and alarmingly larger than life. Setting everything in motion is the wily antihero, Chichikov, the trafficker in “dead souls”–deceased serfs who still represent profit to those clever enough to trade in them. This lively, idiomatic English version by the award-winning translators Richard Pevear and Larissa Volokhonsky makes accessible the full extent of the novel’s lyricism, sulphurous humor, and delight in human oddity and error. How the Two Ivans Quarrelled: And Other Russian Comic Stories ![]() Andy Goldsworthy: A Collaboration with Nature ![]() A Guide to Philosophy in Six Hours and Fifteen Minutes ![]() “Brilliantly, savagely funny. . . . Gombrowicz is that rare writer in whom the weight of a powerful intellect is leavened by both linguistic daring and an infectious sense of whimsy.”—Benjamin Paloff, The Nation “[This book] is like the course in philosophy you wish you had taken.”—David Lehman, Bloomberg News "Vintage Gombrowicz: concise, sober, lucid, and radically agnostic."—Ewa Thompson, Slavic and East European Journal “A must for every reader of Gombrowicz.”—Denis Hollier, New York University Cosmos ![]() Published in 1965, Cosmos is the last novel by Witold Gombrowicz (1904–1969) and his most somber and multifaceted work. Two young men meet by chance in a Polish resort town in the Carpathian Mountains. Intending to spend their vacation relaxing, they find a secluded family-run pension. But the two become embroiled first in a macabre event on the way to the pension, then in the peculiar activities and psychological travails of the family running it. Gombrowicz offers no solution to their predicament. Cosmos is translated here for the first time directly from the Polish by Danuta Borchardt, translator of Ferdydurke. Cosmos and Pornografia: Two Novels ![]() Ferdydurke ![]() A Kind of Testament ![]() Pornografia ![]() Oblomov ![]() The sly, subversive side of the nineteenth-century Russian literary character — the one which represents such a contrast to the titanic exertions of Tolstoy and Dostoevsky — was most fully realized in Ivan Goncharov's 1859 masterpiece, OBLOMOV. This magnificent farce about a gentleman who spends the better part of his life in bed is a reminder of the extent to which humor, in the hands of a comic genius, can be used to explore the absurdities and injustices of a social order. Best Boy: A Novel ![]() The Boy Who Went Away ![]() Conversations About the End of Time ![]() The Panda's Thumb (Penguin Science) ![]() Questioning the Millennium: A Rationalist's Guide to a Precisely Arbitrary Countdown ![]() Mariposas Nocturnas: Moths of Central and South America, A Study in Beauty and Diversity ![]() American photographer Emmet Gowin (b. 1941) is best known for his portraits of his wife, Edith, and their family, as well as for his images documenting the impact of human activity upon landscapes around the world. For the past fifteen years, he has been engaged in an equally profound project on a different scale, capturing the exquisite beauty of more than one thousand species of nocturnal moths in Bolivia, Brazil, Ecuador, French Guiana, and Panama. These stunning color portraits present the insects―many of which may never have been photographed as living specimens before, and some of which may not be seen again―arrayed in typologies of twenty-five per sheet. The moths are photographed alive, in natural positions and postures, and set against a variety of backgrounds taken from the natural world and images from art history. Throughout Gowin’s distinguished career, his work has addressed urgent concerns. The arresting images of Mariposas Nocturnas extend this reach, as Gowin fosters awareness for a part of nature that is generally left unobserved and calls for a greater awareness of the biodiversity and value of the tropics as a universally shared natural treasure. An essay by Gowin provides a fascinating personal history of his work with biologists and introduces both the photographic and philosophical processes behind this extraordinary project. Essential reading for audiences both in photography and natural history, this lavishly illustrated volume reminds readers that, as Terry Tempest Williams writes in her foreword, “The world is saturated with loveliness, inhabited by others far more adept at living with uncertainty than we are.” Balcony in the Forest ![]() Ulysses S. Grant : Memoirs and Selected Letters : Personal Memoirs of U.S. Grant / Selected Letters, 1839-1865 ![]() LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries. Die Blechtrommel ![]() The Box: Tales from the Darkroom ![]() In an audacious literary experiment, Günter Grass writes in the voices of his eight children as they record memories of their childhoods, of growing up, of their father, who was always at work on a new book, always at the margins of their lives. Memories contradictory, critical, loving, accusatory—they piece together an intimate picture of this most public of men. To say nothing of Marie, Grass’s assistant, a family friend of many years, perhaps even a lover, whose snapshots taken with an old-fashioned Agfa box camera provide the author with ideas for his work. But her images offer much more. They reveal a truth beyond the ordinary detail of life, depict the future, tell what might have been, grant the wishes in visual form of those photographed. The children speculate on the nature of this magic: was the enchanted camera a source of inspiration for their father? Did it represent the power of art itself? Was it the eye of God? Recalling J. M. Coetzee’s Summertime and Umberto Eco’s The Mysterious Flame of Queen Loana, The Box is an inspired and daring work of fiction. In its candor, wit, and earthiness, it is Grass at his best. Cat and Mouse ![]() Crabwalk ![]() Born to an unwed mother on a lifeboat the night of the attack, Paul Pokriefke is a middle-aged journalist trying to piece together the tragic events. While his mother sees her whole existence in terms of that calamitous moment, Paul wishes their life could have been less touched by the past. For his teenage son, who dabbles in the dark, far-right corners of the Internet, the Gustloff embodies the denial of Germany's wartime suffering. "Scuttling backward to move forward," Crabwalk is at once a captivating tale of a tragedy at sea and a fearless examination of the ways different generations of Germans now view their past. Winner of the Nobel Prize Dog Years ![]() The Flounder ![]() From Germany to Germany: Diary 1990 ![]() In January 1990, just months after the fall of the Berlin Wall, Günter Grass made two New Year’s resolutions: the first was to travel extensively in the newly united Germany and the second was to keep a diary, to record his impressions of a historic time. Grass takes part in public debates, writes for newspapers, makes speeches, and meets emerging politicians. He talks to German citizens on both sides, listening to their bewilderment and their hopes for the future. Ideas for stories take root—his novels The Call of the Toad and Too Far Afield. From Germany to Germany is also a personal record. Grass reflects on his family, remembers his boyhood, and comments on the books he is reading, the drawings he is making, and the sumptuous meals he cooks for family and friends. The picture that emerges—not only of the two Germanys struggling for a single identity but of a changed world after the end of the Cold War—is engrossing, passionate, and essential for anyone who wants to understand Europe’s new leading nation. My Century ![]() Peeling the Onion ![]() The Rat ![]() The Tin Drum ![]() After fifty years, THE TIN DRUM has, if anything, gained in power and relevance. All of Grass’s amazing evocations are still there, and still amazing: Oskar Matzerath, the indomitable drummer; his grandmother, Anna Koljaiczek; his mother, Agnes; Alfred Matzerath and Jan Bronski, his presumptive fathers; Oskar’s midget friends—Bebra, the great circus master and Roswitha Raguna, the famous somnambulist; Sister Scholastica and Sister Agatha, the Right Reverend Father Wiehnke; the Greffs, the Schefflers, Herr Fajngold, all Kashubians, Poles, Germans, and Jews—waiting to be discovered and re-discovered. Too Far Afield ![]() Grimm's Wörter ![]() Of All That Ends ![]() In spite of the trials of old age, and with the end in sight, suddenly everything seems possible again: love letters, soliloquies, scenes of jealousy, swan songs, social satire, and moments of happiness crowd onto the page. Only an aging artist who has once more cheated death can set to work with such wisdom, defiance, and wit. A wealth of touching stories is condensed into artful miniatures. In a striking interplay of poetry, lyric prose, and drawings, the Nobel Prize-winning author creates his final major work of art. A moving farewell gift, a sensual, melancholy summation of a life fully lived. The Günter Grass Reader ![]() Goodbye to All That ![]() Good-bye to All That was published a decade after the end of the first World War, as the poet and novelist Robert Graves was preparing to leave England for good. The memoir documents not only his own personal experience, as a patriotic young officer, of the horrors and disillusionment of battle, but also the wider loss of innocence the Great War brought about. By the time of his writing, a way of life had ended, and England and the modern world would never be the same. In Graves's portrayal of the dehumanizing misery of the trenches, his grief over lost friends, and the surreal absurdity of government bureaucracy, Graves uses broad comedy to make the most serious points about life and death. I, Claudius : From the Autobiography of Tiberius Claudius, Born 10 B.C., Murdered and Deified A.D. 54 ![]() The Journals of Spalding Gray ![]() Here is the first intimate portrait we have of the man behind the charismatic performer who ended his life in 2004: evolving artist, conflicted celebrity, a man struggling for years with depression before finally succumbing to its most desperate impulse. Begun when he was twenty-five, the journals give us Gray’s reflections on his childhood; his craving for success; the downtown New York arts scene of the 1970s; his love affairs, marriages and fatherhood; his travels in Europe and Asia; and throughout, his passion for the theater, where he worked to balance his compulsion to tell all with his terror of having his deepest secrets exposed. Culled from more than five thousand pages and including interviews with friends, colleagues, lovers, and family, The Journals of Spalding Gray gives us a haunting portrait of a creative genius who we thought had told us everything about himself—until now. Life Interrupted: The Unfinished Monologue ![]() As was always his method, Gray began to fashion a new monologue in various workshop settings that would tell the story of the accident and its aftermath. Originally titled Black Spot—for what the locals called the section of highway where Gray’s accident occurred—it began as a series of workshops at P.S. 122 in New York City and eventually became Life Interrupted.Gray died in early 2004, and though never completed, Life Interrupted is rich with brave self-revelation, masterfully acute observations of wonderfully peculiar people, penetrating wit and genuine humor, an irresolvable fascination with life and death, and all the other attributes of Gray’s singular and unmistakable voice. In the final performance of Life Interrupted, Gray read two additional pieces: a short story about a day he spent with his son Theo at the carousel in Central Park and a brief, poignant love letter to New York City that he wrote after the terrorist attacks in 2001. This volume includes these pieces as well as many of the eulogies that were delivered by his friends and family at memorial services held at Lincoln Center and in Sag Harbor. [If you had to reduce all of Spalding’s work to its essence, its core, if you wanted to locate the subject to which, no matter what else he talked about, he kept returning, I suppose you could say that his work was a profoundly metaphysical inquiry into how we manage to live despite the knowledge that we are someday going to die. . . . If there is a consolation, it’s what he left behind: the children whom he so loved and, of course, his work. Reading the unfinished pieces in this volume . . . we hear his voice again and feel the happiness we felt when he sat on stage behind his wooden desk, took a sip from his water glass, transformed the raw material of his life into art, and the crowd applauded each brilliant, beautiful sentence.] —Francine Prose, from the Foreword Also available as an eBook Morning, Noon and Night ![]() Back ![]() Blindness ![]() Caught ![]() Doting ![]() Living ![]() Living is a book about life in a factory town and the operations of a factory, from the workers on the floor to the boss in his office. The town is Birmingham and the factory is an iron foundry, like the one that Henry Green worked in for some time in the 1920s after dropping out of Oxford, and the stories—courtships, layoffs, getting dinner on the table, going to the pub, death—are all the ordinary stuff of life. The style, however, is pure Henry Green, at once starkly constrained and wildly streaked with the expedients and eccentricities of everyday speech—cliché and innuendo, clashing metaphors, slips of tongue—which is to say it is like nothing else. Epic and antic, Living is a book of exact observation and deep tenderness, the work, in Rosamond Lehmann’s words, of an “amorous and austere voluptuary” whose work continues to transform the novel. Loving ![]() Nothing ![]() Nothing, like the closely related Doting, is a book that is almost entirely composed in dialogue, since in these late novels nothing so interested Green as how words resist, twist, and expose our intentions; how they fail us, lead us on, make fools of us, and may, in spite of ourselves, even save us, at least for a time. Nothing spills over with the bizarre and delicious comedy and poetry of human incoherence. Party Going ![]() Surviving: Stories, Essays, Interviews ![]() Alexander of Macedon, 356-323 B.C.: A Historical Biography ![]() This biography begins not with one of the universally known incidents of Alexander's life, but with an account of his father, Philip of Macedonia, whose many-territoried empire was the first on the continent of Europe to have an effectively centralized government and military. What Philip and Macedonia had to offer, Alexander made his own, but Philip and Macedonia also made Alexander form an important context for understanding Alexander himself. Yet his origins and training do not fully explain the man. After he was named hegemon of the Hellenic League, many philosophers came to congratulate Alexander, but one was conspicuous by his absence: Diogenes the Cynic, an ascetic who lived in a clay tub. Piqued and curious, Alexander himself visited the philosopher, who, when asked if there was anything Alexander could do for him, made the famous reply, "Don't stand between me and the sun." Alexander's courtiers jeered, but Alexander silenced them: "If I were not Alexander, I would be Diogenes." This remark was as unexpected in Alexander as it would be in a modern leader. For the general reader, the book, redolent with gritty details and fully aware of Alexander's darker side, offers a gripping tale of Alexander's career. Full backnotes, fourteen maps, and chronological and genealogical tables serve readers with more specialized interests. Hamlet in Purgatory ![]() Hamlet in Purgatory: Expanded Edition ![]() In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "prison house of souls" had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare—consummate conjurer that he was—into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers. This expanded Princeton Classics edition includes a new preface by the author. The Norton Anthology of English Literature ![]() The Norton Anthology of English Literature ![]() The Norton Anthology of English Literature ![]() The Swerve: How the World Became Modern ![]() Nearly six hundred years ago, a short, genial, cannily alert man in his late thirties took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius—a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions. The copying and translation of this ancient book-the greatest discovery of the greatest book-hunter of his age-fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson. 16 pages full-color illustrations Tyrant: Shakespeare on Politics ![]() As an aging, tenacious Elizabeth I clung to power, a talented playwright probed the social causes, the psychological roots, and the twisted consequences of tyranny. In exploring the psyche (and psychoses) of the likes of Richard III, Macbeth, Lear, Coriolanus, and the societies they rule over, Stephen Greenblatt illuminates the ways in which William Shakespeare delved into the lust for absolute power and the catastrophic consequences of its execution. Cherished institutions seem fragile, political classes are in disarray, economic misery fuels populist anger, people knowingly accept being lied to, partisan rancor dominates, spectacular indecency rules―these aspects of a society in crisis fascinated Shakespeare and shaped some of his most memorable plays. With uncanny insight, he shone a spotlight on the infantile psychology and unquenchable narcissistic appetites of demagogues―and the cynicism and opportunism of the various enablers and hangers-on who surround them―and imagined how they might be stopped. As Greenblatt shows, Shakespeare’s work, in this as in so many other ways, remains vitally relevant today. Will in the World: How Shakespeare Became Shakespeare ![]() Will in the World interweaves a searching account of Elizabethan England with a vivid narrative of the playwright's life. We see Shakespeare learning his craft, starting a family, and forging a career for himself in the wildly competitive London theater world, while at the same time grappling with dangerous religious and political forces that took less-agile figures to the scaffold. Above all, we never lose sight of the great works―A Midsummer Night's Dream, Romeo and Juliet, Hamlet, Macbeth, and more―that continue after four hundred years to delight and haunt audiences everywhere. The basic biographical facts of Shakespeare's life have been known for over a century, but now Stephen Greenblatt shows how this particular life history gave rise to the world's greatest writer. Bringing together little-known historical facts and little-noticed elements of Shakespeare's plays, Greenblatt makes inspired connections between the life and the works and deliver "a dazzling and subtle biography" (Richard Lacayo, Time). Readers will experience Shakespeare's vital plays again as if for the first time, but with greater understanding and appreciation of their extraordinary depth and humanity. A Best Book of the Year: The New York Times 10 Best Books of 2004; Time magazine's #1 Best Nonfiction Book; A Washington Post Book World Rave ; An Economist Best Book ; A San Francisco Chronicle Best Book; A Christian Science Monitor Best Book; A Chicago Tribune Best Book; A Pittsburgh Post-Gazette Best Book ; NPR's Maureen Corrigan's Best. 16 pages of color illustrations Brighton Rock ![]() The Power and the Glory ![]() Seventy-five years ago, Graham Greene published The Power and the Glory, a moralist thriller that traces a line of influence back to Dostoyevsky and forward to Cormac McCarthy. Named one of the 100 best novels of the twentieth century by Time magazine, it stands today as his masterpiece. Mexico, the late 1930s: A paramilitary group has outlawed the Catholic Church and been executing its clergy. Now the last priest is on the run, fleeing not just an unshakable police lieutenant but also his own wavering morals. As he scraps his way toward salvation, haunted by an affair from his past, the nameless “whiskey priest” is pulled between the bottle and the Bible, tempted to renounce his religion yet unable to ignore the higher calling he’s chosen. Timeless and unforgettable, The Power and the Glory is a stunning portrait of both physical and spiritual survival by a master dramatist of the human soul. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. The Quiet American (Penguin Classics) ![]() The Human Factor (Everyman's Library) ![]() Three Graves ![]() Palace of Books ![]() With Palace of Books, he invites us to explore the domain of literature, its sweeping vistas and hidden recesses. Engaging such fundamental questions as why people feel the need to write, or what is involved in putting one’s self on the page, or how a writer knows she’s written her last sentence, Grenier marshals apposite passages from his favorite writers: Chekhov, Baudelaire, Proust, James, Kafka, Mansfield and many others. Those writers mingle companionably with tales from Grenier’s half-century as an editor and friend to countless legendary figures, including Albert Camus, Romain Gary, Milan Kundera, and Brassai,. Grenier offers here a series of observations and quotations that feel as spontaneous as good conversation, yet carry the lasting insights of a lifetime of reading and thinking. Palace of Books is rich with pleasures and surprises, the perfect accompaniment to old literary favorites, and the perfect introduction to new ones. In Search of Schrödinger's Cat: Quantum Physics and Reality ![]() Mac OS X Power Hound ![]() Best Of Bad Hemingway, Vol 2: More Choice Entries from Harry's Bar & American Grill Imitation Hemingway Competition ![]() Best Of Bad Hemingway: Vol 1: choice entries from the harry's bar & american grill imitation hemingway competition ![]() The Societe Anonyme. Modernism for America ![]() The Lost Shtetl: A Novel ![]() Life and Fate: Introduction by Polly Jones ![]() The Doll's Alphabet ![]() Questionaire ![]() The Left Hand of Darkness: 50th Anniversary Edition ![]() Ursula K. Le Guin: Conversations on Writing ![]() When the New York Times referred to Ursula K. Le Guin as America’s greatest writer of science fiction, they just might have undersold her legacy. It’s hard to look at her vast body of work?novels and stories across multiple genres, poems, translations, essays, speeches, and criticism?and see anything but one of our greatest writers, period. In a series of interviews with David Naimon (Between the Covers), Le Guin discusses craft, aesthetics, and philosophy in her fiction, poetry, and nonfiction respectively. The discussions provide ample advice and guidance for writers of every level, but also give Le Guin a chance to to sound off on some of her favorite subjects: the genre wars, the patriarchy, the natural world, and what, in her opinion, makes for great writing. With excerpts from her own books and those that she looked to for inspiration, this volume is a treat for Le Guin’s longtime readers, a perfect introduction for those first approaching her writing, and a tribute to her incredible life and work. Ursula K. Le Guin: Five Novels ![]() Ursula K. Le Guin: The Hainish Novels and Stories: A Library of America Boxed Set ![]() The Chinese Maze Murders: A Judge Dee Mystery ![]() Judge Dee at Work: Eight Chinese Detective Stories ![]() CGI Programming with Perl ![]() The Essential Gwendolyn Brooks ![]() Homegoing: A novel ![]() “Homegoing is an inspiration.” —Ta-Nehisi Coates A novel of breathtaking sweep and emotional power that traces three hundred years in Ghana and along the way also becomes a truly great American novel. Extraordinary for its exquisite language, its implacable sorrow, its soaring beauty, and for its monumental portrait of the forces that shape families and nations, Homegoing heralds the arrival of a major new voice in contemporary fiction. Two half-sisters, Effia and Esi, are born into different villages in eighteenth-century Ghana. Effia is married off to an Englishman and lives in comfort in the palatial rooms of Cape Coast Castle. Unbeknownst to Effia, her sister, Esi, is imprisoned beneath her in the castle’s dungeons, sold with thousands of others into the Gold Coast’s booming slave trade, and shipped off to America, where her children and grandchildren will be raised in slavery. One thread of Homegoing follows Effia’s descendants through centuries of warfare in Ghana, as the Fante and Asante nations wrestle with the slave trade and British colonization. The other thread follows Esi and her children into America. From the plantations of the South to the Civil War and the Great Migration, from the coal mines of Pratt City, Alabama, to the jazz clubs and dope houses of twentieth-century Harlem, right up through the present day, Homegoing makes history visceral, and captures, with singular and stunning immediacy, how the memory of captivity came to be inscribed in the soul of a nation. Generation after generation, Yaa Gyasi’s magisterial first novel sets the fate of the individual against the obliterating movements of time, delivering unforgettable characters whose lives were shaped by historical forces beyond their control. Homegoing is a tremendous reading experience, not to be missed, by an astonishingly gifted young writer. Stephen Florida ![]() Hanya Yanagihara, author of A Little Life Foxcatcher meets The Art of Fielding, Stephen Florida follows a college wrestler in his senior season, when every practice, every match, is a step closer to greatness and a step further from sanity. Profane, manic, and tipping into the uncanny, it's a story of loneliness, obsession, and the drive to leave a mark. Gabe Habash is the fiction reviews editor for Publishers Weekly. He holds an MFA from New York University and lives in New York. Late in the Day: A Novel ![]() New York Times Book Review Editors' Choice |A Parnassus First Editions Club Pick | Powell’s Indispensable Book Club Pick The lives of two close-knit couples are irrevocably changed by an untimely death in the latest from Tessa Hadley, the acclaimed novelist and short story master who “recruits admirers with each book” (Hilary Mantel). Alexandr and Christine and Zachary and Lydia have been friends since they first met in their twenties. Thirty years later, Alex and Christine are spending a leisurely summer’s evening at home when they receive a call from a distraught Lydia: she is at the hospital. Zach is dead. In the wake of this profound loss, the three friends find themselves unmoored; all agree that Zach, with his generous, grounded spirit, was the irreplaceable one they couldn’t afford to lose. Inconsolable, Lydia moves in with Alex and Christine. But instead of loss bringing them closer, the three of them find over the following months that it warps their relationships, as old entanglements and grievances rise from the past, and love and sorrow give way to anger and bitterness. Late in the Day explores the complex webs at the center of our most intimate relationships, to expose how, beneath the seemingly dependable arrangements we make for our lives, lie infinite alternate configurations. Ingeniously moving between past and present and through the intricacies of her characters’ thoughts and interactions, Tessa Hadley once again “crystallizes the atmosphere of ordinary life in prose somehow miraculous and natural” (Washington Post). The Key to The Name of the Rose: Including Translations of All Non-English Passages ![]() The clear explanations of the historical setting and players will be useful to anyone interested in a general introduction to medieval history. Adele J. Haft is Associate Professor of Classics, Hunter College, City University of New York. Jane G. White is chair of the Department of Languages, Dwight Englewood School. Robert J. White is Professor of Classics and Oriental Studies, Hunter College, City University of New York. Masterpieces In Detail ![]() Is the bride pregnant? What are clogs doing on a marriage picture? Why is just one candle burning in the chandelier? And what does the mirror in the background reveal? Rose-Marie and Rainer Hagen provide answers to these and other questions about world-famous works of art. Guiding our eye to revealing details, they also shed fascinating light on fashions and lifestyles, loves and intrigues, politics and people, and transform our encounter with art into exciting adventure. "Amazingly informative and readable... An important addition to art history literature." - The Sanford Herald, United States What Great Paintings Say, Vol. 2 (What Great Paintings Say) ![]() Dictionary of Subjects and Symbols in Art ![]() Here in a single succinct volume are combined religious, classical, and historical themes, the figures of moral allegory, and characters from romantic poetry, all of which have been established through paintings and sculpture in Western art before and after the Renaissance. More than just a dictionary, this text places these subjects in their narrative, historical, or mythological context and uses extensive cross-referencing to enhance and clarify their meanings. This thoroughly redesigned second edition includes a new insert of sixteen images, hand-selected by the author to depict key themes in the book. This Means This, This Means That: A User's Guide to Semiotics ![]() City on Fire: A novel ![]() New York City, 1976. Meet Regan and William Hamilton-Sweeney, estranged heirs to one of the city’s great fortunes; Keith and Mercer, the men who, for better or worse, love them; Charlie and Samantha, two suburban teenagers seduced by downtown’s punk scene; an obsessive magazine reporter and his idealistic neighbor—and the detective trying to figure out what any of them have to do with a shooting in Central Park on New Year’s Eve. The mystery, as it reverberates through families, friendships, and the corridors of power, will open up even the loneliest-seeming corners of the crowded city. And when the blackout of July 13, 1977, plunges this world into darkness, each of these lives will be changed forever. City on Fire is an unforgettable novel about love and betrayal and forgiveness, about art and truth and rock ’n’ roll: about what people need from each other in order to live . . . and about what makes the living worth doing in the first place. The Queen of Patpong: A Poke Rafferty Thriller ![]() Then a nightmare figure from Rose's time as a Patpong dancer barges into their world, shattering the peace they've worked so hard to obtain. His appearance threatens everything they cherish: their love, their home . . . their very lives. As a foreigner who's seen some of the worst Bangkok has to offer and survived confrontations with Thailand's most powerful and dangerous elements, Rafferty feels equal to most of the challenges Bangkok can throw at him. But now his only hope is to discover the whole truth of Rose's past—a journey down the dark and twisting road that turned a shy, awkward village teenager into the queen of Asia's most lurid red-light street: Patpong Road. And just when Rafferty thought life was looking good, reality comes crashing in as he learns that the secrets from Rose's former life are almost impossible to accept—and even harder to survive. The Queen of Patpong is a terrifying, heart-breaking, electrifying story of peril, love, and, ultimately, redemption in modern-day Thailand—and the most ambitious, affecting novel yet from thriller master Timothy Hallinan. The Manuscripts Club: The People Behind a Thousand Years of Medieval Manuscripts ![]() Meetings with Remarkable Manuscripts: Twelve Journeys into the Medieval World ![]() Winner of The Wolfson History Prize and The Duff Cooper Prize. Meetings with Remarkable Manuscripts is a captivating examination of twelve illuminated manuscripts from the medieval period. Noted authority Christopher de Hamel invites the reader into intimate conversations with these texts to explore what they tell us about nearly a thousand years of medieval history - and about the modern world, too. In so doing, de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, and collectors. He traces the elaborate journeys that these exceptionally precious artifacts have made through time and shows us how they have been copied, how they have been embroiled in politics, how they have been regarded as objects of supreme beauty and as symbols of national identity, and who has owned them or lusted after them (and how we can tell). From the earliest book in medieval England to the incomparable Book of Kells to the oldest manuscript of the Canterbury Tales, these encounters tell a narrative of intellectual culture and art over the course of a millennium. Two of the manuscripts visited are now in libraries of North America, the Morgan Library in New York and the Getty Museum in Los Angeles. Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts allows us to experience some of the greatest works of art in our culture to give us a different perspective on history and on how we come by knowledge. The Maltese Falcon, The Thin Man, Red Harvest ![]() The three classic novels published here in one volume are rich with the crisp prose, subtle characters, and intricate plots that made Dashiell Hammett one of the most admired writers of the twentieth century. A one-time detective and a master of deft understatement, Hammett virtually invented the hard-boiled crime novel. In The Maltese Falcon, Sam Spade, a private eye with his own solitary code of ethics, tangles with a beautiful and treacherous woman whose loyalties shift at the drop of a dime. The Thin Man introduces Hammett's wittiest creations, Nick and Nora Charles, who solve homicides in between wisecracks and martinis. And in Red Harvest, Hammett's anonymous tough-guy detective, the Continental Op, takes on the entire town of Poisonville in a deadly war against corruption. "Dashiell Hammett is a master of the detective novel, yes, but also one hell of a writer."—Boston Globe ”Hammett was spare, hard-boiled, but he did over and over what only the best writers can ever do. He wrote scenes that seemed never to have been written before.”—Raymond Chandler ”Hammett’s prose was clean and entirely unique. His characters were as sharply and economically defined as any in American fiction.”—The New York Times ”As a novelist of realistic intrigue, Hammett was unsurpassed in his own or any time.”—Ross Macdonald ”Dashiell Hammett’s dialogues can be compared only with the best in Hemingway.”—André Gide ”Hammett is one of the best contemporary American writers.”—Gertrude Stein Didn't Nobody Give a Shit What Happened to Carlotta ![]() Arabia Felix: The Danish Expedition of 1761-1767 ![]() Arabia Felix is the spellbinding true story of a scientific expedition gone disastrously awry. On a winter morning in 1761 six men leave Copenhagen by sea—a botanist, a philologist, an astronomer, a doctor, an artist, and their manservant—an ill-assorted band of men who dislike and distrust one another from the start. These are the members of the Danish expedition to Arabia Felix, as Yemen was then known, the first organized foray into a corner of the world unknown to Europeans. The expedition made its way to Turkey and Egypt, by which time its members were already actively seeking to undercut and even kill one another, before disappearing into the harsh desert that was their destination. Nearly seven years later a single survivor returned to Denmark to find himself forgotten and all the specimens that had been sent back ruined by neglect. Based on diaries, notebooks, and sketches that lay unread in Danish archives until the twentieth century, Arabia Felix is a tale of intellectual rivalry and a comedy of very bad manners, as well as an utterly absorbing adventure. Arabia Felix includes 33 line drawings and maps. The Collected Essays of Elizabeth Hardwick ![]() Elizabeth Hardwick wrote during the golden age of the American literary essay. For Hardwick, the essay was an imaginative endeavor, a serious form, criticism worthy of the literature in question. In the essays collected here she covers civil rights demonstrations in the 1960s, describes places where she lived and locations she visited, and writes about the foundations of American literature—Melville, James, Wharton—and the changes in American fiction, though her reading is wide and international. She contemplates writers’ lives—women writers, rebels, Americans abroad—and the literary afterlife of biographies, letters, and diaries. Selected and with an introduction by Darryl Pinckney, the Collected Essays gathers more than fifty essays for a fifty-year retrospective of Hardwick’s work from 1953 to 2003. “For Hardwick,” writes Pinckney, “the poetry and novels of America hold the nation’s history.” Here is an exhilarating chronicle of that history. Seduction and Betrayal: Women and Literature ![]() Sleepless Nights ![]() A Mere Interlude ![]() All books in this series: Cures for Love Doomed Love The Eaten Heart First Love Forbidden Fruit The Kreutzer Sonata A Mere Interlude Of Mistresses, Tigresses and Other Conquests The Seducers Diary Tess of the D'Urbervilles ![]() Hardy poured all of his profound empathy for both humanity and the rhythms of natural life into this story of her beauty, goodness, and tragic fate. In so doing, he created a character who, like Emma Bovary and Anna Karenina, has achieved classic stature. (Book Jacket Status: Not Jacketed) Apple Training Series: iWork 09 ![]() • Master the iWork suite of tools quickly through fun, real-world projects • Design a Keynote presentation from storyboard to Web export • Add animated charts and custom backgrounds to a presentation with ease • Publish great-looking newsletters and brochures in print and on the Web • Build a professional marketing package from scratch • Create expense reports, track budgets, and plan special events • Sort, organize, and chart data using sophisticated spreadsheet calculations The Apple Training Series is both a self-paced learning tool and the official curriculum of the Apple Training and Certification Program. To find out more about Apple Training, or to find an Authorized Training Center near you, go to www.apple.com/training. Letter to a Christian Nation ![]() Face It: A Memoir ![]() BRAVE, BEAUTIFUL AND BORN TO BE PUNK Musician, actor, activist, and the iconic face of New York City cool, Debbie Harry is the frontwoman of Blondie, a band that forged a new sound that brought together the worlds of rock, punk, disco, reggae and hip-hop to create some of the most beloved pop songs of all time. As a muse, she collaborated with some of the boldest artists of the past four decades. The scope of Debbie Harry’s impact on our culture has been matched only by her reticence to reveal her rich inner life—until now. In an arresting mix of visceral, soulful storytelling and stunning visuals, Face It upends the standard music memoir while delivering a truly prismatic portrait. With all the grit, grime, and glory recounted in intimate detail, Face It re-creates the downtown scene of 1970s New York City, where Blondie played alongside the Ramones, Television, Talking Heads, Iggy Pop and David Bowie. Aesthetically dazzling, and including never-before-seen photographs, bespoke illustrations and fan art installations, Face It brings Debbie Harry’s world and artistic sensibilities to life. Following her path from glorious commercial success to heroin addiction, the near-death of partner Chris Stein, a heart-wrenching bankruptcy, and Blondie’s breakup as a band to her multifaceted acting career in more than thirty films, a stunning solo career and the triumphant return of her band, and her tireless advocacy for the environment and LGBTQ rights, Face It is a cinematic story of a woman who made her own path, and set the standard for a generation of artists who followed in her footsteps—a memoir as dynamic as its subject. “I was saying things in songs that female singers didn’t really say back then. I wasn’t submissive or begging him to come back, I was kicking his ass, kicking him out, kicking my own ass too. My Blondie character was an inflatable doll but with a dark, provocative, aggressive side. I was playing it up yet I was very serious.”—From Face It The Go-Between ![]() The Good Soldier Svejk ![]() Shrewd, affable, possessed of an unerring talent for finding himself in (and extricating himself from) the most fitfully chaotic and absurd situations, Svejk represents, in his instinct for survival, all those human values which stand opposed to the utter futility of warfare. With an introduction from, and translated by, Cecil Parrott. (Book Jacket Status: Not Jacketed) Rules for a Knight ![]() A knight, fearing he may not return from battle, writes a letter to his children in an attempt to leave a record of all he knows. In a series of ruminations on solitude, humility, forgiveness, honesty, courage, grace, pride, and patience, he draws on the ancient teachings of Eastern and Western philosophy, and on the great spiritual and political writings of our time. His intent: to give his children a compass for a journey they will have to make alone, a short guide to what gives life meaning and beauty. The Universe in a Nutshell ![]() Now, in a major publishing event, Hawking returns with a lavishly illustrated sequel that unravels the mysteries of the major breakthroughs that have occurred in the years since the release of his acclaimed first book. The Universe in a Nutshell • Quantum mechanics • M-theory • General relativity • 11-dimensional supergravity • 10-dimensional membranes • Superstrings • P-branes • Black holes One of the most influential thinkers of our time, Stephen Hawking is an intellectual icon, known not only for the adventurousness of his ideas but for the clarity and wit with which he expresses them. In this new book Hawking takes us to the cutting edge of theoretical physics, where truth is often stranger than fiction, to explain in laymen’s terms the principles that control our universe. Like many in the community of theoretical physicists, Professor Hawking is seeking to uncover the grail of science — the elusive Theory of Everything that lies at the heart of the cosmos. In his accessible and often playful style, he guides us on his search to uncover the secrets of the universe — from supergravity to supersymmetry, from quantum theory to M-theory, from holography to duality. He takes us to the wild frontiers of science, where superstring theory and p-branes may hold the final clue to the puzzle. And he lets us behind the scenes of one of his most exciting intellectual adventures as he seeks “to combine Einstein’s General Theory of Relativity and Richard Feynman’s idea of multiple histories into one complete unified theory that will describe everything that happens in the universe.” With characteristic exuberance, Professor Hawking invites us to be fellow travelers on this extraordinary voyage through space-time. Copious four-color illustrations help clarify this journey into a surreal wonderland where particles, sheets, and strings move in eleven dimensions; where black holes evaporate and disappear, taking their secret with them; and where the original cosmic seed from which our own universe sprang was a tiny nut. The Universe in a Nutshell is essential reading for all of us who want to understand the universe in which we live. Like its companion volume, A Brief History of Time, it conveys the excitement felt within the scientific community as the secrets of the cosmos reveal themselves. Apache Web Server Administration and e-Commerce Handbook (With CD-ROM) ![]() Nathaniel Hawthorne : Collected Novels: Fanshawe, The Scarlet Letter, The House of the Seven Gables, The Blithedale Romance, The Marble Faun ![]() The Scarlet Letter ![]() The Classic Pasta Cookbook (Classic Cookbooks) ![]() Shakespeare's Jest Books ![]() Aeneid Book VI: A New Verse Translation ![]() In a momentous publication, Seamus Heaney's translation of Book VI of the Aeneid, Virgil's epic poem composed sometime between 29 and 19 BC, follows the hero, Aeneas, on his descent into the underworld. In Stepping Stones, a book of interviews conducted by Dennis O'Driscoll, Heaney acknowledged the significance of the poem to his writing, noting that "there's one Virgilian journey that has indeed been a constant presence, and that is Aeneas's venture into the underworld. The motifs in Book VI have been in my head for years—the golden bough, Charon's barge, the quest to meet the shade of the father." In this new translation, Heaney employs the same deft handling of the original combined with the immediacy of language and sophisticated poetic voice as was on show in his translation of Beowulf, a reimagining which, in the words of James Wood, "created something imperishable and great that is stainless—stainless, because its force as poetry makes it untouchable by the claw of literalism: it lives singly, as an English language poem." Beowulf ![]() The Cure at Troy: A Version of Sophocles' Philoctetes ![]() Selected Poems 1966-1987 ![]() Selected Poems 1988-2013 ![]() The Translations of Seamus Heaney ![]() The Victorian Fairy Tale Book ![]() Accompanied by illustrations from the original editions of these works this collection will delight readers both young and old. Part of the Pantheon Fairy Tale and Folklore Library The Past through Tomorrow: Future History Stories ![]() Cynical Theories: How Activist Scholarship Made Everything about Race, Gender, and Identity―and Why This Harms Everybody ![]() Gilgamesh: A New Translation of the Ancient Epic ![]() Catch-22 (Everyman's Library) ![]() Mac OS X Hacks ![]() A Farewell To Arms ![]() The Collected Stories ![]() A Moveable Feast: The Restored Edition ![]() Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published. Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Seán Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and his first wife, Hadley. Also included are irreverent portraits of other luminaries, such as F. Scott Fitzgerald and Ford Madox Ford, and insightful recollections of his own early experiments with his craft. Sure to excite critics and readers alike, the restored edition of A Moveable Feast brilliantly evokes the exuberant mood of Paris after World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized. The Short Stories ![]() The Sun Also Rises: Introduction by Nicholas Gaskill ![]() The Book Of My Lives ![]() Captured Emotions: Baroque Painting in Bologna 1575-1725 ![]() The book's essays strive to make these paintings—the majority of them deeply religious and as a whole extremely innovative in their time—understandable to and appreciated by a modern audience. Charles Dempsey's introduction gives an overview of the history of Bolognese painting, while Andreas Henning and Scott Schaefer lay out the history of the collecting of Bolognese paintings in Dresden and Southern California. Additional essays on Carracci, portraiture, cabinet pictures, naturalism, classicism, and the concluding eighteenth-century developments under Giuseppe Maria Crespi further illuminate these incredible works. The Complete Works of O. Henry ![]() Works include: Heart of the West Cabbages and Kings The Four Million The Gentle Grafter The Gift of the Magi Options Roads of Destiny Rolling Stones Strictly Business More Stories of the Four Million Sixes and Sevens The Trimmed Lamp & Other Stories The Voice of the City Waifs and Strays Whirligigs The Boy Scouts Book of Stories O. Henry: 101 Stories ![]() In Defense of Elitism ![]() Dune Messiah ![]() Dune Messiah continues the story of Paul Atreides, better known—and feared—as the man christened Muad’Dib. As Emperor of the Known Universe, he possesses more power than a single man was ever meant to wield. Worshipped as a religious icon by the fanatical Fremens, Paul faces the enmity of the political houses he displaced when he assumed the throne—and a conspiracy conducted within his own sphere of influence. And even as House Atreides begins to crumble around him from the machinations of his enemies, the true threat to Paul comes to his lover, Chani, and the unborn heir to his family’s dynasty... Frank Herbert's Dune Saga 6-Book Boxed Set: Dune, Dune Messiah, Children of Dune, God Emperor of Dune, Heretics of Dune, and Chapterhouse: Dune ![]() Herbert: The Complete English Works ![]() Tomb Song: A Novel ![]() Sitting at the bedside of his mother as she is dying from leukemia in a hospital in northern Mexico, the narrator of Tomb Song is immersed in memories of his unstable boyhood and youth. His mother, Guadalupe, was a prostitute, and Julián spent his childhood with his half brothers and sisters, each from a different father, moving from city to city and from one tough neighborhood to the next. Swinging from the present to the past and back again, Tomb Song is not only an affecting coming-of-age story but also a searching and sometimes frenetic portrait of the artist. As he wanders the hospital, from its buzzing upper floors to the haunted depths of the morgue, Julián tells fevered stories of his life as a writer, from a trip with his pregnant wife to a poetry festival in Berlin to a drug-fueled and possibly completely imagined trip to another festival in Cuba. Throughout, he portrays the margins of Mexican society as well as the attitudes, prejudices, contradictions, and occasionally absurd history of a country ravaged by corruption, violence, and dysfunction. Inhabiting the fertile ground between fiction, memoir, and essay, Tomb Song is an electric prose performance, a kaleidoscopic, tender, and often darkly funny exploration of sex, love, and death. Julián Herbert’s English-language debut establishes him as one of the most audacious voices in contemporary letters. The Farm in the Green Mountains ![]() Alice and Carl Zuckmayer lived at the center of Weimarera Berlin. She was a former actor turned medical student, he was a playwright, and their circle of friends included Stefan Zweig, Alma Mahler, and Bertolt Brecht. But then the Nazis took over and Carl’s most recent success, a play satirizing German militarism, impressed them in all the wrong ways. The couple and their two daughters were forced to flee, first to Austria, then to Switzerland, and finally to the United States. Los Angeles didn’t suit them, neither did New York, but a chance stroll in the Vermont woods led them to Backwoods Farm and the eighteenth-century farmhouse where they would spend the next five years. In Europe, the Zuckmayers were accustomed to servants; in Vermont, they found themselves building chicken coops, refereeing fights between fractious ducks, and caring for temperamental water pipes “like babies.” But in spite of the endless work and the brutal, depressing winters, Alice found that in America she had at last discovered her “native land.” This generous, surprising, and witty memoir, a best seller in postwar Germany, has all the charm of an unlikely romantic comedy. The Complete Adventures of Tintin ![]() The Histories ![]() Sand ![]() North Africa, 1972. While the world is reeling from the massacre of Israeli athletes at the Munich Olympics, a series of mysterious events is playing out in the Sahara. Four people are murdered in a hippie commune, a suitcase full of money disappears, and a pair of unenthusiastic detectives are assigned to investigate. In the midst of it all, a man with no memory tries to evade his armed pursuers. Who are they? What do they want from him? If he could just recall his own identity he might have a chance of working it out. . . . This darkly sophisticated literary thriller, the last novel Wolfgang Herrndorf completed before his untimely death in 2013, is, in the words of Michael Maar, “the greatest, grisliest, funniest, and wisest novel of the past decade.” Certainly no reader will ever forget it. The Life of Milarepa: A New Translation from the Tibetan ![]() This definitive translation, originally published in 1977, was the first to appear in any Western language in half a century and renders this classic of spiritual literature into a simple modern English that reflects the direct power of the original. The Invisible Dragon: Essays on Beauty, Revised and Expanded ![]() With this revised and expanded edition, Hickey is back to fan the flames. More manifesto than polite discussion, more call to action than criticism, The Invisible Dragon aims squarely at the hyper-institutionalism that, in Hickey’s view, denies the real pleasures that draw us to art in the first place. Deploying the artworks of Warhol, Raphael, Caravaggio, and Mapplethorpe and the writings of Ruskin, Shakespeare, Deleuze, and Foucault, Hickey takes on museum culture, arid academicism, sclerotic politics, and more—all in the service of making readers rethink the nature of art. A new introduction provides a context for earlier essays—what Hickey calls his "intellectual temper tantrums." A new essay, "American Beauty," concludes the volume with a historical argument that is a rousing paean to the inherently democratic nature of attention to beauty. Written with a verve that is all too rare in serious criticism, this expanded and refurbished edition of The Invisible Dragon will be sure to captivate a new generation of readers, provoking the passionate reactions that are the hallmark of great criticism. Fall Down 7 Times Get Up 8: A Young Man's Voice from the Silence of Autism ![]() The Reason I Jump: The Inner Voice of a Thirteen-Year-Old Boy with Autism ![]() NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • The Wall Street Journal • Bloomberg Business • Bookish FINALIST FOR THE BOOKS FOR A BETTER LIFE FIRST BOOK AWARD • NEW YORK TIMES BESTSELLER You’ve never read a book like The Reason I Jump. Written by Naoki Higashida, a very smart, very self-aware, and very charming thirteen-year-old boy with autism, it is a one-of-a-kind memoir that demonstrates how an autistic mind thinks, feels, perceives, and responds in ways few of us can imagine. Parents and family members who never thought they could get inside the head of their autistic loved one at last have a way to break through to the curious, subtle, and complex life within. Using an alphabet grid to painstakingly construct words, sentences, and thoughts that he is unable to speak out loud, Naoki answers even the most delicate questions that people want to know. Questions such as: “Why do people with autism talk so loudly and weirdly?” “Why do you line up your toy cars and blocks?” “Why don’t you make eye contact when you’re talking?” and “What’s the reason you jump?” (Naoki’s answer: “When I’m jumping, it’s as if my feelings are going upward to the sky.”) With disarming honesty and a generous heart, Naoki shares his unique point of view on not only autism but life itself. His insights—into the mystery of words, the wonders of laughter, and the elusiveness of memory—are so startling, so strange, and so powerful that you will never look at the world the same way again. In his introduction, bestselling novelist David Mitchell writes that Naoki’s words allowed him to feel, for the first time, as if his own autistic child was explaining what was happening in his mind. “It is no exaggeration to say that The Reason I Jump allowed me to round a corner in our relationship.” This translation was a labor of love by David and his wife, KA Yoshida, so they’d be able to share that feeling with friends, the wider autism community, and beyond. Naoki’s book, in its beauty, truthfulness, and simplicity, is a gift to be shared. Praise for The Reason I Jump “This is an intimate book, one that brings readers right into an autistic mind.”—Chicago Tribune (Editor’s Choice) “Amazing times a million.”—Whoopi Goldberg, People “The Reason I Jump is a Rosetta stone. . . . This book takes about ninety minutes to read, and it will stretch your vision of what it is to be human.”—Andrew Solomon, The Times (U.K.) “Extraordinary, moving, and jeweled with epiphanies.”—The Boston Globe “Small but profound . . . [Higashida’s] startling, moving insights offer a rare look inside the autistic mind.”—Parade Cold Harbour ![]() The Talented Mr. Ripley ![]() The Talented Mr. Ripley ![]() The Nix: A novel ![]() A Nix can take many forms. In Norwegian folklore, it is a spirit who sometimes appears as a white horse that steals children away. In Nathan Hill’s remarkable first novel, a Nix is anything you love that one day disappears, taking with it a piece of your heart. It’s 2011, and Samuel Andresen-Anderson—college professor, stalled writer—has a Nix of his own: his mother, Faye. He hasn’t seen her in decades, not since she abandoned the family when he was a boy. Now she’s re-appeared, having committed an absurd crime that electrifies the nightly news, beguiles the internet, and inflames a politically divided country. The media paints Faye as a radical hippie with a sordid past, but as far as Samuel knows, his mother was an ordinary girl who married her high-school sweetheart. Which version of his mother is true? Two facts are certain: she’s facing some serious charges, and she needs Samuel’s help. To save her, Samuel will have to embark on his own journey, uncovering long-buried secrets about the woman he thought he knew, secrets that stretch across generations and have their origin all the way back in Norway, home of the mysterious Nix. As he does so, Samuel will confront not only Faye’s losses but also his own lost love, and will relearn everything he thought he knew about his mother, and himself. From the suburban Midwest to New York City to the 1968 riots that rocked Chicago and beyond, The Nix explores—with sharp humor and a fierce tenderness—the resilience of love and home, even in times of radical change. Cocoa Programming for Mac OS X ![]() Cocoa(R) Programming for Mac(R) OS X ![]() Objective-C Programming: The Big Nerd Ranch Guide ![]() Based on Big Nerd Ranch's legendary Objective-C Bootcamp,¿this book covers C, Objective-C, and the common programming idioms that enable developers to make the most of Apple technologies. This is the only introductory-level book written by Aaron Hillegass, one of the most experienced and authoritative voices in the iOS and Cocoa community. Compatible with Xcode 4.2, iOS 5, and Mac OS X 10.7 (Lion), this guide features short chapters and engaging style to keep you motivated and moving forward. At the same time, Aaron’s determination that you understand what you’re doing—or at least why you’re doing it—encourages you to think critically as a programmer. The Essential Harlem Detectives: A Rage in Harlem, The Real Cool Killers, The Crazy Kill, Cotton Comes To Harlem ![]() How to Retire Happy, Fourth Edition: The 12 Most Important Decisions You Must Make Before You Retire ![]() Ten Windows: How Great Poems Transform the World ![]() “Poetry,” Jane Hirshfield has said, “is language that foments revolutions of being.” In ten eloquent and highly original explorations, she unfolds and explores some of the ways this is done—by the inclusion of hiddenness, paradox, and surprise; by a perennial awareness of the place of uncertainty in our lives; by language’s own acts of discovery; by the powers of image, statement, music, and feeling to enlarge in every direction. The lucid understandings presented here are gripping and transformative in themselves. Investigating the power of poetry to move and change us becomes in these pages an equal investigation into the inhabitance and navigation of our human lives. Closely reading poems by Dickinson, Bashō, Szymborska, Cavafy, Heaney, Bishop, and Komunyakaa, among many others, Hirshfield reveals how poetry’s world-making takes place: word by charged word. By expanding what is imaginable and sayable, Hirshfield proposes, poems expand what is possible. Ten Windows restores us at every turn to a more precise, sensuous, and deepened experience of our shared humanity and of the seemingly limitless means by which that knowledge is both summoned and forged. A Hitch in Time: Reflections Ready for Reconsideration ![]() The Areas of My Expertise ![]() Watch a QuickTime trailer for this book. Elder Scrolls V: Skyrim: Prima Official Game Guide ![]() Labeled with important locations, major roads, and hold capitals A Champion for Skyrim Multiple character builds based on hundreds of hours of playtesting reveal exactly what Skills, Perks, equipment, and other items to pick, and how to advance through the game, no matter the type of character you want to be. All Collectibles Gathered If you’re searching Skyrim for Skill Books, Unique Items and Weapons, every single Shout, Dragon Priest Masks, Treasure Maps, Unusual Gems, or even Captured Critters, we show you where every rare item is. The Atlas of Skyrim A comprehensive tour of every single location, from the vast Hold Cities to the smallest woodland den. Every major exploration point receives a walkthrough flagging important items, with detailed maps throughout. Prowess in Combat Every weapon, piece of equipment, and spell is detailed so you know which blade, bow, or incantation to crush your enemies with. Every type of combat is tactically analyzed, so you can better any foe in battle. Trainers and Traders Skyrim is full of merchants to barter with, and trainers to further increase your Skill, Crafting, and Bartering proficiencies. Every alchemist, blacksmith, innkeeper, trainer, Khajiit caravan, and other vendor revealed. Followers and Friends Build your friendships across Skyrim and locate every Follower with information inside this guide. Become a Thane. Own property. Marry your favorite Housecarl. Details inside. Massive and Complete Index The Sound of the One Hand: 281 Zen Koans with Answers ![]() For all that, The Sound of the One Hand opens the door to Zen like no other book. Including koans that go back to the master who first brought the koan teaching method from China to Japan in the eighteenth century, this book offers, in the words of the translator, editor, and Zen initiate Yoel Hoffmann, “the clearest, most detailed, and most correct picture of Zen” that can be found. What we have here is an extraordinary introduction to Zen thought as lived thought, a treasury of problems, paradoxes, and performance that will appeal to artists, writers, and philosophers as well as Buddhists and students of religion. Fluid Concepts And Creative Analogies: Computer Models Of The Fundamental Mechanisms Of Thought ![]() Confessions Of A Justified Sinner ![]() Unlikely Friendships: 47 Remarkable Stories from the Animal Kingdom ![]() It is exactly like Isaiah 11:6: “The wolf also shall dwell with the lamb, and the leopard shall lie down with the kid . . . ” Ms. Holland narrates the details and arc of each story, and also offers insights into why—how the young leopard, probably motherless, sought maternal comfort with the calf, and how a baby oryx inspired the same mothering instinct in the lionness. Or, in the story of Kizzy, a nervous retired Greyhound, and Murphy, a red tabby, how cats and dogs actually understand each other’s body language. With Murphy’s friendship and support, Kizzy recovered from life as a racing dog and became a confident, loyal family pet. These are the most amazing friendships between species, collected from around the world and documented in a selection of full-color candid photographs. Selected Poetry ![]() Frost: Poems (Everyman's Library Pocket Poets) ![]() The Waste Land: A Biography of a Poem ![]() Why Does the World Exist?: An Existential Detective Story ![]() The Iliad ![]() In every century since the renaissance, English speakers have felt compelled to possess a translation written especially for their own time of this great epic poem, the earliest and most central literary text of Western culture. That need has been thoroughly met in our century by the distinguished poet and classicist Robert Fitzgerald, whose version of The Iliad does justice in every way to the fluent vigor and gravity of the Homeric original. The Odyssey ![]() One of the supreme masterpieces of world literature, the Homeric saga of the shipwrecks, wanderings, and homecoming of the master tactician Odysseus encompasses a virtual inventory of the themes and attitudes that have shaped Western culture. The tale of Odysseus’s encounters with such obstacles as Calypso, Circe, Scylla and Charybdis, the Sirens, and the lotus-eaters, and his dramatic return to Ithaca and his patient wife, Penelope, forms a prototype for all subsequent Western epics. Robert Fitzgerald’s much-acclaimed translation, fully possessing as it does the body and spirit of the original, has helped to assure the continuing vitality of Europe’s most influential work of poetry. This edition includes twenty-five new line drawings by Barnaby Fitzgerald. Hopkins: Poems (Everyman's Library Pocket Poets) ![]() Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks ![]() Whether investigating the asterisk (*) and dagger (†)—which alternately illuminated and skewered heretical verses of the early Bible—or the at sign (@), which languished in obscurity for centuries until rescued by the Internet, Keith Houston draws on myriad sources to chart the life and times of these enigmatic squiggles, both exotic (¶) and everyday (&). From the Library of Alexandria to the halls of Bell Labs, figures as diverse as Charlemagne, Vladimir Nabokov, and George W. Bush cross paths with marks as obscure as the interrobang (‽) and as divisive as the dash (—). Ancient Roman graffiti, Venetian trading shorthand, Cold War double agents, and Madison Avenue round out an ever more diverse set of episodes, characters, and artifacts. Richly illustrated, ranging across time, typographies, and countries, Shady Characters will delight and entertain all who cherish the unpredictable and surprising in the writing life. 2-color; 75 illustrations Laurie Anderson ![]() A Sleep and A Forgetting ![]() Closely Observed Trains ![]() The Big Red Book of Modern Chinese Literature: Writings from the Mainland in the Long Twentieth Century ![]() Award-winning literary scholar and poet Yunte Huang here gathers together an intimate and authoritative selection of significant works, in outstanding translations, from nearly fifty Chinese writers, that together express a search for the soul of modern China. From the 1912 overthrow of a millennia-long monarchy to the Cultural Revolution, to China’s rise as a global military and economic superpower, the Chinese literary imagination has encompassed an astonishing array of moods and styles―from sublime lyricism to witty surrealism, poignant documentary to the ironic, the transgressive, and the defiant. Huang provides the requisite context for these revelatory works of fiction, poetry, essays, letters, and speeches in helpful headnotes, chronologies, and brief introductions to the Republican, Revolutionary, and Post-Mao Eras. From Lu Xun’s Call to Arms (1923) to Gao Xinjiang’s Nobel Prize–winning Soul Mountain (1990), this remarkable anthology features writers both known and unknown in its celebration of the versatility of writing. From belles lettres to literary propaganda, from poetic revolution to pulp fiction, The Big Red Book of Modern Chinese Literature is an eye-opening, mesmerizing, and indispensable portrait of China in the tumultuous twentieth century. In a Lonely Place ![]() Los Angeles in the late 1940s is a city of promise and prosperity, but not for former fighter pilot Dix Steele. To his mind nothing has come close to matching “that feeling of power and exhilaration and freedom that came with loneness in the sky.” He prowls the foggy city night—bus stops and stretches of darkened beaches and movie houses just emptying out—seeking solitary young women. His funds are running out and his frustrations are growing. Where is the good life he was promised? Why does he always get a raw deal? Then he hooks up with his old Air Corps buddy Brub, now working for the LAPD, who just happens to be on the trail of the strangler who’s been terrorizing the women of the city for months... Written with controlled elegance, Dorothy B. Hughes’s tense novel is at once an early indictment of a truly toxic masculinity and a twisty page-turner with a surprisingly feminist resolution. A classic of golden age noir, In a Lonely Place also inspired Nicholas Ray’s 1950 film of the same name, starring Humphrey Bogart. Hughes: Poems (Everyman's Library Pocket Poets) ![]() A High Wind in Jamaica ![]() 'Pataphysics: A Useless Guide ![]() Les Miserables Volume Two ![]() Guillaume Chequespierre and the Oise Salon: An Anthology ![]() Eden Mine ![]() Mr. Splitfoot ![]() Ruth and Nat are orphans, packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later, Ruth’s niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been? And who — or what — has she hidden in the woods at the end of the road? In an ingeniously structured dual narrative, two separate timelines move toward the same point of crisis. Their merging will upend and reinvent the whole. A subversive ghost story that is carefully plotted and elegantly constructed, Mr. Splitfoot will set your heart racing and your brain churning. Mysteries abound, criminals roam free, utopian communities show their age, the mundane world intrudes on the supernatural and vice versa. Making good on the extraordinary acclaim for her previous books, Samantha Hunt continues to be “dazzling” (Vanity Fair) and to deliver fiction that is “daring and delicious” (Chicago Tribune). Speak, So You Can Speak Again: The Life of Zora Neale Hurston ![]() Barracoon: The Story of the Last Black Cargo ![]() In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War. Based on those interviews, featuring Cudjo’s unique vernacular, and written from Hurston’s perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture. Every Tongue Got to Confess: Negro Folk-tales from the Gulf States ![]() The bittersweet and often hilarious tales — which range from longer narratives about God, the Devil, white folk, and mistaken identity to witty one-liners — reveal attitudes about faith, love, family, slavery, race, and community. Together, this collection of nearly 500 folktales weaves a vibrant tapestry that celebrates African American life in the rural South and represents a major part of Zora Neale Hurston's literary legacy. Mule Bone: A Comedy of Negro Life ![]() In 1930, two giants of African American literature joined forces to create a lively, insightful, often wildly farcical look inside a rural Southern black community—the three-act play Mule Bone. In this hilarious story, Jim and Dave are a struggling song-and-dance team, and when a woman comes between them, chaos ensues in their tiny Florida hometown. This extraordinary theatrical work broke new ground while triggering a bitter controversy between the collaborators that kept it out of the public eye for sixty years. This edition of the rarely seen stage classic features Hurston's original short story, "The Bone of Contention," as well as the complete recounting of the acrimonious literary dispute that prevented Mule Bone from being produced or published until decades after the authors' deaths. You Don’t Know Us Negroes and Other Essays ![]() Zora Neale Hurston : Novels and Stories : Jonah's Gourd Vine / Their Eyes Were Watching God / Moses, Man of the Mountain / Seraph on the Suwanee / Selected Stories ![]() The Blazing World: A Novel ![]() The three solo shows are successful, but when Burden finally steps forward triumphantly to reveal herself as the artist behind the exhibitions, there are critics who doubt her. The public scandal turns on the final exhibition, initially shown as the work of acclaimed artist Rune, who denies Burden’s role in its creation. What no one doubts, however, is that the two artists were intensely involved with each other. As Burden’s journals reveal, she and Rune found themselves locked in a charged and dangerous game that ended with the man’s bizarre death. Ingeniously presented as a collection of texts compiled after Burden’s death, The Blazing World unfolds from multiple perspectives. The exuberant Burden speaks—in all her joy and fury—through extracts from her own notebooks, while critics, fans, family members, and others offer their own conflicting opinions of who she was, and where the truth lies. From one of the most ambitious and internationally renowned writers of her generation, The Blazing World is a polyphonic tour de force. An intricately conceived, diabolical puzzle, it explores the deceptive powers of prejudice, money, fame, and desire. Emotionally intense, intellectually rigorous, ironic, and playful, Hustvedt’s new novel is a bold, rich masterpiece, one that will be remembered for years to come. Brave New World (Everyman's Library (Cloth)) ![]() Hundreds of years in the future, the World Controllers have created an ideal civilization. Its members, shaped by genetic engineering and behavioral conditioning, are productive and content in roles they have been assigned at conception. Government-sanctioned drugs and recreational sex ensure that everyone is a happy, unquestioning consumer; messy emotions have been anesthetized and private attachments are considered obscene. Only Bernard Marx is discontented, developing an unnatural desire for solitude and a distaste for compulsory promiscuity. When he brings back a young man from one of the few remaining Savage Reservations, where the old unenlightened ways still continue, he unleashes a dramatic clash of cultures that will force him to consider whether freedom, dignity, and individuality are worth suffering for. Aldous Huxley’s ingenious fantasy of a future of mechanical efficiency and engineered harmony has been enormously influential for generations, and is as provocative, powerful, and riveting as when it was first published in 1932. (Book Jacket Status: Jacketed) Against Nature ![]() is translated by Robert Baldick with an introduction by Patrick McGuinness in Penguin Classics. A wildly original fin-de-siècle novel, Against Nature contains only one character. Des Esseintes is a decadent, ailing aristocrat who retreats to an isolated villa where her indulges his taste for luxury and excess. Veering between nervous excitability and debilitating ennui, he gluts his aesthetic appetites with classical literature and art, exotic jewels (with which he fatally encrusts the shell of his tortoise), rich perfumes and a kaleidoscope of sensual experiences. Against Nature, in the words of the author, exploded 'like a meteorite' and has enjoyed a cult following to this day. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. The Universal History of Numbers: From Prehistory to the Invention of the Computer ![]() World of Warcraft Programming: A Guide and Reference for Creating WoW Addons ![]() World of Warcraft (WoW) is currently the world's largest massively multiplayer online role-playing game. The newest release, "Wrath of the Lich King," has created a demand for updated information on writing addons. This eagerly anticipated edition answers that request and is an essential reference for creating WoW addons. Written by a duo of authors who have each contributed a number of successful WoW addons, the book offers an overview of Lua and XML (the programming languages used to write addons) and includes coverage of specific pitfalls and common programming mistakes-and how to avoid them. Valuable examples show you detailed aspects of writing addons for WoW and demonstrate how to implement addon concepts such as variables, slash commands, secure templates, and more. World of Warcraft insiders share their techniques for writing addons for both the latest version of WoW as well as the new Wrath of the Lich King expansion setGuides you through the specific nuances of the WoW API with the use of detailed examplesDiscusses ways to distribute and host your WoW addons so others can download and use themExplains how to respond to events, create frames, and use the WoW API to interact with the game You'll be well on your way to creating exciting WoW addons with this comprehensive reference by your side. Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file. Learning Carbon ![]() Learning Cocoa ![]() Conversations with Anthony Burgess ![]() Burgess produced scores of novels, biographies, books of literary criticism, film scripts, and news articles. A linguist and polyglot who was fluent in eight languages, he invented the language used in the 1981 film Quest for Fire. He translated and adapted Bizet's Carmen, Weber's Oberon, and other operas for the English stage. His ReJoyce: An Introduction to James Joyce for the Ordinary Reader remains a standard in Joycean criticism. Conversations with Anthony Burgess captures, through in-depth interviews, a writer of tremendous energy, inventiveness, and self-discipline. The collection brings together interviews from 1971 to 1989, including two pieces published for the first time. Earl G. Ingersoll is distinguished professor emeritus of English at SUNY College at Brockport. He has written, edited, and coedited many books, including Conversations with May Sarton and Conversations with Rita Dove, both from University Press of Mississippi. Mary C. Ingersoll is a retired elementary school teacher who specialized in teaching humanities to gifted students. 5 Very Good Reasons to Punch a Dolphin in the Mouth ![]() Inman creates these quirky scenes for theoatmeal.com, which launched in July 2009 and already has more than 82 million page views. In fact, every 15 to 30 seconds, someone Googles one of theoatmeal.com's creations. Now, 60 of Inman's comic illustrations and life-bending guides are presented in full-color inside 5 Very Good Reasons to Punch a Dolphin in the Mouth (And Other Useful Guides). Consider such handy advice as: * 4 Reasons to Carry a Shovel at All Times * 6 Types of Crappy Hugs * 8 Ways to Tell if Your Loved One Plans to Eat You * 17 Things Worth Knowing About Your Cat * 20 Things Worth Knowing About Beer How to Tell If Your Cat Is Plotting to Kill You ![]() If your cat is kneading you, that's not a sign of affection. Your cat is actually checking your internal organs for weakness. If your cat brings you a dead animal, this isn't a gift. It's a warning. How to Tell If Your Cat Is Plotting to Kill You is a hilarious, brilliant offering of cat comics, facts, and instructional guides from the creative wonderland at TheOatmeal.com. How to Tell If Your Cat Is Plotting to Kill You presents fan favorites, such as "Cat vs. Internet," "How to Pet a Kitty," and "The Bobcats," plus 17 brand-new, never-before-seen cat jokes. This Oatmeal collection is a must-have from Mr. Oats! A pullout poster is included at the back of the book. Why My Cat Is More Impressive Than Your Baby ![]() The 158-Pound Marriage ![]() Avenue of Mysteries ![]() In Avenue of Mysteries, Juan Diego—a fourteen-year-old boy, who was born and grew up in Mexico—has a thirteen-year-old sister. Her name is Lupe, and she thinks she sees what’s coming—specifically, her own future and her brother’s. Lupe is a mind reader; she doesn’t know what everyone is thinking, but she knows what most people are thinking. Regarding what has happened, as opposed to what will, Lupe is usually right about the past; without your telling her, she knows all the worst things that have happened to you. Lupe doesn’t know the future as accurately. But consider what a terrible burden it is, if you believe you know the future—especially your own future, or, even worse, the future of someone you love. What might a thirteen-year-old girl be driven to do, if she thought she could change the future? As an older man, Juan Diego will take a trip to the Philippines, but what travels with him are his dreams and memories; he is most alive in his childhood and early adolescence in Mexico. As we grow older—most of all, in what we remember and what we dream—we live in the past. Sometimes, we live more vividly in the past than in the present. Avenue of Mysteries is the story of what happens to Juan Diego in the Philippines, where what happened to him in the past—in Mexico—collides with his future. The Cider House Rules: A Novel ![]() The Hotel New Hampshire ![]() So says John Berry, son of a hapless dreamer, brother to a cadre of eccentric siblings, and chronicler of the lives lived, the loves experienced, the deaths met, and the myriad strange and wonderful times encountered by the family Berry. Hoteliers, pet-bear owners, friends of Freud (the animal trainer and vaudevillian, that is), and playthings of mad fate, they "dream on" in a funny, sad, outrageous, and moving novel by the remarkable author of A Widow for One Year and The Cider House Rules. The Last Chairlift ![]() Prayer for Owen Meany ![]() This is John Irving's most comic novel, yet Owen Meany is Mr. Irving's most heartbreaking character. "Roomy, intelligent, exhilarating and darkly comic...Dickensian in scope....Quite stunning and very ambitious." LOS ANGELES TIMES BOOK REVIEW "John Irving is an abundantly and even joyfully talented storyteller." THE NEW YORK TIMES BOOKR EVIEW Setting Free the Bears ![]() From the Paperback edition. The Water-Method Man (Export Ed) ![]() Trying to Save Piggy Sneed: 20th Anniversary Edition ![]() The middle portion of the book is fiction. Over a career that spans thirteen novels, these are the six stories that Mr. Irving considers finished. Among them is "Interior Space," for which he won the O. Henry Award. In the third and final section are three homages: one to Günter Grass and two to Charles Dickens. To each of the twelve pieces, he has contributed author's notes, which provide some perspective on the circumstances surrounding the writing of each piece. For readers who prefer a hardcover, this commemorative edition is a book to treasure. For new readers, it is a perfect introduction to the author of works as moving and mischievous as The World According to Garp,A Prayer for Owen Meany, and In One Person. The Water-Method Man ![]() "Three or four times as funny as most novels." THE NEW YORKER From the Paperback edition. The World According to Garp ![]() since its publication in 1978, Irving's classic is filled with stories inside stories about the life and times of T. S. Garp, novelist and bastard son of Jenny Fields—a feminist leader ahead of her time. Beyond that, The World According to Garp virtually defies synopsis. ——"Nothing in contemporary fiction matches it," said critic Terrence Des Pres. "Irving's blend of gravity and play is unique, audacious, almost blasphemous. . . . Friendship, marriage and family are his primary themes, but at that blundering level of life where mishap and folly—something close to joyful malice—perpetually intrude and disrupt, often fatally. Life, in Irving's fiction, is always under siege." Time magazine commented: "Irving's popularity is not hard to understand. His world is really the world according to nearly everyone." ——This Modern Library edition includes a new Introduction by the author. The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editons of impor-tant works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices. Leonardo da Vinci ![]() “A powerful story of an exhilarating mind and life...a study in creativity: how to define it, how to achieve it.”—The New Yorker “Vigorous, insightful.”—The Washington Post “A masterpiece.”—San Francisco Chronicle “Luminous.”—The Daily Beast He was history’s most creative genius. What secrets can he teach us? The author of the acclaimed bestsellers Steve Jobs, Einstein, and Benjamin Franklin brings Leonardo da Vinci to life in this exciting new biography. Based on thousands of pages from Leonardo’s astonishing notebooks and new discoveries about his life and work, Walter Isaacson weaves a narrative that connects his art to his science. He shows how Leonardo’s genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and technology. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history’s most creative genius. His creativity, like that of other great innovators, came from having wide-ranging passions. He peeled flesh off the faces of cadavers, drew the muscles that move the lips, and then painted history’s most memorable smile. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper. Isaacson also describes how Leonardo’s lifelong enthusiasm for staging theatrical productions informed his paintings and inventions. Leonardo’s delight at combining diverse passions remains the ultimate recipe for creativity. So, too, does his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His life should remind us of the importance of instilling, both in ourselves and our children, not just received knowledge but a willingness to question it—to be imaginative and, like talented misfits and rebels in any era, to think different. The Berlin Stories ![]() Down There on a Visit: A Novel ![]() Published in 1962, Down There on a Visit is based on material from a proposed epic that would also have incorporated The Berlin Stories. It is now widely regarded as the most accomplished of Isherwood's novels. Kathleen and Frank: The Autobiography of a Family ![]() It is the story of Christopher Isherwood’s parents, the winsome and lively daughter of a successful wine merchant and the reticent, artistically gifted soldier-son of a country squire. They met in 1895 outside a music rehearsal in an army camp and married in 1903 after Christopher’s father returned from the Boer War. Frank was killed in an assault near Ypres in 1915; Kathleen remained a widow for the rest of her life. Their story is told through letters and Kathleen’s diary, with connecting commentary by Isherwood. Kathleen and Frank is a family memoir, but it is also a richly detailed social history of a period of striking change― Queen Victoria’s funeral, Blériot’s flight across the English Channel, Sarah Bernhardt’s Hamlet, suffragettes, rising hemlines, the beginning of the Troubles in Ireland―the period that shaped Isherwood himself. As a young man, Isherwood fled the tragedy that engulfed his parents’ lives and threatened his own; in Kathleen and Frank, he reweaves the tapestry of family and heritage and places himself in the pattern. Lions and Shadows: An Education in the Twenties ![]() Although the story is Isherwood’s own life story, carrying him up to the age of twenty-five, he gives free rein to his remarkable powers of dramatization, improving on the facts here and there, to make a highly entertaining, sometimes hilarious book. “Read it as a novel,” says Isherwood. There is no difficulty taking his advice. But his characters were real people, and when Lions and Shadows was first published, in 1938, it transformed their lives into legend. A Meeting by the River: A Novel ![]() After a long separation, two English brothers meet in India. Oliver, the idealistic younger brother, prepares to take his final vows as a Hindu monk. Patrick, a successful publisher with a wife and children in London and a male lover in California, has publicly admired his brother's convictions while privately criticizing his choices. First published in 1967, A Meeting by the River delicately depicts the complexity of sibling relationships―the resentment and competitiveness as well as the love and respect. Ultimately, the brothers' exposure to each other's differences deepens their awareness of themselves. In A Meeting by the River, Christopher Isherwood dramatizes the conflict between sexuality and spirituality that inspired his late writings. Prater Violet: A Novel ![]() Originally published in 1945, Christopher Isherwood's "Prater Violet" is a stingingly satirical novel about the film industry. It centers around the production of the vacuous fictional melodrama "Prater Violet," set in nineteenth-century Vienna, providing an ironic counterpoint to tragic events as Hitler annexes the real Vienna of the 1930s. The novel features vivid portraits of the imperious, passionate, and witty Austrian director Friedrich Bergmann and his disciple, a genial young screenwriter the fictionalized Christopher Isherwood." A Single Man ![]() The author's favorite of his own novels, now back in print! When A Single Man was originally published, it shocked many by its frank, sympathetic, and moving portrayal of a gay man in midlife. George, the protagonist, is adjusting to life on his own after the sudden death of his partner, and determines to persist in the routines of his daily life; the course of A Single Man spans twenty-four hours in an ordinary day. An Englishman and a professor living in suburban Southern California, he is an outsider in every way, and his internal reflections and interactions with others reveal a man who loves being alive despite everyday injustices and loneliness. Wry, suddenly manic, constantly funny, surprisingly sad, this novel catches the texture of life itself. "A testimony to Isherwood's undiminished brilliance as a novelist." Anthony Burgess "An absolutely devastating, unnerving, brilliant book." Stephen Spender "Just as his Prater Violet is the best novel I know about the movies, Isherwood's A Single Man, published in 1964, is one of the first and best novels of the modern gay liberation movement." Edmund White The Sixties: Diaries:1960-1969 ![]() The diaries are crammed with wicked gossip and probing psychological insights about the cultural icons of the time—Francis Bacon, Richard Burton, Leslie Caron, Marianne Faithfull, David Hockney, Mick Jagger, Hope Lange, W. Somerset Maugham, John Osborne, Vanessa Redgrave, Tony Richardson, David O. Selznick, Igor Stravinsky, Gore Vidal, and many others. But the diaries are most revealing about Isherwood himself—his fiction (including A Single Man and Down There on a Visit), his film writing, his college teaching, and his affairs of the heart. He moves easily from Beckett to Brando, from arthritis to aggression, from Tennessee Williams to foot powder, from the opening of Cabaret on Broadway (which he skipped) to a close analysis of Gide. In the background run references to the political and historical events of the period: the anxieties of the Cold War, Yuri Gagarin's spaceflight, de Gaulle and Algeria, the eruption of violence in America's inner cities, the Vietnam War, the Summer of Love, the moon landing, and the raising and lowering of hemlines. Isherwood is well known for his prophetic portraits of a morally bankrupt Europe on the eve of World War II; in this unparalleled chronicle, The Sixties, he turns his fearless eye on the decade that more than any other has shaped the way we live now. The World in the Evening: A Novel ![]() Against the backdrop of World War II, The World in the Evening charts the emotional development of Stephen Monk, an aimless Englishman living in California. After his second marriage suddenly ends, Stephen finds himself living with a relative in a small Pennsylvania Quaker town, haunted by memories of his prewar affair with a younger man during a visit to the Canary Islands. The world traveler comes to a gradual understanding of himself and of his newly adopted homeland. When first published in 1953, The World in the Evening was notable for its clear-eyed depiction of European and American mores, sexuality, and religion. Today, readers herald Christopher Isherwood's frank portrayal of bisexuality and his early appreciation of low and high camp. We'll Prescribe You A Cat ![]() An Artist of the Floating World ![]() The Buried Giant: A novel ![]() The Romans have long since departed and Britain is steadily declining into ruin. But, at least, the wars that once ravaged the country have ceased. Axl and Beatrice, a couple of elderly Britons, decide that now is the time, finally, for them to set off across this troubled land of mist and rain to find the son they have not seen for years, the son they can scarcely remember. They know they will face many hazards—some strange and otherworldly—but they cannot foresee how their journey will reveal to them the dark and forgotten corners of their love for each other. Nor can they foresee that they will be joined on their journey by a Saxon warrior, his orphan charge, and a knight—each of them, like Axl and Beatrice, lost in some way to his own past, but drawn inexorably toward the comfort, and the burden, of the fullness of a life’s memories. Sometimes savage, sometimes mysterious, always intensely moving, Kazuo Ishiguro’s first novel in a decade tells a luminous story about the act of forgetting and the power of memory, a resonant tale of love, vengeance, and war. Klara and the Sun: A novel ![]() Never Let Me Go: Introduction by David Sexton ![]() Nocturnes: Five Stories of Music and Nightfall ![]() A once-popular singer, desperate to make a comeback, turning from the one certainty in his life . . . A man whose unerring taste in music is the only thing his closest friends value in him . . . A struggling singer-songwriter unwittingly involved in the failing marriage of a couple he’s only just met . . . A gifted, underappreciated jazz musician who lets himself believe that plastic surgery will help his career . . . A young cellist whose tutor promises to “unwrap” his talent . . . Passion or necessity—or the often uneasy combination of the two—determines the place of music in each of these lives. And, in one way or another, music delivers each of them to a moment of reckoning: sometimes comic, sometimes tragic, sometimes just eluding their grasp. An exploration of love, need, and the ineluctable force of the past, Nocturnes reveals these individuals to us with extraordinary precision and subtlety, and with the arresting psychological and emotional detail that has marked all of Kazuo Ishiguro’s acclaimed works of fiction. A Pale View of Hills ![]() The Remains of the Day (Everyman's Library (Cloth)) ![]() Here is Kazuo Ishiguro's profoundly compelling portrait of Stevens, the perfect butler, and of his fading, insular world in post-World War II England. Stevens, at the end of three decades of service at Darlington Hall, spending a day on a country drive, embarks as well on a journey through the past in an effort to reassure himself that he has served humanity by serving the "great gentleman," Lord Darlington. But lurking in his memory are doubts about the true nature of Lord Darlington's "greatness," and much graver doubts about the nature of his own life. The Summer We Crossed Europe in the Rain: Lyrics for Stacey Kent ![]() The Unconsoled ![]() When We Were Orphans ![]() The Italian Wine Guide: The Definitive Guide to Touring, Sourcing, and Tasting ![]() Mac OS X for Java Geeks ![]() MARTIN LUTHER KING A TOUGH MIND AND A TENDER HEART /ANGLAIS ![]() The Drowned World ![]() Summary of African Founders: How Enslaved People Expanded American Ideals by David Hackett Fischer ![]() The Unseen ![]() Negrophobia: An Urban Parable ![]() Darius James’s scabrous, unapologetically raunchy, truly hilarious, and deeply scary Negrophobia is a wild-eyed reckoning with the mutating insanity of American racism. A screenplay for the mind, a performance on the page, a work of poetry, a mad mix of genres and styles, a novel in the tradition of William S. Burroughs and Ishmael Reed that is like no other novel, Negrophobia begins with the blonde bombshell Bubbles Brazil succumbing to a voodoo spell and entering the inner darkness of her own shiny being. Here crackheads parade in the guise of Muppets, Muslims beat conga drums, Negroes have numbers for names, and H. Rap Remus demands the total and instantaneous extermination of the white race through spontaneous combustion. By the end of it all, after going on a weird trip for the ages, Bubbles herself is strangely transformed. The Ambassadors (Everyman's Library (Cloth)) ![]() First published in 1903, the novel follows middle-aged Lambert Strether as he is dispatched from Massachusetts to Paris by his wealthy fiancée to rescue her son, Chad Newsome, from the corrupting influences of Europe and its wicked women. Once the mild-mannered and inexperienced Strether arrives in Paris, however, Chad introduces him to a world that he finds refined and sophisticated, rather than debauched and base. Mrs. Newsome, waiting in Massachusetts, grows impatient and sends more ambassadors to retrieve her wayward men. But Strether has become especially enchanted by Chad’s female friends Madame de Vionnet and her daughter, Jeanne, and he begins to wonder if, all his life, he has missed out on what the wider world has to offer. “Live all you can; it’s a mistake not to,” he tells a friend in one of the most memorable scenes in this darkly comic, masterfully written story of liberation, self-discovery, and the meaning of living well. Collected Stories Volume 1 ![]() The Coxon Fund ![]() Henry James examines one of his favorite topics—the artist’s place in society—by profiling a “genius” who just can’t seem to support himself. A dazzling intellectual and brilliant speaker, Mr. Saltram has become the most sought-after houseguest in England. But, as his intellectual labors slacken, it beomes harder and harder to get him to leave. A wry, edgy comedy about the fine line between making art...and freeloading. The Coxon Fund shows off a gift that is rarely appreciated about Henry James: he can be wickedly funny. The Art of The Novella Series Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time. Henry James: Autobiographies: A Small Boy and Others / Notes of a Son and Brother / The Middle Years / Other Writings: Library of America #274 ![]() Rounding out the volume is a selection of eight other personal reminiscences and, as an appendix, his secretary’s insightful and affectionate memoir, “Henry James at Work.” Henry James: Collected Stories Volume 2 ![]() Volume 2 takes us from “The Private Life” of 1892 to James’s last story, “A Round of Visits,” published in 1910. These are the magnificent works of James’s maturity—“The Death of the Lion,” “The Altar of the Dead,” “The Figure in the Carpet,” “The Turn of the Screw,” “In the Cage,” “The Beast in the Jungle,” and many others—in which the deepening darkness of the author’s life casts a tragic but heroic shadow on the themes of his youth. Contents of Volume 2 The Private Life The Real Thing Owen Wingrave The Middle Years The Death of the Lion The Coxon Fund The Next Time The Altar of the Dead The Figure in the Carpet The Turn of the Screw In the Cage The Real Right Thing The Great Good Place Miss Gunton of Poughkeepsie The Abasement of the Northmores The Special Type The Tone of Time The Two Faces The Beldonald Holbein The Story in It Flickerbridge The Beast in the Jungle The Papers Fordham Castle Julia Bride The Jolly Corner Crapy Cornelia The Bench of Desolation A Round of Visits The Lesson of the Master ![]() This brilliantly realized, morally ambiguous tale of a young writer and his encounter with "The Master," an accomplished writer whom the young man has long idolized, is a humorous and devastating inquiry into the emotional price that an artist pays for his art. The Princess Casamassima (Everyman's Library Classics) ![]() The Portrait of a Lady (Everyman's Library (Cloth)) ![]() Washington Square ![]() Set in the genteel New York of James’s early childhood, it is a tale of cruelty laced with comedy. Dr. Austin Sloper is a wealthy and domineering father who is disappointed in the unremarkable daughter he has produced; he dismisses her as both plain and simpleminded. The gentle and dutiful Catherine Sloper has always been in awe of her father, but when she falls in love with Morris Townsend, a penniless charmer whom Dr. Sloper accuses of being a fortune hunter, she dares to defy him and a battle of wills ensues that will leave her forever changed. Readers have long admired the way that the innocent Catherine, misled by her meddling aunt and mistreated by both her father and her lover, grows in strength and wisdom over the course of her ordeal. The Golden Bowl (Everyman's Library (Cloth)) ![]() Be Not Afraid of Life: In the Words of William James ![]() On Some of Life's Ideals: On a Certain Blindness in Human Beings; What Makes a Life Significant ![]() William James : Writings 1902-1910 : The Varieties of Religious Experience / Pragmatism / A Pluralistic Universe / The Meaning of Truth / Some Problems of Philosophy / Essays ![]() The Empathy Exams: Essays ![]() A Publishers Weekly Top Ten Essay Collection of Spring 2014 Beginning with her experience as a medical actor who was paid to act out symptoms for medical students to diagnose, Leslie Jamison’s visceral and revealing essays ask essential questions about our basic understanding of others: How should we care about each other? How can we feel another’s pain, especially when pain can be assumed, distorted, or performed? Is empathy a tool by which to test or even grade each other? By confronting pain—real and imagined, her own and others’—Jamison uncovers a personal and cultural urgency to feel. She draws from her own experiences of illness and bodily injury to engage in an exploration that extends far beyond her life, spanning wide-ranging territory—from poverty tourism to phantom diseases, street violence to reality television, illness to incarceration—in its search for a kind of sight shaped by humility and grace. History of Art ![]() Fair Play ![]() Winner of the 2009 Bernard Shaw Prize for Translation Fair Play is the type of love story that is rarely told, a revelatory depiction of contentment, hard-won and exhilarating. Mari is a writer and Jonna is an artist, and they live at opposite ends of a big apartment building, their studios connected by a long attic passageway. They have argued, worked, and laughed together for decades. Yet they’ve never really stopped taking each other by surprise. Fair Play shows us Mari and Jona’s intertwined lives as they watch Fassbinder films and Westerns, critique each other’s work, spend time on a solitary island (recognizable to readers of Jansson’s The Summer Book), travel through the American Southwest, and turn life into nothing less than art. The True Deceiver (New York Review Books (Paperback)) ![]() Winner of the Best Translated Book Award Deception—the lies we tell ourselves and the lies we tell others—is the subject of this, Tove Jansson’s most unnerving and unpredictable novel. Here Jansson takes a darker look at the subjects that animate the best of her work, from her sensitive tale of island life, The Summer Book, to her famous Moomin stories: solitude and community, art and life, love and hate. Snow has been falling on the village all winter long. It covers windows and piles up in front of doors. The sun rises late and sets early, and even during the day there is little to do but trade tales. This year everybody’s talking about Katri Kling and Anna Aemelin. Katri is a yellow-eyed outcast who lives with her simpleminded brother and a dog she refuses to name. She has no use for the white lies that smooth social intercourse, and she can see straight to the core of any problem. Anna, an elderly children’s book illustrator, appears to be Katri’s opposite: a respected member of the village, if an aloof one. Anna lives in a large empty house, venturing out in the spring to paint exquisitely detailed forest scenes. But Anna has something Katri wants, and to get it Katri will take control of Anna’s life and livelihood. By the time spring arrives, the two women are caught in a conflict of ideals that threatens to strip them of their most cherished illusions. The Woman Who Borrowed Memories: Selected Stories ![]() Tove Jansson was a master of brevity, unfolding worlds at a touch. Her art flourished in small settings, as can be seen in her bestselling novel The Summer Book and in her internationally celebrated cartoon strips and books about the Moomins. It is only natural, then, that throughout her life she turned again and again to the short story. The Woman Who Borrowed Memories is the first extensive selection of Jansson’s stories to appear in English. Many of the stories collected here are pure Jansson, touching on island solitude and the dangerous pull of the artistic impulse: in “The Squirrel” the equanimity of the only inhabitant of a remote island is thrown by a visitor, in “The Summer Child” an unlovable boy is marooned along with his lively host family, in “The Cartoonist” an artist takes over a comic strip that has run for decades, and in “The Doll’s House” a man’s hobby threatens to overwhelm his life. Others explore unexpected territory: “Shopping” has a post-apocalyptic setting, “The Locomotive” centers on a railway-obsessed loner with murderous fantasies, and “The Woman Who Borrowed Memories” presents a case of disturbing transference. Unsentimental, yet always humane, Jansson’s stories complement and enlarge our understanding of a singular figure in world literature. The Love Songs of W.E.B. Du Bois: An Oprah's Book Club Novel ![]() Thomas Jefferson : Writings : Autobiography / Notes on the State of Virginia / Public and Private Papers / Addresses / Letters ![]() LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries. The Grip of It: A Novel ![]() One of Chicago Reader's "Books We Can't Wait To Read In 2017" A chilling literary horror novel about a young couple haunted by their newly purchased home Jac Jemc’s The Grip of It tells the eerie story of a young couple haunted by their new home. Julie and James settle into a house in a small town outside the city where they met. The move―prompted by James’s penchant for gambling, his inability to keep his impulses in check―is quick and seamless; both Julie and James are happy to leave behind their usual haunts and start afresh. But this house, which sits between lake and forest, has plans for the unsuspecting couple. As Julie and James try to settle into their home and their relationship, the house and its surrounding terrain become the locus of increasingly strange happenings. The architecture―claustrophobic, riddled with hidden rooms within rooms―becomes unrecognizable, decaying before their eyes. Stains are animated on the wall―contracting, expanding―and map themselves onto Julie’s body in the form of bruises; mold spores taint the water that James pours from the sink. Together the couple embark on a panicked search for the source of their mutual torment, a journey that mires them in the history of their peculiar neighbors and the mysterious residents who lived in the house before Julie and James. Written in creepy, potent prose, The Grip of It is an enthralling, psychologically intense novel that deals in questions of home: how we make it and how it in turn makes us, inhabiting the bodies and the relationships we cherish. Three Men in a Boat: To Say Nothing of the Dog (Wordsworth Classics) (Wordsworth Classics) ![]() Waiting: Introduction by Rachel Khong ![]() Little Gods: A Novel ![]() “Meng Jin is a writer whose sweep is as intimate as it is global. Little Gods is a novel about the heart-wracking ways in which we move through history and time. A fierce and intelligent debut from a writer with longitude and latitude embedded in her vision.” —Colum McCann, New York Times bestselling author of Let the Great World Spin Combining the emotional resonance of Home Fire with the ambition and innovation of Asymmetry, a lyrical and thought-provoking debut novel that explores the complex web of grief, memory, time, physics, history, and selfhood in the immigrant experience, and the complicated bond between daughters and mothers. On the night of June Fourth, a woman gives birth in a Beijing hospital alone. Thus begins the unraveling of Su Lan, a brilliant physicist who until this moment has successfully erased her past, fighting what she calls the mind’s arrow of time. When Su Lan dies unexpectedly seventeen years later, it is her daughter Liya who inherits the silences and contradictions of her life. Liya, who grew up in America, takes her mother’s ashes to China—to her, an unknown country. In a territory inhabited by the ghosts of the living and the dead, Liya’s memories are joined by those of two others: Zhu Wen, the woman last to know Su Lan before she left China, and Yongzong, the father Liya has never known. In this way a portrait of Su Lan emerges: an ambitious scientist, an ambivalent mother, and a woman whose relationship to her own past shapes and ultimately unmakes Liya’s own sense of displacement. A story of migrations literal and emotional, spanning time, space and class, Little Gods is a sharp yet expansive exploration of the aftermath of unfulfilled dreams, an immigrant story in negative that grapples with our tenuous connections to memory, history, and self. Me: Elton John Official Autobiography ![]() Christened Reginald Dwight, he was a shy boy with Buddy Holly glasses who grew up in the London suburb of Pinner and dreamed of becoming a pop star. By the age of twenty-three he was performing his first gig in America, facing an astonished audience in his bright yellow dungarees, a star-spangled T-shirt, and boots with wings. Elton John had arrived and the music world would never be the same again. His life has been full of drama, from the early rejection of his work with song-writing partner Bernie Taupin to spinning out of control as a chart-topping superstar; from half-heartedly trying to drown himself in his LA swimming pool to disco-dancing with Princess Diana and Queen Elizabeth; from friendships with John Lennon, Freddie Mercury, and George Michael to setting up his AIDS Foundation to conquering Broadway with Aida, The Lion King, and Billy Elliot the Musical. All the while Elton was hiding a drug addiction that would grip him for over a decade. In Me, Elton also writes powerfully about getting clean and changing his life, about finding love with David Furnish and becoming a father. In a voice that is warm, humble, and open, this is Elton on his music and his relationships, his passions and his mistakes. This is a story that will stay with you by a living legend. The Ultimate Elton John Collection Boxed Set ![]() The True History of the First Mrs. Meredith and Other Lesser Lives ![]() The Autobiography of an Ex-Colored Man: Introduction by Gregory Pardlo ![]() Rasselas, Prince of Abyssinia ![]() The other great book by the man who wrote the dictionary: This is Dr. Johnson's beautiful, engaging, and ultimately inspiring story of a royal brother and sister who escape the castle and, travelling in disguise, search for a way to feel more useful to society. It leads to a years-long adventure amongst poor people and rich men, great intellectuals and merchants, holy men and ruthless warriors. It is an eye-opening experience that shakes the siblings to their core and ultimately turns into the most sublimely wise and moving works that Johnson ever wrote, not to mention a masterpiece of English Literature. The Art of The Novella Series Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time. Samuel Johnson: Selected Works ![]() Anniversaries (Boxed Set): From a Year in the Life of Gesine Cresspahl (New York Review Books Classics) ![]() Late in 1967, Uwe Johnson set out to write a book that would take the unusual form of a chapter for every day of the ongoing year. It would be the tale of Gesine Cresspahl, a thirty-four-year-old single mother who is a German émigré to Manhattan’s Upper West Side, and of her ten-year-old daughter, Marie—a story of work and school, of friends and lovers and the countless small encounters with neighbors and strangers that make up big-city life. An everyday tale, but also a tale of the events of the day, as gleaned by Gesine from The New York Times: Johnson could hardly foresee the convulsions of 1968, but some of the news—the racial unrest roiling America, the escalating war in Vietnam—was sure to be news for some time yet to come. Finally, it would be a tale told by Gesine to Marie about Gesine’s childhood in a small north German town, of her independent and enterprising father, of her troubled mother, of Nazi Germany (Gesine was born the year Hitler came to power) and World War II and Soviet retribution and the grimly regulated realities of Communist East Germany. An ambitious historical novel as well as a wonderfully observed New York novel, Anniversaries would take in the unsettled world of the present along with the twentieth century’s disastrous past, while vividly depicting the struggle of a loving, though hardly uncomplicated mother and a bright, indomitably curious girl to understand and care for each other and to shape a human world. Gesine and Marie are among the most memorable and engaging characters in literature, and Anniversaries, at once monumental and intimate, sweeping and full of incident, stylistically adventurous and endlessly absorbing, is quite simply one of the great books of our time. Eugene Onegin : and Other Poems (Everyman's Library Pocket Poets) ![]() The Poems of Dylan Thomas, New Revised Edition [with CD] ![]() This new, revised edition of The Poems of Dylan Thomas is based on the collection edited by Thomas's life-long friend and fellow poet, Daniel Jones, first published by New Directions in 1971. Jones started with the ninety poems Thomas selected for his Collected Poems in 1952 (at a time when the poet expected that many years of work still lay ahead of him) and, after exhaustive research and consideration, added one hundred previously finished, though uncollected, poems (including twenty-six juvenile works), and two unfinished poems, and arranged them all in chronological order of composition, creating the most complete edition of Thomas's poems ever published. This revised edition contains all the original material and incorporates textual corrections. Also included are an Introduction and concise notes by Daniel Jones, a brief chronology of the poet's life, and a compact disc containing vintage recordings of Thomas reading eight of his poems in his famous "Welsh-singing" style, making this edition of The Poems of Dylan Thomas a truly remarkable collection. In Parenthesis ![]() David Bowie: A Life ![]() I'll Never Write My Memoirs ![]() As a singer, model, and actress—a deluxe triple threat—Grace has consistently been an extreme, challenging presence in the entertainment world since her emergence as an international model in the 1970s. Celebrated for her audacious talent and trailblazing style, Grace became one of the most unforgettable, free-spirited characters to emerge from the historic Studio 54, recording glittering disco classics such as “I Need a Man” and “La Vie en Rose.” Her provocative shows in underground New York nightclubs saw her hailed as a disco queen, gay icon, and gender defying iconoclast. In 1980, the always ambitious Grace escaped a crowded disco scene to pursue more experimental interests. Her music also broke free, blending house, reggae, and electronica into a timeless hybrid that led to classic hits such as “Pull Up to the Bumper” and “Slave to the Rhythm.” In the memoir she once promised never to write, Grace offers an intimate insight into her evolving style, personal philosophies, and varied career—including her roles in the 1984 fantasy-action film Conan the Destroyer alongside Arnold Schwarzenegger and the James Bond movie A View to a Kill. Featuring sixteen pages of stunning full-color photographs, many from her own personal archive, I’ll Never Write My Memoirs follows this ageless creative nomad as she rejects her strict religious upbringing in Jamaica; conquers New York, Paris, and the 1980s; answers to no-one; and lives to fight again and again. Drawing Surrealism ![]() The Snakes: A Novel ![]() Recently married, psychologist Bea and Dan, a mixed-race artist, rent out their tiny flat to escape London for a few precious months. Driving through France they visit Bea's dropout brother Alex at the hotel he runs in Burgundy. Disturbingly, they find him all alone and the ramshackle hotel deserted, apart from the nest of snakes in the attic. When Alex and Bea's parents make a surprise visit, Dan can't understand why Bea is so appalled, or why she's never wanted him to know them; Liv and Griff Adamson are charming and rich. They are the richest people he has ever met. Maybe Bea's ashamed of him, or maybe she regrets the secrets she's been keeping. Tragedy strikes suddenly, brutally, and in its aftermath the family is stripped back to its heart, and then its rotten core, and even Bea with all her strength and goodness can't escape. A chilling page-turner and impossible to put down, THE SNAKES is Sadie Jones at her best: breathtakingly powerful, brilliantly incisive, and utterly devastating. Fear of Flying: A Novel ![]() Originally published in 1973 by Holt, Reinhardt and Winston, Fear of Flying, the internationally bestselling story of Isadora Wing by Erica Jong, coined a new phrase for a sex act and launched a new way of thinking about gender, sexuality, and liberty in our society. On the 40th anniversary of its initial publication, we, the original publisher, are reissuing this seminal work with a new introduction by Jennifer Weiner. An NPR Best Book of 2013 The Shorter Finnegans Wake ![]() Dubliners: Original Dubliners by James Joyce With Historical Annotation and New Illustrations ![]() Finnegans Wake: Centennial Edition ![]() Joyce: Poems and a Play ![]() Joyce is most celebrated for his remarkable novel Ulysses, and yet he was also a highly accomplished poet. Chamber Music is his debut collection of lyrical love poems, which he intended to be set to music; in it, he enlivens the styles of the Celtic Revival with his own brand of playful irony. Pomes Penyeach, a collection written while Joyce was working on A Portrait of the Artist as a Young Man, sounds intimately autobiographical notes of passion and betrayal that would go on to resonate throughout the rest of his work. Joyce’s other poems include the moving “Ecce Puer,” written on the occasion of the birth of his grandson, and his fiery satires “The Holy Office” and “Gas from a Burner.” Exiles was written after Joyce had left Ireland, never to return; it is a richly nuanced drama that reflects a grappling with the state of his own marriage and career as he was about to embark on the writing of Ulysses. In its tale of an unconventional couple involved in a love triangle, Exiles engages Joycean themes of envy and jealousy, freedom and love, men and women, and the complicated relationship between an artist and his homeland. Occasional, Critical, and Political Writings (Oxford World's Classics) ![]() A Portrait of the Artist as a Young Man ![]() In his first and still most widely read novel, James Joyce makes a strange peace with the traditional narrative of a young man’s self-discovery by respecting its substance while exploding its form, thereby inaugurating a literary revolution. Published in 1916 when Joyce was al?ready at work on Ulysses, A Portrait of the Artist as a Young Man is exactly what its title says and much more. In an exuberantly in?ventive masterpiece of subjectivity, Joyce portrays his alter ego, Stephen Dedalus, growing up in Dublin and struggling through religious and sexual guilt toward an aesthetic awak?ening. In part a vivid picture of Joyce’s own youthful evolution into one of the twentieth century’s greatest writers, it is also a moment in the intellectual history of an age. Ulysses ![]() Dubliners ![]() Julian, Volume I. Orations 1-5 ![]() The Red Book ![]() While Jung considered The Red Book to be his most important work, only a handful of people have ever seen it. Now, in a complete facsimile and translation, it is available to scholars and the general public. It is an astonishing example of calligraphy and art on a par with The Book of Kells and the illuminated manuscripts of William Blake. This publication of The Red Book is a watershed that will cast new light on the making of modern psychology. 212 color illustrations. Memories, Dreams, Reflections ![]() The Portable Jung (Viking Portable Library) ![]() Sick Souls, Healthy Minds: How William James Can Save Your Life ![]() The Age of Movies: Selected Writings of Pauline Kael ![]() Aphorisms ![]() Kafka’s aphorisms are fascinating glimpses into the lure and the enigma of the form itself. The Castle ![]() Collected Stories ![]() The Trial (Everyman's Library (Cloth)) ![]() Concerning the Spiritual in Art ![]() Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings. This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting. AN Answer to the Question: 'What Is Enlightenment?' ![]() The Nabokov-Wilson Letters: Correspondence Between Vladimir Nabokov and Edmund Wilson 1940-1971 ![]() The Seven Moons of Maali Almeida ![]() Tolstoy's Short Fiction (A Norton Critical Edition) ![]() “Backgrounds and Sources” includes two Tolstoy memoirs, A History of Yesterday (1851) and The Memoirs of a Madman (1884), as well as entries—expanded in the Second Edition—from Tolstoy’s “Diary for 1855” and selected letters (1858–95) that shed light on the author’s creative process. “Criticism” collects twenty-three essays by Russian and western scholars, six of which are new to this Second Edition. Interpretations focus both on Tolstoy’s language and art and on specific themes and motifs in individual stories. Contributors include John M. Kopper, Gary Saul Morson, N. G. Chernyshevsky, Mikhail Bakhtin, Harsha Ram, John Bayley, Vladimir Nabokov, Ruth Rischin, Margaret Ziolkowski, and Donald Barthelme. A Chronology of Tolstoy’s life and work and an updated Selected Bibliography are also included. A certain light ![]() Duffy Omnibus ![]() Snow Country ![]() Good Behaviour ![]() Rome Stories ![]() During its three-thousand-year history Rome has been an imperial metropolis, the capital of a nation, and the spiritual core of a world religion. For writers from antiquity to the present, however, it has long served as a realm of fantasy, aspiration, and desire. Captivating and lethal at one and the same moment, its beauty both transfigures and betrays those in thrall to it. Rome Stories explores the city's fateful impact through the writing of classical historians, Renaissance sculptors, Enlightenment poets and philosophers, American, British, and French novelists, and the writers of modern Italy. Then Again ![]() Janet Maslin, The New York Times • People • Vogue ONE OF THE BEST BOOKS OF THE YEAR —Financial Times • Chicago Sun-Times The Independent • Bookreporter The Sunday Business Post Mom loved adages, quotes, slogans. There were always little reminders pasted on the kitchen wall. For example, the word THINK. I found THINK thumbtacked on a bulletin board in her darkroom. I saw it Scotch-taped on a pencil box she’d collaged. I even found a pamphlet titled THINK on her bedside table. Mom liked to THINK. So begins Diane Keaton’s unforgettable memoir about her mother and herself. In it you will meet the woman known to tens of millions as Annie Hall, but you will also meet, and fall in love with, her mother, the loving, complicated, always-thinking Dorothy Hall. To write about herself, Diane realized she had to write about her mother, too, and how their bond came to define both their lives. In a remarkable act of creation, Diane not only reveals herself to us, she also lets us meet in intimate detail her mother. Over the course of her life, Dorothy kept eighty-five journals—literally thousands of pages—in which she wrote about her marriage, her children, and, most probingly, herself. Dorothy also recorded memorable stories about Diane’s grandparents. Diane has sorted through these pages to paint an unflinching portrait of her mother—a woman restless with intellectual and creative energy, struggling to find an outlet for her talents—as well as her entire family, recounting a story that spans four generations and nearly a hundred years. More than the autobiography of a legendary actress, Then Again is a book about a very American family with very American dreams. Diane will remind you of yourself, and her bonds with her family will remind you of your own relationships with those you love the most. The Poems ![]() Keats: Poems (Everyman's Library Pocket Poets) ![]() Russian Stories ![]() Russian Stories rounds up marvelous short stories by all the Russian heavyweights, including Pushkin, Gogol, Dostoevsky, Tolstoy, Turgenev, Chekhov, Bulgakov, and Nabokov, and continuing up to contemporary writers such as Tatyana Tolstaya and the recent Nobel Prize-winner Svetlana Alexievich. There is no similar one-volume collection of the best of the Russian greats in English, and especially none that include as many women as this one does, including a story by the recently rediscovered Teffi, who was widely hailed a century ago in Russia as "the female Chekhov." From the fate-changing storms that sweep through Alexander Pushkin's "The Blizzard" and Leo Tolstoy's "The Snow Storm" to the political whirlwind of perestroika that shapes Vladimir Sorokin's 1985 story "Start of the Season" to the aftermath of the collapse of the Soviet Union as experienced by ordinary people in Alexievich's "Landscape of Loneliness," these riveting stories chronicle not only the particular dramas and upheavals of the Russian people, but also the tribulations and triumphs of the human spirit. The World I Live In ![]() All for Nothing ![]() In East Prussia, January 1945, the German forces are in retreat and the Red Army is approaching. The von Globig family's manor house, the Georgenhof, is falling into disrepair. Auntie runs the estate as best she can since Eberhard von Globig, a special officer in the German army, went to war, leaving behind his beautiful but vague wife, Katharina, and her bookish twelve-year-old son, Peter. As the road fills with Germans fleeing the occupied territories, the Georgenhof begins to receive strange visitors—a Nazi violinist, a dissident painter, a Baltic baron, even a Jewish refugee. Yet in the main, life continues as banal, wondrous, and complicit as ever for the family, until their caution, their hedged bets, and their denial are answered by the wholly expected events they haven't allowed themselves to imagine. All for Nothing, published in 2006, was the last novel by Walter Kempowski, one of postwar Germany's most acclaimed and popular writers. Marrow and Bone ![]() Essays in Idleness and Hojoki ![]() Ancient Philosophy: A New History of Western Philosophy, Volume I ![]() Medieval Philosophy ![]() Philosophy in the Modern World: A New History of Western Philosophy, Volume 4 ![]() The Rise of Modern Philosophy: A New History of Western Philosophy, Volume 3 ![]() Buddhism: A Very Short Introduction ![]() In the second edition Keown provides new perspectives on Buddhist thought, including up-to-date material about the evolution of Buddhism throughout Asia, the material culture of Buddhism and its importance, new teachings on the ethics of war and peace, and changes to ethnicity, class, and gender. About the Series: Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects—from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchant and provocative—yet always balanced and complete—discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable. The Genesis of Secrecy: On the Interpretation of Narrative ![]() Drawing on the venerable tradition of biblical interpretation, Mr. Kermode examines some enigmatic passages and episodes in the gospels. From his reading come ideas about what makes interpretation possible—and often impossible. He considers ways in which narratives acquire opacity, and he asks whether there are methods of distinguishing all possible meaning from a central meaning which gives the story its structure. He raises questions concerning the interpretation of single texts in relation to their context in a writer's work and a tradition; considers the special interpretative problems of historical narration; and tries to relate the activities of the interpreter to interpretation more broadly conceived as a means of living in the world. While discussing the gospels, Mr. Kermode touches upon such literary works as Kafka's parables, Joyce's Ulysses, Henry James's novels, and Pynchon's Crying of Lot 49. By showing the relationships between religious interpretation and literary criticism, he has enhanced both fields. The Sense of an Ending: Studies in the Theory of Fiction ![]() Jack Kerouac: Road Novels 1957-1960: On the Road / The Dharma Bums / The Subterraneans / Tristessa / Lonesome Traveler / Journal Selections ![]() In his portrayal of the fervent relationship between the writer Sal Paradise and his outrageous, exasperating, and inimitable friend Dean Moriarty, Kerouac created one of the great friendships in American literature; and his rendering of the cities and highways and wildernesses that his characters restlessly explore are a hallucinatory travelogue of a nation he both mourns and celebrates. Now, to celebrate the fiftieth anniversary of Kerouac's landmark novel, The Library of America collects On the Road together with four other autobiographical "road books" published in the late 1950s and early 1960s. The Dharma Bums (1958), at once an exploration of Buddhist spirituality and an account of the Bay Area poetry scene, is notable for its thinly veiled portraits of Kerouac's acquaintances, including Ginsberg, Gary Snyder, and Kenneth Rexroth. The Subterraneans (1958) recounts a love affair set amid the bars and bohemian haunts of San Francisco. Tristessa (1960) is a melancholy novella describing a relationship with a prostitute in Mexico City. Lonesome Traveler (1960) collects travel essays that evoke journeys in Mexico and Europe, and concludes with an elegiac lament for the lost world of the American hobo. Also included in Road Novels are selections from Kerouac's journal, which provide a fascinating perspective on his early impressions of material eventually incorporated into On the Road. The Pathseeker ![]() From the winner of the Nobel Prize for Literature for “writing that upholds the fragile experience of the individual against the barbaric arbitrariness of history..." The acclaimed Hungarian Holocaust survivor Imre Kertész continues his investigation of the malignant methodologies of totalitarianism in a major work of fiction. In a mysterious middle–European country, a man identified only as “the commissioner” undertakes what seems to be a banal trip to a nondescript town with his wife—a brief detour on the way to a holiday at the seaside—that turns into something ominous. Something terrible has happened in the town, something that no one wants to discuss. With his wife watching on fearfully, he commences a perverse investigation, rudely interrogating the locals, inspecting a local landmark with a frightening intensity, traveling to an outlying factory where he confronts the proprietors ... and slowly revealing a past he's been trying to suppress. In a limpid translation by Tim Wilkinson, this haunting tale lays bare an emotional and psychological landscape ravaged by totalitarianism in one of Kertsz's most devastating examinations of the responsibilities of and for the Holocaust. The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners. The Clam-Plate Orgy and Other Subliminals the Media Use to Manipulate Your Behavior ![]() Today I Wrote Nothing: The Selected Writings of Daniil Kharms ![]() Daniil Kharms has long been heralded as one of the most iconoclastic writers of the Soviet era, but the full breadth of his achievement is only in recent years, following the opening of Kharms's archives, being recognized internationally. Thanks to the efforts of translator and poet Matvei Yankelevich, English language readers now have a comprehensive collection of the prose and poetry that secured Kharms's literary reputationÑa reputation that grew in Russia even as the Soviet establishment worked to suppress it. Both a major contribution for American scholars and students of Russian literature and an exciting discovery for fans of contemporary writers as eclectic as George Saunders, John Ashbery, and Martin McDonagh, Today I Wrote Nothing: The Selected Writing of Daniil Kharms is an invaluable collection for readers of innovative writing everywhere. Translated from the Russian by Matvei Yankelevich Fear and Trembling ![]() Regarded as the father of Existentialism, Kierkegaard transformed philosophy with his conviction that we must all create our own nature; in this great work of religious anxiety, he argues that a true understanding of God can only be attained by making a personal "leap of faith." The Seducer's Diary ![]() All books in this series: Cures for Love Doomed Love The Eaten Heart First Love Forbidden Fruit The Kreutzer Sonata A Mere Interlude Of Mistresses, Tigresses and Other Conquests The Seducers Diary The Sickness Unto Death ![]() The Tongue of Adam ![]() In Search of Lost Time Volume VITime Regained ![]() For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989). In Search of Lost Time Volume IIWithin a Budding Grove ![]() For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989). In Search of Lost Time Volume ISwann's Way (Modern Library Classics) ![]() In Search of Lost Time Volume VThe Captive & The Fugitive ![]() For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989). In Search of Lost Time, Vol. 3: The Guermantes Way ![]() All In: An Autobiography ![]() Great Ideas Revelation Of St John The Divine And The Book: New ![]() Michelangelo and the Pope's Ceiling ![]() Michelangelo and the Pope's Ceiling recounts the four extraordinary years Michelangelo spent laboring over the vast ceiling while the power politics and personal rivalries that abounded in Rome swirled around him. Battling against ill health, financial difficulties, domestic problems, the pope's impatience, and a bitter rivalry with the brilliant young painter Raphael, Michelangelo created scenes so beautiful that they are considered one of the greatest masterpieces of all time. A panorama of illustrious figures converged around the creation of this great work-from the great Dutch scholar Desiderius Erasmus to the young Martin Luther-and Ross King skillfully weaves them through his compelling historical narrative, offering uncommon insight into the intersection of art and history. On Writing: A Memoir of the Craft ![]() Strategies of Poetic Narrative: Chaucer, Spenser, Milton, Eliot ![]() Collected Stories ![]() The Man Who Would Be King ![]() The Secret Commonwealth: Of Elves, Fauns, and Fairies ![]() Late in the seventeenth century, Robert Kirk, an Episcopalian minister in the Scottish Highlands, set out to collect his parishioners’ many striking stories about elves, fairies, fauns, doppelgängers, wraiths, and other beings of, in Kirk’s words, “a middle nature betwixt man and angel.” For Kirk these stories constituted strong evidence for the reality of a supernatural world, existing parallel to ours, which, he passionately believed, demanded exploration as much as the New World across the seas. Kirk defended these views in The Secret Commonwealth, an essay that was left in manuscript when he died in 1692. It is a rare and fascinating work, an extraordinary amalgam of science, religion, and folklore, suffused with the spirit of active curiosity and bemused wonder that fills Robert Burton’s Anatomy of Melancholy and the works of Sir Thomas Browne. The Secret Commonwealth is not only a remarkable document in the history of ideas but a study of enchantment that enchants in its own right. First published in 1815 by Sir Walter Scott, then reedited in 1893 by Andrew Lang, with a dedication to Robert Louis Stevenson, The Secret Commonwealth has long been difficult to obtain—available, if at all, only in scholarly editions. This new edition modernizes the spelling and punctuation of Kirk’s little book and features a wide-ranging and illuminating introduction by the critic and historian Marina Warner, who brings out the originality of Kirk’s contribution and reflects on the ongoing life of fairies in the modern mind. Interpreting Bach's Well-Tempered Clavier: A Performer`s Discourse of Method ![]() Real World Bryce 4 ![]() Apple Training Series: Mac OS X Security and Mobility v10.6: A Guide to Providing Secure Mobile Access to Intranet Services Using Mac OS X Server v10.6 Snow Leopard ![]() The 3 A.M. Epiphany: Uncommon Writing Exercises that Transform Your Fiction ![]() ART of the 20th Century ![]() Aristotle and an Aardvark Go to Washington ![]() Plato and a Platypus Walk into a Bar: Understanding Philosophy Through Jokes ![]() The Marquise of O and Other Stories ![]() My Struggle: Book Five ![]() My Struggle: Book Four ![]() My Struggle: Book One ![]() Intense and vital... The need for totality . . . brings superb, lingering, celestial passages . . . The concluding sentences of the book [are] placid, plain, achieved. They have what Walter Benjamin called 'the epic side of truth, wisdom.' —James Wood, The New Yorker "While not unconcerned with finding objective truth in the moments he recounts, Mr. Knausgaard aims first to simply record them, to try to shape the banal into something worth remembering. Beautifully rendered and, at times, painfully observant, his book does a superlative job of finding that "inner core of human existence." —The Wall Street Journal Steadily absorbing, lit up by pages of startling insight and harrowing honesty, My Struggle introduces into world literature a singular character and immerses us in his fascinating Underground Man consciousness. — Philip Lopate Karl Ove—with his shyness, his passion, his honesty—can take on any subject and make it his own. — Edmund White I read both books [One and Two] hungrily and find myself already missing Knausgaard just a few days after turning A Man in Love's last page, searching the Web for inexpensive crash courses in Norwegian, mostly just wishing Volume Three were available in English now. —Jonathan Callahan, The Millions Knausgaard's preternatural facility for description, the dreamy thickness of his prose, speaks not only to the sheer pleasure his fiction affords, but to the philosophical stakes of that pleasure. — Mark Sussman, Los Angeles Review of Books My Struggle: Book Six ![]() The full scope and achievement of Knausgaard's monumental work is evident in this final installment of his My Struggle series. Grappling directly with the consequences of Knausgaard's transgressive blurring of public and private Book Six is a troubling and engrossing look into the mind of one of the most exciting artists of our time. Knausgaard includes a long essay on Hitler and Mein Kampf, particularly relevant (if not prescient) in our current global climate of ascending dictatorships. My Struggle: Book Three ![]() "Of course, I remember nothing from this time. It is completely impossible to identify with the infant my parents photographed; this is in fact so difficult it almost seems wrong to use the word 'I' when referring to it, lying in the baby bath, for instance, its skin unnaturally red, its arms and legs sprawling, and its face distorted in a scream no one remembers the reason for anymore ... Is that creature the same as the one sitting here in Malmö, writing this?" —from Book Three of My Struggle More praise for Book Three: "A superbly told childhood story ... Knausgaard writes about everyday life as a child with a flow and continuity that all hangs together ... the text has a gravitational pull that draws the reader in only further." —Dag Og Tid (Norway) "An aesthetic pleasure ... A patient, chiseled, and intense portrayal of a child's sensory experience. Book Three is a classic." —Klassekampen (Norway) "Compelling reading ... Knausgaard has an equally good eye for small and large events." —Aftenposten (Norway) "A gripping novel ... This childhood portrayal drifts off with a lightness and sensitivity that not many will associate with him ... There is no doubt that the series is worth following the author all the way." —Dagens Næringsliv (Norway) "The man can write a novel about a solid, pretty traditional upbringing too ... A sensitive, sharp depiction of growing up in the 70's." —Adresseavisen (Norway) My Struggle: Book Two: A Man in Love ![]() A Separate Peace ![]() Set at a boys’ boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual. Phineas is a handsome, taunting, daredevil athlete. What happens between the two friends one summer, like the war itself, banishes the innocence of these boys and their world. A bestseller for more than thirty years, A Separate Peace is John Knowles’s crowning achievement and an undisputed American classic. London: A History of 300 Years in 25 Buildings ![]() The Memory Room ![]() Programming in Objective-C ![]() Langenscheidt Lilliput Kölsch ![]() The Dictionary of Obscure Sorrows ![]() Aphrodite and the Gods of Love ![]() Calculus Demystified : A Self Teaching Guide (Demystified) ![]() Differential Equations Demystified ![]() The World Goes On ![]() The Assault on American Excellence ![]() In his tenure at Yale, Anthony Kronman has watched students march across campus to protest the names of buildings and seen colleagues resign over emails about Halloween costumes. He is no stranger to recent confrontations at American universities. But where many see only the suppression of free speech, the babying of students, and the drive to bury the imperfect parts of our history, Kronman recognizes in these on-campus clashes a threat to our democracy. As Kronman argues in The Assault on American Excellence, the founders of our nation learned over three centuries ago that in order for this country to have a robust democratic government, its citizens have to be trained to have tough skins, to make up their own minds, and to win arguments not on the basis of emotion but because their side is closer to the truth. In other words, to prepare people to choose good leaders, you need to turn them into smart fighters, people who can take hits and think clearly so they’re not manipulated by demagogues. Kronman is the first to tie today’s campus debates back to the history of American values, drawing on luminaries like Alexis de Tocqueville and John Adams to show how these modern controversies threaten the best of our intellectual traditions. His tone is warm and optimistic, that of a humanist and a lover of the humanities who is passionate about educating students capable of living up to the demands of a thriving democracy. Incisive and wise, The Assault on American Excellence makes the radical argument that to graduate as good citizens, college students have to be tested in a system that isn’t wholly focused on being good to them. Anarchist Communism ![]() This Thing We Call Literature ![]() Memories of the Future ![]() The Return of Munchausen ![]() Sigizmund Krzhizhanovsky, the Russian modernist master of the unsettling and the uncanny, also took certain liberties with the mythical baron. In this phantasmagoric roman à clef set in 1920s Berlin, London, and Moscow, Munchausen dauntlessly upholds his old motto “Truth in lies,” while remaining a fierce champion of his own imagination. At the same time, the two-hundred-year-old baron and self-taught philosopher has agreed to return to Russia, Lenin’s Russia, undercover. This reluctant secret agent has come out of retirement to engage with the real world. Unwitting Street ![]() The Structure of Scientific Revolutions: 50th Anniversary Edition ![]() With The Structure of Scientific Revolutions, Kuhn challenged long-standing linear notions of scientific progress, arguing that transformative ideas don’t arise from the day-to-day, gradual process of experimentation and data accumulation but that the revolutions in science, those breakthrough moments that disrupt accepted thinking and offer unanticipated ideas, occur outside of “normal science,” as he called it. Though Kuhn was writing when physics ruled the sciences, his ideas on how scientific revolutions bring order to the anomalies that amass over time in research experiments are still instructive in our biotech age. This new edition of Kuhn’s essential work in the history of science includes an insightful introduction by Ian Hacking, which clarifies terms popularized by Kuhn, including paradigm and incommensurability, and applies Kuhn’s ideas to the science of today. Usefully keyed to the separate sections of the book, Hacking’s introduction provides important background information as well as a contemporary context. Newly designed, with an expanded index, this edition will be eagerly welcomed by the next generation of readers seeking to understand the history of our perspectives on science. La Lenteur ![]() The Art of the Novel ![]() Encounter ![]() Milan Kundera's new collection of essays is a passionate defense of art in an era that, he argues, no longer values art or beauty. With the same dazzling mix of emotion and idea that characterizes his novels, Kundera revisits the artists who remain important to him and whose works help us better understand the world we live in and what it means to be human. An astute reader of fiction, Kundera brings his extraordinary critical gifts to bear on the paintings of Francis Bacon, the music of Leos Janacek, and the films of Federico Fellini, as well as the novels of Philip Roth, Fyodor Dostoyevsky, and Gabriel GarcÍa MÁrquez, among others. He also takes up the challenge of restoring to its rightful place the work of Anatole France and Curzio Malaparte, major writers who have fallen into obscurity. Milan Kundera's signature themes of memory and forgetting, the experience of exile, and the championing of modernist art are here, along with more personal reflections and stories. Encounter is a work of great humanism. Art is what we possess in the face of evil and the darker side of human nature. Elegant, startlingly original, and provocative, Encounter follows in the footsteps of Kundera's earlier essay collections, The Art of the Novel, Testaments Betrayed, and The Curtain. Farewell Waltz: A Novel ![]() The Festival of Insignificance: A Novel ![]() Casting light on the most serious of problems and at the same time saying not one serious sentence; being fascinated by the reality of the contemporary world and at the same time completely avoiding realism—that’s The Festival of Insignificance. Readers who know Milan Kundera’s earlier books know that the wish to incorporate an element of the “unserious” in a novel is not at all unexpected of him. In Immortality, Goethe and Hemingway stroll through several chapters together talking and laughing. And in Slowness, Vera, the author’s wife, says to her husband: “you’ve often told me you meant to write a book one day that would have not a single serious word in it…I warn you: watch out. Your enemies are lying in wait.” Now, far from watching out, Kundera is finally and fully realizing his old aesthetic dream in this novel that we could easily view as a summation of his whole work. A strange sort of summation. Strange sort of epilogue. Strange sort of laughter, inspired by our time, which is comical because it has lost all sense of humor. What more can we say? Nothing. Just read. Identity: A Novel ![]() With stunning artfulness in expanding and playing variations on the meaningful moment, Milan Kundera has made this situation—and the vague sense of panic it inspires—the very fabric of his new novel. Here brevity goes hand in hand with intensity, and a moment of bewilderment marks the start of a labyrinthine journey during which the reader repeatedly crosses the border between the real and the unreal, between what occurs in the world outside and what the mind creates in its solitude. Of all contemporary writers, only Kundera can transform such a hidden and disconcerting perception into the material for a novel, one of his finest, most painful, and most enlightening. Which, surprisingly, turns out to be a love story. Ignorance: A Novel ![]() Immortality ![]() Immortality ![]() The Joke ![]() The present edition provides English-language readers an important further means toward revaluation of The Joke. For reasons he describes in his Author's Note, Milan Kundera devoted much time to creating (with the assistance of his American publisher-editor) a completely revised translation that reflects his original as closely as any translation possibly can: reflects it in its fidelity not only to the words and syntax but also to the characteristic dictions and tonalities of the novel's narrators. The result is nothing less than the restoration of a classic. Laughable Loves ![]() Let the Old Dead Make Room for the New Dead: Faber Stories ![]() Written in 1969, before Milan Kundera was known to English-speaking readers, this story renders male and female characters painful equals, and prompted Philip Roth to admire its 'detached Chekhovian tenderness'. Slowness ![]() Testaments Betrayed: An Essay in Nine Parts ![]() Les Testaments Trachis ![]() The Curtain: An Essay in Seven Parts ![]() The Farewell Party: Revised Edition ![]() The Unbearable Lightness of Being ![]() Build Your House Around My Body: A Novel ![]() (God Bless You, Dr. Kevorkian) By Vonnegut, Kurt, Jr. (Author) Paperback on 14-Dec-2010 ![]() A Case of Curiosities ![]() "Captivating...marvelously re-creates an unfamiliar world [and] also successfully imitates the style of writing associated with novelists of the age." SAN FRANCISCO CHRONICLE The Flamethrowers ![]() “Superb…Scintillatingly alive…A pure explosion of now.”—The New Yorker Reno, so-called because of the place of her birth, comes to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity—artists colonize a deserted and industrial SoHo, stage actions in the East Village, blur the line between life and art. Reno is submitted to a sentimental education of sorts—by dreamers, poseurs, and raconteurs in New York and by radicals in Italy, where she goes with her lover to meet his estranged and formidable family. Ardent, vulnerable, and bold, Reno is a fiercely memorable observer, superbly realized by Rachel Kushner. The Mars Room: A Novel ![]() “Electrifying.” —Vanity Fair “A page turner… The Mars Room is one of those books that enrage you even as they break your heart.” —The New York Times Book Review “Brilliant and devastating… The Mars Room is a heartbreaking, true, and nearly flawless novel.” —NPR From twice National Book Award–nominated Rachel Kushner, whose Flamethrowers was called “the best, most brazen, most interesting book of the year” (Kathryn Schulz, New York magazine), comes a spectacularly compelling, heart-stopping novel about a life gone off the rails in contemporary America. It’s 2003 and Romy Hall is at the start of two consecutive life sentences at Stanville Women’s Correctional Facility, deep in California’s Central Valley. Outside is the world from which she has been severed: the San Francisco of her youth and her young son, Jackson. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, which Kushner evokes with great humor and precision. Stunning and unsentimental, The Mars Room demonstrates new levels of mastery and depth in Kushner’s work. It is audacious and tragic, propulsive and yet beautifully refined. As James Wood said in The New Yorker, her fiction “succeeds because it is so full of vibrantly different stories and histories, all of them particular, all of them brilliantly alive.” Love Sonnets and Elegies ![]() Liaisons Dangereuses ![]() Monty: A Biography of Montgomery Clift ![]() Interpreter Of Maladies ![]() Tales from Shakespeare ![]() The Professor and the Siren ![]() In the last two years of his life, the Sicilian aristocrat Giuseppe Tomasi di Lampedusa wrote not only the internationally celebrated novel The Leopard but also three shorter pieces of fiction, brought together here in a new translation. “The Professor and the Siren,” like The Leopard, meditates on the past and the passage of time, and also on the relationship between erotic love and learning. Professor La Ciura is one of the world’s most distinguished Hellenists; his knowledge, however, came at the cost of a loss that has haunted him for his entire life. This Lampedusa’s final masterpiece, is accompanied here by the parable “Joy and the Law” and “The Blind Kittens,” a story originally conceived as the first chapter of a followup to The Leopard. The Leopard ![]() What renders The Leopard so beautiful, and so despairing, is Lampedusa's grasp of human frailty and his vision of Sicily's arid terrain—"comfortless and irrational, with no lines that the mind could grasp, conceived apparently in a delirious moment of creation; a sea suddenly petrified at the instant when a change of wind had flung waves into frenzy." Though the author had long had the book in mind, he didn't begin writing it until he was in his late 50s. He died at 60, soon after it was rejected as unpublishable. Archibald Colquhoun's lyrical translation also contains 70 more precious pages of Lampedusa—a memoir, a short story, and the first chapter of a novel. In "Places of My Infancy" the author warns that "the reader (who won't exist) must expect to be led meandering through a lost Earthly Paradise. If it bores him. I don't mind." Luckily, the reader does exist; even more luckily, boredom is not an option. Claris Home Page Companion ![]() Mac OS X Advanced Visual QuickPro Guide ![]() Truth be told, the word Visual figures in this book's title for a reason. The reason is that the format was developed to illustrate how to get things done with graphical user interfaces (GUIs), like those of the traditional Mac environment and of Windows. The format works very well for that purpose. It kind of falls down, however, when it's applied to the command-line interface of Mac OS X (this alternative interface, which reflects the operating system's Unix-based core, is called "Darwin"). The very small screen shots that work well for GUIs inspire eyestrain when applied to terminal windows. Fortunately, though, the Darwin material makes up less than 10 percent of this book, and the text that accompanies the illustrations generally makes up for their diminutive size. —David Wall Topics covered: Mac OS X for users of the operating system. Sections show how to configure multiple users, set up a network, and use the native utilities. There's a fair bit of coverage on the system's Unix-like underpinnings, as well. Piers Plowman; with Sir Gawain and the Green Knight, Pearl and Sir Orfeo ![]() The Complete Poems ![]() This entirely new edition brings together all of Philip Larkin's poems. In addition to those that appear in Collected Poems (1988) and Early Poems and Juvenilia (2005), some unpublished pieces from Larkin's typescripts and workbooks are included, as well as verse―by turns scurrilous, satirical, affectionate, and sentimental―that had been tucked away in his letters. For the first time, Larkin's poems are given a comprehensive commentary. This draws critically upon, and substantially extends, the accumulated scholarship on Larkin, and covers closely relevant historical contexts, persons and places, allusions and echoes, and linguistic usage. Prominence is given to the poet's comments on his own work, which often outline the circumstances that gave rise to a poem or state that he was trying to achieve. Larkin often played down his literariness, but his poetry enrichingly alludes to and echoes the writings of many others. Archie Burnett's commentary establishes Larkin as a more complex and more literary poet than many readers have suspected. The Complete Fiction of Nella Larsen: Passing, Quicksand, and the Stories ![]() The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America ![]() Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists ![]() Where the Heart Beats is the story of the tremendous changes sweeping through American culture following the Second World War, a time when the arts in America broke away from centuries of tradition and reinvented themselves. Painters converted their canvases into arenas for action and gesture, dancers embraced pure movement over narrative, performance artists staged “happenings” in which anything could happen, poets wrote words determined by chance. In this tumultuous period, a composer of experimental music began a spiritual quest to know himself better. His earnest inquiry touched thousands of lives and created controversies that are ongoing. He devised unique concerts—consisting of notes chosen by chance, randomly tuned radios, and silence—in the service of his absolute conviction that art and life are one inseparable truth, a seamless web of creation divided only by illusory thoughts. What empowered John Cage to compose his incredible music—and what allowed him to inspire tremendous transformations in the lives of his fellow artists—was Cage’s improbable conversion to Zen Buddhism. This is the story of how Zen saved Cage from himself. Where the Heart Beats is the first book to address the phenomenal importance of Zen Buddhism to John Cage’s life and to the artistic avant-garde of the 1950s and 1960s. Zen’s power to transform Cage’s troubled mind—by showing him his own enlightened nature—liberated Cage from an acute personal crisis that threatened everything he most deeply cared abouthis life, his music, and his relationship with his life partner, Merce Cunningham. Caught in a society that rejected his art, his politics, and his sexual orientation, Cage was transformed by Zen from an overlooked and marginal musician into the absolute epicenter of the avant-garde. Using Cage’s life as a starting point, Where the Heart Beats looks beyond to the individuals Cage influenced and the art he inspired. His creative genius touched Robert Rauschenberg, Jasper Johns, Andy Warhol, Yoko Ono, Alan Kaprow, Morton Feldman, and Leo Castelli, who all went on to revolutionize their respective disciplines. As Cage’s story progresses, as his collaborators’ trajectories unfurl, Where the Heart Beats shows the blossoming of Zen in the very heart of American culture. The Girl Who Kicked the Hornet's Nest ![]() Lisbeth Salander—the heart of Larsson’s two previous novels—lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. She’s fighting for her life in more ways than one: if and when she recovers, she’ll be taken back to Stockholm to stand trial for three murders. With the help of her friend, journalist Mikael Blomkvist, she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she will plot revenge—against the man who tried to kill her, and the corrupt government institutions that very nearly destroyed her life. Once upon a time, she was a victim. Now Salander is fighting back. The Girl Who Played with Fire ![]() But he has no idea just how explosive the story will be until, on the eve of publication, the two investigating reporters are murdered. And even more shocking for Blomkvist: the fingerprints found on the murder weapon belong to Lisbeth Salander—the troubled, wise-beyond-her-years genius hacker who came to his aid in The Girl with the Dragon Tattoo, and who now becomes the focus and fierce heart of The Girl Who Played with Fire. As Blomkvist, alone in his belief in Salander’s innocence, plunges into an investigation of the slayings, Salander herself is drawn into a murderous hunt in which she is the prey, and which compels her to revisit her dark past in an effort to settle with it once and for all. The Girl with the Dragon Tattoo ![]() Afternoon of a Faun: A Novel ![]() "The truth might be hard to bring to light, but that didn’t mean it didn’t exist, because it did exist: fixed in its moment, unalterable, and certainly not a matter of ‘belief.’ " When an old flame accuses him of sexual assault in her memoir, expat English journalist Marco Rosedale is brought rapidly and inexorably to the brink of ruin. His reputation and livelihood at stake, Marco confides in a close friend, who finds himself caught between the obligations of friendship and an increasingly urgent desire to uncover the truth. This unnamed friend is drawn, magnetized, into the orbit of the woman at the center of the accusation―and finds his position as the safely detached narrator turning into something more dangerous. Soon, the question of his own complicity becomes impossible to avoid. Set during the months leading up to Donald Trump’s election, with detours into the 1970s, this propulsive novel investigates the very meaning of truth at a time when it feels increasingly malleable. An atmospheric and unsettling drama from a novelist acclaimed as “the literary descendent of Dostoevsky and Patricia Highsmith” (Boston Globe), Afternoon of a Faun combines a sharply observed study of our shifting social mores with a meditation on what makes us believe, or disbelieve, the stories people tell about themselves. Besieged ![]() Bluestone: New and Selected Poems ![]() Two men grapple with jumper cables, trying "to make a stand // in this last corner of our realm; machinery . . ." A man on his way to see his therapist encounters a female police officer in an elevator and feels himself regressing to "the original essence, the masculine / criminal salt." A teenager is tricked into eating a spoonful of lime pickle by his girlfriend's father. An Englishman in the Catskills ponders the nature of exile, is chased by yellow jackets, gets a haircut. James Lasdun's subjects are often quotidian—but his treatment of them never is. Under his transformative gaze, the familiar becomes strange, the local becomes foreign, and the minor becomes epic. Lasdun has been winning acclaim since his first collection, 1988's A Jump Start—Helen Vendler has lauded his ability to give "brisk shape to contemporary and classical events"; The New York Times has praised the "sharp, slicing imagery" of his work. Now, in Bluestone, which selects from all three of his previous collections and includes poems from his fourth, Water Sessions, previously available only in the U.K., readers will be able to appreciate the full sweep of this capacious talent: his delicate wit, his gift for invention, his keen observational eye. It is a gathering that affirms Lasdun's position as, to quote Anthony Hecht, one of "the most gifted, vivid, and deft poets now writing in English." Give Me Everything You Have: On Being Stalked ![]() The Horned Man ![]() It's Beginning to Hurt ![]() It's Beginning to Hurt: Stories ![]() In sharply evoked settings that range from the wilds of Northern Greece to the beaches of Cape Cod, these intensely dramatic tales chart the metamorphoses of their characters as they fall prey to the full range of human passions. They rise to unexpected heights of decency or stumble into comic or tragic folly. They throw themselves open to lust, longing, and paranoia—always recognizably mirrors of our own conflicted selves. As James Wood has written, “James Lasdun seems to be one of the secret gardens of English writing . . . When we read him we know what language is for again.” This collection of haunting, richly humane pieces is further proof of the powers of an enormously inventive writer. A Jump Start ![]() Landscape with Chainsaw: Poems ![]() Seven Lies ![]() Walking and Eating in Tuscany and Umbria: Revised Edition ![]() Featuring: ? New and revised walks ? Clear, easy-to-follow maps ? Suggestions for local food and wine and the best restaurants, hotels, and family- run accommodations ? Half-day, full-day, or overnight itineraries ? Practical tips, including information on climate, what to take, what to wear, and much more Woman Police Officer in Elevator: Poems ![]() Delirium Eclipse ![]() The Bad Side of Books: Selected Essays of D.H. Lawrence ![]() Collected Stories: D.H. Lawrence ![]() The Rainbow ![]() The Virgin and the Gipsy ![]() Women in Love ![]() Conversations with Woody Allen: His Films, the Movies, and Moviemaking ![]() For more than three decades, Woody Allen has been talking regularly and candidly with Eric Lax, and has given him singular and unfettered access to his film sets, his editing room, and his thoughts and observations. In discussions that begin in 1971 and continue into 2007, Allen discusses every facet of moviemaking through the prism of his own films and the work of directors he admires. In doing so, he reveals an artist’s development over the course of his career to date, from joke writer to standup comedian to world-acclaimed filmmaker. Woody talks about the seeds of his ideas and the writing of his screenplays; about casting and acting, shooting and directing, editing and scoring. He tells how he reworks screenplays even while filming them. He describes the problems he has had casting American men, and he explains why he admires the acting of (among many others) Alan Alda, Marlon Brando, Michael Caine, John Cusack, Judy Davis, Robert De Niro, Leonardo DiCaprio, Mia Farrow, Gene Hackman, Scarlett Johansson, Julie Kavner, Liam Neeson, Jack Nicholson, Charlize Theron, Tracey Ullman, Sam Waterston, and Dianne Wiest. He places Diane Keaton second only to Judy Holliday in the pantheon of great screen comediennes. He discusses his favorite films (Citizen Kane is the lone American movie on his list of sixteen “best films ever made”; Duck Soup and Airplane! are two of his preferred “comedian’s films”; Trouble in Paradise and Born Yesterday among his favorite “talking plot comedies”). He describes himself as a boy in Brooklyn enthralled by the joke-laden movies of Bob Hope and the sophisticated film stories of Manhattan. As a director, he tells us what he appreciates about Bergman, De Sica, Fellini, Welles, Kurosawa, John Huston, and Jean Renoir. Throughout he shows himself to be thoughtful, honest, self–deprecating, witty, and often hilarious. Conversations with Woody Allen is essential reading for everyone interested in the art of moviemaking and for everyone who has enjoyed the films of Woody Allen. Iceland's Bell ![]() In the years that follow, the hapless but resilient rogue Hreggvidsson becomes a pawn entangled in political and personal conflicts playing out on a far grander scale. Chief among these is the star-crossed love affair between Snaefridur, known as “Iceland’s Sun,” a beautiful, headstrong young noblewoman, and Arnas Arnaeus, the king’s antiquarian, an aristocrat whose worldly manner conceals a fierce devotion to his downtrodden countrymen. As their personal struggle plays itself out on an international stage, Iceland’s Bell creates a Dickensian canvas of heroism and venality, violence and tragedy, charged with narrative enchantment on every page. Independent People ![]() Having spent eighteen years in humiliating servitude, Bjartur wants nothing more than to raise his flocks unbeholden to any man. But Bjartur's spirited daughter wants to live unbeholden to him. What ensues is a battle of wills that is by turns harsh and touching, elemental in its emotional intensity and intimate in its homely detail. Vast in scope and deeply rewarding, Independent People is a masterpiece. The Radiance of the King ![]() The Radiance of the King ![]() Lost Language of Cranes, The ![]() My Year Abroad: A Novel ![]() Go Set a Watchman: A Novel ![]() Maycomb, Alabama. Twenty-six-year-old Jean Louise Finch—"Scout"—returns home from New York City to visit her aging father, Atticus. Set against the backdrop of the civil rights tensions and political turmoil that were transforming the South, Jean Louise's homecoming turns bittersweet when she learns disturbing truths about her close-knit family, the town, and the people dearest to her. Memories from her childhood flood back, and her values and assumptions are thrown into doubt. Featuring many of the iconic characters from To Kill a Mockingbird, Go Set a Watchman perfectly captures a young woman, and a world, in painful yet necessary transition out of the illusions of the past—a journey that can only be guided by one's own conscience. Written in the mid-1950s, Go Set a Watchman imparts a fuller, richer understanding and appreciation of Harper Lee. Here is an unforgettable novel of wisdom, humanity, passion, humor, and effortless precision—a profoundly affecting work of art that is both wonderfully evocative of another era and relevant to our own times. It not only confirms the enduring brilliance of To Kill a Mockingbird, but also serves as its essential companion, adding depth, context, and new meaning to an American classic. To Kill a Mockingbird ![]() Tom Stoppard: A Life ![]() Bobcat and Other Stories ![]() The Vonnegut Encyclopedia: Revised and updated edition ![]() Over the course of five decades, Kurt Vonnegut created a complex and interconnected web of characters, settings, and concepts. The Vonnegut Encyclopedia is an exhaustive guide to this beloved author’s world, organized in a handy A-to-Z format. The first edition of this book covered Vonnegut’s work through 1991. This new and updated edition encompasses his writing through his death in 2007. Marc Leeds, co-founder and founding president of the Kurt Vonnegut Society and a longtime personal friend of the author’s, has devoted more than twenty-five years of his life to cataloging the Vonnegut cosmos—from the birthplace of Kilgore Trout (Vonnegut’s sci-fi writing alter ego) to the municipal landmarks of Midland City (the midwestern metropolis that is the setting for Vonnegut’s 1973 masterpiece Breakfast of Champions). The Vonnegut Encyclopedia identifies every major and minor Vonnegut character from Celia Aamons to Zog, as well as recurring images and relevant themes from all of Vonnegut’s works, including lesser-known gems like his revisionist libretto for Stravinsky’s opera L’Histoire du soldat and his 1980 children’s book Sun Moon Star. Leeds provides expert notes explaining the significance of many items, but relies primarily on extended quotations from Vonnegut himself. A work of impressive scholarship in an eminently browsable package, this encyclopedia reveals countless connections readers may never have thought of on their own. A rarity among authors of serious fiction, Kurt Vonnegut has always inspired something like obsession in his most dedicated fans. The Vonnegut Encyclopedia is an invaluable resource for readers wishing to revisit his fictional universe—and those about to explore it for the first time. Praise for The Vonnegut Encyclopedia “An essential collection for fans of the singular satirist.”—San Francisco Chronicle “Indispensable.”—Publishers Weekly “If you’re somebody who has read one Kurt Vonnegut book then there’s a chance you’ve read them all. For the devout reader of Vonnegut there’s a voracious sense of completism. And, Marc Leeds and his new [The Vonnegut] Encyclopedia are here to guide you through it all. Just don’t blame him if you become unstuck in time while you’re reading.”—Inverse “Vonnegut enthusiasts will be delighted with Leeds’s exhaustive, almost obsessive, treatment of the characters, places, events, and tantalizingly mysterious references for which Vonnegut’s five-decade writing career is celebrated. . . . A wonderful and beautifully designed reference source.”—Booklist (starred review) “Leeds’s scholarship and genuine love for his subject matter render this encyclopedia a treasure trove for Vonnegut readers.”—The Nameless Zine Brainspotting: Adventures in Neurology ![]() Brazil That Never Was ![]() Pasta by Design ![]() Pasta’s wonderful, sometimes whimsical, geometrical shapes and surfaces are designed to hold certain sauces or accompaniments, to be beautiful yet functional. Here are over ninety forms of pasta, each shown through especially commissioned photographs, mathematical formulae that accurately describe each shape, and drawings that reveal the hidden genius of our everyday food. Brief texts describe the special attributes of each form of pasta, along with advice on specific uses in cooking. 90 full-color photographs and 200 black-and-white illustrations Proust Was a Neuroscientist ![]() Rilke: Poems (Everyman's Library Pocket Poets) ![]() A Perfect Vacuum ![]() Familiar ![]() Canti: Poems / A Bilingual Edition ![]() Giacomo Leopardi is Italy's greatest modern poet, the first European writer to portray and examine the self in a way that feels familiar to us today. A great classical scholar and patriot, he explored metaphysical loneliness in entirely original ways. Though he died young, his influence was enormous, and it is no exaggeration to say that all modern poetry, not only in Italian, derives in some way from his work. Leopardi's poetry is notoriously difficult to translate, and he has been less well known to English-language readers than his central significance for his own culture might suggest. Now Jonathan Galassi, whose translations of Eugenio Montale have been widely acclaimed, has produced a strong, fresh, direct version of this great poet that offers English-language readers a new approach to Leopardi. Galassi has contributed an informative introduction and notes that provide a sense of Leopardi's sources and ideas. This is an essential book for anyone who wants to understand the roots of modern lyric poetry. Zibaldone ![]() Giacomo Leopardi was the greatest Italian poet of the nineteenth century and was recognized by readers from Nietzsche to Beckett as one of the towering literary figures in Italian history. To many, he is the finest Italian poet after Dante. (Jonathan Galassi’s translation of Leopardi’s Canti was published by FSG in 2010.) He was also a prodigious scholar of classical literature and philosophy, and a voracious reader in numerous ancient and modern languages. For most of his writing career, he kept an immense notebook, known as the Zibaldone, or “hodge-podge,” as Harold Bloom has called it, in which Leopardi put down his original, wide-ranging, radically modern responses to his reading. His comments about religion, philosophy, language, history, anthropology, astronomy, literature, poetry, and love are unprecedented in their brilliance and suggestiveness, and the Zibaldone, which was only published at the turn of the twentieth century, has been recognized as one of the foundational books of modern culture. Its 4,500-plus pages have never been fully translated into English until now, when a team under the auspices of Michael Caesar and Franco D’Intino of the Leopardi Centre in Birmingham, England, have spent years producing a lively, accurate version. This essential book will change our understanding of nineteenth-century culture. This is an extraordinary, epochal publication. A Hero of Our Time ![]() This edition includes a Translator’s Foreword by Vladimir Nabokov, who translated the novel in collaboration with his son, Dmitri Nabokov. (Book Jacket Status: Jacketed) The Topeka School: A Novel ![]() NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: Esquire, Vogue, Amazon, Kirkus, The Times (UK), The Telegraph (UK), Financial Times (UK), and the New York Public Library From the award-winning author of 10:04 and Leaving the Atocha Station, a tender and expansive family drama set in the American Midwest at the turn of the century: a tale of adolescence, transgression, and the conditions that have given rise to the trolls and tyrants of the New Right Adam Gordon is a senior at Topeka High School, class of ’97. His mother, Jane, is a famous feminist author; his father, Jonathan, is an expert at getting “lost boys” to open up. They both work at a psychiatric clinic that has attracted staff and patients from around the world. Adam is a renowned debater, expected to win a national championship before he heads to college. He is one of the cool kids, ready to fight or, better, freestyle about fighting if it keeps his peers from thinking of him as weak. Adam is also one of the seniors who bring the loner Darren Eberheart―who is, unbeknownst to Adam, his father’s patient―into the social scene, to disastrous effect. Deftly shifting perspectives and time periods, The Topeka School is the story of a family, its struggles and its strengths: Jane’s reckoning with the legacy of an abusive father, Jonathan’s marital transgressions, the challenge of raising a good son in a culture of toxic masculinity. It is also a riveting prehistory of the present: the collapse of public speech, the trolls and tyrants of the New Right, and the ongoing crisis of identity among white men. The Enchanted Wanderer: and Other Stories ![]() Leskov was Chekhov’s favorite writer and was greatly admired by Tolstoy and Maxim Gorky. His short stories—innovative in form, richly playful in language, now tragic, now satirical, now wildly comic in subject matter—exploded the prevailing traditions of nineteenth-century Russian fiction and paved the way for such famous literary successors as Mikhail Bulgakov. These seventeen stories are visionary and fantastic, and yet always grounded in reality, peopled by outsized characters that include serfs, princes, military officers, Gypsy girls, wayward monks, horse dealers, nomadic Tartars, and, above all, the ubiquitous figure of the garrulous, enthralling, not entirely trustworthy storyteller. In stories long considered classics, Leskov takes the speech patterns of oral storytelling and spins them in new and startlingly modern ways, presenting seemingly artless yarns that are in fact highly sophisticated. It is the great gift of this new translation that it allows us to hear the many vibrant voices of Leskov’s singular art. Lady Macbeth of Mtsensk: Selected Stories of Nikolai Leskov ![]() The Golden Notebook: Perennial Classics edition ![]() Motherless Brooklyn; The Fortress of Solitude: Introduction by Charles Yu ![]() Talking Heads' Fear of Music ![]() Jonathan Lethem treats Fear of Music; (the third album by the Talking Heads, and the first produced by Brian Eno) as a masterpiece - edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky and fun. He scratches obsessively at the album's songs, guitars, rhythms, lyrics, packaging, downtown origins, and legacy, showing how Fear of Music hints at the directions (positive and negative) the band would take in the future. Lethem transports us again to the New York City of another time - tackling one of his great adolescent obsessions and illuminating the ways in which we fall in and out of love with works of art. Measure for Measure: A Musical History of Science ![]() The Complete Works of Primo Levi ![]() The Complete Works of Primo Levi, which includes seminal works like If This Is a Man and The Periodic Table, finally gathers all fourteen of Levi’s books―memoirs, essays, poetry, commentary, and fiction―into three slipcased volumes. Primo Levi, the Italian-born chemist once described by Philip Roth as that “quicksilver little woodland creature enlivened by the forest’s most astute intelligence,” has largely been considered a heroic figure in the annals of twentieth-century literature for If This Is a Man, his haunting account of Auschwitz. Yet Levi’s body of work extends considerably beyond his experience as a survivor. Now, the transformation of Levi from Holocaust memoirist to one of the twentieth century’s greatest writers culminates in this publication of The Complete Works of Primo Levi. This magisterial collection finally gathers all of Levi’s fourteen books―memoirs, essays, poetry, and fiction―into three slip-cased volumes. Thirteen of the books feature new translations, and the other is newly revised by the original translator. Nobel laureate Toni Morrison introduces Levi’s writing as a “triumph of human identity and worth over the pathology of human destruction.” The appearance of this historic publication will occasion a major reappraisal of “one of the most valuable writers of our time” (Alfred Kazin). The Complete Works of Primo Levi features all new translations of: The Periodic Table, The Drowned and the Saved, The Truce, Natural Histories, Flaw of Form, The Wrench, Lilith, Other People’s Trades, and If Not Now, When?―as well as all of Levi’s poems, essays, and other nonfiction work, some of which have never appeared before in English. Anatomy of a Short Story: Nabokov's Puzzles, Codes, "Signs and Symbols" ![]() Goalkeeper: The Nabokov Almanac ![]() Keys to the Gift: A Guide to Vladimir Nabokov's Novel ![]() Surprised by Joy ![]() Across That Bridge: A Vision for Change and the Future of America ![]() Anthony Burgess: A Biography ![]() Arrowsmith, Elmer Gantry, Dodsworth ![]() Elmer Gantry (1927) aroused intense controversy with its brutal depiction of a hypocritical preacher in relentless pursuit of worldly pleasure and power. Through his satiric exposé of American religion, Lewis captured the growing cultural and political tension in the 1920s between the forces of secularism and fundamentalism. Dodsworth (1929) follows Sam Dodsworth, a wealthy, retired Midwestern automobile manufacturer, as he travels through Europe with his increasingly restless wife, Fran. The novel intimately explores the unraveling of their marriage, while pitting the proud heritage of European culture against the rude vigor of American commercialism. The Sugar Frosted Nutsack: A Novel ![]() Ritualistically recited by a cast of drug-addled bards, THE SUGAR FROSTED NUTSACK is Ike's epic story. A raucous tale of gods and men confronting lust, ambition, death, and the eternal verities, it is a wildly fun, wickedly fast gambol through the unmapped corridors of the imagination. Tooth Imprints On a Corn Dog ![]() The Hall of Uselessness: Collected Essays ![]() Simon Leys is a Renaissance man for the era of globalization. A distinguished scholar of classical Chinese art and literature and one of the first Westerners to recognize the appalling toll of Mao’s Cultural Revolution, Leys also writes with unfailing intelligence, seriousness, and bite about European art, literature, history, and politics and is an unflinching observer of the way we live now. The Hall of Uselessness is the most extensive collection of Leys’s essays to be published to date. In it, he addresses subjects ranging from the Chinese attitude to the past to the mysteries of Belgium and Belgitude; offers portraits of André Gide and Zhou Enlai; takes on Roland Barthes and Christopher Hitchens; broods on the Cambodian genocide; reflects on the spell of the sea; and writes with keen appreciation about writers as different as Victor Hugo, Evelyn Waugh, and Georges Simenon. Throughout, The Hall of Uselessness is marked with the deep knowledge, skeptical intelligence, and passionate conviction that have made Simon Leys one of the most powerful essayists of our time. Three Summers ![]() Three Summers is the story of three sisters growing up in the countryside near Athens before the Second World War. Living in a big old house surrounded by a beautiful garden are Maria, the oldest sister, as sexually bold as she is eager to settle down and have a family of her own; beautiful but distant Infanta; and dreamy and rebellious Katerina, through whose eyes the story is mostly observed. Over three summers, the girls share and keep secrets, fall in and out of love, try to figure out their parents and other members of the tribe of adults, take note of the weird ways of friends and neighbors, worry about and wonder who they are. Karen Van Dyck’s translation captures all the light and warmth of this modern Greek classic. A Loeb Classical Library Reader ![]() The Waste Books ![]() Lichtenberg's Waste Books have been greatly admired by writers as very different as Tolstoy, Einstein, and Andre Breton, while Nietzsche and Wittgenstein acknowledged them as a significant inspiration for their own radical work in philosophy. The record of a brilliant and subtle mind in action, The Waste Books are above all a powerful testament to the necessity, and pleasure, of unfettered thought. David Lynch: The Man from Another Place ![]() David Lynch: The Man from Another Place, Dennis Lim’s remarkably smart and concise book, proposes several lenses through which to view Lynch and his work: through the age-old mysteries of the uncanny and the sublime, through the creative energies of surrealism and postmodernism, through ideas of America and theories of good and evil. Lynch himself often warns against overinterpretation. And accordingly, this is not a book that seeks to decode his art or annotate his life—to dispel the strangeness of the Lynchian—so much as one that offers complementary ways of seeing and understanding one of the most distinctive bodies of work in modern cinema. Its spirit is true to its subject, in remaining suggestive rather than definitive, in allowing what Lynch likes to call “room to dream,” and in honoring the allure of the unknown and the unknowable. Affinity Photo Workbook ![]() The Gettysburg Address ![]() Lincoln : Speeches and Writings : 1859-1865 ![]() understanding of its most terrible conflict. This volume, along with its companion, Abraham Lincoln: Speeches and Writings 1832–1858, comprises the most comprehensive selection ever published. Over 550 speeches, messages, proclamations, letters, and other writings—including the Inaugural and Gettysburg addresses and the moving condolence letter to Mrs. Bixby—record the words and deeds with which Lincoln defended, preserved, and redefined the Union. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries. Lincoln: Speeches and Writings 1832-1858 ![]() LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries. Gift from the Sea ![]() With great wisdom and insight Lindbergh describes the shifting shapes of relationships and marriage, presenting a vision of life as it is lived in an enduring and evolving partnership. A groundbreaking, best-selling work when it was originally published in 1955, Gift from the Sea continues to be discovered by new generations of readers. With a new introduction by Lindbergh’s daughter Reeve, this fiftieth-anniversary edition will give those who are revisiting the book and those who are coming upon it for the first time fresh insight into the life of this remarkable woman. The sea and the beach are elements that have been woven throughout Anne Morrow Lindbergh’s life. She spent her childhood summers with her family on a Maine island. After her marriage to Charles Lindbergh in 1929, she accompanied him on his survey flights around the North Atlantic to launch the first transoceanic airlines. The Lindberghs eventually established a permanent home on the Connecticut coast, where they lived quietly, wrote books and raised their family. After the children left home for lives of their own, the Lindberghs traveled extensively to Africa and the Pacific for environmental research. For several years they lived on the island of Maui in Hawaii, where Charles Lindbergh died in 1974. Anne Morrow Lindbergh spent her final years in her Connecticut home, continuing her writing projects and enjoying visits from her children and grand-children. She died on February 7, 2001, at the age of ninety-four. Reeve Lindbergh is the author of many books for both adults and children, including the memoirs Under a Wing and No More Words. Magic for Beginners: Stories ![]() Includes an exclusive conversation between Kelly Link and Joe Hill Praise for Magic for Beginners “A sorceress to be reckoned with.”—The New York Times Book Review “[Kelly] Link’s stories . . . play in a place few writers go, a netherworld between literature and fantasy, Alice Munro and J. K. Rowling, and Link finds truths there that most authors wouldn’t dare touch.”—Lev Grossman, Time “She is unique and should be declared a national treasure.”—Neil Gaiman “Funny, scary, surprising and powerfully moving within the span of a single story or even a single sentence.”—Karen Russell, The Miami Herald “This is what certain readers live for: fiction that makes the world instead of merely mimicking it.”—Audrey Niffenegger “[These] exquisite stories mix the aggravations and epiphanies of everyday life with the stuff that legends, dreams and nightmares are made of.”—Laura Miller, Salon, Best Books of the Decade “A major talent . . . Like George Saunders, [Link] can’t dismiss the hidden things that tap on our windows at night.”—The Boston Globe “The most darkly playful voice in American fiction.”—Michael Chabon “I think she is the most impressive writer of her generation.”—Peter Straub “Link’s world is one to savor. [Grade:] A”—Entertainment Weekly “Intricate, wildly imaginative and totally wonderful . . . will fill you with awe and joy.”—NPR Apple Training Series: Mac OS X Support Essentials (Apple Training) ![]() The Three-Body Problem ![]() The Golden Ratio: The Story of PHI, the World's Most Astonishing Number ![]() Jack London : Novels and Stories : Call of the Wild / White Fang / The Sea-Wolf / Klondike and Other Stories ![]() The People of the Abyss / The Road / The Iron Heel / Martin Eden / John Barleycorn ![]() Apple Pro Training Series: Aperture 1.5 (Apple Pro Training) ![]() The Contemporary American Essay ![]() Three Major Plays ![]() The Collected Poems: A Bilingual Edition ![]() And I who was walking with the earth at my waist, saw two snowy eagles and a naked girl. The one was the other and the girl was neither. -from "Qasida of the Dark Doves" Federico García Lorca is the greatest poet of twentieth-century Spain and one of the world's most influential modernist writers. Christopher Maurer, a leading García Lorca scholar and editor, has substantially revised FSG's earlier edition of the collected poems of this charismatic and complicated figure, who-as Maurer says in his illuminating introduction-"spoke unforgettably of all that most interests us: the otherness of nature, the demons of personal identity and artistic creation, sex, childhood, and death." Change: A Novel ![]() The End of Eddy: A Novel ![]() “Every morning in the bathroom I would repeat the same phrase to myself over and over again . . . Today I’m really gonna be a tough guy.” Growing up in a poor village in northern France, all Eddy Bellegueule wanted was to be a man in the eyes of his family and neighbors. But from childhood, he was different―“girlish,” intellectually precocious, and attracted to other men. Already translated into twenty languages, The End of Eddy captures the violence and desperation of life in a French factory town. It is also a sensitive, universal portrait of boyhood and sexual awakening. Like Karl Ove Knausgaard or Edmund White, Édouard Louis writes from his own undisguised experience, but he writes with an openness and a compassionate intelligence that are all his own. The result―a critical and popular triumph―has made him the most celebrated French writer of his generation. Dr. Faustus (Modern Library) ![]() Abducting Diana: Il Ratto Della Francesca ![]() Life Studies & For the Union Dead ![]() Lorenzo Lotto: Rediscovered Master of the Renaissance ![]() De Rerum Natura ![]() On the Nature of Things ![]() What would Jesus do to live in love each day? ![]() Lost Children Archive: A novel ![]() "Impossibly smart, full of beauty, heart and insight . . . Everyone should read this book." —Tommy Orange Longlisted for the Women’s Prize for Fiction From the two-time NBCC Finalist, an emotionally resonant, fiercely imaginative new novel about a family whose road trip across America collides with an immigration crisis at the southwestern border—an indelible journey told with breathtaking imagery, spare lyricism, and profound humanity. A mother and father set out with their two children, a boy and a girl, driving from New York to Arizona in the heat of summer. Their destination: Apacheria, the place the Apaches once called home. Why Apaches? asks the ten-year-old son. Because they were the last of something, answers his father. In their car, they play games and sing along to music. But on the radio, there is news about an "immigration crisis": thousands of kids trying to cross the southwestern border into the United States, but getting detained—or lost in the desert along the way. As the family drives—through Virginia to Tennessee, across Oklahoma and Texas—we sense they are on the brink of a crisis of their own. A fissure is growing between the parents, one the children can almost feel beneath their feet. They are led, inexorably, to a grand, harrowing adventure—both in the desert landscape and within the chambers of their own imaginations. Told through several compelling voices, blending texts, sounds, and images, Lost Children Archive is an astonishing feat of literary virtuosity. It is a richly engaging story of how we document our experiences, and how we remember the things that matter to us the most. With urgency and empathy, it takes us deep into the lives of one remarkable family as it probes the nature of justice and equality today. The First Five Pages: A Writer'S Guide To Staying Out of the Rejection Pile ![]() Whether you are a novice writer or a veteran who has already had your work published, rejection is often a frustrating reality. Literary agents and editors receive and reject hundreds of manuscripts each month. While it's the job of these publishing professionals to be discriminating, it's the job of the writer to produce a manuscript that immediately stands out among the vast competition. And those outstanding qualities, says New York literary agent Noah Lukeman, have to be apparent from the first five pages. The First Five Pages reveals the necessary elements of good writing, whether it be fiction, nonfiction, journalism, or poetry, and points out errors to be avoided, such as * A weak opening hook * Overuse of adjectives and adverbs * Flat or forced metaphors or similes * Melodramatic, commonplace or confusing dialogue * Undeveloped characterizations and lifeless settings * Uneven pacing and lack of progression With exercises at the end of each chapter, this invaluable reference will allow novelists, journalists, poets and screenwriters alike to improve their technique as they learn to eliminate even the most subtle mistakes that are cause for rejection. The First Five Pages will help writers at every stage take their art to a higher — and more successful — level. The New Basics Cookbook ![]() Quadrivium: The Four Classical Liberal Arts of Number, Geometry, Music, & Cosmology ![]() A Short Treatise Inviting the Reader to Discover the Subtle Art of Go ![]() Catching the Big Fish: Meditation, Consciousness, and Creativity ![]() David Lynch: The Marriage of Picture and Sound ![]() Room to Dream ![]() In this unique hybrid of biography and memoir, David Lynch opens up for the first time about a life lived in pursuit of his singular vision, and the many heartaches and struggles he’s faced to bring his unorthodox projects to fruition. Lynch’s lyrical, intimate, and unfiltered personal reflections riff off biographical sections written by close collaborator Kristine McKenna and based on more than one hundred new interviews with surprisingly candid ex-wives, family members, actors, agents, musicians, and colleagues in various fields who all have their own takes on what happened. Room to Dream is a landmark book that offers a onetime all-access pass into the life and mind of one of our most enigmatic and utterly original living artists. With insights into . . . Eraserhead The Elephant Man Dune Blue Velvet Wild at Heart Twin Peaks Twin Peaks: Fire Walk with Me Lost Highway The Straight Story Mulholland Drive INLAND EMPIRE Twin Peaks: The Return Prophet Song: A Novel ![]() I'm Ok, You're Ok ![]() "Harris has stripped away the technical language of psychoanalysis and presents with lucid logic a way to self-understanding and change."—The Los Angeles Times Are you okay? That's probably the most important question anyone will ever answer, and Dr. Thomas Harris's groundbreaking bestseller helped millions respond in the affirmative. Using Transactional Analysis, which confronts the individual with the fact that he or she is responsible for what happens in the future, Dr. Harris explained how to distinguish the three active elements that make up everyone's personality (Parent, Adult, and Child), as well as the four life positions underlying people's actions. Best of all, his theories are presented in wonderfully easy-to-understand language, and there's practical advice on how to change harmful behavior. Anyone can lead a happier, more effective life and better understand friends and family. The Lost Words ![]() Ten years later, Robert Macfarlane and Jackie Morris set out to make a “spell book” that will conjure back twenty of these lost words, and the beings they name, from acorn to wren. By the magic of word and paint, they sought to summon these words again into the voices, stories, and dreams of children and adults alike, and to celebrate the wonder and importance of everyday nature. The Lost Words is that book ― a work that has already cast its extraordinary spell on hundreds of thousands of people and begun a grass-roots movement to re-wild childhood across Britain, Europe, and North America. Underland: A Deep Time Journey ![]() Hailed as "the great nature writer of this generation" (Wall Street Journal), Robert Macfarlane is the celebrated author of books about the intersections of the human and the natural realms. In Underland, he delivers his masterpiece: an epic exploration of the Earth’s underworlds as they exist in myth, literature, memory, and the land itself. In this highly anticipated sequel to his international bestseller The Old Ways, Macfarlane takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind. Traveling through “deep time”―the dizzying expanses of geologic time that stretch away from the present―he moves from the birth of the universe to a post-human future, from the prehistoric art of Norwegian sea caves to the blue depths of the Greenland ice cap, from Bronze Age funeral chambers to the catacomb labyrinth below Paris, and from the underground fungal networks through which trees communicate to a deep-sunk “hiding place” where nuclear waste will be stored for 100,000 years to come. Woven through Macfarlane’s own travels are the unforgettable stories of descents into the underland made across history by explorers, artists, cavers, divers, mourners, dreamers, and murderers, all of whom have been drawn for different reasons to seek what Cormac McCarthy calls “the awful darkness within the world.” Global in its geography and written with great lyricism and power, Underland speaks powerfully to our present moment. Taking a deep-time view of our planet, Macfarlane here asks a vital and unsettling question: “Are we being good ancestors to the future Earth?” Underland marks a new turn in Macfarlane’s long-term mapping of the relations of landscape and the human heart. From its remarkable opening pages to its deeply moving conclusion, it is a journey into wonder, loss, fear, and hope. At once ancient and urgent, this is a book that will change the way you see the world. 24 illustrations Landmarks ![]() Words are grained into our landscapes, and landscapes are grained into our words. Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland, and Wales to describe land, nature, and weather. Traveling from Cumbria to the Cairngorms, and exploring the landscapes of Roger Deakin, J. A. Baker, Nan Shepherd, and others, Robert Macfarlane shows that language, well used, is a keen way of knowing landscape, and a vital means of coming to love it. Her Body and Other Parties ![]() Discourses On Livy ![]() The Prince (Everyman's Library (Cloth)) ![]() (Book Jacket Status: Jacketed) Butterfly in the Typewriter: The Tragic Life of John Kennedy Toole and the Remarkable Story of A Confederacy of Dunces ![]() In Butterfly in the Typewriter, Cory MacLauchlin draws on scores of new interviews with friends, family, and colleagues as well as full access to the extensive Toole archive at Tulane University, capturing his upbringing in New Orleans, his years in New York City, his frenzy of writing in Puerto Rico, his return to his beloved city, and his descent into paranoia and depression. Wordstruck: A Memoir ![]() Danube: A Sentimental Journey from the Source to the Black Sea ![]() Three Novels of Ancient Egypt: Khufu's Wisdom, Rhadopis of Nubia, Thebes at War ![]() Mahfouz reaches back thousands of years to bring us tales from his homeland's majestic early history—tales of the Egyptian nobility and of war, star-crossed love, and the divine rule of the pharoahs. In Khufu's Wisdom, the legendary Fourth Dynasty monarch faces the prospect of the end of his rule and the possibility that his daughter has fallen in love with the man prophesied to be his successor. Rhadopis of Nubia is the unforgettable story of the charismatic young Pharoah Merenra II and the ravishing courtesan Rhadopis, whose love affair makes them the envy of all Egyptian society. And Thebes at War tells the epic story of Egypt's victory over the Asiatic foreigners who dominated the country for two centuries. Three Novels of Ancient Egypt gives us a dazzling tapestry of ancient Egypt and reminds us of the remarkable artistry of Naguib Mahfouz. (Book Jacket Status: Jacketed) The Cairo Trilogy : Palace Walk, Palace of Desire, Sugar Street (Everyman's Library) ![]() The novels of The Cairo Trilogy trace three generations of the family of tyrannical patriarch Al-Sayyid Ahmad Abd al-Jawad, who rules his household with a strict hand while living a secret life of self-indulgence. Palace Walk introduces us to his gentle, oppressed wife, Amina, his cloistered daughters, Aisha and Khadija, and his three sons–the tragic and idealistic Fahmy, the dissolute hedonist Yasin, and the soul-searching intellectual Kamal. Al-Sayyid Ahmad's rebellious children struggle to move beyond his domination in Palace of Desire, as the world around them opens to the currents of modernity and political and domestic turmoil brought by the 1920s. Sugar Street brings Mahfouz's vivid tapestry of an evolving Egypt to a dramatic climax as the aging patriarch sees one grandson become a Communist, one a Muslim fundamentalist, and one the lover of a powerful politician. Throughout the trilogy, the family's trials mirror those of their turbulent country during the years spanning the two World Wars, as change comes to a society that has resisted it for centuries. Filled with compelling drama, earthy humor, and remarkable insight, The Cairo Trilogy is the achievement of a master storyteller. Building Cocoa Applications : A Step by Step Guide ![]() Mudlarking: Lost and Found on the River Thames ![]() The Spooky Art: Thoughts on Writing ![]() The Guide of the Perplexed, Vol. 1 ![]() Voyage Around My Room ![]() A Girl is A Body of Water ![]() Bernard Malamud: Novels & Stories of the 1940s & 50s ![]() Bernard Malamud: Novels & Stories of the 1960s ![]() Bernard Malamud: Novels and Stories of the 1970s & 80s ![]() In the Freud Archives ![]() In the Freud Archives tells the story of an unlikely encounter among three men: K. R. Eissler, the venerable doyen of psychoanalysis; Jeffrey Moussaieff Masson, a flamboyant, restless forty-two-year-old Sanskrit scholar turned psychoanalyst turned virulent anti-Freudian; and Peter Swales, a mischievous thirty-five-year-old former assistant to the Rolling Stones and self-taught Freud scholar. At the center of their Oedipal drama are the Sigmund Freud Archives—founded, headed, and jealously guarded by Eissler—whose sealed treasure gleams and beckons to the community of Freud scholarship as if it were the Rhine gold. Janet Malcolm's fascinating book first appeared some twenty years ago, when it was immediately recognized as a rare and remarkable work of nonfiction. A story of infatuation and disappointment, betrayal and revenge, In the Freud Archives is essentially a comedy. But the powerful presence of Freud himself and the harsh bracing air of his ideas about unconscious life hover over the narrative and give it a tragic dimension. The Nocilla Trilogy: Nocilla Dream, Nocilla Experience, Nocilla Lab ![]() In the middle of the Nevada desert stands a solitary poplar tree covered in hundreds of pairs of shoes. Farther along Route 50, a lonely prostitute falls in love with a collector of found photographs. In Las Vegas, an Argentine man builds a peculiar monument to Jorge Luis Borges. On the run from the authorities, Kenny takes up permanent residence in the legal non-place of Singapore International Airport, while the novelists Enrique Vila-Matas and Agustín Fernández Mallo encounter each other on an oil rig. These are just a few of the narrative strands that make up Fernández Mallo’s Nocilla Trilogy―Nocilla Dream, Nocilla Experience, and Nocilla Lab. Greeted as a landmark in contemporary Spanish literature, the entire trilogy has not been available in English until now. “By juxtaposing fiction with non-fiction . . . the author has created a hybrid genre that mirrors our networked lives, allowing us to inhabit its interstitial spaces. A physician as well as an artist, Fernández Mallo can spot a mermaid’s tail in a neutron monitor; estrange theorems into pure poetry.” ―Andrew Gallix, The Independent “An encyclopedia, a survey, a deranged anthropology: Nocilla Dream is just the coldhearted poetics that might see America for what it really is. There is something deeply strange and finally unknowable about this book, in the very best way.” ―Ben Marcus, author of The Flame Alphabet Dingley Falls ![]() With a sparkling range of characters who hurtle through an intricate and often hilarious journey, Michael Malone offers a sublime joyride in his classic novel. Johnno ![]() The Metamorphoses of Ovid: A New Verse Translation ![]() Buddenbrooks: The Decline of a Family ![]() Introduction by T. J. Reed; Translation by John E. Woods Buddenbrooks, first published in Germany in 1901, when Mann was only twenty-six, has become a classic of modern literature. It is the story of four generations of a wealthy bourgeois family in northern Germany facing the advent of modernity; in an uncertain new world, the family’s bonds and traditions begin to disintegrate. As Mann charts the Buddenbrooks’ decline from prosperity to bankruptcy, from moral and psychic soundness to sickly piety, artistic decadence, and madness, he ushers the reader into a world of stunning vitality, pieced together from births and funerals, weddings and divorces, recipes, gossip, and earthy humor. In its immensity of scope, richness of detail, and fullness of humanity, buddenbrooks surpasses all other modern family chronicles. With remarkable fidelity to the original German text, this superb translation emphasizes the magnificent scale of Mann’s achievement in this riveting, tragic novel. Collected Stories ![]() Confessions of Felix Krull, Confidence Man: The Early Years ![]() Doctor Faustus ![]() Introduction by T. J. Reed; Translation by H. T. Lowe-Porter Joseph and His Brothers: The Stories of Jacob, Young Joseph, Joseph in Egypt, Joseph the Provider ![]() Thomas Mann regarded his monumental retelling of the biblical story of Joseph as his magnum opus. He conceived of the four parts–The Stories of Jacob, Young Joseph, Joseph in Egypt, and Joseph the Provider–as a unified narrative, a “mythological novel” of Joseph’s fall into slavery and his rise to be lord over Egypt. Deploying lavish, persuasive detail, Mann conjures for us the world of patriarchs and pharaohs, the ancient civilizations of Egypt, Mesopotamia, and Palestine, and the universal force of human love in all its beauty, desperation, absurdity, and pain. The result is a brilliant amalgam of humor, emotion, psychological insight, and epic grandeur. Now the award-winning translator John E. Woods gives us a definitive new English version of Joseph and His Brothers that is worthy of Mann’s achievement, revealing the novel’s exuberant polyphony of ancient and modern voices, a rich music that is by turns elegant, coarse, and sublime. (Book Jacket Status: Jacketed) The Magic Mountain ![]() With this dizzyingly rich novel of ideas, Thomas Mann rose to the front ranks of the great modern novelists, winning the Nobel Prize in Literature in 1929. The Magic Mountain takes place in an exclusive tuberculosis sanatorium in the Swiss Alps–a community devoted to sickness that serves as a fictional microcosm for Europe in the days before the First World War. To this hermetic and otherworldly realm comes Hans Castorp, an “ordinary young man” who arrives for a short visit and ends up staying for seven years, during which he succumbs both to the lure of eros and to the intoxication of ideas. Acclaimed translator John E. Woods has given us the definitive English version of Mann’s masterpiece. A monumental work of erudition and irony, sexual tension and intellectual ferment, The Magic Mountain is an enduring classic. Reflections of a Nonpolitical Man ![]() Thomas Mann: New Selected Stories ![]() Selected Stories ![]() Something Childish But Very Natural ![]() The Betrothed (Everyman's Library (Cloth)) ![]() Published in 1827 but set two centuries earlier, against the tumultuous backdrop of seventeenth-century Lombardy during the Thirty Years’ War, The Betrothed is the story of two peasant lovers who want nothing more than to marry. Their region of northern Italy is under Spanish occupation, and when the vicious Spaniard Don Rodrigo blocks their union in an attempt to take Lucia for himself, the couple must struggle to persevere against his plots—which include false charges against Renzo and the kidnapping of Lucia by a robber baron called the Unnamed—while beset by the hazards of war, bread riots, and a terrifying outbreak of bubonic plague. First and foremost a love story, the novel also weaves issues of faith, justice, power, and truth into a sweeping epic in the tradition of Ivanhoe, Les Misérables, and War and Peace. Groundbreakingly populist in its day and hugely influential to succeeding generations, Alessandro Manzoni’s masterwork has long been considered one of Italy’s national treasures. Translated by Archibald Colquhoun To Infinity and Beyond: A Cultural History of the Infinite ![]() Embers ![]() In a secluded woodland castle an old General prepares to receive a rare visitor, a man who was once his closest friend but who he has not seen in forty-one years. Over the ensuing hours host and guest will fight a duel of words and silences, accusations and evasions. They will exhume the memory of their friendship and that of the General’s beautiful, long-dead wife. And they will return to the time the three of them last sat together following a hunt in the nearby forest—a hunt in which no game was taken but during which something was lost forever. Embers is a classic of modern European literature, a work whose poignant evocation of the past also seems like a prophetic glimpse into the moral abyss of the present Beginning iPhone 3 Development: Exploring the iPhone SDK ![]() Assuming only a minimal working knowledge of Objective-C, and written in a friendly, easy-to-follow style, this book offers a complete soup-to-nuts course in iPhone and iPod touch programming. The book starts with the basics, walking you through the process of downloading and installing Apple's free iPhone SDK, and then stepping you though the creation of your first simple iPhone application. From there, you'll learn to integrate all the interface elements iPhone users have come to know and love, such as buttons, switches, pickers, toolbars, and sliders. You'll master a variety of design patterns, from the simplest single view to complex hierarchical drill-downs. The confusing art of table building will be demystified, and you'll see how to save your data using the iPhone file system. You'll also learn how to save and retrieve your data using SQLite, iPhone's built-in database management system. In addition, you'll also learn about Core Data, an important persistence mechanism that has just been added with SDK 3. And there's much more! You'll learn to draw using Quartz 2D and OpenGL ES, add multitouch gestural support (pinches and swipes) to your applications, and work with the camera, photo library, accelerometer, and built-in GPS. You'll discover the fine points of application preferences and learn how to localize your apps for multiple languages. You can discover more about this book, download source code, and find support forums at the book's companion site, at www.iphonedevbook.com. The iPhone 3 update to the best-selling and most recommended book for iPhone developersPacked full of tricks, techniques, and enthusiasm for the new SDK from a developer perspectiveThe most complete, useful, and up-to-date guide to all things having to do with Apple's iPhone SDKWhat you'll learn Everything you need to know to develop your own best-selling iPhone appsBest practices for optimizing your code and delivering great user experiencesWho is this book for? Anyone who wants to start developing for iPhone and iPod touch What's changed from the first edition of Beginning iPhone Development All code samples have been updated to follow current Apple coding conventionsThe autorotation code has been updated to use the new single-step fast autorotation instead of the original two-step methodA new section has been added introducing Core Data, covering basic principles and showing how to build a simple Core Data applicationAll the table view'related chapters have been updated to use table view cell styles. They've also been updated to use textLabel and detailTextLabel instead of the deprecated text property of the table view cell.All known errata have been correctedAll projects have been rebuilt from scratch using the SDK 3.0 templatesMany concepts have been clarified based on feedback and supplemented with information we've learned from another year of using the SDKSummary of Contents Welcome to the JungleAppeasing the Tiki GodsHandling Basic InteractionMore User Interface FunAutorotation and AutosizingMultiview ApplicationsTab Bars and PickersIntroduction to Table ViewsNavigation Controllers and Table ViewsApplication Settings and User DefaultsBasic Data PersistenceDrawing with Quartz and OpenGLTaps, Touches, and GesturesWhere Am I? Finding Your Way with Core LocationWhee! Accelerometer!iPhone Camera and Photo LibraryApplication LocalizationWhere to Next?Reviews "People ask me again and again about how to get started in iPhone development, but I never had a very good answer for them until now. Dave and Jeff's book starts at the beginning in clear English, making sure you understand the fundamentals with many large illustrations. From there, they progress into key concepts such as the MVC pattern and ImageBuilder fundamentals. Additionally, I find myself flipping back to it as a reference guide—the plethora of code samples make it a must-have." —Steve Demeter, Creator of "Trism" and owner of Demiforce LLC "Beginning iPhone Development delivers a clear picture of the entire development process from registering as an iPhone developer through creation of complete applications. There is a wealth of examples illustrating each feature of the iPhone. The authors did an excellent job of demonstrating "best practice" coding methodology throughout the book. You would be hard pressed to find a better guide to creating software for the iPhone." —Aaron Basil, iDev2.com "Dave Mark has always been the king of Mac programming authors, and now he's proven to be the reigning king for books on iPhone development! "Beginning iPhone Development is the definitive guide for iPhone development, and anyone aspiring to develop for the iPhone should get this invaluable reference." —Brian Greenstone, President & CEO, Pangea Software, Inc. "Jeff and Dave have done an exceptional job exploring the iPhone SDK. This book is far and away the single best resource for iPhone SDK development. Developers will latch on to this book and find it useful as they create the next great iPhone application. If you're a developer with an interest in this amazing new platform, this is a must buy." —Chris Stewart, Founder, iPhoneDevSDK.com "If you're planning on coding for the iPhone, start here. Dave and Jeff know their stuff and also know how to explain it. I was amazed how much stuff they cover, from Hello World through analyzing user gestures. Not only do they cover the fun stuff like playing with the camera, they cover real-world development issues like localization. I learned a huge amount from them" —Mark Dalrymple, Co-founder, CocoaHeads, and Principal Author, Advanced Mac OS X Programming "Starting with an overview of the technology, how to approach the device, the authors lead us straight into the heart of iPhone development. As you progress, you'll learn more about various layout engines and view managers, as well as the more meaty topics like accelerometer and GPS APIs. This book is a must-have for anyone interested in getting started quickly and efficiently with iPhone development!" —Chris Pelsor, Manager, Tarantell:Hybrid "All in all I was very surprised and pleased with the book. I've had the fortune of reading many technical books, and few do a great job of walking someone through the basics without making them feel like a dolt. It felt like every time I was stuck or unsure there was a tip, hint or paragraph which explained what was going on." —Cory Foy, at Slashdot.org About the Apress Beginning Series The Beginning series from Apress is the right choice to get the information you need to land that crucial entry–level job. These books will teach you a standard and important technology from the ground up because they are explicitly designed to take you from “novice to professional.” You’ll start your journey by seeing what you need to know—but without needless theory and filler. You’ll build your skill set by learning how to put together real–world projects step by step. So whether your goal is your next career challenge or a new learning opportunity, the Beginning series from Apress will take you there—it is your trusted guide through unfamiliar territory! WebObjects 5 for Mac OS X: Visual QuickPro Guide ![]() Blue Fox: Arm Assembly Internals and Reverse Engineering ![]() Christopher Marlowe: The Complete Plays ![]() With a critical introduction, a chronology of Marlowe’s life, extensive commentary, and a glossary, this will remain the authoritative anthology of Marlowe’s plays for years to come. The texts have been freshly edited based on the earliest printed editions, with modernized punctuation and spellingEach play has headnotes, textual notes, and commentary @HighwayToHell Running around causing problems is way better than science. When women ask what I do, I tell them I live dangerously. Literally. I also say I have a one-way ticket to hell. Guess what that does to their panties? They disappear. No demon magic necessary! Sweet. From Twitterature: The World's Greatest Books in Twenty Tweets or Less The Complete Poems and Translations ![]() Though best known for his plays?and for courting danger as a homosexual, a spy, and an outspoken atheist?Christopher Marlowe was also an accomplished and celebrated poet. This long-awaited updated and revised edition of his poems and translations contains his complete lyric works?from his translations of Ovidian elegies to his most famous poem, ?The Passionate Shepherd to His Love,? to the impressive epic mythological poem ?Hero and Leander.? Love in the Time of Cholera ![]() One Hundred Years of Solitude ![]() The General in His Labyrinth ![]() Gabriel García Márquez’s most political novel is the tragic story of General Simón Bolívar, the man who tried to unite a continent. Bolívar, known in six Latin American countries as the Liberator, is one of the most revered heroes of the western hemisphere; in García Márquez’s brilliant reimagining he is magnificently flawed as well. The novel follows Bolívar as he takes his final journey in 1830 down the Magdalena River toward the sea, revisiting the scenes of his former glory and lamenting his lost dream of an alliance of American nations. Forced from power, dogged by assassins, and prematurely aged and wasted by a fatal illness, the General is still a remarkably vital and mercurial man. He seems to remain alive by the sheer force of will that led him to so many victories in the battlefields and love affairs of his past. As he wanders in the labyrinth of his failing powers–and still-powerful memories–he defies his impending death until the last. The General in His Labyrinth is an unforgettable portrait of a visionary from one of the greatest writers of our time. Love in the Time of Cholera ![]() Until August: A novel ![]() A Constellation of Vital Phenomena: A Novel ![]() In his brilliant, haunting novel, Stegner Fellow and Whiting Award winner Anthony Marra transports us to a snow-covered village in Chechnya, where eight-year-old Havaa watches from the woods as Russian soldiers abduct her father in the middle of the night, accusing him of aiding Chechen rebels. Across the road their lifelong neighbor and family friend Akhmed has also been watching, fearing the worst when the soldiers set fire to Havaa’s house. But when he finds her hiding in the forest with a strange blue suitcase, he makes a decision that will forever change their lives. He will seek refuge at the abandoned hospital where the sole remaining doctor, Sonja Rabina, treats the wounded. For the talented, tough-minded Sonja, the arrival of Akhmed and Havaa is an unwelcome surprise. Weary and overburdened, she has no desire to take on additional risk and responsibility. And she has a deeply personal reason for caution: harboring these refugees could easily jeopardize the return of her missing sister. But over the course of five extraordinary days, Sonja’s world will shift on its axis and reveal the intricate pattern of connections that weave together the pasts of these three unlikely companions and unexpectedly decides their fate. A story of the transcendent power of love in wartime, A Constellation of Vital Phenomena is a work of sweeping breadth, profound compassion, and lasting significance. A Game of Thrones: A Song of Ice and Fire: Book One ![]() Here an enigmatic band of warriors bear swords of no human metal; a tribe of fierce wildlings carry men off into madness; a cruel young dragon prince barters his sister to win back his throne; and a determined woman undertakes the most treacherous of journeys. Amid plots and counterplots, tragedy and betrayal, victory and terror, the fate of the Starks, their allies, and their enemies hangs perilously in the balance, as each endeavors to win that deadliest of conflicts: the game of thrones. Here is the first volume in George R. R. Martin’s magnificent cycle of novels that includes A Clash of Kings and A Storm of Swords. As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, romance, and adventure fill these pages and transport us to a world unlike any we have ever experienced. Already hailed as a classic, George R. R. Martin’s stunning series is destined to stand as one of the great achievements of imaginative fiction. The Communist Manifesto ![]() The Communist Manifesto changed the face of the twentieth century beyond recognition, inspiring millions to revolution, forming the basis of political systems that still dominate countless lives and continuing to ignite violent debate about class and capitalism today. Revolution and War ![]() The Lost Books of the Odyssey: A Novel ![]() Zachary Mason’s brilliant and beguiling debut novel, The Lost Books of the Odyssey, reimagines Homer’s classic story of the hero Odysseus and his long journey home after the fall of Troy. With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer’s original that taken together open up this classic Greek myth to endless reverberating interpretations. The Lost Books of the Odyssey is punctuated with great wit, beauty, and playfulness; it is a daring literary page-turner that marks the emergence of an extraordinary new talent. Dali: Colour Library ![]() Spoon River Anthology ![]() Oulipo Compendium ![]() Tlooth ![]() The Concise Oxford Dictionary of Linguistics (Oxford Paperback Reference) ![]() The Snow Leopard ![]() In 1973, Peter Matthiessen and field biologist George Schaller traveled high into the remote mountains of Nepal to study the Himalayan blue sheep and possibly glimpse the rare and beautiful snow leopard. Matthiessen, a student of Zen Buddhism, was also on a spiritual quest to find the Lama of Shey at the ancient shrine on Crystal Mountain. As the climb proceeds, Matthiessen charts his inner path as well as his outer one, with a deepening Buddhist understanding of reality, suffering, impermanence, and beauty. This Penguin Classics edition features an introduction by acclaimed travel writer and novelist Pico Iyer. Collected Stories (Everyman's Library) ![]() From one of the twentieth century’s most enduringly popular fiction writers: the only hardcover edition of his short stories. Though W. Somerset Maugham was also famous for his novels and plays, it has been argued that in the short story he reached the pinnacle of his art. These expertly told tales, with their addictive plot twists and vividly drawn characters, are both galvanizing as literature and wonderfully entertaining. In the adventures of his alter ego Ashenden, a writer who (like Maugham himself) turned secret agent in World War I, as well as in stories set in such far-flung locales as South Pacific islands and colonial outposts in Southeast Asia, Maugham brings his characters vividly to life, and their humanity is more convincing for the author’s merciless exposure of their flaws and failures. Whether the chasms of misunderstanding he plumbs are those between colonizers and natives, between a missionary and a prostitute, or between a poetry-writing woman and her uncomprehending husband, Maugham brilliantly displays his irony, his wit, and his genius in the art of storytelling. Of Human Bondage (Everyman's Library (Cloth)) ![]() Born with a clubfoot, Philip is orphaned as a child and raised by unsympathetic relatives. Sent to a boarding school where he has difficulty fitting in, he grows up with an intense longing for love, art, and experience. After failing to become an artist in Paris, he begins medical studies in London, where he meets Mildred, a cold-hearted waitress with whom he falls into a powerful, tortured, life-altering love affair. This is the most autobiographical of Maugham’s works, with Philip’s malformed foot standing in for Maugham’s stutter, and the character’s painful romantic struggles inspired by the author’s own intense love affairs with both men and women. A brilliant and deeply moving portrayal of the price of passion and the universal desire for connection, Of Human Bondage stands as one of the most accomplished novels in English literature. The Skeptical Romancer: Selected Travel Writing ![]() Maugham worked as a secret agent in Russia, published novels in London, staged plays in New York, and traveled throughout Europe, Asia, India, and the United States, chronicling his travels, wherever he went, with exceptional insight. Beginning with “In the Land of the Blessed Virgin” and culminating in “A Partial View,” Iyer selects vignettes of Maugham’s razor-sharp prose that track his transformation from a boyish traveler in Spain to a worldly man of letters. This is Maugham at his most keenly observant, direct, and powerful. Selected Stories of Guy de Maupassant: Introduction by Catriona Seth ![]() Like Death ![]() Olivier Bertin is at the height of his career as a painter. After making his name with his Cleopatra, he went on to establish himself as “the chosen painter of the Parisiennes, the most adroit and ingenious artist to reveal their grace, their figures, and their souls.” And though his hair may be white, he remains a handsome, vigorous, and engaging bachelor, a prized guest at every table and salon. Anne, the comtesse de Guilleroy, is a youthful forty, the wife of a busy politician. The painter and the comtesse have been lovers for many years. Anne’s daughter, Annette—the spitting image of her mother in her lovely youth—has finished her schooling and is returning to Paris. Her parents are putting together an excellent match. Everything is as it should be—until the painter and comtesse are each seized by an agonizing suspicion, like death... In its devastating depiction of the treacherous nature of love, Like Death is more than the equal of Swann’s Way. Richard Howard’s new translation brings out all the penetration and poetry of this masterpiece of nineteenth-century fiction. Significant Others ![]() The Elements of Persuasion: Use Storytelling to Pitch Better, Sell Faster & Win More Business ![]() According to master storytellers Richard Maxwell and Robert Dickman, storytelling is a lot like running. Everyone knows how to do it, but few of us ever break the four-minute mile. What separates the great runners from the rest? The greats know not only how to hit every stride, but how every muscle fits together in that stride so that no effort is wasted and their goals are achieved. World-class runners know how to run from the inside out. World-class leaders know how to tell a story from the inside out. In The Elements of Persuasion, Maxwell and Dickman teach you how to tell stories too. They show you how storytelling relates to every industry and how anyone can benefit from its power. Maxwell and Dickman use their experiences—both in the entertainment industry and as corporate consultants—to deliver a formula for winning stories. All successful stories have five basic components: the passion with which the story is told, a hero who leads us through the story and allows us to see it through his or her eyes, an antagonist or obstacle that the hero must overcome, a moment of awareness that allows the hero to prevail, and the transformation in the hero and in the world that naturally results. Let's face it: leading is a lot more fun than following. Even if you never want to be a CEO or to change the world, you do want to have control over your own work and your own ideas. Ultimately, that is what the power of storytelling can give you. William Maxwell: Early Novels and Stories ![]() In 1934, at age 26, William Maxwell left small-town Illinois for New York City, convinced that life and literature were elsewhere. "I had no idea then," he later wrote, "that three-quarters of the material I would need for the rest of my writing life was already at my disposal. My father and mother. My brothers. The look of things. The Natural History of home . . . All there, waiting for me to learn my trade and recognize instinctively what would make a story." With his second book, They Came Like Swallows (1937), Maxwell found his signature subject matter-the fragility of human happiness-as well as his voice, a quiet, cadenced Midwestern voice that John Updike has called one of the wisest and kindest in American Þction. Set against the background of the Spanish ßu epidemic of 1918, this short novel presents the loving character of Elizabeth Morison, a devoted wife and mother, through the eyes of those whom she is fated to leave decades before her time. Edmund Wilson described The Folded Leaf (1945) as "a quite unconventional study of adolescent relationships-between two boys, with a girl in the ofÞng-in Chicago and in a Middle Western college: very much lived and very much seen." He praised this "drama of the immature" for the compassion Maxwell brings to his male protagonists, whose intensely felt, unarticulated bond is beyond their inchoate ability to understand. Time Will Darken It (1948) is a drama of the mature: a good man's struggle to keep duty before desire and his family's needs before his own. It paints a portrait of Draperville, Illinois, in 1912, a proud and isolated community governed by gossip, where an ambitious young woman must not overreach the limits society has placed on her sex, and an older, married gentleman must not encourage her should she dare. Together with these major works, this Library of America edition of Maxwell's early Þction collects his lighthearted Þrst novel, Bright Center of Heaven (1934), out of print for nearly 70 years, and nine masterly short stories. It concludes with "The Writer as Illusionist" (1955), Maxwell's fullest statement on the art of Þction as he practiced it. The Border Trilogy: All the Pretty Horses, the Crossing, Cities of the Plain (Everyman's Library) ![]() McCarthy's award-winning and bestselling Border Trilogy constitute a genuine American epic. Beginning with All the Pretty Horses and continuing through The Crossing and Cities of the Plain, McCarthy chronicles the lives of two young men coming of age in the Southwest and Mexico, poised on the edge of a world about to change forever. Hauntingly beautiful, filled with sorrow and humor, The Border Trilogy is a masterful elegy for the American frontier. The Passenger Box Set: The Passenger, Stella Maris ![]() Typewriters, Bombs, Jellyfish: Essays ![]() Fifteen brilliant essays written over as many years provide a map of the sensibility and critical intelligence of Tom McCarthy, one of the most original and challenging novelists at work today. Typewriters, Bombs, Jellyfish explores a wide range of subjects, from the weather considered as a form of media, to the paintings of Gerhard Richter and the movies of David Lynch, to Patty Hearst as revolutionary sex goddess, to the still-radical implications of established masterpieces such as Ulysses (how do you write after it?), Tristram Shandy, and the unsung junky genius Alexander Trocchi’s darkly beautiful Cain’s Book. The longer “Recessional” examines the place of time in writing—how writing makes a new time of its own, a time apart from institutional time—while the startling “Nothing Will Have Taken Place” moves from Mallarmé and Don DeLillo to the ball mastery of Zidane to look at how art, whether that of a poet, novelist, or athlete, destroys given codes of meaning and behavior, returning them to play. Certain points of reference recur with dreamlike insistence—among them the artist Ed Ruscha’s Royal Road Test, a photographic documentation of the roadside debris of a Royal typewriter hurled from the window of a traveling car; the great blooms of jellyfish that are filling the oceans and gumming up the machinery of commerce and military domination—and the question throughout is: How can art explode the restraining conventions of so-called realism, whether aesthetic or political, to engage in the active reinvention of the world? Linda McCartney on Tour: Over 200 Meat-Free Dishes from Around the World ![]() The Four Seasons: Poems ![]() Here are poets past and present, from Chaucer, Shakespeare, and Wordsworth to Whitman, Dickinson, and Thoreau, from Keats, Blake, and Hopkins to Elizabeth Bishop, Ted Hughes, Amy Clampitt, Mary Oliver, and W. S. Merwin. Here are poems that speak of the seasons as measures of earthly time or as states of mind or as the physical expressions of the ineffable. From Robert Frost’s tribute to the evanescence of spring in “Nothing Gold Can Stay” to Langston Hughes’s moody “Summer Night” in Harlem, from the “stopped woods” in Marie Ponsot’s “End of October” to the chilling “mind of winter” in Wallace Stevens’s “The Snow Man,” the poems in this volume engage vividly with the seasons and, through them, with the ways in which we understand and engage the world outside ourselves. Carson McCullers: Stories, Plays & Other Writings ![]() The Heart Is a Lonely Hunter (Oprah's Book Club) ![]() The Heart is a Lonely Hunter/Reflections in a Golden Eye/The Ballad of the Sad Cafe/The Member of the Wedding/The Clock Without Hands (Library of America) ![]() Atonement (Everyman's Library (Cloth)) ![]() By the end of that day the lives of all three will have been changed forever. Robbie and Cecilia will have crossed a boundary they had never before dared to approach and will have become victims of the younger girl’s scheming imagination. And Briony will have committed a dreadful crime, the guilt for which will color her entire life. In each of his novels Ian McEwan has brilliantly drawn his reader into the intimate lives and situations of his characters. But never before has he worked with so large a canvas: In Atonement he takes the reader from a manor house in England in 1935 to the retreat from Dunkirk in 1941; from the London’s World War II military hospitals to a reunion of the Tallis clan in 1999. Atonement is Ian McEwan’s finest achievement. Brilliant and utterly enthralling in its depiction of childhood, love and war, England and class, the novel is at its center a profound–and profoundly moving–exploration of shame and forgiveness and the difficulty of absolution. Lessons: A novel ![]() Draft No. 4: On the Writing Process ![]() Draft No. 4 is a master class on the writer’s craft. In a series of playful, expertly wrought essays, John McPhee shares insights he has gathered over his career and has refined while teaching at Princeton University, where he has nurtured some of the most esteemed writers of recent decades. McPhee offers definitive guidance in the decisions regarding arrangement, diction, and tone that shape nonfiction pieces, and he presents extracts from his work, subjecting them to wry scrutiny. In one essay, he considers the delicate art of getting sources to tell you what they might not otherwise reveal. In another, he discusses how to use flashback to place a bear encounter in a travel narrative, while observing that “readers are not supposed to notice the structure. It is meant to be about as visible as someone’s bones.” The result is a vivid depiction of the writing process, from reporting to drafting to revising―and revising, and revising. Draft No. 4 is enriched by multiple diagrams and by personal anecdotes and charming reflections on the life of a writer. McPhee describes his enduring relationships with The New Yorker and Farrar, Straus and Giroux, and recalls his early years at Time magazine. Throughout, Draft No. 4 is enlivened by his keen sense of writing as a way of being in the world. Silk Parachute ![]() The brief, brilliant essay Silk Parachute,” which first appeared in The New Yorker a decade ago, has become John McPhee’s most anthologized piece of writing. In the nine other pieces here highly varied in length and themeMcPhee ranges with his characteristic humor and intensity through lacrosse, long-exposure view-camera photography, the weird foods he has sometimes been served in the course of his reportorial travels, a U.S. Open golf championship, and a season in Europe on the chalk” from the downs and sea cliffs of England to the Maas valley in the Netherlands and the champagne country of northern France. Some of the pieces are wholly personal. In luminous recollections of his early years, for example, he goes on outings with his mother, deliberately overturns canoes in a learning process at a summer camp, and germinates a future book while riding on a jump seat to away games as a basketball player. But each pieceon whatever themecontains somewhere a personal aspect in which McPhee suggests why he was attracted to write about the subject, and each opens like a silk parachute, lofted skyward and suddenly blossoming with color and form. Crabcakes: A Memoir ![]() Testing the Current ![]() In Testing the Current William McPherson subtly sets off his wide-eyed protagonist’s perspective with mature reflection and wry humor and surrounds him with a cast of vibrant characters, creating a scrupulously observed portrait of a place and time that will shimmer in readers’ minds long after the final page is turned. Our Magnificent Bastard Tongue: The Untold Story of English ![]() Why do we say “I am reading a catalog” instead of “I read a catalog”? Why do we say “do” at all? Is the way we speak a reflection of our cultural values? Delving into these provocative topics and more, Our Magnificent Bastard Language distills hundreds of years of fascinating lore into one lively history. Covering such turning points as the little-known Celtic and Welsh influences on English, the impact of the Viking raids and the Norman Conquest, and the Germanic invasions that started it all during the fifth century ad, John McWhorter narrates this colorful evolution with vigor. Drawing on revolutionary genetic and linguistic research as well as a cache of remarkable trivia about the origins of English words and syntax patterns, Our Magnificent Bastard Tongue ultimately demonstrates the arbitrary, maddening nature of English— and its ironic simplicity due to its role as a streamlined lingua franca during the early formation of Britain. This is the book that language aficionados worldwide have been waiting for (and no, it’s not a sin to end a sentence with a preposition). Woke Racism: How a New Religion Has Betrayed Black America ![]() Nine Nasty Words: English in the Gutter: Then, Now, and Forever ![]() My Life in Middlemarch ![]() Rebecca Mead was a young woman in an English coastal town when she first read George Eliot's Middlemarch, regarded by many as the greatest English novel. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not. In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece—the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure—and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself, My Life in Middlemarch is for every ardent lover of literature who cares about why we read books, and how they read us. Complete Shorter Fiction ![]() (Book Jacket Status: Jacketed) Moby-Dick ![]() (Book Jacket Status: Jacketed) Pierre, or the Ambiguities : Kraken Edition, The ![]() WebObjects Developer's Guide ![]() The Shadow King: A Novel ![]() With the threat of Mussolini’s army looming, recently orphaned Hirut struggles to adapt to her new life as a maid in Kidane and his wife Aster’s household. Kidane, an officer in Emperor Haile Selassie’s army, rushes to mobilize his strongest men before the Italians invade. His initial kindness to Hirut shifts into a flinty cruelty when she resists his advances, and Hirut finds herself tumbling into a new world of thefts and violations, of betrayals and overwhelming rage. Meanwhile, Mussolini’s technologically advanced army prepares for an easy victory. Hundreds of thousands of Italians―Jewish photographer Ettore among them―march on Ethiopia seeking adventure. As the war begins in earnest, Hirut, Aster, and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms against the Italians. But how could she have predicted her own personal war as a prisoner of one of Italy’s most vicious officers, who will force her to pose before Ettore’s camera? What follows is a gorgeously crafted and unputdownable exploration of female power, with Hirut as the fierce, original, and brilliant voice at its heart. In incandescent, lyrical prose, Maaza Mengiste breathes life into complicated characters on both sides of the battle line, shaping a heartrending, indelible exploration of what it means to be a woman at war. The Book of Ephraim ![]() "The Book of Ephraim," which first appeared as the final poem in James Merrill's Pulitzer-winning volume Divine Comedies (1976), tells the story of how he and his partner David Jackson (JM and DJ as they came to be known) embarked on their experiments with the Ouija board and how they conversed after a fashion with great writers and thinkers of the past, especially in regard to the state of the increasingly imperiled planet Earth. One of the most ambitious long poems in in English in the twentieth century, originally conceived as complete in itself, it was to become the first part of Merrill's epic The Changing Light at Sandover (1982), the multiple prize-winning volume still in print. Merrill's "supreme tribute to the web of the world and the convergence of means and meanings everywhere within it" is introduced and annotated by one of his literary executors, Stephen Yenser, in a volume that will gratify veteran readers and entice new ones. Merrill: Poems ![]() James Merrill once called his body of work "chronicles of love and loss," and in twenty books written over four decades he used the details of his own life—comic and haunting, exotic and domestic—to shape a portrait that in turn mirrored the image of our world and our moment. Like Wallace Stevens and W. H. Auden before him, Merrill sought to quicken the pulse of a poem in surprising and compelling ways—ways, indeed, that changed how we came to see our own lives. Years ago, the critic Helen Vendler wrote of Merrill, "He has become one of our indispensable poets." This volume brings together an entirely new pocket-sized selection of the best of Merrill's work. His poetry dazzles at every turn, and this balanced and compact selection will be an ideal introduction to the work for both students and general readers, and an instant favorite among his familiars. Collected Novels and Plays ![]() Collected Poems ![]() The Changing Light at Sandover : A Poem ![]() On the Shoulders of Giants: A Shandean Postscript ![]() "This book is the delightful apotheosis of donmanship: Merton parodies scholarliness while being faultlessly scholarly; he scourges pedantry while brandishing his own abstruse learning on every page. The most recondite and obscure scholarly squabbles are transmuted into the material of comedy as the ostensible subject is shouldered to one side by yet another hobby horse from Merton's densely populated stable. He has created a jeu d'esprit which is profoundly suggestive both in detail and as a whole."—Sean French, Times Literary Supplement The Burning Girl: A Novel ![]() Julia and Cassie have been friends since nursery school. They have shared everything, including their desire to escape the stifling limitations of their birthplace, the quiet town of Royston, Massachusetts. But as the two girls enter adolescence, their paths diverge and Cassie sets out on a journey that will put her life in danger and shatter her oldest friendship. The Burning Girl is a complex examination of the stories we tell ourselves about youth and friendship, and straddles, expertly, childhood’s imaginary worlds and painful adult reality―crafting a true, immediate portrait of female adolescence. Claire Messud, one of our finest novelists, is as accomplished at weaving a compelling fictional world as she is at asking the big questions: To what extent can we know ourselves and others? What are the stories we create to comprehend our lives and relationships? Brilliantly mixing fable and coming-of-age tale, The Burning Girl gets to the heart of these matters in an absolutely irresistible way. A Certain Plume ![]() The figure of Plume preoccupied the great Belgian poet Henri Michaux throughout his career. Plume, meaning feather or pen, is a character who drifts from one thing to another, losing shape, taking new forms, at perpetual risk from reality. He is a personification of the imagination as subject to innumerable pratfalls and disgraces, and yet indestructible for all that. In this new bilingual edition, with translations by Richard Sieburth, the entire Plume cycle appears for the first time in English in the form in which Michaux originally published it. Michelangelo Life Drawings ![]() The compositions, carefully reproduced on fine-quality paper, range from youthful studies modeled after ancient sculpture and early Renaissance frescoes to the otherworldly religious creations of his old age. Many are preliminary drawings executed in connection with some of his most important commissions: the marble David of 1501–04; the famous cartoon of 1504 for the projected fresco in the Palazzo Vecchio, The Battle of Cascina; the paintings on the vaulted ceiling of the Sistine Chapel, executed 1508–12; and the imposing fresco of The Last Judgment in the same chapel, executed 1535–14; as well as several of the more highly finished allegorical presentation drawings of the early 1530s. In some cases, e.g. The Battle of Cascina, the drawings are all that remain of a lost masterpiece. All drawings are accompanied by brief descriptive captions including date, medium, size, and current location. Poems and Letters ![]() Trivium: The Classical Liberal Arts of Grammar, Logic, & Rhetoric ![]() Swift in 24 Hours, Sams Teach Yourself ![]() This book’s straightforward, step-by-step approach helps you quickly master Swift’s core concepts, structure, and syntax and use Swift to write safe, powerful, modern code. In just a few hours you’ll be applying advanced features such as extensions, closures, protocols, and generics. Every lesson builds on what you’ve already learned, giving you a rock-solid foundation for real-world success. Step-by-step instructions carefully walk you through the most common Swift development tasks. Practical, hands-on examples show you how to apply what you learn. Quizzes and exercises help you test your knowledge and stretch your skills. Notes and tips point out shortcuts and solutions. Learn how to... Set up your Swift development environmentMaster Swift’s fundamental data types and operatorsMake the most of arrays and dictionariesControl program flow, modify execution paths, and iterate codePerform complex actions with functionsWork with higher-order functions and closuresHarness the power of structs, enums, classes, and class inheritanceCustomize initializers of classes, structs, and enumsImplement instance methods, type methods, and advanced type functionalityTake full advantage of Swift’s advanced memory allocationExtend type functionality with protocols and extensionsLeverage the power of generics, chaining, and other advanced featuresInteroperate with Objective-C codeInteract with user interfacesTake advantage of Swift’s Standard Library features and functions The Air-Conditioned Nightmare ![]() Big Sur and the Oranges of Hieronymus Bosch ![]() Big Sur is the portrait of a place—one of the most colorful in the U.S.—and of the extraordinary people Miller knew there: writers (& writers who didn't write), mystics seeking truth in meditation (& the not-so-saintly looking for sex-cults or celebrity), sophisticated children & adult innocents; geniuses, cranks & the unclassifiable. Henry Miller writes with a buoyancy & brimming energy that are infectious. He has a fine touch for comedy. But this is also a serious book—the testament of a free spirit who has broken through the restraints & cliches of modern life to find within himself his own kind of paradise. The Books in My Life ![]() Stand Still Like the Hummingbird ![]() Sunday After the War ![]() Tropic of Cancer ![]() Tropic of Capricorn 1ST Edition Us [Hardcover] ![]() Tretower to Clyro: Essays ![]() Happy Half-Hours: Selected Writings ![]() The Complete English Poems ![]() Death in Midsummer: And Other Stories ![]() The Frolic of the Beasts ![]() Set in rural Japan shortly after World War II, The Frolic of the Beasts tells the story of a strange and utterly absorbing love triangle between a former university student, Kōji; his would-be mentor, the eminent literary critic Ippei Kusakado; and Ippei's beautiful, enigmatic wife, Yūko. When brought face-to-face with one of Ippei's many marital indiscretions, Kōji finds his growing desire for Yūko compels him to action in a way that changes all three of their lives profoundly. Originally published in 1961 and now available in English for the first time, The Frolic of the Beasts is a haunting examination of the various guises we assume throughout our lives, and a tale of psychological self-entrapment, seduction, and murder. Life for Sale ![]() Temple of the Golden Pavilion (Everyman's Library (Cloth)) ![]() Black Swan Green: A Novel ![]() Black Swan tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran Lps, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons. Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s subtlest and most effective achievement to date. The Bone Clocks ![]() The Bone Clocks: A Novel ![]() “With The Bone Clocks, [David] Mitchell rises to meet and match the legacy of Cloud Atlas.”—Los Angeles Times Following a terrible fight with her mother over her boyfriend, fifteen-year-old Holly Sykes slams the door on her family and her old life. But Holly is no typical teenage runaway: A sensitive child once contacted by voices she knew only as “the radio people,” Holly is a lightning rod for psychic phenomena. Now, as she wanders deeper into the English countryside, visions and coincidences reorder her reality until they assume the aura of a nightmare brought to life. For Holly has caught the attention of a cabal of dangerous mystics—and their enemies. But her lost weekend is merely the prelude to a shocking disappearance that leaves her family irrevocably scarred. This unsolved mystery will echo through every decade of Holly’s life, affecting all the people Holly loves—even the ones who are not yet born. A Cambridge scholarship boy grooming himself for wealth and influence, a conflicted father who feels alive only while reporting on the war in Iraq, a middle-aged writer mourning his exile from the bestseller list—all have a part to play in this surreal, invisible war on the margins of our world. From the medieval Swiss Alps to the nineteenth-century Australian bush, from a hotel in Shanghai to a Manhattan townhouse in the near future, their stories come together in moments of everyday grace and extraordinary wonder. Rich with character and realms of possibility, The Bone Clocks is a kaleidoscopic novel that begs to be taken apart and put back together by a writer The Washington Post calls “the novelist who’s been showing us the future of fiction.” An elegant conjurer of interconnected tales, a genre-bending daredevil, and a master prose stylist, David Mitchell has become one of the leading literary voices of his generation. His hypnotic new novel, The Bone Clocks, crackles with invention and wit and sheer storytelling pleasure—it is fiction at its most spellbinding. Praise for The Bone Clocks “Astonishing . . . [Mitchell’s] brought together the time-capsule density of his eyes-wide-open adventure in traditional realism with the death-defying ambitions of Cloud Atlas.”—The New York Times Book Review (Editor’s Choice) “One of the most entertaining and thrilling novels I’ve read in a long time.”—Meg Wolitzer, NPR “Magical . . . perfectly illustrates the idea that we’re all the heroes of our own lives as well as single cogs in a much larger and more beautiful mechanism. [Grade:] A”—Entertainment Weekly “Rich in detail and incident, funny, rueful and terrifying by turns, The Bone Clocks is a tour de force.”—San Francisco Chronicle “Mitchell is one of the most electric writers alive. . . .The Bone Clocks [is] his most far-flung tale yet.”—The Boston Globe “A slipstream masterpiece . . . Mitchell is a genre-bending, time-leaping, world-traveling, puzzle-making, literary magician.”—Esquire “A rich selection of domestic realism, gothic fantasy and apocalyptic speculation . . . another example of Mitchell’s boundless dexterity.”—The Washington Post Cloud Atlas: A Novel ![]() A reluctant voyager crossing the Pacific in 1850; a disinherited composer blagging a precarious livelihood in between-the-wars Belgium; a high-minded journalist in Governor Reagan’s California; a vanity publisher fleeing his gangland creditors; a genetically modified “dinery server” on death-row; and Zachry, a young Pacific Islander witnessing the nightfall of science and civilisation — the narrators of Cloud Atlas hear each other’s echoes down the corridor of history, and their destinies are changed in ways great and small. In his captivating third novel, David Mitchell erases the boundaries of language, genre and time to offer a meditation on humanity’s dangerous will to power, and where it may lead us. Ghostwritten ![]() Number9Dream ![]() David Mitchell follows his eerily precocious, globe-striding first novel, Ghostwritten, with a work that is in its way even more ambitious. In outward form, Number9Dream is a Dickensian coming-of-age journey: Young dreamer Eiji Miyake, from remote rural Japan, thrust out on his own by his sister’s death and his mother’s breakdown, comes to Tokyo in pursuit of the father who abandoned him. Stumbling around this strange, awesome city, he trips over and crosses—through a hidden destiny or just monstrously bad luck—a number of its secret power centers. Suddenly, the riddle of his father’s identity becomes just one of the increasingly urgent questions Eiji must answer. Why is the line between the world of his experiences and the world of his dreams so blurry? Why do so many horrible things keep happening to him? What is it about the number 9? To answer these questions, and ultimately to come to terms with his inheritance, Eiji must somehow acquire an insight into the workings of history and fate that would be rare in anyone, much less in a boy from out of town with a price on his head and less than the cost of a Beatles disc to his name. From the Hardcover edition. Slade House: A Novel ![]() Keep your eyes peeled for a small black iron door. Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents—an odd brother and sister—extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late. . . . Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it. Praise for Slade House “Devilishly fun.”—The Washington Post “Entertainingly eerie . . . Slade House boils down to Mitchell’s take on the classic ghost story, complete with his version of a haunted house. . . . The last thing we expected from Mitchell is simplicity, but here it is, burnished to a hellish bronze.”—Chicago Tribune “A ripping yarn . . . Like Shirley Jackson’s Hill House or the Overlook Hotel from Stephen King’s The Shining, [Slade House] is a thin sliver of hell designed to entrap the unwary. . . . As the Mitchellverse grows ever more expansive and connected, this short but powerful novel hints at still more marvels to come.”—San Francisco Chronicle “Plants died, milk curdled, and my children went slightly feral as I succumbed to the creepy magic of David Mitchell’s Slade House. It’s a wildly inventive, chilling, and—for all its otherworldliness—wonderfully human haunted house story. I plan to return to its clutches quite often.”—Gillian Flynn, #1 New York Times bestselling author of Gone Girl and The Grownup “I gulped down this novel in a single evening. Painstakingly imagined and crackling with narrative velocity, it’s a Dracula for the new millennium, a Hansel and Gretel for grownups, a reminder of how much fun fiction can be.”—Anthony Doerr, author of All the Light We Cannot See, winner of the Pulitzer Prize “Mitchell doesn’t break rules so much as prove them inhibitors to lively, intelligent fiction.”—Dean Koontz, #1 New York Times bestselling author “Mitchell has long been acknowledged as one of the finest—if not the finest—literary minds of his generation, but he’s also one of the most suspenseful.”—Joe Hill, New York Times bestselling author of NOS4A2 and Horns “Sharp, fast, flat-out spooky, Slade House is such a hypnotic read that you are likely to miss your subway stop in order to keep reading. And by you, I mean me.”—Daniel Handler, New York Times bestselling author of the Lemony Snicket series The Thousand Autumns of Jacob de Zoet ![]() Utopia Avenue ![]() Utopia Avenue: A Novel ![]() Voltaire in Love ![]() Once and Forever: The Tales of Kenji Miyazawa ![]() Kenji Miyazawa is one of modern Japan’s most beloved writers, a great poet and a strange and marvelous spinner of tales, whose sly, humorous, enchanting, and enigmatic stories bear a certain resemblance to those of his contemporary Robert Walser. John Bester’s selection and expert translation of Miyazawa’s short fiction reflects its full range from the joyful, innocent “Wildcat and the Acorns,” to the cautionary tale “The Restaurant of Many Orders,” to “The Earthgod and the Fox,” which starts out whimsically before taking a tragic turn. Miyazawa also had a deep connection to Japanese folklore and an intense love of the natural world. In “The Wild Pear,” what seem to be two slight nature sketches succeed in encapsulating some of the cruelty and compensations of life itself. Missing Person ![]() In this strange, elegant novel, winner of France's premier literary prize, Patrick Modiano portrays a man in pursuit of the identity he lost in the murky days of the Paris Occupation, the black hole of French memory. For ten years Guy Roland has lived without a past. His current life and name were given to him by his recently retired boss, Hutte, who welcomed him, a onetime client, into his detective agency. Guy makes full use of Hutte's files - directories, yearbooks, and papers of all kinds going back half a century - but his leads are few. Could he really be the person in that photograph, a young man remembered by some as a South American attaché? Or was he someone else, perhaps the disappeared scion of a prominent local family? He interviews strangers and is tantalized by half-clues until, at last, he grasps a thread that leads him through the maze of his own repressed experience. On one level Missing Person is a detective thriller, a 1950s film noir mix of smoky cafés, illegal passports, and insubstantial figures crossing bridges in the fog. On another level, it is also a haunting meditation on the nature of the self. Modiano's sparce, hypnotic prose, superbly translated by Daniel Weissbort, draws his readers into the intoxication of a rare literary experience. (Verba Mundi) The City of Dreaming Books ![]() How to Read Wittgenstein ![]() Ludwig Wittgenstein: The Duty of Genius ![]() Letters (Everyman's Library) ![]() The Complete Works ![]() Also included in this complete edition of his works are Montaigne’s letters and his travel journal, fascinating records of the experiences and contemplations that would shape and infuse his essays. Montaigne speaks to us always in a personal voice in which his virtues of tolerance, moderation, and understanding are dazzlingly manifest. Donald M. Frame’s masterful translation is widely acknowledged to be the classic English version. (Book Jacket Status: Jacketed) On Solitude ![]() Shakespeare's Montaigne: The Florio Translation of the Essays, A Selection ![]() Shakespeare, Nietzsche wrote, was Montaigne’s best reader—a typically brilliant Nietzschean insight, capturing the intimate relationship between Montaigne’s ever-changing record of the self and Shakespeare’s kaleidoscopic register of human character. And there is no doubt that Shakespeare read Montaigne—though how extensively remains a matter of debate—and that the translation he read him in was that of John Florio, a fascinating polymath, man-about-town, and dazzlingly inventive writer himself. Florio’s Montaigne is in fact one of the masterpieces of English prose, with a stylistic range and felicity and passages of deep lingering music that make it comparable to Sir Robert Burton’s Anatomy of Melancholy and the works of Sir Thomas Browne. This new edition of this seminal work, edited by Stephen Greenblatt and Peter G. Platt, features an adroitly modernized text, an essay in which Greenblatt discusses both the resemblances and real tensions between Montaigne’s and Shakespeare’s visions of the world, and Platt’s introduction to the life and times of the extraordinary Florio. Altogether, this book provides a remarkable new experience of not just two but three great writers who ushered in the modern world. Butterfly of Dinard ![]() 100 Years of The Best American Short Stories ![]() These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American. Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.” 100 Years of The Best American Short Stories is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry. LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin–Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the Irish Times International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, A Gate at the Stairs, was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, Bark, was short-listed for the Story Prize and the Frank O’Connor Award. HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of The Best American Short Stories since 2007. She is the author of the novels The Birthdays and The Daylight Marriage. Collected Stories ![]() See What Can Be Done: Essays, Criticism, and Commentary ![]() From Lorrie Moore's earliest reviews of novels by Margaret Atwood and Nora Ephron, to an essay on Ezra Edelman's 2016 O.J. Simpson documentary, and in between: Moore on the writing of fiction (the work of V. S. Pritchett, Don DeLillo, Philip Roth, Joyce Carol Oates, Alice Munro, Stanley Elkin, Dawn Powell, Nicholson Baker, et al.) . . . on the continuing unequal state of race in America . . . on the shock of the shocking GOP . . . on the dangers (and cruel truths) of celebrity marriages and love affairs . . . on the wilds of television (The Wire, Friday Night Lights, Into the Abyss, Girls, Homeland, True Detective, Making a Murderer) . . . on the (d)evolving environment . . . on terrorism, the historical imagination, and the world's newest form of novelist . . . on the lesser (and larger) lives of biography and the midwifery between art and life (Anaïs Nin, Marilyn Monroe, John Cheever, Edna St. Vincent Millay, Eudora Welty, Bernard Malamud, among others) . . . and on the high art of being Helen Gurley Brown . . . and much, much more. "Fifty years from now, it may well turn out that the work of very few American writers has as much to say about what it means to be alive in our time as that of Lorrie Moore" (Harper's Magazine). She Would Be King: A Novel ![]() Wayétu Moore’s powerful debut novel, She Would Be King, reimagines the dramatic story of Liberia’s early years through three unforgettable characters who share an uncommon bond. Gbessa, exiled from the West African village of Lai, is starved, bitten by a viper, and left for dead, but still she survives. June Dey, raised on a plantation in Virginia, hides his unusual strength until a confrontation with the overseer forces him to flee. Norman Aragon, the child of a white British colonizer and a Maroon slave from Jamaica, can fade from sight when the earth calls him. When the three meet in the settlement of Monrovia, their gifts help them salvage the tense relationship between the African American settlers and the indigenous tribes, as a new nation forms around them. Moore’s intermingling of history and magical realism finds voice not just in these three characters but also in the fleeting spirit of the wind, who embodies an ancient wisdom. “If she was not a woman,” the wind says of Gbessa, “she would be king.” In this vibrant story of the African diaspora, Moore, a talented storyteller and a daring writer, illuminates with radiant and exacting prose the tumultuous roots of a country inextricably bound to the United States. She Would Be King is a novel of profound depth set against a vast canvas and a transcendent debut from a major new author. Arturo's Island: A Novel ![]() Great Ideas Useful Work V Useless Toil ![]() Head First JavaScript ![]() With Head First JavaScript, you learn:The basics of programming, from variables to types to loopingHow the web browser runs your code, and how you can talk to the browser with your codeWhy you'll never have to worry about casting, overloading, or polymorphism when you're writing JavaScript codeHow to use the Document Object Model to change your web pages without making your users click buttonsIf you've ever read a Head First book, you know what to expect — a visually rich format designed for the way your brain works. Head First JavaScript is no exception. It starts where HTML and CSS leave off, and takes you through your first program into more complex programming concepts — like working directly with the web browser's object model and writing code that works on all modern browsers. Don't be intimidated if you've never written a line of code before! In typical Head First style, Head First JavaScript doesn't skip steps, and we're not interested in having you cut and paste code. You'll learn JavaScript, understand it, and have a blast along the way. So get ready... dynamic and exciting web pages are just pages away. Beloved ![]() Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling herself Beloved, Sethe’s terrible secret explodes into the present. Combining the visionary power of legend with the unassailable truth of history, Morrison’s unforgettable novel is one of the great and enduring works of American literature. (Book Jacket Status: Jacketed) The Bluest Eye ![]() God Help the Child ![]() Goodness and the Literary Imagination: Harvard's 95th Ingersoll Lecture with Essays on Morrison's Moral and Religious Vision ![]() Perhaps because it is overshadowed by the more easily defined evil, goodness often escapes our attention. Recalling many literary examples, from Ahab to Coetzee’s Michael K, Morrison seeks the essence of goodness and ponders its significant place in her writing. She considers the concept in relation to unforgettable characters from her own works of fiction and arrives at conclusions that are both eloquent and edifying. In a lively interview conducted for this book, Morrison further elaborates on her lecture’s ideas, discussing goodness not only in literature but in society and history―particularly black history, which has responded to centuries of brutality with profound creativity. Morrison’s essay is followed by a series of responses by scholars in the fields of religion, ethics, history, and literature to her thoughts on goodness and evil, mercy and love, racism and self-destruction, language and liberation, together with close examination of literary and theoretical expressions from her works. Each of these contributions, written by a scholar of religion, considers the legacy of slavery and how it continues to shape our memories, our complicities, our outcries, our lives, our communities, our literature, and our faith. In addition, the contributors engage the religious orientation in Morrison’s novels so that readers who encounter her many memorable characters such as Sula, Beloved, or Frank Money will learn and appreciate how Morrison’s notions of goodness and mercy also reflect her understanding of the sacred and the human spirit. Home ![]() A Washington Post Notable Work of Fiction A Best Book of the Year: NPR, AV Club, St. Louis Dispatch When Frank Money joined the army to escape his too-small world, he left behind his cherished and fragile little sister, Cee. After the war, his shattered life has no purpose until he hears that Cee is in danger. Frank is a modern Odysseus returning to a 1950s America mined with lethal pitfalls for an unwary black man. As he journeys to his native Georgia in search of Cee, it becomes clear that their troubles began well before their wartime separation. Together, they return to their rural hometown of Lotus, where buried secrets are unearthed and where Frank learns at last what it means to be a man, what it takes to heal, and—above all—what it means to come home. Jazz ![]() Love: A Novel ![]() In life, Bill Cosey enjoyed the affections of many women, who would do almost anything to gain his favor. In death his hold on them may be even stronger. Wife, daughter, granddaughter, employee, mistress: As Morrison’s protagonists stake their furious claim on Cosey’s memory and estate, using everything from intrigue to outright violence, she creates a work that is shrewd, funny, erotic, and heartwrenching. The Measure of Our Lives: A Gathering of Wisdom ![]() "She was our conscience. Our seer. Our truthteller." —Oprah Winfrey This inspirational book juxtaposes quotations, one to a page, drawn from Toni Morrison's entire body of work, both fiction and nonfiction—from The Bluest Eye to God Help the Child, from Playing in the Dark to The Source of Self-Regard—to tell a story of self-actualization. It aims to evoke the totality of Toni Morrison's literary vision. Its compelling sequence of flashes of revelation—stunning for their linguistic originality, keenness of psychological observation, and philosophical profundity—addresses issues of abiding interest in Morrison's work: the reach of language for the ineffable; transcendence through imagination; the self and its discontents; the vicissitudes of love; the whirligig of memory; the singular power of women; the original American sin of slavery; the bankruptcy of racial oppression; the complex humanity and art of black people. The Measure of Our Lives brims with elegance of style and mind and moral authority. A Mercy ![]() One of The New York Times 10 Best Books of the Year In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives. A Mercy reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the ambivalent, disturbing story of a mother and a daughter—a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment. The Origin of Others ![]() Paradise ![]() In prose that soars with the rhythms, grandeur, and tragic arc of an epic poem, Toni Morrison challenges our most fiercely held beliefs as she weaves folklore and history, memory and myth into an unforgettable meditation on race, religion, gender, and a far-off past that is ever present. Playing in the Dark: Whiteness and the Literary Imagination ![]() Recitatif: A Story ![]() Song of Solomon ![]() Song of Solomon begins with one of the most arresting scenes in our century's literature: a dreamlike tableau depicting a man poised on a roof, about to fly into the air, while cloth rose petals swirl above the snow-covered ground and, in the astonished crowd below, one woman sings as another enters premature labor. The child born of that labor, Macon (Milkman) Dead, will eventually come to discover, through his complicated progress to maturity, the meaning of the drama that marked his birth. Toni Morrison's novel is at once a romance of self-discovery, a retelling of the black experience in America that uncovers the inalienable poetry of that experience, and a family saga luminous in its depth, imaginative generosity, and universality. It is also a tribute to the ways in which, in the hands of a master, the ancient art of storytelling can be used to make the mysterious and invisible aspects of human life apparent, real, and firm to the touch. (Book Jacket Status: Jacketed) The Source of Self-Regard: Selected Essays, Speeches, and Meditations ![]() The Source of Self-Regard is brimming with all the elegance of mind and style, the literary prowess and moral compass that are Toni Morrison's inimitable hallmark. It is divided into three parts: the first is introduced by a powerful prayer for the dead of 9/11; the second by a searching meditation on Martin Luther King Jr., and the last by a heart-wrenching eulogy for James Baldwin. In the writings and speeches included here, Morrison takes on contested social issues: the foreigner, female empowerment, the press, money, "black matter(s)," and human rights. She looks at enduring matters of culture: the role of the artist in society, the literary imagination, the Afro-American presence in American literature, and in her Nobel lecture, the power of language itself. And here too is piercing commentary on her own work (including The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, and Paradise) and that of others, among them, painter and collagist Romare Bearden, author Toni Cade Bambara, and theater director Peter Sellars. In all, The Source of Self-Regard is a luminous and essential addition to Toni Morrison's oeuvre. Sula ![]() Tar Baby ![]() Toni Morrison Jazz Beloved Song of Solomon ![]() The Communist ![]() An NYRB Classics Original Walter Ferranini has been born and bred a man of the left. His father was a worker and an anarchist; Walter himself is a Communist. In the 1930s, he left Mussolini’s Italy to fight Franco in Spain. After Franco’s victory, he left Spain for exile in the United States. With the end of the war, he returned to Italy to work as a labor organizer and to build a new revolutionary order. Now, in the late 1950s, Walter is a deputy in the Italian parliament. He is not happy about it. Parliamentary proceedings are too boring for words: the Communist Party seems to be filling up with ward heelers, timeservers, and profiteers. For Walter, the political has always taken precedence over the personal, but now there seems to be no refuge for him anywhere. The puritanical party disapproves of his relationship with Nuccia, a tender, quizzical, deeply intelligent editor who is separated but not divorced, while Walter is worried about his health, haunted by his past, and increasingly troubled by knotty questions of both theory and practice. Walter is, always has been, and always will be a Communist, he has no doubt about that, and yet something has changed. Communism no longer explains the life he is living, the future he hoped for, or, perhaps most troubling of all, the life he has led. Dissipatio H.G.: The Vanishing ![]() Poetry Speaks: Hear Great Poets Read Their Work from Tennyson to Plath (Book and 3 Audio CDs) ![]() The Upside-Down World: Meetings with the Dutch Masters ![]() The Work of Art: How Something Comes from Nothing ![]() Dark Night of the Soul [BOOK ONLY] ![]() As half of the acclaimed duo Gnarls Barkley, Danger Mouse is no stranger to high-stakes collaborations. With the help of Sparklehorse, he has recruited a remarkable cast of contemporary artists to lend their vocals, including the Flaming Lips, Black Francis of the Pixies, Julian Casablancas of the Strokes, James Mercer of the Shins, Jason Lytle of Grandaddy, Gruff Rhys of Super Furry Animals, Nina Persson of the Cardigans, cryptic Southern songwriter Vic Chesnutt, avant-folk icon Suzanne Vega, punk titan Iggy Pop, and even Lynch himself. To create the images that accompany the music, Danger Mouse chose David Lynch. Known for revealing the gripping horror beneath suburban banality, Lynch crafts eerie beauty from the most irregular of elements. For Dark Night of the Soul, the creator of Twin Peaks, Inland Empire, Blue Velvet, and Eraserhead, delivers a gorgeous, hypnotic series of photographs. This captivating project explores and escapes the reality of the world. The book package includes the full sequence of Lynch's images, a foreword by Danger Mouse, selected lyrics, and an art-printed CD-R, in a run of only 5000 copies, each individually numbered. For Legal Reasons, enclosed CD-R contains no music. Use it as you will. Albertus Seba: Cabinet of Natural Curiosities ![]() Albertus Seba's Cabinet of Curiosities is one of the 18th century's greatest natural history achievements and remains one of the most prized natural history books of all time. Though scientists of his era often collected natural specimens for research purposes, Amsterdam-based pharmacist Albertus Seba (1665-1736) was unrivaled in his passion. His amazing collection of animals, plants and insects from all around the world gained international fame during his lifetime. In 1731, after decades of collecting, Seba commissioned illustrations of every specimen and arranged the publication of a four-volume catalog–from strange and exotic plants to snakes, frogs, crocodiles, shellfish, corals, birds, and butterflies, as well as fantastic beasts, such as a hydra and a dragon. Seba's scenic illustrations, often mixing plants and animals in a single plate, were unusual even for the time. The more peculiar creatures from the collection–some of them now extinct–were as curious in Seba's day as they are today. Our superb reproduction is taken from a rare, hand-colored original. The introduction supplies background information about the fascinating tradition to which Seba's curiosities belonged. The Pen and the Brush: How Passion for Art Shaped Nineteenth-Century French Novels ![]() With the wit and penetration well known to readers of Balzac's Omelette and Monsieur Proust's Library, Anka Muhlstein's PEN AND BRUSH revisits the delights of the French novel. This time she focuses on late 19th- and 20th-century writers—Balzac, Zola, Proust, Huysmans, and Maupassant—through the lens of their passionate involvement with the fine arts. She delves into the crucial role that painters play as characters in their novels, which she pairs with an exploration of the profound influence that painting exercised on the novelists' techniques, offering an intimate view of the intertwined worlds of painters and writers at the time. Muhlstein's deftly chosen vignettes bring to life a portrait of the nineteenth century's tight-knit artistic community, where Cézanne and Zola befriended each other as boys and Balzac yearned for the approval of Delacroix. She leads the reader on a journey of spontaneous discovery as she explores how a great painting can open a mind and spark creative fire. The Gene: An Intimate History ![]() The Song of the Cell: An Exploration of Medicine and the New Human ![]() Moy Sand and Gravel: Poems ![]() Poems 1968-1998 ![]() The Artful Dickens: The Tricks and Ploys of the Great Novelist ![]() Max Havelaar: Or, the Coffee Auctions of The Dutch Trading Company ![]() A brilliantly inventive fiction that is also a work of burning political outrage, Max Havelaar tells the story of a renegade Dutch colonial administrator’s ultimately unavailing struggle to end the exploitation of the Indonesian peasantry. Havelaar’s impassioned exposé is framed by the fatuous reflections of an Amsterdam coffee trader, Drystubble, into whose hands it has fallen. Thus a tale of the jungles and villages of Indonesia is interknit with one of the houses and warehouses of bourgeois Amsterdam where the tidy profits from faraway brutality not only accrue but are counted as a sign of God’s grace. Multatuli (meaning “I have suffered greatly”) was the pen name of Eduard Douwes Dekker, and his novel caused a political storm when it came out in Holland. Max Havelaar, however, is as notable for its art as it is for its politics. Layering not only different stories but different ways of writing—including plays, poems, lists, letters, and a wild accumulation of notes—to furious, hilarious, and disconcerting effect, this masterpiece of Dutch literature confronts the fixities of power with the protean and subversive energy of the imagination. Carried Away: A Selection of Stories ![]() Carried Away is a dazzling selection of stories–seventeen favorites chosen by the author from across her distinguished career. With an Introduction by Margaret Atwood. Alice Munro has been repeatedly hailed as one of our greatest living writers, a reputation that has been growing for years. The stories brought together here span a quarter century, drawn from some of her earliest books, The Beggar Maid and The Moons of Jupiter, through her recent best-selling collection, Runaway. Here are such favorites as “Royal Beatings” in which a young girl, her father, and stepmother release the tension of their circumstances in a ritual of punishment and reconciliation; “Friend of My Youth” in which a woman comes to understand that her difficult mother is not so very different from herself; and “The Albanian Virgin," a romantic tale of capture and escape in Central Europe that may or may not be true but that nevertheless comforts the hearer, who is on a desperate adventure of her own. Munro’s incomparable empathy for her characters, the depth of her understanding of human nature, and the grace and surprise of her narrative add up to a richly layered and capacious fiction. Like the World War I soldier in the title story, whose letters from the front to a small-town librarian he doesn’t know change her life forever, Munro’s unassuming characters insinuate themselves in our hearts and take permanent hold. End Of The World And Hard-Boiled Wonderland ![]() The Sea, The Sea; A Severed Head (Everyman's Library (Cloth)) ![]() A Severed Head (1961) is one of Iris Murdoch’s most entertaining works, tracing the turbulent emotional journey of Martin Lynch-Gibbon, a smug, prosperous London wine merchant and unfaithful husband, whose life is turned inside out when his wife leaves him for her psychoanalyst. The story takes bedroom farce to a new level of sophistication, with scenes that are both wickedly funny and emblematic of the way momentous moral issues play out in everyday life. The Booker Prize–winning The Sea, the Sea (1978) is set on the edge of England’s North Sea, where egotistical Charles Arrowby, a big name in London’s glittering theatrical world, has retreated into seclusion to write his memoirs. Arrowby’s plans begin to unravel when he encounters his long-lost first love and finds himself increasingly besieged by his own fantasies, delusions, and obsessions. Both novels are tragicomic masterpieces that brilliantly dramatize how much our lives are governed by the lies we tell ourselves and by the all-consuming need for love, meaning, and redemption. Introduction by Sarah Churchwell Vincent Van Gogh and Japan ![]() Agathe: Or, The Forgotten Sister ![]() Agathe is the sister of Ulrich, the restless and elusive “man without qualities” at the center of Robert Musil’s great, unfinished novel of the same name. For years Agathe and Ulrich have ignored each other, but when brother and sister find themselves reunited over the bier of their dead father, they are electrified. Each is the other’s spitting image, and Agathe, who has just separated from her husband, is even more defiant and inquiring than Ulrich. Beginning with a series of increasingly intense “holy conversations,” the two gradually enlarge the boundaries of sexuality, sensuality, identity, and understanding in pursuit of a new, true form of being that they are seeking to discover. Robert Musil’s The Man Without Qualities is perhaps the most profoundly exploratory and unsettling masterpiece of twentieth-century fiction. Agathe, or, The Forgotten Sister reveals with new clarity a particular dimension of this multidimensional book—the dimension that meant the most to Musil himself and that inspired some of his most searching writing. The outstanding translator Joel Agee captures the acuity, audacity, and unsettling poetry of a book that is meant to be nothing short of life-changing. The Man Without Qualities Vol. 1: A Sort of Introduction and Pseudo Reality Prevails ![]() The Man Without Qualities Vol. 2: Into the Millennium, from the Posthumous Papers ![]() Ada, or Ardor: A Family Chronicle ![]() This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom. The Annotated Lolita: Annotated edition ![]() Bend Sinister ![]() The Defense ![]() Despair ![]() Fuoco Pallido ![]() Insomniac Dreams: Experiments with Time by Vladimir Nabokov ![]() On October 14, 1964, Vladimir Nabokov, a lifelong insomniac, began a curious experiment. Over the next eighty days, immediately upon waking, he wrote down his dreams, following the instructions he found in An Experiment with Time by the British philosopher John Dunne. The purpose was to test the theory that time may go in reverse, so that, paradoxically, a later event may generate an earlier dream. The result―published here for the first time―is a fascinating diary in which Nabokov recorded sixty-four dreams (and subsequent daytime episodes) on 118 index cards, which afford a rare glimpse of the artist at his most private. More than an odd biographical footnote, the experiment grew out of Nabokov’s passionate interest in the mystery of time, which influenced many of his novels, including the late masterpiece Ada. Insomniac Dreams, edited by leading Nabokov authority Gennady Barabtarlo, presents the text of Nabokov’s dream experiment, illustrated with a selection of his original index cards, and provides rich annotations and analysis that put them in the context of his life and writings. The book also includes previously unpublished records of Nabokov’s dreams from his letters and notebooks and shows important connections between his fiction and private writings on dreams and time. Invitation to a Beheading ![]() King, Queen, Knave ![]() Lectures on Don Quixote ![]() Lectures on Literature ![]() Lectures on Literature ![]() Lectures on Russian Literature ![]() Letters to Véra ![]() No marriage of a major twentieth-century writer is quite as beguiling as that of Vladimir Nabokov’s to Véra Slonim. She shared his delight in life’s trifles and literature’s treasures, and he rated her as having the best and quickest sense of humor of any woman he had met. From their first encounter in 1923, Vladimir’s letters to Véra form a narrative arc that tells a half-century-long love story, one that is playful, romantic, pithy and memorable. At the same time, the letters tell us much about the man and the writer. We see the infectious fascination with which Vladimir observed everything—animals, people, speech, the landscapes and cityscapes he encountered—and learn of the poems, plays, stories, novels, memoirs, screenplays and translations on which he worked ceaselessly. This delicious volume contains twenty-one photographs, as well as facsimiles of the letters themselves and the puzzles and doodles Vladimir often sent to Véra. Lolita ![]() Look at the Harlequins! ![]() Mary ![]() Mary ![]() Nabokov: Novels 1955-1962: Lolita / Pnin / Pale Fire ![]() Nabokov: Novels, 1969-1974 ![]() Nabokov's Quartet ![]() Nikolai Gogol ![]() The Original of Laura ![]() Photos of the handwritten index cards accompany the text. They are perforated and can be removed and rearranged, as the author likely did when he was writing the novel. From the Hardcover edition. Pale Fire (Everyman's Library (Cloth)) ![]() Pale Fire: A Poem in Four Cantos by John Shade ![]() Renowned Nabokov authority Brian Boyd brilliantly explains Pale Fire on its and Shade's own terms, showing how its texture compares with Shakespeare's sonnets at their best. Poet R.S. Gwynn sets it in the context of American poetry of its time. Artist Jean Holabird, who conceived the project, illustrates key details of the poem's pattern and pathos. Now readers can see the text for themselves, fresh from Shade s hands, before Kinbote commandeered it so shamelessly. This attractive box contains two booklets the poem Pale Fire in a handsome pocket edition and the book of essays by Boyd and Gwynn as well as facsimiles of the index cards that John Shade (like his maker, Nabokov) used for composing his poem, printed exactly as Vladimir Nabokov described them. Pnin ![]() One of the best-loved of Nabokov’s novels, Pnin features his funniest and most heart-rending character. Professor Timofey Pnin is a haplessly disoriented Russian émigré precariously employed on an American college campus in the 1950s. Pnin struggles to maintain his dignity through a series of comic and sad misunder-standings, all the while falling victim both to subtle academic conspiracies and to the manipulations of a deliberately unreliable narrator. Initially an almost grotesquely comic figure, Pnin gradually grows in stature by contrast with those who laugh at him. Whether taking the wrong train to deliver a lecture in a language he has not mastered or throwing a faculty party during which he learns he is losing his job, the gently preposterous hero of this enchanting novel evokes the reader’s deepest protective instinct. Serialized in The New Yorker and published in book form in 1957, Pnin brought Nabokov both his first National Book Award nomination and hitherto unprecedented popularity. Selected Poems ![]() These poems span the whole of Nabokov’s career, from the newly discovered “Music,” written in 1914, to the short, playful “To Véra,” composed in 1974. Many are newly translated by Dmitri Nabokov, including The University Poem, a sparkling novel in verse modeled on Pushkin’s Eugene Onegin that constitutes a significant new addition to Nabokov’s oeuvre. Included too are such poems as “Lilith”, an early work which broaches the taboo theme revisited nearly forty years later in Lolita, and “An Evening of Russian Poetry”, a masterpiece in which Nabokov movingly mourns his lost language in the guise of a versified lecture on Russian delivered to college girls. The subjects range from the Russian Revolution to the American refrigerator, taking in on the way motel rooms, butterflies, ice-skating, love, desire, exile, loneliness, language, and poetry itself; and the poet whirls swiftly between the brilliantly painted facets of his genius, wearing masks that are, by turns, tender, demonic, sincere, self-parodying, shamanic, visionary, and ingeniously domestic. Speak, Memory: An Autobiography Revisited ![]() The Eye ![]() The Gift ![]() The Stories of Vladimir Nabokov ![]() Think, Write, Speak: Uncollected Essays, Reviews, Interviews, and Letters to the Editor ![]() "I think like a genius, I write like a distinguished author, and I speak like a child": so Nabokov famously, and infamously, wrote when introducing his 1973 volume of selected prose, Strong Opinions. Think, Write, Speak follows up where Strong Opinions left off, presenting Nabokov's public writings from a 1921 essay about Cambridge to two last interviews in 1977. The chronological order allows us to watch the Cambridge student and the fledgling Berlin reviewer and poet turn into the acclaimed Paris émigré novelist whose stature would bring him to teach and write in America, where his international success exploded with Lolita and propelled him back to Europe as a recognized literary master. Straddling Russian, French and Anglophone worlds, Nabokov discovers contemporary literature and culture at his own pace and with his own strong dispositions. Whether his subject is Proust or Pushkin, the sport of boxing or the privileges of democracy, Nabokov's supreme individuality and his alertness to the details of life past and present illuminate the page and remind us why he has been called the greatest of prose stylists. The Tragedy of Mister Morn ![]() The Tragedy of Mister Morn was written in the winter of 1923–1924, when Nabokov was completely unknown. The five-act play—the story of an incognito king whose love for the wife of a banished revolutionary brings on the chaos the king has fought to prevent—was never published in Nabokov’s lifetime and lay in manuscript until it appeared in a Russian literary journal in 1997. It is an astonishingly precocious work, in exquisite verse, touching for the first time on what would become this great writer’s major themes: intense sexual desire and jealousy, the elusiveness of happiness, the power of the imagination, and the eternal battle between truth and fantasy. The play is Nabokov’s major response to the Russian Revolution, which he had lived through, but it approaches the events of 1917 above all through the prism of Shakespearean tragedy. Transparent Things ![]() Verses and Versions: Three Centuries of Russian Poetry Selected and Translated by ![]() Here, collected for the first time in one volume as Nabokov always wished, are many of his English translations of Russian verse, presented next to the Russian originals. Here, also, are some of his notes on the dangers and thrills of translation. With an introduction by Brian Boyd, author of the prize-winning biography of Nabokov, Verses and Versions is a momentous and authoritative contribution to Nabokov's published works. Vladimir Nabokov : Novels and Memoirs 1941-1951 : The Real Life of Sebastian Knight, Bend Sinister, Speak, Memory ![]() Vladimir Nabokov: Selected Letters 1940-1977 ![]() Waltz Invention ![]() Strong Opinions (Vintage International) ![]() Nabokov's Butterflies: Unpublished and Uncollected Writings ![]() Nabokov's Dozen ![]() Tyrants Destroyed and Other Stories ![]() A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age ![]() It is not hard to see why Spinoza's Treatise was so important or so controversial, or why the uproar it caused is one of the most significant events in European intellectual history. In the book, Spinoza became the first to argue that the Bible is not literally the word of God but rather a work of human literature; that true religion has nothing to do with theology, liturgical ceremonies, or sectarian dogma; and that religious authorities should have no role in governing a modern state. He also denied the reality of miracles and divine providence, reinterpreted the nature of prophecy, and made an eloquent plea for toleration and democracy. A vivid story of incendiary ideas and vicious backlash, A Book Forged in Hell will interest anyone who is curious about the origin of some of our most cherished modern beliefs. Read Dangerously: The Subversive Power of Literature in Troubled Times ![]() Reading Lolita in Tehran: A Memoir in Books ![]() Apple Pro Training Series: Logic Pro X 10.1: Professional Music Production ![]() Completely revised and updated for Logic Pro v10.1, this Apple-certified guide shows you how to record, produce, and make music files that stand out with the Apple professional audio software. Veteran music producer David Nahmani’s step-by-step instructions teach you everything from basic music creation to professional production techniques using Logic’s software synthesizers, samplers, and digital signal processors. You’ll learn about all of the key features in Logic Pro v10.1 and use the book’s online files to begin making music from the very first lesson. Whether you’re looking to use your computer as a digital recording studio, create musical compositions, or transfer that song in your head into music you can share, this comprehensive book will show you how. Collected Short Fiction ![]() Over the course of his distinguished career, V. S. Naipaul has written a remarkable array of short fiction that moves from Trinidad to London to Africa. Here are the stories from his Somerset Maugham Award–winning Miguel Street, in which he takes us into a derelict corner of Trinidad’s capital to meet, among others, Man-Man, who goes from running for public office to staging his own crucifixion. The tales in A Flag on the Island, meanwhile, roam from a Chinese bakery in Trinidad to a rooming house in London. And in the celebrated title story from the Booker Prize– winning In a Free State, an English couple traveling in an unnamed African country discover, under a veneer of civilization, a landscape of squalor and ethnic bloodletting. No writer has rendered our postcolonial world more acutely or prophetically than V. S. Naipaul, or given its upheavals such a hauntingly human face. The Masque of Africa: Glimpses of African Belief ![]() From V. S. Naipaul: “For my travel books I travel on a theme. And the theme of The Masque of Africa is African belief. I begin in Uganda, at the center of the continent, do Ghana and Nigeria, the Ivory Coast and Gabon, and end at the bottom of the continent, in South Africa. My theme is belief, not political or economical life; and yet at the bottom of the continent the political realities are so overwhelming that they have to be taken into account. “Perhaps an unspoken aspect of my inquiry was the possibility of the subversion of old Africa by the ways of the outside world. The theme held until I got to the South, when the clash of the two ways of thinking and believing became far too one-sided. The skyscrapers of Johannesburg didn’t rest on sand. The older world of magic felt fragile, but at the same time had an enduring quality. You felt that it would survive any calamity. “I had expected that over the great size of Africa the practices of magic would significantly vary. But they didn’t. The diviners everywhere wanted to ‘throw the bones’ to read the future, and the idea of ‘energy’ remained a constant, to be tapped into by the ritual sacrifice of body parts. In South Africa body parts, mainly of animals, but also of men and women, made a mixture of ‘battle medicine.’ To witness this, to be given some idea of its power, was to be taken far back to the beginning of things. “To reach that beginning was the purpose of my book.” The Masque of Africa is a masterly achievement by one of the world’s keenest observers and one of its greatest writers. A House for Mr. Biswas (Everyman's Library (Cloth)) ![]() The book that turned the gentle satirist of the Caribbean into a major literary figure, this is the story of a man who, without a single asset, enters a life devoid of opportunity; his tumble-down house becomes a potent symbol of the search for identity in a postcolonial world. His most widely read novel. A Turn in the South (Vintage International) ![]() The Enigma of Arrival: A Novel ![]() Jean-Michel Basquiat ![]() Sybil Exposed: The Extraordinary Story Behind the Famous Multiple Personality Case ![]() But what do we really know about how Sybil came to be? In her news-breaking book Sybil Exposed, journalist Debbie Nathan gives proof that the allegedly true story was largely fabricated. The actual identity of Sybil (Shirley Mason) has been available for some years, as has the idea that the book might have been exaggerated. But in Sybil Exposed, Nathan reveals what really powered the legend: a trio of women—the willing patient, her ambitious shrink, and the imaginative journalist who spun their story into bestseller gold. From horrendously irresponsible therapeutic practices—Sybil’s psychiatrist often brought an electroshock machine to Sybil’s apartment and climbed into bed with her while administering the treatment— to calculated business decisions (under an entity they named Sybil, Inc., the women signed a contract designating a three-way split of profits from the book and its spin-offs, including board games, tee shirts, and dolls), the story Nathan unfurls is full of over-the-top behavior. Sybil’s psychiatrist, driven by undisciplined idealism and galloping professional ambition, subjected the young woman to years of antipsychotics, psychedelics, uppers, and downers, including an untold number of injections with Pentothal, once known as “truth serum” but now widely recognized to provoke fantasies. It was during these “treatments” that Sybil produced rambling, garbled, and probably “false-memory”–based narratives of the hideous child abuse that her psychiatrist said caused her MPD. Sybil Exposed uses investigative journalism to tell a fascinating tale that reads like fiction but is fact. Nathan has followed an enormous trail of papers, records, photos, and tapes to unearth the lives and passions of these three women. The Sybil archive became available to the public only recently, and Nathan is the first person to have examined all of it and to provide proof that the story was an elaborate fraud—albeit one that the perpetrators may have half-believed. Before Sybil was published, there had been fewer than 200 known cases of MPD; within just a few years after, more than 40,000 people would be diagnosed with it. Set across the twentieth century and rooted in a time when few professional roles were available to women, this is a story of corrosive sexism, unchecked ambition, and shaky theories of psychoanalysis exuberantly and drastically practiced. It is the story of how one modest young woman’s life turned psychiatry on its head and radically changed the course of therapy, and our culture, as well. Leonardo Da Vinci: The Complete Paintings and Drawings ![]() The Cat Who Saved Books: A Novel ![]() I Am a Cat: Three Volumes in One ![]() The New Yorker called it "a nonchalant string of anecdotes and wisecracks, told by a fellow who doesn't have a name, and has never caught a mouse, and isn't much good for anything except watching human beings in action..." Bluets ![]() David Golder, The Ball, Snow in Autumn, The Courilof Affair ![]() The Poetry of Pablo Neruda ![]() "In his work a continent awakens to consciousness." So wrote the Swedish Academy in awarding the Nobel Prize to Pablo Neruda, the author of more than thirty-five books of poetry and one of Latin America's most revered writers, lionized during his lifetime as "the people's poet." This selection of Neruda's poetry, the most comprehensive single volume available in English, presents nearly six hundred poems, scores of them in new and sometimes multiple translations, and many accompanied by the Spanish original. In his introduction, Ilan Stavans situates Neruda in his native milieu as well as in a contemporary English-language one, and a group of new translations by leading poets testifies to Neruda's enduring, vibrant legacy among English-speaking writers and readers today. AppleScript : The Definitive Guide (Definitive Guides) ![]() AppleScript: The Definitive Guide, 2nd Edition ![]() Godel's Proof ![]() How to Think like Shakespeare: Lessons from a Renaissance Education ![]() The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War ![]() The cast of characters includes Hitler and Goering, Gertrude Stein and Marc Chagall—not to mention works by artists from Leonardo da Vinci to Pablo Picasso. And the story told in this superbly researched and suspenseful book is that of the Third Reich's war on European culture and the Allies' desperate effort to preserve it. From the Nazi purges of "Degenerate Art" and Goering's shopping sprees in occupied Paris to the perilous journey of the Mona Lisa from Paris and the painstaking reclamation of the priceless treasures of liberated Italy, The Rape of Europa is a sweeping narrative of greed, philistinism, and heroism that combines superlative scholarship with a compelling drama. "Nicholas knows the art world as well as any military historian knows his battlefield.... Her work deserves the widest reading."—New York Times Book Review God's Secretaries: The Making of the King James Bible ![]() Anti-Education: On the Future of Our Educational Institutions ![]() In 1869, at the age of twenty-four, the precociously brilliant Friedrich Nietzsche was appointed to a professorship of classical philology at the University of Basel. He seemed marked for a successful and conventional academic career. Then the philosophy of Schopenhauer and the music of Wagner transformed his ambitions. The genius of such thinkers and makers—the kind of genius that had emerged in ancient Greece—this alone was the touchstone for true understanding. But how was education to serve genius, especially in a modern society marked more and more by an unholy alliance between academic specialization, mass-market journalism, and the militarized state? Something more than sturdy scholarship was called for. A new way of teaching and questioning, a new philosophy . . . What that new way might be was the question Nietzsche broached in five vivid, popular public lectures in Basel in 1872. Anti-Education presents a provocative and timely reckoning with what remains one of the central challenges of the modern world. God Is Dead. God Remains Dead. And We Have Killed Him. ![]() Great Ideas Man Alone With Himself ![]() The Portable Nietzsche ![]() Thus Spoke Zarathustra ![]() Considered by many to be the most important philosopher of modern times, Friedrich Nietzsche influenced twentieth-century ideas and culture more than almost any other thinker. His best-known book, Thus Spoke Zarathustrapublished in four parts in the last two decades of the nineteenth centuryis also his masterpiece, and represents the fullest expression of his ideas up to that time. A unique combination of biblical oratory and playfulness, Thus Spoke Zarathustra chronicles the wanderings and teachings of the prophet Zarathustra, who descends from his mountain retreat to awaken the world to its new salvation. Do not accept, he counsels, what almost two thousand years of history have taught you to call evil. The Greeks knew better: Goodness for them was nobility, pride, and victory, not the Christian virtues of humility, meekness, poverty, and altruism. The existence of the human race is justified only by the exceptional among usthe superman,” whose self-mastery and strong will to power” frees him from the common prejudices and assumptions of the day. These and other concepts in Zarathustra were later perverted by Nazi propagandists, but Nietzsche, a despiser of mass movements both political and religious, did not ask his readers for faith and obedience, but rather for critical reflection, courage, and independence. Kathleen M. Higgins and Robert C. Solomon are both professors of philosophy at the University Texas at Austin. Together, they have written What Nietzsche Really Said and A Short History of Philosophy and co-edited Reading Nietzsche. Eros Unbound ![]() Mirages: The Unexpurgated Diary of Anais Nin, 1939-1947 ![]() Mirages collects, for the first time, the story that was cut from all of Nin’s other published diaries, particularly volumes 3 and 4 of The Diary of Anaïs Nin, which cover the same time period. It is the long-awaited successor to the previous unexpurgated diaries Henry and June, Incest, Fire, and Nearer the Moon. Mirages answers the questions Nin readers have been asking for decades: What led to the demise of Nin’s love affair with Henry Miller? Just how troubled was her marriage to Hugh Guiler? What is the story behind Nin’s “children,” the effeminate young men she seemed to collect at will? Mirages is a deeply personal story of heartbreak, despair, desperation, carnage, and deep mourning, but it is also one of courage, persistence, evolution, and redemption that reaches beyond the personal to the universal. Bushido: The Soul of Japan ![]() Lempriere's Dictionary: A Novel ![]() VOICE LITERARY SUPPLEMENT It is 18th-century London and John Lempriere, a young scholar, is writing a dictionary of classical mythology in an attempt to exorcise the demons raised by his father's violent and bizarre death. While tending to his father's business affairs, Lempriere discovers a 150-year old conspiracy that has kept his family from its share of the fabulously wealthy East India Company. But as John begins to untangle the years of mystery and deceit, people begin to die, in ways that mirror the very myths he is researching.... The Fragility of Goodness: Luck and Ethics in Greek Tragedy and Philosophy ![]() Shakespeare the Thinker ![]() Much recent historicist criticism has tended to “flatten” Shakespeare by confining him to the thought-clichés of his time, and this in its turn has led to an implicitly patronizing view of him as unthinkingly racist, sexist, and so on. Nuttall shows us that, on the contrary, Shakespeare proves again and again to be more intelligent and perceptive than his 21st-century readers. This book challenges us to reconsider the relation of great literature to its social and historical matrix. It is also, perhaps, the best guide to Shakespeare’s plays available in English. The Complete Novels ![]() Flann O’Brien, along with Joyce and Beckett, is part of the holy trinity of modern Irish literature. His five novels–collected here in one volume–are a monument to his inspired lunacy and gleefully demented genius. O’Brien’s masterpiece, At Swim-Two-Birds, is an exuberant literary send-up and one of the funniest novels of the twentieth century. The novel’s narrator is writing a novel about another man writing a novel, in a Celtic knot of interlocking stories. The riotous cast of characters includes figures “stolen” from Gaelic legends, along with assorted students, fairies, ordinary Dubliners, and cowboys, some of whom try to break free of their author’s control and destroy him. The narrator of The Third Policeman, who has forgotten his name, is a student of philosophy who has committed murder and wanders into a surreal hell where he encounters such oddities as the ghost of his victim, three policeman who experiment with space and time, and his own soul (who is named “Joe”). The Poor Mouth, a bleakly hilarious portrait of peasants in a village dominated by pigs, potatoes, and endless rain, is a giddy parody aimed at those who would romanticize Gaelic culture. A naïve young orphan narrates the deadpan farce The Hard Life, and The Dalkey Archive is an outrageous satiric fantasy featuring a mad scientist who uses relativity to age his whiskey, a policeman who believes men can turn into bicycles, and an elderly, bar-tending James Joyce. With a new Introduction by Keith Donohue Bowie's Bookshelf: The Hundred Books that Changed David Bowie's Life ![]() “The only art I’ll ever study is stuff that I can steal from.” ―David Bowie Three years before David Bowie died, he shared a list of 100 books that changed his life. His choices span fiction and nonfiction, literary and irreverent, and include timeless classics alongside eyebrow-raising obscurities. In 100 short essays, music journalist John O’Connell studies each book on Bowie’s list and contextualizes it in the artist’s life and work. How did the power imbued in a single suit of armor in The Iliad impact a man who loved costumes, shifting identity, and the siren song of the alter-ego? How did The Gnostic Gospels inform Bowie’s own hazy personal cosmology? How did the poems of T.S. Eliot and Frank O’Hara, the fiction of Vladimir Nabokov and Anthony Burgess, the comics of The Beano and The Viz, and the groundbreaking politics of James Baldwin influence Bowie’s lyrics, his sound, his artistic outlook? How did the 100 books on this list influence one of the most influential artists of a generation? Heartfelt, analytical, and totally original, Bowie’s Bookshelf is one part epic reading guide and one part biography of a music legend. Flannery O'Connor : Collected Works : Wise Blood / A Good Man Is Hard to Find / The Violent Bear It Away / Everything that Rises Must Converge / Essays & Letters ![]() Mystery and Manners: Occasional Prose ![]() The book opens with "The King of the Birds," her famous account of raising peacocks at her home in Milledgeville, Georgia. Also included are: three essays on regional writing, including "The Fiction Writer and His Country" and "Some Aspects of the Grotesque in Southern Fiction"; two pieces on teaching literature, including "Total Effect and the 8th Grade"; and four articles concerning the writer and religion, including "The Catholic Novel in the Protestant South." Essays such as "The Nature and Aim of Fiction" and "Writing Short Stories" are widely seen as gems. This bold and brilliant essay-collection is a must for all readers, writers, and students of contemporary American literature. The Violent Bear It Away ![]() The Best of Frank O'Connor ![]() The Death of Bees: A Novel ![]() Today is my birthday. Today I am fifteen. Today I buried my parents in the backyard. Neither of them were beloved. Marnie and her little sister, Nelly, are on their own now. Only they know what happened to their parents, Izzy and Gene, and they aren't telling. While life in Glasgow's Maryhill housing estate isn't grand, the girls do have each other. Besides, it's only a year until Marnie will be considered an adult and can legally take care of them both. As the New Year comes and goes, Lennie, the old man next door, realizes that his young neighbors are alone and need his help. Or does he need theirs? Lennie takes them in—feeds them, clothes them, protects them—and something like a family forms. But soon enough, the sisters' friends, their teachers, and the authorities start asking tougher questions. As one lie leads to another, dark secrets about the girls' family surface, creating complications that threaten to tear them apart. Written with fierce sympathy and beautiful precision, told in alternating voices, The Death of Bees is an enchanting, grimly comic tale of three lost souls who, unable to answer for themselves, can answer only for one another. The Collected Poems of Frank O'Hara ![]() Lunch Poems ![]() Selected Poems ![]() Programming Mac OS X: A Guide for Unix Developers ![]() How to Be Perfectly Unhappy ![]() In How To Be Perfectly Unhappy, Inman explores the surprising benefits of forgetting about “happiness,” and embracing instead the meaningful activities that keep us busy and interested and fascinated. A Promised Land ![]() The Tiger's Wife ![]() Thus Were Their Faces: Selected Stories ![]() Thus Were Their Faces offers a comprehensive selection of the short fiction of Silvina Ocampo, undoubtedly one of the twentieth century’s great masters of the story and the novella. Here are tales of doubles and impostors, angels and demons, a marble statue of a winged horse that speaks, a beautiful seer who writes the autobiography of her own death, a lapdog who records the dreams of an old woman, a suicidal romance, and much else that is incredible, mad, sublime, and delicious. Italo Calvino has written that no other writer “better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don’t show us.” Jorge Luis Borges flatly declared, “Silvina Ocampo is one of our best writers. Her stories have no equal in our literature.” Dark, gothic, fantastic, and grotesque, these haunting stories are among the world’s most individual and finest. Death by Water: A Novel ![]() Since his youth, renowned writer Kogito Choko planned to fictionalize his father’s fatal drowning in order to fully process the loss. Choko has long been driven to discover why his father was boating on the river during a torrential storm. Though he remembers overhearing his father and a group of soldiers discussing an insurgent scheme to stage a suicide attack on Emperor Mikado, Choko cannot separate his memories from imagination and his family is hesitant to confess the entire story. When the contents of the trunk turn out to offer little clarity, he abandons the novel in creative despair. Floundering as an artist, he’s haunted by fear that he may never write his tour de force. But when he collaborates with an avant-garde theater troupe dramatizing his early novels, Choko is revitalized and he finds the will to continue investigating his father’s demise. Diving into the turbulent depths of legacy and mortality, Death by Water is an exquisite exploration of resurfacing national and personal trauma, and the ways that storytelling can mend political, social, and familial rifts. A Personal Matter ![]() Il rosso attira lo sguardo: Quattro stagioni di relazioni pericolose ![]() African Stories ![]() Age of Magic: A Novel ![]() Astonishing the Gods: A Novel ![]() Birds of Heaven ![]() Dangerous Love: A Novel ![]() The Famished Road: Introduction by Vanessa Guignery ![]() The Freedom Artist ![]() Infinite Riches ![]() The Last Gift of the Master Artists: A Novel ![]() Madame Sosostris and the Festival for the Brokenhearted: A Novel ![]() Mental Fight: An Epic Poem ![]() Prayer for the Living ![]() A Way of Being Free ![]() American Primitive ![]() Her most acclaimed volume of poetry, American Primitive contains fifty visionary poems about nature, the humanity in love, and the wilderness of America, both within our bodies and outside. "American Primitive enchants me with the purity of its lyric voice, the loving freshness of its perceptions, and the singular glow of a spiritual life brightening the pages." — Stanley Kunitz "These poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight." — May Swenson Blue Horses: Poems ![]() Herons, sparrows, owls, and kingfishers flit across the page in meditations on love, artistry, and impermanence. Whether considering a bird’s nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments. At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world. Devotions: The Selected Poems of Mary Oliver ![]() Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as "far and away, this country's best selling poet" by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years. Carefully curated, these 200 plus poems feature Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world. Dog Songs: Poems ![]() Mary Oliver’s Dog Songs is a celebration of the special bond between human and dog, as understood through the poet’s relationships to the canines that have accompanied her daily walks, warmed her home, and inspired her work. Oliver’s poems begin in the small everyday moments familiar to all dog lovers, but through her extraordinary vision, these observations become higher meditations on the world and our place in it. Dog Songs includes visits with old friends, like Oliver’s beloved Percy, and introduces still others in poems of love and laughter, heartbreak and grief. Throughout, the many dogs of Oliver’s life merge as fellow travelers and as guides, uniquely able to open our eyes to the lessons of the moment and the joys of nature and connection. Dream Work ![]() New and Selected Poems, Volume One ![]() Mary Oliver's perceptive, brilliantly crafted poems about the natural landscape and the fundamental questions of life and death have won high praise from critics and readers alike. "Do you love this world?" she interrupts a poem about peonies to ask the reader. "Do you cherish your humble and silky life?" She makes us see the extraordinary in our everyday lives, how something as common as light can be "an invitation/to happiness,/and that happiness,/when it's done right,/is a kind of holiness,/palpable and redemptive." She illuminates how a near miss with an alligator can be the catalyst for seeing the world "as if for the second time/the way it really is." Oliver's passionate demonstrations of delight are powerful reminders of the bond between every individual, all living things, and the natural world. Owls and Other Fantasies: Poems and Essays ![]() A Poetry Handbook ![]() A Thousand Mornings: Poems ![]() In A Thousand Mornings, Mary Oliver returns to the imagery that has come to define her life’s work, transporting us to the marshland and coastline of her beloved home, Provincetown, Massachusetts. Whether studying the leaves of a tree or mourning her treasured dog Percy, Oliver is open to the teachings contained in the smallest of moments and explores with startling clarity, humor, and kindness the mysteries of our daily experience. The Truro Bear and Other Adventures: Poems and Essays ![]() Upstream: Selected Essays ![]() The New York Times bestselling collection of essays from beloved poet, Mary Oliver. “In the beginning I was so young and such a stranger to myself I hardly existed. I had to go out into the world and see it and hear it and react to it, before I knew at all who I was, what I was, what I wanted to be.” So begins Upstream, a collection of essays in which revered poet Mary Oliver reflects on her willingness, as a young child and as an adult, to lose herself within the beauty and mysteries of both the natural world and the world of literature. Emphasizing the significance of her childhood “friend” Walt Whitman, through whose work she first understood that a poem is a temple, “a place to enter, and in which to feel,” and who encouraged her to vanish into the world of her writing, Oliver meditates on the forces that allowed her to create a life for herself out of work and love. As she writes, “I could not be a poet without the natural world. Someone else could. But not me. For me the door to the woods is the door to the temple.” Upstream follows Oliver as she contemplates the pleasure of artistic labor, her boundless curiosity for the flora and fauna that surround her, and the responsibility she has inherited from Shelley, Wordsworth, Emerson, Poe, and Frost, the great thinkers and writers of the past, to live thoughtfully, intelligently, and to observe with passion. Throughout this collection, Oliver positions not just herself upstream but us as well as she encourages us all to keep moving, to lose ourselves in the awe of the unknown, and to give power and time to the creative and whimsical urges that live within us. The English Patient ![]() of forbidden love, and of annihilating anger—that illuminate the story, and the consequences of the mysteries they reveal radiate outward in shock waves that leave all the characters forever changed. Acorn ![]() Grapefruit: A Book of Instructions and Drawings by Yoko Ono ![]() There There: A novel ![]() —Janet Maslin, The New York Times Fierce, angry, funny, heartbreaking—Tommy Orange’s first novel is a wondrous and shattering portrait of an America few of us have ever seen, and it introduces a brilliant new author at the start of a major career. There There is a relentlessly paced multigenerational story about violence and recovery, memory and identity, and the beauty and despair woven into the history of a nation and its people. It tells the story of twelve characters, each of whom have private reasons for traveling to the Big Oakland Powwow. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life back together after his uncle’s death and has come to work at the powwow to honor his uncle’s memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil, who has taught himself traditional Indian dance through YouTube videos and has come to the powwow to dance in public for the very first time. There will be glorious communion, and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and unspeakable loss. Here is a voice we have never heard—a voice full of poetry and rage, exploding onto the page with stunning urgency and force. Tommy Orange writes of the plight of the urban Native American, the Native American in the city, in a stunning novel that grapples with a complex and painful history, with an inheritance of beauty and profound spirituality, and with a plague of addiction, abuse, and suicide. An unforgettable debut, destined to become required reading in schools and universities across the country. A Chill in the Air: An Italian War Diary, 1939-1940 ![]() In 1939 it was not a foregone conclusion that Mussolini would enter World War II on the side of Hitler. In this previously unpublished and only recently discovered diary, Iris Origo, author of the classic War in Val d’Orcia, provides a vivid account of how Mussolini decided on a course of action that would devastate his country and ultimately destroy his regime. Though the British-born Origo lived with her Italian husband on an estate in a remote part of Tuscany, she was supremely well-connected and regularly in touch with intellectual and diplomatic circles in Rome, where her godfather, William Phillips, was the American ambassador. Her diary describes the Fascist government’s growing infatuation with Nazi Germany as Hitler’s armies marched triumphantly across Europe and the campaign of propaganda and intimidation that was mounted in support of its new aims. The book ends with the birth of Origo’s daughter and Origo’s decision to go to Rome to work with prisoners of war at the Italian Red Cross. Together with War in Val d’Orcia, A Chill in the Air offers an indispensable record of Italy at war as well as a thrilling story of a formidable woman’s transformation from observer to actor at a great historical turning point. Images and Shadows: Part of a Life ![]() Images and Shadows, Iris Origo’s autobiographical account of her early life, is as perceptive and humane and beautifully written as her celebrated memoir War in Val d’Orcia. Origo’s father came from an old and moneyed American family, her mother was the daughter of an Irish peer, and Iris grew up in the most privileged of circumstances. Her father died of tuberculosis when he was only thirty, and her mother moved to Fiesole, Italy, where she and Iris developed a close friendship with the great connoisseur and art historian Bernard Berenson. Later, Origo and her Italian husband transformed a desolate and deforested Tuscan property into a flourishing estate, and it was there that she discovered her true calling as a writer. In Images and Shadows, Origo paints portraits of her shy, loving father and her headstrong mother, and describes beloved places, the books that formed her sensibility, and how she grew up and made her way in the world. She reflects on the pleasures and challenges of writing and evokes the persistence and fragility of memory. Images and Shadows is an autobiography that is as thoughtful as it is profoundly touching. Animal Farm ![]() Animal Farm is the most famous by far of all twentieth-century political allegories. Its account of a group of barnyard animals who revolt against their vicious human master, only to submit to a tyranny erected by their own kind, can fairly be said to have become a universal drama. Orwell is one of the very few modern satirists comparable to Jonathan Swift in power, artistry, and moral authority; in animal farm his spare prose and the logic of his dark comedy brilliantly highlight his stark message. Taking as his starting point the betrayed promise of the Russian Revolution, Orwell lays out a vision that, in its bitter wisdom, gives us the clearest understanding we possess of the possible consequences of our social and political acts. Burmese Days, Keep the Aspidistra Flying, Coming Up for Air ![]() Essays ![]() Great Ideas Decline of the English Murder ![]() Nineteen Eighty-Four ![]() (Book Jacket Status: Jacketed) How To Read Marx ![]() Rock, Paper, Scissors: And Other Stories ![]() Maxim Osipov, who lives and practices medicine in a town ninety miles outside Moscow, is one of Russia’s best contemporary writers. In the tradition of Anton Chekhov and William Carlos Williams, he draws on his experiences in medicine to write stories of great subtlety and striking insight. Osipov’s fiction presents a nuanced, collage-like portrait of life in provincial Russia—its tragedies, frustrations, and moments of humble beauty and inspiration. The twelve stories in this volume depict doctors, actors, screenwriters, teachers, entrepreneurs, local political bosses, and common criminals whose paths intersect in unpredictable yet entirely natural ways: in sickrooms, classrooms, administrative offices and on trains and in planes. Their encounters lead to disasters, major and minor epiphanies, and—on occasion—the promise of redemption. Empires of the Word: A Language History of the World ![]() Ottolenghi Simple: A Cookbook ![]() The Poems of Exile: Tristia and the Black Sea Letters ![]() The two books of the Poems of Exile, the Lamentations (Tristia) and the Black Sea Letters (Epistulae ex Ponto), chronicle Ovid's impressions of Tomis—its appalling winters, bleak terrain, and sporadic raids by barbarous nomads—as well as his aching memories and ongoing appeals to his friends and his patient wife to intercede on his behalf. While pretending to have lost his old literary skills and even to be forgetting his Latin, in the Poems of Exile Ovid in fact displays all his virtuoso poetic talent, now concentrated on one objective: ending the exile. But his rhetorical message falls on obdurately deaf ears, and his appeals slowly lose hope. A superb literary artist to the end, Ovid offers an authentic, unforgettable panorama of the death-in-life he endured at Tomis. James Joyce's Painful Case ![]() "One of the more intellectually capacious, wide-ranging studies on Joyce and his work to emerge in some time. . . . Owens's book is among the finest studies of Dubliners ever written as well as among the best—most provocative, revealing, and useful—critical works on Joyce to be published in some time."—Philological Quarterly "While Owens has captured the breadth of subjects that a casebook would offer, he balances his readings with a great deal of focused and specific close reading. . . . This book is an excellent companion for reading 'A Painful Case' and would be essential reading for anyone engaging in an in-depth study of Dubliners."—James Joyce Literary Supplement "Inspires awe, admiration, and wonder. . . . There is something new for every Joyce student and scholar to learn from Owens's thorough research."—English Literature in Transition, 1880-1920 In order to demonstrate that one story from the Dubliners is not only a turning point in that book but also a microcosm of a wide range of important Joycean influences and preoccupations, Cóilín Owens examines the dense intertextuality of "A Painful Case." Assuming the position of the ideal contemporary Irish reader that Joyce might have anticipated, Owens argues that the main character, James Duffy, is a "spoiled priest," emotionally arrested by his guilt at having rejected the call to the priesthood. Duffy's intellectual life thereafter progresses through German idealism to eventual nihilism. The contrast of nihilist thought and Christian belief is Owens's main focus, and he demonstrates how this dichotomy is evident at various points in the life of James Duffy. From this springboard, Owens constructs a larger discussion of Joyce's cultural influences, including Schopenhauer, Wagner, Tolstoy, and others. He considers many other complex interrelationships that inform Joyce's text—theology, philosophy, music, opera, literary history, Irish cultural history, and Joyce's own poetry—and offers detailed elucidations informed by historical, geographical, linguistic, and biographical information. You: Staying Young: The Owner's Manual for Extending Your Warranty (You) ![]() Wouldn't you like to know how to prevent your body from aging badly? Most of us believe that at age 40 or so, we begin the slow and steady decline of our minds and bodies. According to Dr. Roizen and Dr. Oz, that's a mistake. Aging isn't a decline in our systems. It's actually very purposeful. The very systems and biological processes that age us are designed to help us when we're a little bit younger. Our role is to learn how those systems function so we can reprogram them to work the way they did when we were younger. Your goal should be: die young at any age. That means you live a high quality of life (with everything from working joints to working genitals) until the day you die. At the core of YOU: Staying Young are the Major Agers — 14 biological processes that control your rate of aging. Doctors Roizen and Oz explain the principles of longevity and many of the causes of aging and how to fight their effects. Also included in a printable PDF file is a 14-day plan to help you integrate important processes into your daily life in order to make staying young routine. YOU: Staying Young is filled with signature YOU Tools, including YOU tips and memorable metaphors to bring the science alive and help you understand the most fascinating machine ever created: the human body. Portraits without Frames ![]() "We stopped and Shklovsky told me / quietly, but clearly, / 'Remember, we are on our way out. / On our way out.' And I recalled / ... the wall of books, / all written by a man / who lived / in times that were hard to bear." Lev Ozerov’s Portraits Without Frames offers fifty shrewd and moving glimpses into the lives of Soviet writers, composers, and artists caught between the demands of art and politics. Some of the subjects—like Anna Akhmatova, Isaac Babel, Andrey Platonov, and Dmitry Shostakovich—are well-known, others less so. All are evoked with great subtlety and vividness, as is the fraught and dangerous time in which they lived. Composed in free verse of deceptively artless simplicity, Ozerov’s portraits are like nothing else in Russian poetry. In a Yellow Wood: Selected Stories and Essays ![]() Break, Blow, Burn: Camille Paglia Reads Forty-three of the World's Best Poems ![]() Free Women, Free Men: Sex, Gender, Feminism ![]() Ever since the release of her seminal first book, Sexual Personae, Camille Paglia has remained one of feminism’s most outspoken, independent, and searingly intelligent voices. Now, for the first time, her best essays on the subject are gathered together in one concise volume. Whether she’s calling for equal opportunity for American women (years before the founding of the National Organization for Women), championing a more discerning standard of beauty that goes beyond plastic surgery’s quest for eternal youth, lauding the liberating force of rock and roll, or demanding free and unfettered speech on university campuses and beyond, Paglia can always be counted on to get to the heart of matters large and small. At once illuminating, witty, and inspiring, these essays are essential reading that affirm the power of men and women and what we can accomplish together. Glittering Images: A Journey Through Art from Egypt to Star Wars ![]() America’s premier intellectual provocateur returns to the subject that brought her fame, the great themes of Western art. Passionately argued, brilliantly written, and filled with Paglia’s trademark audacity, Glittering Images takes us on a tour through more than two dozen seminal images, some famous and some obscure or unknown—paintings, sculptures, architectural styles, performance pieces, and digital art that have defined and transformed our visual world. She combines close analysis with background information that situates each artist and image within its historical context—from the stone idols of the Cyclades to an elegant French rococo interior to Jackson Pollock’s abstract Green Silver to Renée Cox’s daring performance piece Chillin’ with Liberty. And in a stunning conclusion, she declares that the avant-garde tradition is dead and that digital pioneer George Lucas is the world’s greatest living artist. Written with energy, erudition, and wit, Glittering Images is destined to change the way we think about our high-tech visual environment. Provocations: Collected Essays on Art, Feminism, Politics, Sex, and Education ![]() Much has changed since Camille Paglia first burst onto the scene with her groundbreaking Sexual Personae, but the laser-sharp insights of this major American thinker continue to be ahead of the curve—not only capturing the tone of the moment but also often anticipating it. Opening with a blazing manifesto of an introduction in which Paglia outlines the bedrock beliefs that inform her writing—freedom of speech, the necessity of fearless inquiry, and a deep respect for all art, both erudite and popular—Provocations gathers together a rich, varied body of work that illuminates everything from the Odyssey to the Oscars, from punk rock to presidents past and present. Whatever your political inclination or literary and artistic touchstones, Paglia’s takes are compulsively readable, thought provoking, galvanizing, and an essential part of our cultural dialogue, invariably giving voice to what most needs to be said. Sex, Art, and American Culture: Essays ![]() Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson ![]() Vamps & Tramps: New Essays ![]() Break, Blow, Burn : Camille Paglia Reads Forty-three of the World's Best Poems ![]() The White Castle: A Novel ![]() The Collected Breece D'J Pancake: Stories, Fragments, Letters ![]() More Chessercizes: Checkmate: 300 Winning Strategies for Players of All Levels ![]() Rosa Parks: My Story ![]() A Literary Tour of Italy ![]() From Boccaccio and Machiavelli through to Moravia and Tabucchi, from the Stil Novo to Divisionism, across centuries of history and intellectual movements, these essays will give English readers, and lovers of the Bel Paese and its culture, the lay of the literary land of Italy. Boys Alive ![]() Doctor Zhivago ![]() Black: The History of a Color ![]() In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but also with monastic virtue. In the medieval era, black became the habit of courtiers and a hallmark of royal luxury. Black took on new meanings for early modern Europeans as they began to print words and images in black and white, and to absorb Isaac Newton's announcement that black was no color after all. During the romantic period, black was melancholy's friend, while in the twentieth century black (and white) came to dominate art, print, photography, and film, and was finally restored to the status of a true color. For Pastoureau, the history of any color must be a social history first because it is societies that give colors everything from their changing names to their changing meanings—and black is exemplary in this regard. In dyes, fabrics, and clothing, and in painting and other art works, black has always been a forceful—and ambivalent—shaper of social, symbolic, and ideological meaning in European societies. With its striking design and compelling text, Black will delight anyone who is interested in the history of fashion, art, media, or design. Blue: The History of a Color ![]() Blue has had a long and topsy-turvy history in the Western world. The ancient Greeks scorned it as ugly and barbaric, but most Americans and Europeans now cite it as their favorite color. In this fascinating history, the renowned medievalist Michel Pastoureau traces the changing meanings of blue from its rare appearance in prehistoric art to its international ubiquity today. Any history of color is, above all, a social history. Pastoureau investigates how the ever-changing role of blue in society has been reflected in manuscripts, stained glass, heraldry, clothing, paintings, and popular culture. Beginning with the almost total absence of blue from ancient Western art and language, the story moves to medieval Europe. As people began to associate blue with the Virgin Mary, the color became a powerful element in church decoration and symbolism. Blue gained new favor as a royal color in the twelfth century and became a formidable political and military force during the French Revolution. As blue triumphed in the modern era, new shades were created and blue became the color of romance and the blues. Finally, Pastoureau follows blue into contemporary times, when military clothing gave way to the everyday uniform of blue jeans and blue became the universal and unifying color of the Earth as seen from space. Beautifully illustrated, Blue tells the intriguing story of our favorite color and the cultures that have hated it, loved it, and made it essential to some of our greatest works of art. Green: The History of a Color ![]() Filled with entertaining and enlightening anecdotes, Green shows that the color has been ambivalent: a symbol of life, luck, and hope, but also disorder, greed, poison, and the devil. Chemically unstable, green pigments were long difficult to produce and even harder to fix. Not surprisingly, the color has been associated with all that is changeable and fleeting: childhood, love, and money. Only in the Romantic period did green definitively become the color of nature. Pastoureau also explains why the color was connected with the Roman emperor Nero, how it became the color of Islam, why Goethe believed it was the color of the middle class, why some nineteenth-century scholars speculated that the ancient Greeks couldn’t see green, and how the color was denigrated by Kandinsky and the Bauhaus. More broadly, Green demonstrates that the history of the color is, to a large degree, one of dramatic reversal: long absent, ignored, or rejected, green today has become a ubiquitous and soothing presence as the symbol of environmental causes and the mission to save the planet. With its striking design and compelling text, Green will delight anyone who is interested in history, culture, art, fashion, or media. Red: The History of a Color ![]() The color red has represented many things, from the life force and the divine to love, lust, and anger. Up through the Middle Ages, red held a place of privilege in the Western world. For many cultures, red was not just one color of many but rather the only color worthy enough to be used for social purposes. In some languages, the word for red was the same as the word for color. The first color developed for painting and dying, red became associated in antiquity with war, wealth, and power. In the medieval period, red held both religious significance, as the color of the blood of Christ and the fires of Hell, and secular meaning, as a symbol of love, glory, and beauty. Yet during the Protestant Reformation, red began to decline in status. Viewed as indecent and immoral and linked to luxury and the excesses of the Catholic Church, red fell out of favor. After the French Revolution, red gained new respect as the color of progressive movements and radical left-wing politics. In this beautifully illustrated book, Michel Pastoureau, the acclaimed author of Blue, Black, and Green, now masterfully navigates centuries of symbolism and complex meanings to present the fascinating and sometimes controversial history of the color red. Pastoureau illuminates red's evolution through a diverse selection of captivating images, including the cave paintings of Lascaux, the works of Renaissance masters, and the modern paintings and stained glass of Mark Rothko and Josef Albers. White: The History of a Color ![]() Yellow: The History of a Color ![]() The Dutch House: A Novel ![]() Paul Bowles: Collected Stories & Later Writings (Library of America 135) ![]() The Selected Works of Cesare Pavese ![]() Dictionary of the Khazars (M) ![]() Landscape Painted With Tea ![]() The Labyrinth of Solitude: The Other Mexico, Return to the Labyrinth of Solitude, Mexico and the United States, the Philanthropic Ogre ![]() The Monkey Grammarian ![]() How to Read Nietzsche ![]() Learning Unix for Mac OS X ![]() The Oceans of Cruelty: Twenty-Five Tales of a Corpse-Spirit: A Retelling ![]() The Emperor's New Mind ![]() Alex & Me: How a Scientist and a Parrot Uncovered a Hidden World of Animal Intelligence—and Formed a Deep Bond in the Process ![]() What would normally be a quiet, very private event was, in Alex's case, headline news. Over the thirty years they had worked together, Alex and Irene had become famous—two pioneers who opened an unprecedented window into the hidden yet vast world of animal minds. Alex's brain was the size of a shelled walnut, and when Irene and Alex first met, birds were not believed to possess any potential for language, consciousness, or anything remotely comparable to human intelligence. Yet, over the years, Alex proved many things. He could add. He could sound out words. He understood concepts like bigger, smaller, more, fewer, and none. He was capable of thought and intention. Together, Alex and Irene uncovered a startling reality: We live in a world populated by thinking, conscious creatures. The fame that resulted was extraordinary. Yet there was a side to their relationship that never made the papers. They were emotionally connected to one another. They shared a deep bond far beyond science. Alex missed Irene when she was away. He was jealous when she paid attention to other parrots, or even people. He liked to show her who was boss. He loved to dance. He sometimes became bored by the repetition of his tests, and played jokes on her. Sometimes they sniped at each other. Yet nearly every day, they each said, "I love you." Alex and Irene stayed together through thick and thin—despite sneers from experts, extraordinary financial sacrifices, and a nomadic existence from one university to another. The story of their thirty-year adventure is equally a landmark of scientific achievement and of an unforgettable human-animal bond. Three by Perec (Verba Mundi) ![]() "53 Days" ![]() At the time of his death, Perec was hard at work on this absorbing, allusive, and playful literary thriller. "53 Days" is the ultimate detective story: the narrator, a French colonial teacher, is hot on the trail of famous crime writer Robert Serval, who has mysteriously vanished. Perec lures the reader into a labyrinth of mirror-stories—which are mirrored in turn by Perec's own riddling drafts and notes for the end of "53 Days", reconstructed here by fellow Oulipians Harry Mathews and Jacques Roubaud. "53 Days" is a supremely satisfying, engrossing, and truly original mystery. The Art of Asking Your Boss for a Raise ![]() Never previously published, Georges Perec’s The Art of Asking Your Boss for a Raise is a hilarious account of an employee losing his identity—and possibly his sanity—as he tries to put on the most acceptable face for the corporate world, with its rigid hierarchies and hostility to ideas and innovation. If he follows a certain course of action, so this logic goes, he will succeed—but, in accepting these conditions, are his attempts to challenge his world of work doomed from the outset? Neurotic and pessimistic, yet endearing, comic and never less than entertaining, Perec’s Woody Allen-esque underling presents an acute and penetrating vision of the world of office work, as pertinent today as it was when it was written in 1968. An Attempt at Exhausting a Place in Paris ![]() Brief Notes on the Art and Manner of Arranging One's Books ![]() Georges Perec and the Oulipo: Winter Journeys ![]() I Remember ![]() Consisting of 480 numbered statements, all beginning identically with I remember, and all limited to pieces of public knowledge brand names and folk wisdom, actors and illnesses, places and things ( I remember: When parents drink, children tipple ; I remember Hermès handbags, with their tiny padlocks ; I remember myxomatosis ) the book represents a secret key to the world of Perec s fiction. As critic, translator, and Perec biographer David Bellos notes in his introduction to this edition, since its original publication, It s hardly possible to utter the words je me souviens in French these days without committing a literary allusion. As playful and puzzling as the best of Perec s novels, I Remember began as a simple writing exercise, and grew into an expansive, exhilarating work of art: the image of one unmistakable and irreplaceable life, shaped from the material of our collective past. For this edition, Perec s 480 memories, sometimes obvious, sometimes obscure, have been elucidated and explained by David Bellos. This book is manifestly autobiographical and also obeys a rigid (but not difficult) formal constraint. It is also one of the oddest works of literature ever written. Published in 1978 shortly after Perec's masterpiece, Life A User's Manual, won the Médicis Prize, I Remember is not a play, a poem, or a novel, and it's not a memoir in the ordinary sense either. La Boutique Obscure: 124 Dreams ![]() In La Boutique Obscure Perec once again revolutionized literary form, creating the world’s first “nocturnal autobiography.” From 1968 until 1972—the period when he wrote his most well-known works—the beloved French stylist recorded his dreams. But as you might expect, his approach was far from orthodox. Avoiding the hazy psychoanalysis of most dream journals, he challenged himself to translate his visions and subconscious churnings directly into prose. In laying down the nonsensical leaps of the imagination, he finds new ways to express the texture and ambiguity of dreams—those qualities that prove so elusive. Beyond capturing a universal experience for the first time and being a fine document of literary invention, La Boutique Obscure contains the seeds of some of Perec’s most famous books. It is also an intimate portrait of one of the great innovators of modern literature. Species of Spaces and Other Pieces ![]() Georges Perec, author of the highly acclaimed Life: A User’s Manual, was only forty-six when he died in 1982. Despite a tragic childhood, during which his mother was deported to Auschwitz, Perec produced some of the most entertaining essays of the age. His literary output was deliberately varied in form and style and this generous selection of Perec’s non-fictional work, the first to appear in English, demonstrates his characteristic lightness of touch, wry humor, and accessibility. As he contemplates the many ways in which we occupy the space around us, as he depicts the commonplace items with which we are familiar in a startling, engrossing way, as he recounts his psychoanalysis while remaining reticent about his feelings or depicts the Paris of his childhood without a trace of sentimentality, we become aware that we are in the presence of a remarkable, virtuoso writer. Things: A Story of the Sixties; A Man Asleep (Verba Mundi) (Verba Mundi (Paperback)) ![]() Jerome and Sylvie, the young, upwardly mobile couple in Things, lust for the good life. "They wanted life's enjoyment, but all around them enjoyment was equated with ownership." Surrounded by Paris's tantalizing exclusive boutiques, they exist in a paralyzing vacuum of frustration, caught between the fantasy of "the film they would have liked to live" and the reality of life's daily mundanities. In direct contrast with Jerome and Sylvie's cravings, the nameless student in A Man Asleep attempts to purify himself entirely of material desires and ambition. He longs "to want nothing. Just to wait, until there is nothing left to wait for. Just to wander, and to sleep." Yearning to exist on neutral ground as "a blessed parenthesis," he discovers that this wish is by its very nature a defeat. Accessible, sobering, and deeply involving, each novel distills Perec's unerring grasp of the human condition as well as displaying his rare comic talent. His generosity of observation is both detached and compassionate. Thoughts Of Sorts ![]() A Void ![]() W, or the Memory of Childhood ![]() Guaranteed to send shock waves through the literary community, Perec's W tells two parallel stories. The first is autobiographical, describing the author's wartime boyhood. The second tale, denser, more disturbing, more horrifying, is the allegorical story of W, a mythical island off Tierra del Fuego governed by the thrall of the Olympic "ideal," where losers are tortured and winners held in temporary idolatry. As the reader soon discovers, W is a place where "it is more important to be lucky than to be deserving," and "you have to fight to live...[with] no recourse, no mercy, no salvation, not even any hope that time will sort things out." Here, sport is glorified and victors honored, but athletes are vilified, losers executed, rape common, stealing encouraged and violence a fact of life. Perec's interpretive vision of the Holocaust forces us to ask the question central to our time: How did this happen before our eyes? How did we look at those "shells of skin and bone, ashen faced, with their backs permanently bent, their eyes full of panic and their suppurating sores"? How did this happen, not on W, but before millions of spectators, some horrified, some cheering, some indifferent, but all present at the games watching the events of that grisly arena? This book, a devastating indictment of passivity and the psychology of crowds, will find its place beside such great works as Milan Kundera's The Book of Laughter and Forgetting and Primo Levi's The Periodic Table and If Not Now, When? Seven Types of Ambiguity ![]() Following years of unrequited love, an out-of-work schoolteacher decides to take matters into his own hands, triggering a chain of events that neither he nor his psychiatrist could have anticipated. At once a psychological thriller and a social critique, SEVEN TYPES OF AMBIGUITY is a story of obsessive love in an age of obsessive materialism. It's a story of impulse and paralysis, of empty marriages, lovers and a small boy, gambling and the market, of adult children and their parents, of poetry and prostitution, psychiatry and the law. Brimming with emotional, intellectual and moral dilemmas, this page-turning novel-reminiscent of the richest fiction of the nineteenth century in its labyrinthine complexity-unfolds at a rapid-fire pace to reveal the full extent to which these people have been affected by each other and by the insecure and uncertain times in which they live. Our times, now. The Book of Disquiet ![]() "Pessoa's amazing personality is as beguiling and mysterious as his unique poetic output."—William Boyd A self-deprecating reflection on the sheer distance between the loftiness of feelings and the humdrum reality of life, The Book of Disquiet is a classic of existentialist literature. Fernando Pessoa, one of the founders of modernism, was born in Lisbon in 1888. Most of Pessoa's writing was not published during his lifetime: The Book of Disquiet was first published in Portugal in 1982. The Complete Works of Alberto Caeiro: Bilingual edition ![]() Fernando Pessoa and Co.: Selected Poems ![]() A Little Larger Than the Entire Universe: Selected Poems ![]() 30,000 Years of Art ![]() Each entry includes a full-page color image of the work and a concise descriptive text that sets the work in context, explaining its contribution to the development of art and the medium in which it was created. A comprehensive index, illustrated timelines, and a glossary of terms and movements make this book an invaluable reference tool and teaching resource. World Within the Word (American Literature (Dalkey Archive)) ![]() The Language Instinct: How the Mind Creates Language ![]() In this classic, the world's expert on language and mind lucidly explains everything you always wanted to know about language: how it works, how children learn it, how it changes, how the brain computes it, and how it evolved. With deft use of examples of humor and wordplay, Steven Pinker weaves our vast knowledge of language into a compelling story: language is a human instinct, wired into our brains by evolution. The Language Instinct received the William James Book Prize from the American Psychological Association and the Public Interest Award from the Linguistics Society of America. This edition includes an update on advances in the science of language since The Language Instinct was first published. The Stuff of Thought: Language as a Window into Human Nature ![]() The Mountain Giants: A New Version by Charles Wood ![]() The Late Mattia Pascal (Eridanos Library) ![]() The Gray Notebook ![]() Pla, one of the great Catalan writers, held on to this youthful journal for close to fifty years, reworking and adding to it, until he finally published The Gray Notebook as both the first volume and the capstone of his collected works. It is a beautiful, entrancing, delightful book—at once a distillation of the spirit of youth and the work of a lifetime. Ariel: The Restored Edition : A Facsimile of Plath's Manuscript, Reinstating Her Original Selection and Arrangement ![]() The Bell Jar : A Novel (Perennial Classics) ![]() Plath: Poems (Everyman's Library Pocket Poets) ![]() The Symposium ![]() The Symposium ![]() Plato's retelling of the discourses between Socrates and his friends on such subjects as love and desire, truth and illusion, spiritual transcendence and the qualities of a good ruler, profoundly affected the ways in which we view human relationships, society and leadership—and shaped the whole tradition of Western philosophy. Symposium and Phaedrus ![]() The Republic (Everyman's Library (Cloth)) ![]() The Paris Review Anthology ![]() Truman Capote: In Which Various Friends, Enemies, Acquaintances and Detractors Recall His Turbulent Career ![]() Women Writers at Work: The Paris Review Interviews ![]() For More Than Forty Years, the acclaimed Paris Review interviews have been collected in the Writers at Work series. The Modern Library relaunches the series with the first of its specialized collections — interviews with sixteen women novelists, poets, and playwrights, all offering rich commentary on the art of writing and on the opportunities and challenges a woman writer faces in contemporary society. The Man in the Flying Lawn Chair : And Other Excursions and Observations ![]() Apple Pro Training Series: Soundtrack Pro (Apple Pro Training) ![]() Apple Training Series: GarageBand ![]() Apple Training Series: GarageBand 3 (Apple Training) ![]() Mimesis: The Analytic Anthropology of Literature ![]() GarageBand : The Missing Manual (Missing Manuals) ![]() Mac OS X: The Missing Manual, Second Edition ![]() Mac OS X Hints ![]() The Aztec Pantheon and the Art of Empire ![]() While many studies dwell on the Aztec gods and the bloody rituals performed in their honor, this groundbreaking book examines little-known episodes in which classicism mediated a dialogue both within and between Mesoamerica and Spain. The authors engage contemporary approaches to cross-cultural analogy, shedding light on the function of monumental arts and religious spectacles and consciously classicizing traditions within empires. A foreword by Leonardo Lopez Lujan, director of the Proyecto Templo Mayor, places the comparison of Aztec and Roman empires in historical context. The publication accompanies an exhibition celebrating the bicentennial of Mexican Independence on view from March 25 to July 5, 2010, at the J. Paul Getty Museum at the Getty Villa. Lucky Per ![]() Lucky Per is a bildungsroman about the ambitious son of a clergyman who rejects his faith and flees his restricted life in the Danish countryside for the capital city. Per is a gifted young man who arrives in Copenhagen believing that "you had to hunt down luck as if it were a wild creature, a crooked-fanged beast . . . and capture and bind it." Per's love interest, a Jewish heiress, is both the strongest character in the book and one of the greatest Jewish heroines of European literature. Per becomes obsessed with a grand engineering scheme that he believes will reshape both Denmark's landscape and its minor place in the world; eventually, both his personal and his career ambitions come to grief. At its heart, the story revolves around the question of the relationship of "luck" to "happiness" (the Danish word in the title can have both meanings), a relationship Per comes to see differently by the end of his life. Milton and the Making of <i>Paradise Lost</i> ![]() In early 1642 Milton―an obscure private schoolmaster―promised English readers a work of literature so great that “they should not willingly let it die.” Twenty-five years later, toward the end of 1667, the work he had pledged appeared in print: the epic poem Paradise Lost. In the interim, however, the poet had gone totally blind and had also become a controversial public figure―a man who had argued for the abolition of bishops, freedom of the press, the right to divorce, and the prerogative of a nation to depose and put to death an unsatisfactory ruler. These views had rendered him an outcast. William Poole devotes particular attention to Milton’s personal situation: his reading and education, his ambitions and anxieties, and the way he presented himself to the world. Although always a poet first, Milton was also a theologian and civil servant, vocations that informed the composition of his masterpiece. At the emotional center of this narrative is the astounding fact that Milton lost his sight in 1652. How did a blind man compose this staggeringly complex, intensely visual work? Poole opens up the epic worlds and sweeping vistas of Milton’s masterpiece to modern readers, first by exploring Milton’s life and intellectual preoccupations and then by explaining the poem itself―its structure, content, and meaning. The Logic of Scientific Discovery ![]() The Open Society and Its Enemies: New One-Volume Edition ![]() An immediate sensation when it was first published in two volumes in 1945, Popper's monumental achievement has attained legendary status on both the Left and Right and is credited with inspiring anticommunist dissidents during the Cold War. Arguing that the spirit of free, critical inquiry that governs scientific investigation should also apply to politics, Popper traces the roots of an opposite, authoritarian tendency to a tradition represented by Plato, Marx, and Hegel. In a substantial new introduction written for this edition, acclaimed political philosopher Alan Ryan puts Popper's landmark work in biographical, intellectual, and historical context. Also included is a personal essay by eminent art historian E. H. Gombrich, in which he recounts the story of the book's eventual publication despite numerous rejections and wartime deprivations. Resident Aliens: A Novel ![]() All Aboard ![]() Joe Ashby Porter lives in Durham, North Carolina. As alter ego Shakespearean Joseph A Porter, he teaches at Duke University. Eelgrass ![]() Kentucky Stories ![]() Lithuania: Short Stories ![]() Touch Wood: Short Stories ![]() The Drama of Speech Acts: Shakespeare's Lancastrian Tetralogy ![]() Shakespeare's Mercutio: His History and Drama ![]() The Near Future ![]() My Name Is Asher Lev ![]() Morte D'Urban ![]() The hero of J.F. Powers's comic masterpiece is Father Urban, a man of the cloth who is also a man of the world. Charming, with an expansive vision of the spiritual life and a high tolerance for moral ambiguity, Urban enjoys a national reputation as a speaker on the religious circuit and has big plans for the future. But then the provincial head of his dowdy religious order banishes him to a retreat house in the Minnesota hinterlands. Father Urban soon bounces back, carrying God's word with undaunted enthusiasm through the golf courses, fishing lodges, and backyard barbecues of his new turf. Yet even as he triumphs his tribulations mount, and in the end his greatest success proves a setback from which he cannot recover. First published in 1962, Morte D'Urban has been praised by writers as various as Gore Vidal, William Gass, Mary Gordon, and Philip Roth. This beautifully observed, often hilarious tale of a most unlikely Knight of Faith is among the finest achievements of an author whose singular vision assures him a permanent place in American literature. Orfeo: A Novel ![]() In Orfeo, Powers tells the story of a man journeying into his past as he desperately flees the present. Composer Peter Els opens the door one evening to find the police on his doorstep. His home microbiology lab—the latest experiment in his lifelong attempt to find music in surprising patterns—has aroused the suspicions of Homeland Security. Panicked by the raid, Els turns fugitive. As an Internet-fueled hysteria erupts, Els—the "Bioterrorist Bach"—pays a final visit to the people he loves, those who shaped his musical journey. Through the help of his ex-wife, his daughter, and his longtime collaborator, Els hatches a plan to turn this disastrous collision with the security state into a work of art that will reawaken its audience to the sounds all around them. The result is a novel that soars in spirit and language by a writer who “may be America’s most ambitious novelist” (Kevin Berger, San Francisco Chronicle). The Overstory: A Novel ![]() Mister Weston's Good Wine ![]() Bhagavad-Gita As It Is ![]() The publisher, Bhaktivedanta Book Trust, harekrishna.com/, June 15, 2001 Book Description Bhagavad-gita As It Is The Bhagavad-gita is the main source-book on yoga and a concise summary of India's Vedic wisdom. Yet remarkably, the setting for this best-known classic of spiritual literature is an ancient Indian battlefield. At the last moment before entering battle, the great warrior Arjuna begins to wonder about the real meaning of his life. Why should he fight against his friends and relatives? Why does he exist? Where is he going after death? In the Bhagavad-gita, Lord Krsna, Arjuna's friend and spiritual master, brings His disciple from perplexity to spiritual enlightenment. In the course of doing so, Krsna concisely but definitively explains transcendental knowledge; karma-yoga, jnana-yoga, dhyana-yoga, and bhakti-yoga; knowledge of the Absolute; devotional service; the three modes of material nature; the divine and demoniac natures; and much more. Bhagavad-gita As It Is is the largest-selling, most widely used edition of the Gita in the world. Living and Dying with Marcel Proust ![]() Tuesday Nights in 1980 ![]() Welcome to SoHo at the onset of the eighties: a gritty, quickly gentrifying playground for artists and writers looking to make it in the big city. Among them: James Bennett, a synesthetic art critic for the New York Times whose unlikely condition enables him to describe art in profound, magical ways, and Raul Engales, an exiled Argentinian painter running from his past and the Dirty War that has enveloped his country. As the two men ascend in the downtown arts scene, dual tragedies strike, and each is faced with a loss that acutely affects his relationship to life and to art. It is not until they are inadvertently brought together by Lucy Olliason—a small town beauty and Raul’s muse—and a young orphan boy sent mysteriously from Buenos Aires that James and Raul are able to rediscover some semblance of what they’ve lost. As inventive as Jennifer Egan’s A Visit from the Goon Squad and as sweeping as Meg Wolitzer’s The Interestings, Tuesday Nights in 1980 boldly renders a complex moment when the meaning and nature of art is being all but upended, and New York City as a whole is reinventing itself. In risk-taking prose that is as powerful as it is playful, Molly Prentiss deftly explores the need for beauty, community, creation, and love in an ever-changing urban landscape. Searching for Cecy: Reflections on Alzheimer's ![]() Apple Training Series: Desktop and Portable Systems (2nd Edition) (Apple Training) ![]() The Inner Side of the Wind, or The Novel of Hero and Leander ![]() Landscape Painted with Tea ![]() Ardent Spirits: Leaving Home, Coming Back ![]() He gives often moving, and frequently comic, portraits of his great teachers in England — such men as Lord David Cecil, Nevill Coghill, and W. H. Auden, who was the most distinguished English-language poet of those years. In London the poet and editor Stephen Spender becomes his first publisher and a generous friend who introduces him to rewarding figures like the essayist Cyril Connolly and George Orwell's encouraging widow, Sonia. He spends rich months traveling in Britain and on the Continent; and above all he undergoes the first loves of his life — one with an Oxford colleague whom he describes as a "romantic friend" and another with an older man. Back in the States, in his first class at Duke he meets a startlingly gifted student in the sixteen-year-old Anne Tyler; and he soon combines the difficult pleasures of teaching English composition and literature with his own hard delight in learning to write a first novel. At the end of three lonely years, he completes the novel — A Long and Happy Life — and returns to England for a fourth year before his novel appears in Britain and America and meets with a success that sets the pace for an ongoing life of fiction, poetry, plays, essays, and translations (Ardent Spirits is his thirty-eighth volume). The droll memories recorded here amount to the unsurpassed — and, again, often comical — story of a writer's beginnings; and the young man who emerges has proven his right to stand by his fellows of whatever sex and goal. Ardent Spirits is a book that penetrates deeply into the life of a writer, a teacher, and a steadfast lover. Blue Calhoun: A Novel ![]() April 28, 1956, was the day Blue Calhoun met a sixteen-year-old girl named Luna. And for the next three decades, their love has borne consequences of the most shattering — and ultimately, perhaps healing — kind for everyone they know. As Blue recounts the years and their events for us — fervently, tenderly, knowing full well his own deep responsibility — we are made witnesses to a story of classic dimensions, a story of love and suffering, family and friendship, death and redemption. Clear Pictures: First Loves First Guides ![]() Kate Vaiden ![]() A Long and Happy Life: A Novel ![]() Ecstatically reviewed and winner of the William Faulkner Award for a notable first novel when it was published in 1962, A Long and Happy Life launched the career of Reynolds Price, a writer considered to be "one of our greatest novelists" (HARPER LEE). Midstream: An Unfinished Memoir ![]() WHEN REYNOLDS PRICE DIED IN JANUARY 2011, he left behind one final piece of writing—two hundred candid, heartrending, and marvelously written manuscript pages about a critical period in his young adulthood. Picking up where his previous memoir, Ardent Spirits, left off, the work documents a brief time from 1961 to 1965, perhaps the most leisurely of Price’s life, but also one of enormous challenge and growth. Price gave it the title Midstream. Approaching thirty, Price writes, is to face the notion that “This is it. I’m now the person I’m likely to be . . . from here to the end.” Midstream, which begins when Price is twenty-eight, details the final youthful adventures of a man on the cusp of artistic acclaim. Here, Price chases a love to England, only to meet heartbreak. Determined to pursue other pleasures, he travels to Sweden for a friend’s wedding, then journeys to Rome with British poet Stephen Spender and spends an afternoon with Richard Burton and Elizabeth Taylor. Price returns to the United States, where he finds company with a group of artists as he awaits the 1962 publication of his first novel, A Long and Happy Life. “Few writers have made as dramatic an entrance on the American literary stage,” declared The New York Times on the book’s success. Price would settle into a tranquil life in North Carolina, buy a house, and resume teaching. Concluding with his mother’s death and Price’s new endeavors—a second novel and foray into Hollywood screenwriting—Midstream offers a poignant portrait of a man at the threshold of true adulthood, navigating new responsibilities and pleasures alike. It is a fitting bookend for Price’s remarkable career, and it reinforces his place in the pantheon of American literature. *** FROM ANNE TYLER’S FOREWORD TO MIDSTREAM “Just look at him flying across the campus, curls bouncing, dark eyes flashing, and a black cape (I swear it) flaring out behind him. Actually he never owned a black cape; he told me that, years later. He said it was a navy jacket, just tossed over his shoulders. But still, he was wearing a virtual cape, if you know what I mean. He was an exclamation point in a landscape of mostly declarative sentences. He lived in a house-trailer out in the woods; he invited us to come there and drink smoky-tasting tea in handmade mugs. Speaking with a trace of an English accent from his recent studies at Oxford (for he had a genius for unintentional mimicry, which he said could become a curse in certain situations), he told us funny, affectionate tales about his childhood in backwater Macon. Most of us came from Macons of our own; we were astonished to hear that they were fit subjects for storytelling. All over again, inspiration hit. Let us out of there! We had to get back to our rooms and start writing.” Noble Norfleet: A Novel ![]() Roxanna Slade: A Novel ![]() The Surface of Earth ![]() The Surface of Earth is the work of one of America's supreme masters of fiction, a journey across time and the poignantly evoked America of the first half of our century that explores the mysterious topography of the powers of love, home, and identity. In his evocation of the hungers, defeats, and rewards of individuals in moments of dark solitude and radiant union, Price has created an enduring literary testament to the range of human life. The Beautiful Ones ![]() Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of “Uptown” to the mythical landscape of Purple Rain to the psychedelia of “Paisley Park.” But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, one of the greatest pop stars of any era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is the memoir Prince was writing before his tragic death, pages that bring us into his childhood world through his own lyrical prose. The second part takes us through Prince’s early years as a musician, before his first album was released, via an evocative scrapbook of writing and photos. The third section shows us Prince’s evolution through candid images that go up to the cusp of his greatest achievement, which we see in the book’s fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince’s self-creation, where he retells the autobiography of the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his profound collaboration with Prince in his final months—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to the book’s images. This work is not just a tribute to an icon, but an original and energizing literary work in its own right, full of Prince’s ideas and vision, his voice and image—his undying gift to the world. Italian Grammar (Teach Yourself) ![]() Barkskins: A Novel ![]() From Annie Proulx—the Pulitzer Prize- and National Book Award-winning author of The Shipping News and “Brokeback Mountain,” comes her masterwork: an epic, dazzling, violent, magnificently dramatic novel about the taking down of the world’s forests. In the late seventeenth century two penniless young Frenchmen, René Sel and Charles Duquet, arrive in New France. Bound to a feudal lord, a “seigneur,” for three years in exchange for land, they become wood-cutters—barkskins. René suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to marry a Mi’kmaw woman and their descendants live trapped between two inimical cultures. But Duquet, crafty and ruthless, runs away from the seigneur, becomes a fur trader, then sets up a timber business. Proulx tells the stories of the descendants of Sel and Duquet over three hundred years—their travels across North America, to Europe, China, and New Zealand, under stunningly brutal conditions—the revenge of rivals, accidents, pestilence, Indian attacks, and cultural annihilation. Over and over again, they seize what they can of a presumed infinite resource, leaving the modern-day characters face to face with possible ecological collapse. Proulx’s inimitable genius is her creation of characters who are so vivid—in their greed, lust, vengefulness, or their simple compassion and hope—that we follow them with fierce attention. Annie Proulx is one of the most formidable and compelling American writers, and Barkskins is her greatest novel, a magnificent marriage of history and imagination. Brokeback Mountain: Now a Major Motion Picture ![]() The Collected Poems: A Dual-Language Edition with Parallel Text ![]() As a young man, Proust wrote both poetry and prose. Even after he embarked on his masterful In Search of Lost Time at the age of thirty-eight, he never stopped writing poetry. His verse is often playful, filled with affection and satire, and is peppered with witty barbs at friends and people in his social circle of aristocrats, writers, musicians, and courtesans. Few of the poems collected here under the editorship of Harold Augenbraum, founder of the Proust Society of America, have ever been published in book form or translated into English until now. In this dual-language edition of new translations, Augenbraum has brought together nineteen renowned poets and poetry translators to bring Proust's exuberant verse back to life. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. Days of Reading ![]() In Search Of Lost Time ![]() In Search Of Lost Time Volume 2 ![]() In Search Of Lost Time Volume 3 ![]() In Search of Lost Time Volume IVSodom and Gomorrah ![]() In Search Of Lost Time, Vol. 1: Swann's way - Within a Budding Grove, Part 1 ![]() Pleasures and Days ![]() The Doll (Central European Classics) (Central European Classics) ![]() "Half a continent's worth of forgotten genius."—The Guardian The new Central European Classics series was born some ten years ago in the dim cafes of Budapest and Prague when General Editor Timothy Garton Ash began jotting down titles recommended to him by local writers. Its aim is to take these works of nineteenth- and twentieth-century classic fiction "out of the ghetto," onto the shelves of Western booksellers, and into the consciousness of Western readers. The result of extensive discussion among writers, scholars, and critics, the rich tradition of Central European fiction has been culled to offer previously unavailable works written in Czech, Hungarian, and Polish that lend themselves perfectly to powerful and accurate translation. Specially commissioned introductions by leading Central European writers explain why these titles have become classics in their own country, while at the same time, the works stand on their own as great literature in English. With future titles such as a new edition of Boleslaw Prus's Polish masterpiece, The Doll, the Central European Classics series will contribute to a deeper understanding of the culture and history of countries which, since the opening of iron curtain, have been coming closer to us in many other ways. The city of Warsaw, under Russian rule in the late 1870s, is the setting for this sweeping panorama of social conflict, political tensions, and personal suffering. The middle-aged hero, Wokulski, bold and successful in business, is being destroyed by his obsessive love for the frigid, aristocratic society "doll," Izabela. The embattled aristocracy, the new men of finance, Dickensian tradesmen, and the urban poor all come vividly to life on the vast, superbly detailed canvas against which Wokulski's personal tragedy is played out. For this edition, the existing translation by David Welsh has been carefully revised under the supervision of the leading Polish critic, Stanislaw Baranczak. A chapter excised by the Tsarist censor is included as an appendix. Baranczak also contributes to an authoritative and illuminating new introduction to what is arguably the greatest Polish novel of the nineteenth century. Collins Italian College Dictionary, 3rd Edition ![]() Easiest to use: The clear layout allows maximum ease of access and enables effective communication for educational, business, and traveling purposes. Usage levels are indicated throughout, with extensive examples to illustrate how words are used in context. Style labels identify whether a word is formal, informal, literary, or vulgar. In addition, specific meanings are clearly marked to guide the user to the correct treatment. The text also includes pronunciations of all English words using the International Phonetic Alphabet, with a full guide to Italian pronunciation and phonetics for difficult words. Completely updated: The new edition of HarperCollins Italian College Dictionary has been completely revised and updated with thousands of new references to cover all the latest vocabulary, notes on life and culture in the Italian — and English — speaking world, and Web addresses to enable further research. "Language in Use" supplement: This offers invaluable advice on how to express yourself in correct and idiomatic Italian, as well as detailed treatment of formal and informal correspondence, e-mail, and telephoning. Here's a sampling of the new terms this edition includes: fotocamera digitalevideofoninoamniocentesiesternalizzarecartolarizzazionenome utentepenna otticacraccaremessaggistica inimediata DK Eyewitness Travel Guide: Rome ![]() Inside DK Eyewitness Travel Guide: Rome, you'll still find DK's famous cutaway illustrations of major architectural and historic sights, museum floor plans, and 3-D aerial views of key districts to explore on foot, along with in-depth coverage of the city's history and culture. A pull-out city map is marked with sights from the guidebook and includes a street index, a transportation map, and a chart showing the walking distances between major sights. With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that illuminate every page, DK Eyewitness Travel Guide: Rome truly shows you this city as no one else can. Secret Rome ![]() Far from the crowds and the usual clichés, Rome is still a reserve of well-concealed treasures that only reveal themselves to those who know how to wander off the beaten track, whether residents or visitors. An indispensable guide for those who thought they knew Rome well, or who would like to discover the hidden face of the city. Apple Training Series: Mac OS X v10.4 System Administration Reference, Volume 2 (Apple Training) ![]() Malacqua: Four Days of Rain in the City of Naples, Waiting for the Occurrence of an Extraordinary Event ![]() "A marvellous writer!" —Roberto Saviano Four days of rain trigger strange events across Naples: ghostly voices are heard and musical coins appear. As a journalist searches for meaning, we follow those enduring the floods. This portrait of a much-mythologized city captivated Italy when it was first published in 1977. Withdrawn at the author's request until his death in 2012, this is its first English publication. Nicola Pugliese (1944-2012) was born in Milan, but lived almost all his life in Naples. His only novel, Malacqua, was published by Italo Calvino. Aubrey McKee ![]() The Book of Dust: La Belle Sauvage ![]() Renowned storyteller Philip Pullman returns to the parallel world of Lyra Belacqua and His Dark Materials for a thrilling and epic adventure in which daemons, alethiometers, and the Magisterium all play a part. The Book of Dust will be a work in three parts, like His Dark Materials (The Golden Compass, The Subtle Knife, The Amber Spyglass). The book is set ten years before The Golden Compass and centers on the much-loved character Lyra and her daemon Pantalaimon. Philip Pullman offers these tantalizing details: “I’ve always wanted to tell the story of how Lyra came to be living at Jordan College, and in thinking about it, I discovered a long story that began when she was a baby and will end when she’s grown up. This volume and the next will cover two parts of Lyra’s life: starting at the beginning of her story and returning to her twenty years later. As for the third and final part, my lips are sealed. “So, second: is it a prequel? Is it a sequel? It’s neither. In fact, The Book of Dust is . . . an ‘equel.' It doesn’t stand before or after His Dark Materials, but beside it. It’s a different story, but there are settings that readers of His Dark Materials will recognize, and characters they’ve met before. Also, of course, there are some characters who are new to us, including an ordinary boy (a boy we have glimpsed in an earlier part of Lyra’s story, if we were paying attention) who, with Lyra, is caught up in a terrifying adventure that takes him into a new world. “Third: why return to Lyra’s world? Dust. Questions about that mysterious and troubling substance were already causing strife ten years before His Dark Materials, and at the center of The Book of Dust is the struggle between a despotic and totalitarian organization, which wants to stifle speculation and inquiry, and those who believe thought and speech should be free. The idea of Dust suffused His Dark Materials. Little by little through that story the idea of what Dust was became clearer and clearer, but I always wanted to return to it and discover more.” The books of the His Dark Materials trilogy were showered with praise, and the Cincinnati Enquirer proclaimed, “Pullman has created the last great fantasy masterpiece of the twentieth century.” With The Book of Dust, Philip Pullman embarks on an equally grand adventure, sure to be hailed as the first great fantasy masterpiece of the twenty-first century. The Book of Dust: The Secret Commonwealth ![]() Return to the parallel world of His Dark Materials in the second volume of Philip Pullman's new bestselling masterwork The Book of Dust, and discover what comes next for Lyra, "one of fantasy's most indelible heroines." (The New York Times Magazine) Lyra Silvertongue's adventures in the North are long over—the windows between the many worlds have been sealed, and her beloved Will is lost to her. She does still have the alethiometer: the truth-telling device given to her by the master of Jordan College, which guided her journey. Lyra doesn't know the full story of the alethiometer, though. Or the role that young Malcolm Polstead played in bringing both the instrument and baby Lyra to Jordan. She's now a twenty-year-old undergraduate at St. Sophia's College. To her, Malcolm is Dr. Polstead, an overly solicitous professor she would prefer to avoid. But intrigue is swirling around Lyra once more. Her daemon Pantalaimon is witness to a brutal murder, and the dying man entrusts them with secrets that carry echoes from their past. They learn of a city haunted by daemons, of a desert said to hold the secret of Dust. Powerful forces are about to throw Lyra and Malcolm together once again. And the dangers they face will challenge everything they thought they knew about the world, and about themselves. PRAISE FOR THE BOOK OF DUST: LA BELLE SAUVAGE "Too few things in our world are worth a seventeen year wait: The Book of Dust is one of them." —The Washington Post "Reading this novel is like standing in a room in which suddenly all of the windows have blown open at once." —Slate HIS DARK MATERIALS IS SOON TO BE AN HBO ORIGINAL SERIES STARRING DAFNE KEEN, RUTH WILSON, JAMES McAVOY, AND LIN-MANUEL MIRANDA! Daemon Voices: On Stories and Storytelling ![]() One of the most highly acclaimed and best-selling authors of our time now gives us a book that charts the history of his own enchantment with story—from his own books to those of Blake, Milton, Dickens, and the Brothers Grimm, among others—and delves into the role of story in education, religion, and science. At once personal and wide-ranging, Daemon Voices is both a revelation of the writing mind and the methods of a great contemporary master, and a fascinating exploration of storytelling itself. His Dark Materials Omnibus (The Golden Compass; The Subtle Knife; The Amber Spyglass) ![]() His Dark Materials: The Golden Compass / The Subtle Knife / The Amber Spyglass ![]() Philip Pullman's trilogy is a masterpiece that transcends genre and appeals to readers of all ages. His heroine, Lyra, is an orphan living in a parallel universe in which science, theology, and magic are entwined. The epic story that takes us through the three novels is not only a spellbinding adventure featuring armored polar bears, magical devices, witches, and daemons, it is also an audacious and profound reimagining of Milton's Paradise Lost that has already inspired a number of serious books of literary criticism. Like J. R. R. Tolkien and C. S. Lewis before him, Pullman has invented a richly detailed and marvelously imagined world, complex and thought-provoking enough to enthrall adults as well as younger readers. An utterly entrancing blend of metaphysical speculation and bravura storytelling, His Dark Materials is a monumental and enduring achievement. The Complete Short Stories of James Purdy ![]() His unique form and variety of style made the Ohio-born Purdy impossible to categorize in standard terms, though his unique, mercurial talent garnered him a following of loyal readers and made him—in the words of Susan Sontag—“one of the half dozen or so living American writers worth taking seriously." Purdy’s journey to recognition came with as much outrage and condemnation as it did lavish praise and lasting admiration. Some early assessments even dismissed his work as that of a disturbed mind, while others acclaimed the very same work as healing and transformative. Purdy's fiction was considered so uniquely unsettling that his first book, Don't Call Me by My Right Name, a collection of short stories all reprinted in this edition, had to be printed privately in the United States in 1956, after first being published in England. Best known for his novels Malcolm, Cabot Wright Begins, Jeremy's Version, and Eustace Chisholm and the Works, Purdy captured an America that was at once highly realistic and deeply symbolic, a landscape filled with social outcasts living in crisis and longing for love, characterized by his dark sense of humor and unflinching eye. Love, disillusionment, the collapse of the family, ecstatic longing, sharp inner pain, and shocking eruptions of violence pervade the lives of his characters in stories that anticipate both "David Lynch and Desperate Housewives" (Guardian). In "Color of Darkness," for example, a lonely child attempts to swallow his father's wedding ring; in "Eventide," the anguish of two sisters over the loss of their sons is deeply felt in the summer heat; and in the gothic horror of "Mr. Evening," a young man is hypnotized and imprisoned by a predatory old woman. These stories and many others, both haunting and hilarious, form a canvas of deep desperation and immanent sympathy, as Purdy narrates "the inexorable progress toward disaster in such a way that it's as satisfying and somehow life-affirming as progress toward a happy ending" (Jonathan Franzen). It may have taken over fifty years, but American culture is finally in sync with James Purdy. As John Waters writes in his introduction, Purdy, far from the fringe, has "been dead center in the black little hearts of provocateur-hungry readers like myself right from the beginning." Eugene Onegin: A Novel in Verse, Vol. 1 ![]() Eugene Onegin: A Novel in Verse, Vol. 2 ![]() The Collected Stories ![]() Pushkin’s prose tales are the foundation stones on which the great novels of Turgenev, Tolstoy, and Dostoevsky were built, but they are also brilliant and fascinating in their own right. In both prose and verse, Pushkin was one of the world’s great storytellers: direct and dramatic, clear-sighted, vivid, and passionate. This new and expanded Everyman’s edition of his stories includes all the mature work. In addition to such novella-length masterpieces as The Captain’s Daughter and The Tales of Belkin the collection now contains many more short pieces and the masterly History of Pugachev, a powerful account of the man who rebelled against Catherine the Great. Translated by Paul Debreczeny and Walter Arndt Pushkin Poems: A Russian Dual Language Book ![]() Against the Day ![]() Bleeding Edge ![]() Brilliantly written a joy to read Bleeding Edge is totally gonzo, totally wonderful. It really is good to have Thomas Pynchon around, doing what he does best.” (Michael Dirda) It is 2001 in New York City, in the lull between the collapse of the dot-com boom and the terrible events of September 11th. Silicon Alley is a ghost town, Web 1.0 is having adolescent angst, Google has yet to IPO, Microsoft is still considered the Evil Empire. There may not be quite as much money around as there was at the height of the tech bubble, but there’s no shortage of swindlers looking to grab a piece of what’s left. Maxine Tarnow is running a nice little fraud investigation business on the Upper West Side, chasing down different kinds of small-scale con artists. She used to be legally certified but her license got pulled a while back, which has actually turned out to be a blessing because now she can follow her own code of ethicscarry a Beretta, do business with sleazebags, hack into people’s bank accountswithout having too much guilt about any of it. Otherwise, just your average working momtwo boys in elementary school, an off-and-on situation with her sort of semi-ex-husband Horst, life as normal as it ever gets in the neighborhoodtill Maxine starts looking into the finances of a computer-security firm and its billionaire geek CEO, whereupon things begin rapidly to jam onto the subway and head downtown. She soon finds herself mixed up with a drug runner in an art deco motorboat, a professional nose obsessed with Hitler’s aftershave, a neoliberal enforcer with footwear issues, plus elements of the Russian mob and various bloggers, hackers, code monkeys, and entrepreneurs, some of whom begin to show up mysteriously dead. Foul play, of course. With occasional excursions into the DeepWeb and out to Long Island, Thomas Pynchon, channeling his inner Jewish mother, brings us a historical romance of New York in the early days of the internet, not that distant in calendar time but galactically remote from where we’ve journeyed to since. Will perpetrators be revealed, forget about brought to justice? Will Maxine have to take the handgun out of her purse? Will she and Horst get back together? Will Jerry Seinfeld make an unscheduled guest appearance? Will accounts secular and karmic be brought into balance? Hey. Who wants to know? Slate.com "If not here at the end of history, when? If not Pynchon, who? Reading Bleeding Edge, tearing up at the beauty of its sadness or the punches of its hilarity, you may realize it as the 9/11 novel you never knew you needed a necessary novel and one that literary history has been waiting for." The New York Times Book Review Exemplary dazzling and ludicrous... Our reward for surrendering expectations that a novel should gather in clarity, rather than disperse into molecules, isn’t anomie but delight.” (Jonathan Lethem) Wired magazine The book’s real accomplishment is to claim the last decade as Pynchon territory, a continuation of the same tensions between freedom and captivity, momentum and entropy, meaning and chaos through which he has framed the last half-century." The Crying of Lot 49: A Novel ![]() When her ex-lover, wealthy real-estate tycoon Pierce Inverarity dies and designates her the co-executor of his estate, California housewife Oedipa Mass is thrust into a paranoid mystery of metaphors, symbols, and the United States Postal Service. Traveling across Southern California, she meets some extremely interesting characters, and attains a not-inconsiderable amount of self-knowledge. This Harper Perennial Deluxe Modern Classic edition features beautiful artwork on uncoated stock, French flaps, and rough front. Gravity's Rainbow ![]() V. ![]() Confessions of an English Opium Eater ![]() Storm ![]() Sorry, Everybody: An Apology to the World for the Re-election of George W. Bush ![]() Folktales from India ![]() With black-and-white illustrations throughout Part of the Pantheon Fairy Tale and Folklore Library Two-Person Game Theory ![]() This fascinating and provocative book presents the fundamentals of two-person game theory, a mathematical approach to understanding human behavior and decision-making, Developed from analysis of games of strategy such as chess, checkers, and Go, game theory has dramatic applications to the entire realm of human events, from politics, economics, and war, to environmental issues, business, social relationships, and even "the game of love." Typically, game theory deals with decisions in conflict situations. Written by a noted expert in the field, this clear, non-technical volume introduces the theory of games in a way which brings the essentials into focus and keeps them there. In addition to lucid discussions of such standard topics as utilities, strategy, the game tree, and the game matrix, dominating strategy and minimax, negotiated and nonnegotiable games, and solving the two-person zero-sum game, the author includes a discussion of gaming theory, an important link between abstract game theory and an experimentally oriented behavioral science. Specific applications to social science have not been stressed, but the methodological relations between game theory, decision theory, and social science are emphasized throughout. Although game theory employs a mathematical approach to conflict resolution, the present volume avoids all but the minimum of mathematical notation. Moreover, the reader will find only the mathematics of high school algebra and of very elementary analytic geometry, except for an occasional derivative. The result is an accessible, easy-to-follow treatment that will be welcomed by mathematicians and non-mathematicians alike. Above the Waterfall: A Novel ![]() Black Aperture: Poems ![]() Skinny the Cat & the Magic of Kindness ![]() Apple Training Series: Mac OS X Server Essentials (Apple Training) ![]() Apple Training Series: Mac OS X System Administration Reference, Volume 1 (Apple Training) ![]() Complete Chess Course ![]() Illustrated throughout Disquiet, Please!: More Humor Writing from The New Yorker ![]() S. J. Perelman unearths the furious letters of a foreign correspondent in India to the laundry he insists on using in Paris (“Who charges six francs to wash a cummerbund?!”). Woody Allen recalls the “Whore of Mensa,” who excites her customers by reading Proust (or, if you want, two girls will explain Noam Chomsky). Steve Martin’s pill bottle warns us of side effects ranging from hair that smells of burning tires to teeth receiving radio broadcasts. Andy Borowitz provides his version of theater-lobby notices (“In Act III, there is full frontal nudity, but not involving the actor you would like to see naked”). David Owen’s rules for dating his ex-wife start out magnanimous and swiftly disintegrate into sarcasm, self-loathing, and rage, and Noah Baumbach unfolds a history of his last relationship in the form of Zagat reviews. Meanwhile, off in a remote “willage” in Normandy, David Sedaris is drowning a mouse (“This was for the best, whether the mouse realized it or not”). Plus asides, fancies, rebukes, and musings from Patty Marx, Calvin Trillin, Bruce McCall, Garrison Keillor, Veronica Geng, Ian Frazier, Roy Blount, Jr., and many others. If laughter is the best medicine, Disquiet, Please is truly a wonder drug. The King Must Die; The Bull from the Sea: Introduction by Daniel Mendelsohn ![]() The Paris Review Interviews, Vols. 1-4 ![]() The Paris Review Interviews Box Set is an indispensable treasury of wisdom from the world’s literary masters. The Paris Review Book of People with Problems ![]() The Paris Review Interviews, I (Paris Review Interviews) ![]() How do great writers do it? From James M. Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book—"I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm"—The Paris Review has elicited some of the most revelatory and revealing thoughts from the literary masters of our age. For more than half a century, the magazine has spoken with most of our leading novelists, poets, and playwrights, and the interviews themselves have come to be recognized as classic works of literature, an essential and definitive record of the writing life. They have won the coveted George Polk Award and have been a contender for the Pulitzer Prize. Now, Paris Review editor Philip Gourevitch introduces an entirely original selection of sixteen of the most celebrated interviews. Often startling, always engaging, these encounters contain an immense scope of intelligence, personality, experience, and wit from the likes of Elizabeth Bishop, Ernest Hemingway, Truman Capote, Rebecca West, and Billy Wilder. This is an indispensable book for all writers and readers. The Paris Review Interviews, II (Paris Review Interviews) ![]() The Unprofessionals: New American Writing from The Paris Review ![]() For more than half a century, the Paris Review has launched some of the most exciting new literary voices, from Philip Roth to David Foster Wallace. But rather than trading on nostalgia, the storied journal—reconceived in 2010 by editor Lorin Stein—continues to search outside the mainstream for the most exciting emerging writers. Harmonizing a timeless literary feel with impeccable modern taste, its pages are vivid proof that the best of today’s writing more than upholds the lofty standards that built the magazine’s reputation. The Unprofessionals collects pieces from the new iteration of the Paris Review by contemporary writers who treat their art not as a profession, but as a calling. Some, like Zadie Smith, Ben Lerner, and John Jeremiah Sullivan, are already major literary presences, while others, like Emma Cline, Benjamin Nugent, and Ottessa Moshfegh, will soon be household names. A master class in contemporary writing across genres, this collection introduces the must-know voices in the modern literary scene. The Paris Review Book: of Heartbreak, Madness, Sex, Love, Betrayal, Outsiders, Intoxication, War, Whimsy, Horrors, God, Death, Dinner, Baseball, Travels, the Art of Writing, and Everything Else in the World Since 1953 ![]() Abel and Cain ![]() The Death of My Brother Abel and its delirious sequel, Cain, constitute the magnum opus of Gregor von Rezzori’s prodigious career, the most ambitious, extravagant, outrageous, and deeply considered achievement of this wildly original and never less than provocative master of the novel. In Abel and Cain, the original book, long out of print, is reissued in a fully revised translation; Cain appears for the first time in English. The Death of My Brother Abel zigzags across the middle of the twentieth century, from the 1918 to 1968, taking in the Jazz Age, the Anschluss, the Nuremberg trials, and postwar commercialism. At the center of the book is the unnamed narrator, holed up in a Paris hotel and writing a kind of novel, a collage of sardonic and passionate set pieces about love and work, sex and writing, families and nations, and human treachery and cruelty. In Cain, that narrator is revealed as Aristide Subics, or so at least it appears, since Subics’ identity is as unstable as the fictional apparatus that contains him and the times he lived through. Questions abound: How can a man who lived in a time of lies know himself? And is it even possible to tell the story of an era of lies truthfully? Primarily set in the bombed-out, rubble- strewn Hamburg of the years just after the war, the dark confusion and deadly confrontation and of Cain and Abel, inseparable brothers, goes on. The Word of the Speechless: Selected Stories ![]() The Peruvian writer Julio Ramón Ribeyro is one of the masters of the short story and a major contributor to the great flourishing of Latin American literature that followed the Second World War. In a letter to an editor, Ribeyro said about his stories, “in most of [them] those who are deprived of words in life find expression—the marginalized, the forgotten, those condemned to an existence without harmony and without voice. I have restored to them the breath they’ve been denied, and I’ve allowed them to modulate their own longings, outbursts, and distress.” This is work of deep humanity, imbued with a disorienting lyricism that is Ribeyro’s alone. The Word of the Speechless, edited and translated by Katherine Silver, introduces readers to an indispensable and unforgettable voice of Latin American fiction. Who I Am ![]() Devin Kelly is an Air Force brat, band nerd, bookworm, and loner. After the untimely death of her father, she and her mother move to Los Angeles to start a new life. Devin is welcomed to her new school by an arrogant bully named Jason who promises to make the rest of her senior year miserable. Things turn around, however, when a beautiful and intelligent young woman named Melanie Parker, who happens to be Jason’s sister, comes to her rescue. As the relationship between Devin and Melanie grows, Devin finds herself becoming more and more drawn to her new friend’s vivacious spirit. It’s not until an unpleasant confrontation with Jason that Devin must admit to herself that her feelings for Melanie are far more than platonic. Letters to a Young Poet ![]() The letters in this book were written by Rilke to Franz Kappus, a 19-year-old student at the Military Academy of Vienna. Discouraged by the prospect of military life, Kappus began to send his poetry to the 27-year-old Rilke, seeking both literary criticism and career advice. After Rilke's death, Kappus assembled and published the letters. Although the first letter from Kappus asked for critiques of his poetry, Rilke gave him very little during their correspondence. He also discouraged Kappus from reading criticism, advising him to trust his inner judgment. Instead, the majority of the letters address personal issues that Kappus revealed to Rilke; their span is tremendous, ranging from atheism, loneliness, sexuality, and career choices. Rilke on Love and Other Difficulties: Translations and Considerations ![]() Combining passion and sensitivity, the poems on love presented here are often not only sensual but sexual as well. Others pursue perennial themes in his work—death and life, growth and transformation. The book concludes with Rilke's reflections on wisdom and openness to experience, on grasping what is most difficult and turning what is most alien into that which we can most trust. Rimbaud: Poems ![]() Unix in a Nutshell: A Desktop Quick Reference for SVR4 and Solaris 7 ![]() K. ![]() Shantaram: A Novel ![]() He arrives in Bombay with little money, an assumed name, false papers, an untellable past, and no plans for the future. Fortunately, he meets Prabaker right away, a sweet, smiling man who is a street guide. He takes to Lin immediately, eventually introducing him to his home village, where they end up living for six months. When they return to Bombay, they take up residence in a sprawling illegal slum of 25,000 people and Linbaba becomes the resident "doctor." With a prison knowledge of first aid and whatever medicines he can cadge from doing trades with the local Mafia, he sets up a practice and is regarded as heaven-sent by these poor people who have nothing but illness, rat bites, dysentery, and anemia. He also meets Karla, an enigmatic Swiss-American woman, with whom he falls in love. Theirs is a complicated relationship, and Karlas connections are murky from the outset. Roberts is not reluctant to wax poetic; in fact, some of his prose is downright embarrassing. Throughought the novel, however, all 944 pages of it, every single sentence rings true. He is a tough guy with a tender heart, one capable of what is judged criminal behavior, but a basically decent, intelligent man who would never intentionally hurt anyone, especially anyone he knew. He is a magnet for trouble, a soldier of fortune, a picaresque hero: the rascal who lives by his wits in a corrupt society. His story is irresistible. Stay tuned for the prequel and the sequel. —Valerie Ryan Chinese Fairy Tales and Fantasies ![]() With black-and-white drawings throughout Part of the Pantheon Fairy Tale and Folklore Library A Student's Guide to Psychology ![]() An Intellectual History of Psychology ![]() The Companion ![]() Baby Boomer Survival Guide, Second Edition: Live, Prosper, and Thrive in Your Retirement ![]() Lynch on Lynch ![]() Theodore Roethke: Selected Poems : Selected Poems (American Poets Project) ![]() You: Staying Young: The Owner's Manual for Extending Your Warranty ![]() Wouldn't you like to know how to prevent your body from aging badly? Most of us believe that at age 40 or so, we begin the slow and steady decline of our minds and bodies. According to Dr. Roizen and Dr. Oz, that's a mistake. Aging isn't a decline in our systems. It's actually very purposeful. The very systems and biological processes that age us are designed to help us when we're a little bit younger. Our role is to learn how those systems function so we can reprogram them to work the way they did when we were younger. Your goal should be: die young at any age. That means you live a high quality of life (with everything from working joints to working genitals) until the day you die. At the core of YOU: Staying Young are the Major Agers — 14 biological processes that control your rate of aging. Doctors Roizen and Oz explain the principles of longevity and many of the causes of aging and how to fight their effects. Also included in a printable PDF file is a 14-day plan to help you integrate important processes into your daily life in order to make staying young routine. YOU: Staying Young is filled with signature YOU Tools, including YOU tips and memorable metaphors to bring the science alive and help you understand the most fascinating machine ever created: the human body. Alchemy & Mysticism: The Hermetic Museum (Klotz) ![]() Shakespeare's Dog ![]() The Rorty Reader ![]() What Great Paintings Say, Vol 1 (Midi Series) ![]() AppleScript: The Comprehensive Guide to Scripting and Automation on Mac OS X, Second Edition ![]() Unix: The Complete Reference ![]() Green Porno: A Book and Short Films by Isabella Rossellini ![]() Inspired by the wonderfully odd and humorous short films created by Isabella Rossellini and released on DVD for the first time, Green Porno offers a visually arresting and scientifically accurate look at the sex lives of marine animals and other creatures. This book will make you see the animal kingdom as you never have before. My Chickens and I ![]() Cyrano de Bergerac: by Edmund Rostand translated by Anthony Burgess ![]() The Radetzky March ![]() Rebellion: Introduction by Carolin Duttlinger ![]() American Pastoral ![]() Everyman ![]() The fate of Roth's everyman is traced from his first shocking confrontation with death on the idyllic beaches of his childhood summers, through the family trials and professional achievements of his vigorous adulthood, and into his old age, when he is rended by observing the deterioration of his contemporaries and stalked by his own physical woes. A successful commercial artist with a New York ad agency, he is the father of two sons from a first marriage who despise him and a daughter from a second marriage who adores him. He is the beloved brother of a good man whose physical well-being comes to arouse his bitter envy, and he is the lonely ex-husband of three very different women with whom he's made a mess of marriage. In the end he is a man who has become what he does not want to be. The terrain of this powerful novel — Roth's twenty-seventh book and the fifth to be published in the twenty-first century — is the human body. Its subject is the common experience that terrifies us all. Everyman takes its title from an anonymous fifteenth-century allegorical play, a classic of early English drama, whose theme is the summoning of the living to death. Exit Ghost ![]() The Humbling ![]() Into this shattering account of inexplicable and terrifying self-evacuation bursts a counterplot of unusual erotic desire, a consolation for a bereft life so risky and aberrant that it points not toward comfort and gratification but to a yet darker and more shocking end. In this long day’s journey into night, told with Roth’s inimitable urgency, bravura, and gravity, all the ways that we convince ourselves of our solidity, all our life’s performances—talent, love, sex, hope, energy, reputation—are stripped off. The Humbling is Roth’s thirtieth book. Indignation ![]() It is 1951 in America, the second year of the Korean War. A studious, law-abiding, intense youngster from Newark, New Jersey, Marcus Messner, is beginning his sophomore year on the pastoral, conservative campus of Ohio's Winesburg College. And why is he there and not at the local college in Newark where he originally enrolled? Because his father, the sturdy, hard-working neighborhood butcher, seems to have gone mad — mad with fear and apprehension of the dangers of adult life, the dangers of the world, the dangers he sees in every corner for his beloved boy. As the long-suffering, desperately harassed mother tells her son, the father's fear arises from love and pride. Perhaps, but it produces too much anger in Marcus for him to endure living with his parents any longer. He leaves them and, far from Newark, in the midwestern college, has to find his way amid the customs and constrictions of another American world. Indignation, Philip Roth's twenty-ninth book, is a story of inexperience, foolishness, intellectual resistance, sexual discovery, courage, and error. It is a story told with all the inventive energy and wit Roth has at his command, at once a startling departure from the haunted narratives of old age and experience in his recent books and a powerful addition to his investigations of the impact of American history on the life of the vulnerable individual. My Life As a Man (Vintage International) ![]() At its heart lies the marriage of Peter and Maureen Tarnopol, a gifted young writer and the woman who wants to be his muse but who instead is his nemesis. Their union is based on fraud and shored up by moral blackmail, but it is so perversely durable that, long after Maureen's death, Peter is still trying—and failing—to write his way free of it. Out of desperate inventions and cauterizing truths, acts of weakness, tenderheartedness, and shocking cruelty, Philip Roth creates a work worthy of Strindberg—a fierce tragedy of sexual need and blindness. Nemesis ![]() At the center of Nemesis is a vigorous, dutiful twenty-three-year-old playground director, Bucky Cantor, a javelin thrower and weightlifter, who is devoted to his charges and disappointed with himself because his weak eyes have excluded him from serving in the war alongside his contemporaries. Focusing on Cantor’s dilemmas as polio begins to ravage his playground—and on the everyday realities he faces—Roth leads us through every inch of emotion such a pestilence can breed: the fear, the panic, the anger, the bewilderment, the suffering, and the pain. Moving between the smoldering, malodorous streets of besieged Newark and Indian Hill, a pristine children’s summer camp high in the Poconos—whose "mountain air was purified of all contaminants"—Roth depicts a decent, energetic man with the best intentions struggling in his own private war against the epidemic. Roth is tenderly exact at every point about Cantor’s passage into personal disaster, and no less exact about the condition of childhood. Through this story runs the dark questions that haunt all four of Roth’s late short novels, Everyman, Indignation, The Humbling, and now Nemesis: What kind of accidental choices fatally shape a life? How does the individual withstand the onslaught of circumstance? Operation Shylock : A Confession (Vintage International) ![]() Philip Roth: Nemeses: Everyman / Indignation / The Humbling / Nemesis ![]() Philip Roth: Novels 1967-1972: When She Was Good / Portnoy's Complaint / Our Gang / The Breast ![]() When She Was Good (1967) is the trenchant portrait of Lucy Nelson, a young midwestern woman whose perception of her own suffering turns her into a ferocious force, "enemy-ridden and unforgivingly defiant," as Roth would later describe her. A small-town 1940s America of restrictive social pressures and foreclosed opportunities provides the novel's background. The publication of the hilarious Portnoy's Complaint (1969) was a cultural event that turned Roth into a reluctant celebrity. The confession of a bewildered psychoanalytic patient thrust through life by his unappeasable sexuality yet held back by the iron grip of his unforgettable childhood, Portnoy unleashed Roth's comic virtuosity and opened new avenues for American fiction. In Our Gang (1971), described by Anthony Burgess as a "brilliant satire in the real Swift tradition," Roth effects a savage takedown of the administration of Richard Nixon (who figures here as Trick E. Dixon). Written before the revelations of the Watergate scandal, Our Gang continues to resonate as a broad and outraged response to the clownish hypocrisy and moral theatrics of the American political scene. The Kafkaesque excursion The Breast (1972) introduces David Kepesh in the first volume of a trilogy that continues with The Professor of Desire (1977) and The Dying Animal (2001). The Breast prompted Cynthia Ozick to remark, "One knows when one is reading something that will permanently enter the culture." Philip Roth: Novels 1973-1977, The Great American Novel, My Life as a Man, The Professor of Desire ![]() Philip Roth: Novels 1993-1995: Operation Shylock / Sabbath's Theater ![]() "This splendidly wicked book" is how the critic Frank Kermode described Sabbath's Theater (1995), a comic masterpiece of epic proportions whose gargantuan hero, Mickey Sabbath, grieving the loss of his unsurpassable mistress, embarks on a turbulent journey into his past besieged by the ghosts of those who loved and hated him most. Philip Roth: Novels 2001-2007: The Dying Animal / The Plot Against America / Exit Ghost ![]() Philip Roth: Novels and Other Narratives 1986-1991 / The Counterlife / The Facts / Deception / Patrimony ![]() This fifth volume of The Library of America?s definitive edition of Philip Roth?s collected works presents four books that exemplify the description of Roth, proposed by British novelist Anthony Burgess, as a writer ?who never steps twice into the same river.? The Counterlife (1986) is a novel told from conflicting perspectives about people enacting drastic dreams of renewal and escape. The Facts (1988)?the first of the ?Roth Books??is a novelist?s autobiography in which the author presents his own battles defictionalized and unadorned. In the second Roth book, Deception (1990), a married American named Philip, living in London, and the married Englishwoman who is his mistress meet sporadically in a secret trysting place where the woman eloquently reveals herself to her lover as they talk before and after making love. In the third Roth book, Patrimony (1991), the author watches as his 86-year-old father, Herman Roth, battles a fatal brain tumor. Philip Roth: Novels and Stories 1959-1962: Goodbye, Columbus & Five Short Stories / Letting Go ![]() The title novella, Goodbye, Columbus, the story of a summer romance between a poor young man from Newark and a rich Radcliffe co-ed, is both a tightly wrought tale of youthful desire and a satiric gem that takes aim at the comfortable affluence of the postwar boom. Here and in the stories that accompany it, including "The Conversion of the Jews" and "Defender of the Faith," Roth depicts Jewish lives in 1950s America with an unflinching sharpness of observation. In Letting Go, a sprawling novel set largely against the backdrop of Chicago in the 1950s, Roth portrays the moral dilemmas of young people cast precipitously into adulthood, and in the process describes a skein of social and family responsibilities as they are brought into focus by issues of marriage, abortion, adoption, friendship, and career. The novel's expansiveness provides a wide scope for Roth's gift for vivid characterization, and in his protagonist Gabe Wallach he creates a nuanced portrait of a responsive young academic whose sense of morality draws him into the ordeals of others with unforeseen consequences. Philip Roth: The American Trilogy ![]() Philip Roth is the only living novelist whose works are being collected in the Library of America series. The nine-volume edition will be completed in 2013, for Roth's 80th birthday. Philip Roth: Why Write? Collected Nonfiction 1960-2013 ![]() Throughout a unparalleled literary career that includes two National Book Awards (Goodbye, Columbus, 1959 and Sabbath’s Theater, 1995), the Pulitzer Prize in fiction (American Pastoral, 1997), the National Book Critics Circle Award (The Counterlife, 1986), and the National Humanities Medal (awarded by President Obama in 2011), among many other honors, Philip Roth has produced an extraordinary body of nonfiction writing on a wide range of topics: his own work and that of the writers he admires, the creative process, and the state of American culture. This work is collected for the first time in Why Write?, the tenth and final volume in the Library of America’s definitive Philip Roth edition. Here is Roth’s selection of the indispensable core of Reading Myself and Others, the entirety of the 2001 book Shop Talk, and “Explanations,” a collection of fourteen later pieces brought together here for the first time, six never before published. Among the essays gathered are “My Uchronia,” an account of the genesis of The Plot Against America, a novel grounded in the insight that “all the assurances are provisional, even here in a two-hundred-year-old democracy”; “Errata,” the unabridged version of the “Open Letter to Wikipedia” published on The New Yorker’s website in 2012 to counter the online encyclopedia’s egregious errors about his life and work; and “The Ruthless Intimacy of Fiction,” a speech delivered on the occasion of his eightieth birthday that celebrates the “refractory way of living” of Sabbath’s Theater’s Mickey Sabbath. Also included are two lengthy interviews given after Roth’s retirement, which take stock of a lifetime of work. Sabbath's Theater ![]() The Human Stain: A Novel ![]() Coleman Silk has a secret, one which has been kept for fifty years from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman. It is Zuckerman who stumbles upon Silk's secret and sets out to reconstruct the unknown biography of this eminent, upright man, esteemed as an educator for nearly all his life, and to understand how this ingeniously contrived life came unraveled. And to understand also how Silk's astonishing private history is, in the words of The Wall Street Journal, "magnificently" interwoven with "the larger public history of modern America." The Plot Against America : A Novel ![]() A. Lindbergh defeated Franklin Roosevelt by a landslide in the 1940 presidential election, fear invaded every Jewish household in America. Not only had Lindbergh, in a nationwide radio address, publicly blamed the Jews for selfishly pushing America toward a pointless war with Nazi Germany, but upon taking office as the thirty-third president of the United States, he negotiated a cordial "understanding" with Adolf Hitler, whose conquest of Europe and virulent anti-Semitic policies he appeared to accept without difficulty. What then followed in America is the historical setting for this startling new book by Pulitzer Prize–winner Philip Roth, who recounts what it was like for his Newark family — and for a million such families all over the country — during the menacing years of the Lindbergh presidency, when American citizens who happened to be Jews had every reason to expect the worst. The Professor of Desire ![]() Zuckerman Bound: A Trilogy and Epilogue 1979-1985: The Ghost Writer / Zuckerman Unbound / The Anatomy Lesson / The Prague Orgy ![]() This fourth volume presents the trilogy and epilogue that constitute Zuckerman Bound (1985), Roth's wholly original investigation into the unforeseen consequences of art-mainly in libertarian America and then, by contrast, in Soviet-suppressed Eastern Europe-during the latter half of the twentieth century. The Ghost Writer (1979) introduces Nathan Zuckerman in the 1950s, a budding writer infatuated with the Great Books, discovering the contradictory claims of literature and experience while an overnight guest in the secluded New England farmhouse of his literary idol, E. I. Lonoff. Zuckerman Unbound (1981) finds him far from Lonoff's domain-the scene is Manhattan as the sensationalizing 1960s are coming to an end. Zuckerman, in his mid-thirties, is suffering the immediate aftershock of literary celebrity. The high-minded prot?g? of E. I. Lonoff has become a notorious superstar. The Anatomy Lesson (1984) takes place largely in the hospital isolation ward that Zuckerman has made of his Upper East Side apartment. It is Watergate time, 1973, and to Zuckerman the only other American who seems to be in as much trouble as himself is Richard Nixon. Zuckerman, at forty, is beset with crippling and unexplained physical pain; he wonders if the cause might not be his own inflammatory work. In The Prague Orgy (1985), entries from Zuckerman's notebooks describing his 1976 sojourn among the outcast artists of Soviet-occupied Czechoslovakia reveal the major theme of Zuckerman Bound from a new perspective that provides the stinging conclusion to this richly ironic and intricately designed magnum opus. As an added feature, this volume publishes for the first time Roth's unproduced television screenplay for The Prague Orgy, featuring new characters and scenes that do not appear in the novella. Mac OS X for Unix Geeks ![]() Emblems of Mind:: The Inner Life of Music and Mathematics ![]() The Great Fire of London ![]() The Great Fire of London consists of a main text ("story") and two sets of digressions ("interpolations" and "bifurcations"). Although best to read the insertions as they appear (indicated in the main text with cross-reference markers), this is an "interactive" text in which readers can decide for themselves how they wish to proceed. Roubaud's novel stands as a lyrical counterpart of those great postmodern masterpieces by fellow Oulipians Georges Perec (Life: A User's Manual) and Italo Calvino (If on a Winter's Night a Traveler). The Confessions ![]() Apple Training Series: iLife 06 (Apple Training) ![]() Context Collapse ![]() Madness, Rack, and Honey: Collected Lectures ![]() No writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the actthe fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon Review Profound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... -Publishers Weekly This is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. -Matthew Dickman The accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... -San Francisco Examiner Over the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading A Book Is A Sign Of Order In The World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utterand utterly pleasurableimmersion. Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont. In Short Measures: Three Novellas ![]() Super-Infinite: The Transformations of John Donne ![]() The Golden House: A Novel ![]() On the day of Barack Obama’s inauguration, an enigmatic billionaire from foreign shores takes up residence in the architectural jewel of “the Gardens,” a cloistered community in New York’s Greenwich Village. The neighborhood is a bubble within a bubble, and the residents are immediately intrigued by the eccentric newcomer and his family. Along with his improbable name, untraceable accent, and unmistakable whiff of danger, Nero Golden has brought along his three adult sons: agoraphobic, alcoholic Petya, a brilliant recluse with a tortured mind; Apu, the flamboyant artist, sexually and spiritually omnivorous, famous on twenty blocks; and D, at twenty-two the baby of the family, harboring an explosive secret even from himself. There is no mother, no wife; at least not until Vasilisa, a sleek Russian expat, snags the septuagenarian Nero, becoming the queen to his king—a queen in want of an heir. Our guide to the Goldens’ world is their neighbor René, an ambitious young filmmaker. Researching a movie about the Goldens, he ingratiates himself into their household. Seduced by their mystique, he is inevitably implicated in their quarrels, their infidelities, and, indeed, their crimes. Meanwhile, like a bad joke, a certain comic-book villain embarks upon a crass presidential run that turns New York upside-down. Set against the strange and exuberant backdrop of current American culture and politics, The Golden House also marks Salman Rushdie’s triumphant and exciting return to realism. The result is a modern epic of love and terrorism, loss and reinvention—a powerful, timely story told with the daring and panache that make Salman Rushdie a force of light in our dark new age. Praise for The Golden House “If you read a lot of fiction, you know that every once in a while you stumble upon a book that transports you, telling a story full of wonder and leaving you marveling at how it ever came out of the author’s head. The Golden House is one of those books. . . . [It] tackles more than a handful of universal truths while feeling wholly original.”—The Associated Press “The Golden House . . . ranks among Rushdie’s most ambitious and provocative books [and] displays the quicksilver wit and playful storytelling of Rushdie’s best work.”—USA Today “[The Golden House] is a recognizably Rushdie novel in its playfulness, its verbal jousting, its audacious bravado, its unapologetic erudition, and its sheer, dazzling brilliance.”—The Boston Globe Joseph Anton: A Memoir ![]() So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov—Joseph Anton. How do a writer and his family live with the threat of murder for more than nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, how and why does he stumble, how does he learn to fight back? In this remarkable memoir Rushdie tells that story for the first time; the story of one of the crucial battles, in our time, for freedom of speech. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom. It is a book of exceptional frankness and honesty, compelling, provocative, moving, and of vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day. Praise for Salman Rushdie “In Salman Rushdie . . . India has produced a glittering novelist—one with startling imaginative and intellectual resources, a master of perpetual storytelling.”—The New Yorker “Salman Rushdie has earned the right to be called one of our great storytellers.”—The Observer “Our most exhilaratingly inventive prose stylist, a writer of breathtaking originality.”—Financial Times Knife: Meditations After an Attempted Murder ![]() Languages of Truth: Essays 2003-2020 ![]() Luka and the Fire of Life: A Novel ![]() For Rashid Khalifa, the legendary storyteller of Kahani, has fallen into deep sleep from which no one can wake him. To keep his father from slipping away entirely, Luka must travel to the Magic World and steal the ever-burning Fire of Life. Thus begins a quest replete with unlikely creatures, strange alliances, and seemingly insurmountable challenges as Luka and an assortment of enchanted companions race through peril after peril, pass through the land of the Badly Behaved Gods, and reach the Fire itself, where Luka’s fate, and that of his father, will be decided. Filled with mischievous wordplay and delving into themes as universal as the power of filial love and the meaning of mortality, Luka and the Fire of Life is a book of wonders for all ages. Quichotte: A Novel ![]() SHORTLISTED FOR THE BOOKER PRIZE Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television who falls in impossible love with a TV star. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where “Anything-Can-Happen.” Meanwhile, his creator, in a midlife crisis, has equally urgent challenges of his own. Just as Cervantes wrote Don Quixote to satirize the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of Rushdie’s work, the fully realized lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction. Praise for Quichotte “Lovely, unsentimental, heart-affirming . . . a remembrance of what holds our human lives in some equilibrium—a way of feeling and a way of telling. Love and language.”—Jeanette Winterson, The New York Times Book Review “Brilliant . . . a perfect fit for a moment of transcontinental derangement.”—Financial Times “Quichotte is one of the cleverest, most enjoyable metafictional capers this side of postmodernism. . . . The narration is fleet of foot, always one step ahead of the reader—somewhere between a pinball machine and a three-dimensional game of snakes and ladders. . . . This novel can fly, it can float, it’s anecdotal, effervescent, charming, and a jolly good story to boot.”—The Sunday Times “Quichotte [is] an updating of Cervantes’s story that proves to be an equally complicated literary encounter, jumbling together a chivalric quest, a satire on Trump’s America and a whole lot of postmodern playfulness in a novel that is as sharp as a flick-knife and as clever as a barrel of monkeys. . . . This is a novel that feeds the heart while it fills the mind.”—The Times (UK) Shalimar the Clown: A Novel ![]() –The Washington Post Book World This is the story of Maximilian Ophuls, America’s counterterrorism chief, one of the makers of the modern world; his Kashmiri Muslim driver and subsequent killer, a mysterious figure who calls himself Shalimar the clown; Max’s illegitimate daughter India; and a woman who links them, whose revelation finally explains them all. It is an epic narrative that moves from California to Kashmir, France, and England, and back to California again. Along the way there are tales of princesses lured from their homes by demons, legends of kings forced to defend their kingdoms against evil. And there is always love, gained and lost, uncommonly beautiful and mortally dangerous. “A commanding story . . . [a] harrowing climax . . . Revenge is an ancient and powerful engine of narrative.” –The New York Times Book Review “Absorbing . . . Everywhere [Rushdie] takes us there is both love and war, in strange and terrifying combinations, painted in swaying, swirling, world-eating prose that annihilates the borders between East and West, love and hate, private lives and the history they make.” –Time “A vast, richly peopled, beautiful and deeply rageful book that serves as a profound and disturbing artifact of our times.” –San Francisco Chronicle “Marvelous . . . brilliant . . . a story worthy of [Rushdie’s] genius.” –Detroit Free Press ONE OF THE BEST BOOKS OF THE YEAR – The Washington Post Book World –Los Angeles Times Book Review –St. Louis Post-Dispatch –Rocky Mountain News ONE OF THE BEST NOVELS OF THE YEAR –Time –Chicago Tribune –The Christian Science Monitor The Moor's Last Sigh ![]() The Satanic Verses ![]() Two Years Eight Months and Twenty-Eight Nights: A Novel ![]() From Salman Rushdie, one of the great writers of our time, comes a spellbinding work of fiction that blends history, mythology, and a timeless love story. A lush, richly layered novel in which our world has been plunged into an age of unreason, Two Years Eight Months and Twenty-Eight Nights is a breathtaking achievement and an enduring testament to the power of storytelling. In the near future, after a storm strikes New York City, the strangenesses begin. A down-to-earth gardener finds that his feet no longer touch the ground. A graphic novelist awakens in his bedroom to a mysterious entity that resembles his own sub–Stan Lee creation. Abandoned at the mayor’s office, a baby identifies corruption with her mere presence, marking the guilty with blemishes and boils. A seductive gold digger is soon tapped to combat forces beyond imagining. Unbeknownst to them, they are all descended from the whimsical, capricious, wanton creatures known as the jinn, who live in a world separated from ours by a veil. Centuries ago, Dunia, a princess of the jinn, fell in love with a mortal man of reason. Together they produced an astonishing number of children, unaware of their fantastical powers, who spread across generations in the human world. Once the line between worlds is breached on a grand scale, Dunia’s children and others will play a role in an epic war between light and dark spanning a thousand and one nights—or two years, eight months, and twenty-eight nights. It is a time of enormous upheaval, in which beliefs are challenged, words act like poison, silence is a disease, and a noise may contain a hidden curse. Inspired by the traditional “wonder tales” of the East, Salman Rushdie’s novel is a masterpiece about the age-old conflicts that remain in today’s world. Two Years Eight Months and Twenty-Eight Nights is satirical and bawdy, full of cunning and folly, rivalries and betrayals, kismet and karma, rapture and redemption. Praise for Two Years Eight Months and Twenty-Eight Nights “Incandescent . . . brilliant, ambitious . . . Rushdie’s stature as one of the major literary voices of our time was already secure. And yet, in reading this new book, one cannot escape the feeling that all those years of writing and success have perhaps been preparation for this moment, for the creation of this tremendously inventive and timely novel.”—San Francisco Chronicle “Erudite without flaunting it, an amusement park of a pulpy disaster novel that resists flying out of control by being grounded by religion, history, culture and love.”—Los Angeles Times “Splendid and heartfelt . . . There’s an abundance of authorial winking here, the unabashed symbolism and double entendres quickly stacking up in a manner that wires Rushdie into an ancient storytelling tradition.”—The Boston Globe “Rushdie’s brilliance is in the balance between high art and pop culture. . . . A novel of both intellectual heft and sheer reading pleasure—a rare feat.”—St. Louis Post-Dispatch “In these nested, swirling tales, Rushdie conjures up a whole universe of jinn slithering across time and space, meddling in human affairs and copulating like they’ve just been released from twenty years in a lamp.”—The Washington Post “Rushdie is our Scheherazade, inexhaustibly enfolding story within story and unfolding tale after tale with such irrepressible delight that it comes as a shock to remember that, like her, he has lived the life of a storyteller in immediate peril.”—Ursula K. Le Guin, The Guardian Victory City: A Novel ![]() Midnight's Children (Everyman's Library (Cloth)) ![]() Rushdie's narrator, Saleem Sinai, is the Hindu child raised by wealthy Muslims. Near the beginning of the novel, he informs us that he is falling apart—literally: I mean quite simply that I have begun to crack all over like an old jug—that my poor body, singular, unlovely, buffeted by too much history, subjected to drainage above and drainage below, mutilated by doors, brained by spittoons, has started coming apart at the seams. In short, I am literally disintegrating, slowly for the moment, although there are signs of an acceleration. In light of this unfortunate physical degeneration, Saleem has decided to write his life story, and, incidentally, that of India's, before he crumbles into "(approximately) six hundred and thirty million particles of anonymous, and necessarily oblivious, dust." It seems that within one hour of midnight on India's independence day, 1,001 children were born. All of those children were endowed with special powers: some can travel through time, for example; one can change gender. Saleem's gift is telepathy, and it is via this power that he discovers the truth of his birth: that he is, in fact, the product of the illicit coupling of an Indian mother and an English father, and has usurped another's place. His gift also reveals the identities of all the other children and the fact that it is in his power to gather them for a "midnight parliament" to save the nation. To do so, however, would lay him open to that other child, christened Shiva, who has grown up to be a brutish killer. Saleem's dilemma plays out against the backdrop of the first years of independence: the partition of India and Pakistan, the ascendancy of "The Widow" Indira Gandhi, war, and, eventually, the imposition of martial law. We've seen this mix of magical thinking and political reality before in the works of Günter Grass and Gabriel García Márquez. What sets Rushdie apart is his mad prose pyrotechnics, the exuberant acrobatics of rhyme and alliteration, pun, wordplay, proper and "Babu" English chasing each other across the page in a dizzying, exhilarating cataract of words. Rushdie can be laugh-out-loud funny, but make no mistake—this is an angry book, and its author's outrage lends his language wings. Midnight's Children is Salman Rushdie's irate, affectionate love song to his native land—not so different from a Bombay talkie, after all. —Alix Wilber A History of Western Philosophy ![]() The Autobiography of Bertrand Russell, 1872-1914 ![]() The Autobiography of Bertrand Russell, 1914-1944 ![]() The Conquest of Happiness ![]() Introduction to Mathematical Philosophy Library of Essential Reading ![]() Our Knowledge of the External World, with an Introduction By Amit Hagar ![]() The Problems of Philosophy ![]() Orange World ![]() Sleep Donation ![]() St. Lucy's Home for Girls Raised by Wolves: Stories ![]() Swamplandia! ![]() Vampires in the Lemon Grove: And Other Stories ![]() With or Without You: A Memoir ![]() A haunting, unforgettable mother-daughter story for a new generation—the debut of a blazing new lyrical voice Domenica Ruta grew up in a working-class, unforgiving town north of Boston, in a trash-filled house on a dead-end road surrounded by a river and a salt marsh. Her mother, Kathi, a notorious local figure, was a drug addict and sometimes dealer whose life swung between welfare and riches, and whose highbrow taste was at odds with her hardscrabble life. And yet she managed, despite the chaos she created, to instill in her daughter a love of stories. Kathi frequently kept Domenica home from school to watch such classics as the Godfather movies and everything by Martin Scorsese and Woody Allen, telling her, “This is more important. I promise. You’ll thank me later.” And despite the fact that there was not a book to be found in her household, Domenica developed a love of reading, which helped her believe that she could transcend this life of undying grudges, self-inflicted misfortune, and the crooked moral code that Kathi and her cohorts lived by. With or Without You is the story of Domenica Ruta’s unconventional coming of age—a darkly hilarious chronicle of a misfit ’90s youth and the necessary and painful act of breaking away, and of overcoming her own addictions and demons in the process. In a brilliant stylistic feat, Ruta has written a powerful, inspiring, compulsively readable, and finally redemptive story about loving and leaving. Praise for With or Without You “Bracingly funny and poignant.”—The Boston Globe “Stunning . . . comes across as a bleaker, funnier, R-rated version of The Glass Castle and marks the arrival of a blazing new voice in literature.”—Entertainment Weekly “A singular new coming-of-age memoir traces one girl’s twisting path up from the mean streets (and parents) to the reflective life of a writer. . . . The burgeoning canon of literary memoir—spiked with a generous pour of 12-step-program confessional—begets another winner in Domenica Ruta’s searing With or Without You. . . . In spite of the glaring deficits in her life, Ruta was born ‘with a wolfish appetite for the printed word.’ . . . Luckily, her word addiction kept progressing until she had all the tools she needed to create this gloriously gutsy memory-work.”—Elle “The intensity of the clear-eyed manner in which Ruta conveys her abiding frustration with the parents who failed their child so casually and monumentally is exceedingly powerful stuff.”—Booklist “Valiant and heartbreaking.”—Bust “Domenica Ruta is a real and excellent writer who has language by the throat. She writes with big beauty and drives her story with huge humanism, empathy, and humor.”—Gabrielle Hamilton, author of Blood, Bones & Butter “Powerful . . . wicked funny . . . Ruta writes with unflinching honesty.”—Slate “Difficult childhoods are plentiful, the talent to transform adversity into art in short supply. Unflinching in its regard, forgiving in its humor, With or Without You is that rare thing, a story you think you know transformed into one you have to read to the end.”—Kathryn Harrison, author of Enchantments WebObjects Web Application Construction Kit ![]() One Robe, One Bowl: The Zen Poetry of Ryokan ![]() Ernesto ![]() An NYRB Classics Original Ernesto is a classic of gay literature, a tender and complex tale of sexual awakening by one of Italy’s most admired poets. Ernesto is a sixteen-year-old boy from an educated family who lives with his mother in Trieste. His mother is eager for him to get ahead and has asked a local businessman to give him some workplace experience in his warehouse. One day a workingman makes advances to Ernesto, who responds with willing curiosity. A month of trysts ensues before the boy begins to tire of the relationship, finally escaping it altogether by engineering his own dismissal. And yet his experience has changed him, and as Umberto Saba’s unfinished, autobiographical story breaks off, Ernesto has struck up a new, oddly romantic attachment to a boy his own age. Everything in Its Place: First Loves and Last Tales ![]() Oliver Sacks, scientist and storyteller, is beloved by readers for his neurological case histories and his fascination and familiarity with human behavior at its most unexpected and unfamiliar. Everything in Its Place is a celebration of Sacks's myriad interests, told with his characteristic compassion and erudition, and in his luminous prose. Gratitude ![]() In January 2015, Oliver Sacks was diagnosed with a recurrence of cancer, and he shared this news in a New York Times essay that inspired readers all over the world: "I cannot pretend I am without fear. But my predominant feeling is one of gratitude.... Above all, I have been a sentient being, a thinking animal, on this beautiful planet, and that in itself has been an enormous privilege and adventure." Gratitude consists of four essays that originally appeared in The New York Times, accompanied by a foreword that describes the occasion of each chapter. The foreword is written by Billy Hayes, Oliver Sacks's partner, and Kate Edgar, his long time collaborator. Hallucinations ![]() Hallucinations don’t belong wholly to the insane. Much more commonly, they are linked to sensory deprivation, intoxication, illness, or injury. People with migraines may see shimmering arcs of light or tiny, Lilliputian figures of animals and people. People with failing eyesight, paradoxically, may become immersed in a hallucinatory visual world. Hallucinations can be brought on by a simple fever or even the act of waking or falling asleep, when people have visions ranging from luminous blobs of color to beautifully detailed faces or terrifying ogres. Those who are bereaved may receive comforting “visits” from the departed. In some conditions, hallucinations can lead to religious epiphanies or even the feeling of leaving one’s own body. Humans have always sought such life-changing visions, and for thousands of years have used hallucinogenic compounds to achieve them. As a young doctor in California in the 1960s, Oliver Sacks had both a personal and a professional interest in psychedelics. These, along with his early migraine experiences, launched a lifelong investigation into the varieties of hallucinatory experience. Here, with his usual elegance, curiosity, and compassion, Dr. Sacks weaves together stories of his patients and of his own mind-altering experiences to illuminate what hallucinations tell us about the organization and structure of our brains, how they have influenced every culture’s folklore and art, and why the potential for hallucination is present in us all, a vital part of the human condition. The Man Who Mistook His Wife for a Hat: And Other Clinical Tales ![]() The Mind's Eye ![]() There is Lilian, a concert pianist who becomes unable to read music and is eventually unable even to recognize everyday objects, and Sue, a neurobiologist who has never seen in three dimensions, until she suddenly acquires stereoscopic vision in her fifties. There is Pat, who reinvents herself as a loving grandmother and active member of her community, despite the fact that she has aphasia and cannot utter a sentence, and Howard, a prolific novelist who must find a way to continue his life as a writer even after a stroke destroys his ability to read. And there is Dr. Sacks himself, who tells the story of his own eye cancer and the bizarre and disconcerting effects of losing vision to one side. Sacks explores some very strange paradoxes—people who can see perfectly well but cannot recognize their own children, and blind people who become hyper-visual or who navigate by “tongue vision.” He also considers more fundamental questions: How do we see? How do we think? How important is internal imagery—or vision, for that matter? Why is it that, although writing is only five thousand years old, humans have a universal, seemingly innate, potential for reading? The Mind’s Eye is a testament to the complexity of vision and the brain and to the power of creativity and adaptation. And it provides a whole new perspective on the power of language and communication, as we try to imagine what it is to see with another person’s eyes, or another person’s mind. Musicophilia: Tales of Music and the Brain ![]() Oliver Sacks’s compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people—from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome, who are hypermusical from birth; from people with “amusia,” to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds—for everything but music. Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson’s disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer’s or amnesia. Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why. On the Move: A Life ![]() With unbridled honesty and humor, Sacks shows us that the same energy that drives his physical passions—weight lifting and swimming—also drives his cerebral passions. He writes about his love affairs, both romantic and intellectual; his guilt over leaving his family to come to America; his bond with his schizophrenic brother; and the writers and scientists—Thom Gunn, A. R. Luria, W. H. Auden, Gerald M. Edelman, Francis Crick—who influenced him. On the Move is the story of a brilliantly unconventional physician and writer—and of the man who has illuminated the many ways that the brain makes us human. The River of Consciousness ![]() Oliver Sacks, a scientist and a storyteller, is beloved by readers for the extraordinary neurological case histories (Awakenings, An Anthropologist on Mars) in which he introduced and explored many now familiar disorders—autism, Tourette's syndrome, face blindness, savant syndrome. He was also a memoirist who wrote with honesty and humor about the remarkable and strange encounters and experiences that shaped him (Uncle Tungsten, On the Move, Gratitude). Sacks, an Oxford-educated polymath, had a deep familiarity not only with literature and medicine but with botany, animal anatomy, chemistry, the history of science, philosophy, and psychology. The River of Consciousness is one of two books Sacks was working on up to his death, and it reveals his ability to make unexpected connections, his sheer joy in knowledge, and his unceasing, timeless project to understand what makes us human. No Uncertain Terms: More Writing from the Popular "On Language" Column in The New York Times Magazine ![]() Bonjour Tristesse ![]() Selected Stories ![]() Saki's dazzling tales manage the remarkable feat of being anarchic and urbane at the same time. Studded with Wildean epigrams and featuring well-contrived plots and surprise endings, his stories gleefully skewer the pompous hypocrisies of upper class Edwardian society. But they go beyond mere satire, raising dark humor to extremes of entertaining outrageousness that have rarely since been matched. Saki's elegantly mischievous young heroes sow chaos in their wake without breaking a sweat, and are occasionally joined by werewolves, tigers, eavesdropping house pets, and casually murderous children. This selection includes such famous stories as "Tobermory," "The Open Window," "Sredni Vashtar," "Mrs. Packletide's Tiger," "The Schartz-Metterklume Method," and many more. Uncertain Glory ![]() Spain, 1937. Posted to the Aragonese front, Lieutenant Lluís Ruscalleda eschews the drunken antics of his comrades and goes in search of intrigue. But the lady of Castel de Olivo—a beautiful widow with a shadowy past—puts a high price on her affections. In Barcelona, Trini Milmany struggles to raise Lluís’s son on her own, letters from the front her only solace. With bombs falling as fast as the city’s morale, she leaves to spend the winter with Lluís’s brigade on a quiet section of the line. But even on “dead” fronts the guns do not stay silent for long. Trini’s decision will put her family’s fate in the hands of Juli Soleràs, an old friend and a traitor of easy conscience, a philosopher-cynic locked in an eternal struggle with himself. Joan Sales, a combatant in the Spanish Civil War, distilled his experiences into a timeless story of thwarted love, lost youth, and crushed illusions. A thrilling epic that has drawn comparison with the work of Dostoyevsky and Stendhal, Uncertain Glory is a homegrown counterpart to classics such as Homage to Catalonia and For Whom the Bell Tolls. Season of Migration to the North ![]() Nine Stories ![]() The war hangs over these wry stories of loss and occasionally unsuppressed rage. Salinger's children are fragile, odd, hypersmart, whereas his grownups (even the materially content) seem beaten down by circumstances—some neurasthenic, others (often female) deeply unsympathetic. The greatest piece in this disturbing book may be "The Laughing Man," which starts out as a man's recollection of the pleasures of storytelling and ends with the intersection between adult need and childish innocence. The narrator remembers how, at nine, he and his fellow Comanches would be picked up each afternoon by the Chief—a Staten Island law student paid to keep them busy. At the end of each day, the Chief winds them down with the saga of a hideously deformed, gentle, world-class criminal. With his stalwart companions, which include "a glib timber wolf" and "a lovable dwarf," the Laughing Man regularly crosses the Paris-China border in order to avoid capture by "the internationally famous detective" Marcel Dufarge and his daughter, "an exquisite girl, though something of a transvestite." The masked hero's luck comes to an end on the same day that things go awry between the Chief and his girlfriend, hardly a coincidence. "A few minutes later, when I stepped out of the Chief's bus, the first thing I chanced to see was a piece of red tissue paper flapping in the wind against the base of a lamppost. It looked like someone's poppy-petal mask. I arrived home with my teeth chattering uncontrollably and was told to go straight to bed." All That Is: A Novel ![]() A New York Times Book Review Notable Book An NPR "Great Reads" Book All That Is explores a life unfolding in a world on the brink of change. Philip Bowman returns to America from the battlefields of Okinawa and finds success in the competetive world of publishing in postwar New York—yet what he most desires, and what eludes him, is love. Here is PEN/Faulkner winner James Salter's dazzling, sometimes devastating portrait of love and ambition, a fiercely intimate account of the great shocks and grand pleasures of being alive. The Art of Fiction ![]() Following the publication of his first novel, Salter left behind a military career of great promise to write full-time and—through decades of searching, exacting work—became one of American literature’s master stylists. Only months before he died, at the age of eighty-nine, he agreed to serve as the first Kapnick Writer-in-Residence at the University of Virginia, where he composed and delivered the three lectures presented in this book and introduced by his friend and fellow novelist, National Book Award-winning author John Casey. Salter speaks to us here with an easy intimacy, sharing his unceasing enchantment with the books that made up his reading life, including works by Balzac, Flaubert, Babel (whose prose is "like a handful of radium"), Dreiser, Céline, Faulkner. These talks provide an invaluable opportunity to see the way in which a great writer reads. They also offer a candid look at the writing life—the rejection letters, not one but two negative reviews in the New York Times for the same book, writing in the morning or at night and worrying about money during the long afternoons. Salter raises the question, Why does one write? For wealth? For admiration, or a sense of "importance"? Confronting a blank sheet that always offers too many choices, practicing a vocation that often demands one write instead of live, the answer for Salter was creating a style that captured experience, in a world where anything not written down fades away. Kapnick Foundation Distinguished Writer-in-Residence Lectures Burning the Days: Recollection ![]() Burning the Days captures a singular life, beginning with a Manhattan boyhood and then, satisfying his father's wishes, graduation from West Point, followed by service in the Air Force as a pilot. In some of the most evocative pages ever written about flying, Salter describes the exhilaration and terror of combat as a fighter pilot in the Korean War, scenes that are balanced by haunting pages of love and a young man's passion for women. After resigning from the Air Force, Salter begins a second life, becoming a writer in the New York of the 1960s. Soon films beckon. There are vivid portraits of actors, directors, and producers—Polanski, Robert Redford, and others. Here also, more important, are writers who were influential, some by their character, like Irwin Shaw, others because of their taste and knowledge. Ultimately Burning the Days is an illumination of what it is to be a man, and what it means to become a writer. Only once in a long while—Vladimir Nabokov's Speak, Memory or Isak Dinesen's Out of Africa—does a memoir of such extraordinary clarity and power appear. Unconventional in form, Burning the Days is a stunning achievement by the writer The Washington Post Book World said "inhabits the same rarefied heights as Flannery O'Connor, Paul Bowles, Tennessee Williams and John Cheever" —a rare and unforgettable book. Collected Stories ![]() Dusk and Other Stories ![]() Light Years ![]() A Sport and a Pastime: A Novel ![]() Mile Zero ![]() From the Trade Paperback edition. Learn AppleScript: The Comprehensive Guide to Scripting and Automation on Mac OS X ![]() The Bodhicaryavatara ![]() About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more. All the Names ![]() The loneliness of people's lives, the effects of chance, the discovery of love-all coalesce in this extraordinary novel that displays the power and art of José Saramago in brilliant form. Blindness ![]() Death with Interruptions ![]() Death sits in her chilly apartment, where she lives alone with scythe and filing cabinets, and contemplates her experiment: What if no one ever died again? What if she, death with a small d, became human and were to fall in love? African Meditations ![]() The Most Secret Memory of Men: A Novel ![]() Tropisms ![]() Gold Diggers: A Novel ![]() The Complete Persepolis: 20th Anniversary Edition ![]() Voltaire's Bastards: The Dictatorship of Reason in the West ![]() Lincoln in the Bardo: A Novel ![]() February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body. From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul. Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end? Praise for Lincoln in the Bardo “A luminous feat of generosity and humanism.”—Colson Whitehead, The New York Times Book Review “A masterpiece.”—Zadie Smith “Ingenious . . . Saunders—well on his way toward becoming a twenty-first-century Twain—crafts an American patchwork of love and loss, giving shape to our foundational sorrows.”—Vogue “Saunders is the most humane American writer working today.”—Harper’s Magazine “The novel beats with a present-day urgency—a nation at war with itself, the unbearable grief of a father who has lost a child, and a howling congregation of ghosts, as divided in death as in life, unwilling to move on.”—Vanity Fair “A brilliant, Buddhist reimagining of an American story of great loss and great love.”—Elle “Wildly imaginative”—Marie Claire “Mesmerizing . . . Dantesque . . . A haunting American ballad.”—Publishers Weekly (starred review) “Exhilarating . . . Ruthless and relentless in its evocation not only of Lincoln and his quandary, but also of the tenuous existential state shared by all of us.” —Kirkus Reviews (starred review) “It’s unlike anything you’ve ever read, except that the grotesque humor, pathos, and, ultimately, human kindness at its core mark it as a work that could come only from Saunders.”—The National The Very Persistent Gappers of Frip ![]() In the seaside village of Frip live three families: the Romos, the Ronsens, and a little girl named Capable and her father. The economy of Frip is based solely on goat’s milk, and this is a problem because the village is plagued by gappers: bright orange, many-eyed creatures the size of softballs that love to attach themselves to goats. When a gapper gets near a goat, it lets out a high-pitched shriek of joy that puts the goats off giving milk, which means that every few hours the children of Frip have to go outside, brush the gappers off their goats, and toss them into the sea. The gappers have always been everyone’s problem, until one day they get a little smarter, and instead of spreading out, they gang up: on Capable’s goats. Free at last of the tyranny of the gappers, will her neighbors rally to help her? Or will they turn their backs, forcing Capable to bear the misfortune alone? Featuring fifty-two haunting and hilarious illustrations by Lane Smith and a brilliant story by George Saunders that explores universal themes of community and kindness, The Very Persistent Gappers of Frip is a rich and resonant story for those that have all and those that have not. Praise for George Saunders “No one writes more powerfully than George Saunders.”—Michiko Kakutani, The New York Times “Saunders makes you feel as though you are reading fiction for the first time.”—Khaled Hosseini “George Saunders is a complete original. . . . There is no one better, no one more essential to our national sense of self and sanity.”—Dave Eggers “Few people cut as hard or deep as Saunders does.”—Junot Díaz “Not since Twain has America produced a satirist this funny.”—Zadie Smith Praise for The Very Persistent Gappers of Frip “In a perfect world, every child would own a copy of this profound, funny fable. . . . Every adult would own a copy too, and would marvel at how this smart, subversive little book is even deeper and more hilarious than any child could know.”—Entertainment Weekly “Saunders’s idiosyncratic voice makes an almost perfect accompaniment to children’s book illustrator Smith’s heightened characterizations and slightly surreal backdrops.”—Publishers Weekly “A riveting, funny, and sly new fairy tale.”—Miami Herald Attack of the Vyperians ![]() Rampaging monsters! Genetically modified super geniuses! Forbidden love between a pop singer and her alien romeo! It’s Attack of the Vyperians in thrilling 2-D! When a race of alien octopuses arrives to "befriend with benefits" Earth's women, a motley collection of humans find themselves thrown into a war zone of giant monsters, ancient enemies, and horny interplanetary beings that just can't keep their tentacles to themselves. James "Crash" Jefferson — Cable TV adventure show host. Egomaniac. Emmy award winner. Irresponsible lover. The only person banned from South Africa for choking a giraffe to death during a Make-A-Wish trip, Crash is his own biggest advocate and worst enemy at the same time. Pulled across the planet by forces he doesn't understand, Crash does what Crash does best — swing hard and let others clean up the mess. Jennica! — As a global pop music superstar, Jennica! secretly wishes for nothing more than to wrest control of her own life from those that want only to use her as a pawn to profit from. Unfortunately, the exact opposite happens yet again as she becomes the vessel of choice for the Vyperians' devious plan. Dr. Frank Faraday — Pushed from childhood to be the next super-genius scientist extraordinaire, Frank Faraday recieved his first PhD at age 20 and then subsequently suprised everyone around him by disappearing off the grid. For the first time in his life, Dr. Faraday had a taste of freedom as he left the stresses and pressures of his past life behind him. Until, that is, a secret organization made him an offer he should have refused. A science fiction comedy born from a love of the golden age of ridiculously awesome monster movies, "Attack of the Vyperians" will capture your attention from the first page and keep it all the way to the second. Uh, end. I meant end. How do I go back? How do I edit? Hello? Fundamentals of Adaptive Filtering ![]() Starter Villan ![]() 101 Hikes in Southern California: Exploring Mountains, Seashore, and Desert ![]() Lesabéndio: An Asteroid Novel ![]() Paul Scheerbart (1863-1915) was a novelist, playwright, poet, newspaper critic, draftsman, visionary, proponent of glass architecture and would-be inventor of perpetual motion, who wrote fantastical fables and interplanetary satires that were to influence Expressionist authors and the German Dada movement, and which helped found German science fiction. The Village Of Ben Suc ![]() A Happy Man ![]() "A noirish rumination on being too happy..." This book asks a simple question: Is it possible to write compellingly about a happy person? In the hands of celebrated (but never before translated into English) Swiss author Hansjörg Schertenleib, the answer is a resounding yes—because, as it turns out, even happy people are surrounded by unhappy people, which can make for considerable stress, and, well, what’s a happy man to do? And it’s not as if the hero of this book—whose name is, well, This—is a pleasant but unaware zombie. He’s a smart, interesting, quirky jazz musician...albeit with a wife suffering from depression, and a rebellious teenaged daughter. They find his contentedness more and more irritating. And yet This just can’t help it—life makes him happy. And the mounting tension that results is beautifully set off by Schertenleib’s lyrical prose, the smoky setting of Amsterdam, and the dialogue that’ s as edgy as that of a noir movie. And thus a book that seems at first a writerly experiment becomes a gradually intensifying tale of a simple bit of human hope holding on against great odds, to an inspiring and shocking ending. The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners. Understanding Reynolds Price ![]() Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018 ![]() The Reader (Oprah's Book Club) ![]() Walter Benjamin: The Story of a Friendship ![]() Wittgenstein ![]() Severin Schroeder shows that at the core of Wittgenstein's later work lies a startlingly original and subversive conception of the nature of philosophy. In accordance with this conception, Wittgenstein offers no new philosophical doctrines to replace his earlier ones, but seeks to demonstrate how all philosophical theorizing is the result of conceptual misunderstanding. He first diagnoses such misunderstanding at the core of his own earlier philosophy of language and then subjects philosophical views and problems about various mental phenomena understanding, sensations, the will to a similar therapeutic analysis. Schroeder provides a clear and careful account of the main arguments offered by Wittgenstein. He concludes by considering some critical responses to Wittgenstein's work, assessing its legacy for contemporary philosophy. Wittgenstein is ideal for students seeking a clear and concise introduction to the work of this seminal twentieth-century philosopher. Caravaggio: The Complete Works ![]() The mysterious genius who transformed European art Caravaggio, or more accurately Michelangelo Merisi da Caravaggio (1571–1610), was always a name to be reckoned with. Notorious bad boy of Italian painting, the artist was at once celebrated and controversial: violent in temper, precise in technique, a creative master, and a man on the run. Today, he is considered one of the greatest influences in all art history. This Bibliotheca Universalis edition offers a neat yet comprehensive Caravaggio catalogue raisonné. Each of his paintings is reproduced from recent top-quality photography, allowing for a vivid encounter with the artist’s ingenious repertoire of looks and gestures, as well as numerous detail shots of his boundary-breaking naturalism, whether a grubby foot or the soft folds of a sagging stomach. Five accompanying chapters trace the complete arc of Caravaggio’s career from his first public commissions in Rome through to his growing celebrity status, while the book’s detailed chronology traces his tempestuous personal life, in which drama loomed as prominently as in his chiaroscuro canvases. About the series: Bibliotheca Universalis— Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price! Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia. Bookworm’s delight — never bore, always excite! FileMaker Pro 8.5 Bible ![]() Reading Joyce's Ulysses ![]() Only a Voice: Essays ![]() The Wine-Dark Sea ![]() Apple Pro Training Series: Aperture 3 ![]() DVD-ROM includes lesson and media files for over 20 hours of training Focused lessons take you step-by-step through professional, real-world projects Accessible writing style puts an expert instructor at your side Ample illustrations and keyboard shortcuts help you master techniques fast Lesson goals and time estimates help you plan your time Chapter review questions summarize what you’ve learned and prepare you for the Apple Certified Pro Exam The Mirror Thief ![]() Publishers Weekly raved that "with near-universal appeal . . . Seay’s debut novel is a true delight, a big, beautiful cabinet of wonders that is by turns an ominous modern thriller, a supernatural mystery, and an enchanting historical adventure story." Set in three cities in three eras, The Mirror Thief calls to mind David Mitchell and Umberto Eco in its mix of entertainment and literary bravado. The core story is set in Venice in the sixteenth century, when the famed makers of Venetian glass were perfecting one of the old world's most wondrous inventions: the mirror. An object of glittering yet fearful fascination—was it reflecting simple reality, or something more spiritually revealing?—the Venetian mirrors were state of the art technology, and subject to industrial espionage by desirous sultans and royals world-wide. But for any of the development team to leave the island was a crime punishable by death. One man, however—a world-weary war hero with nothing to lose—has a scheme he thinks will allow him to outwit the city's terrifying enforcers of the edict, the ominous Council of Ten . . . Meanwhile, in two other Venices—Venice Beach, California, circa 1958, and the Venice casino in Las Vegas, circa today—two other schemers launch similarly dangerous plans to get away with a secret . . . All three stories will weave together into a spell-binding tour-de-force that is impossible to put down—an old-fashioned, stay-up-all-night novel that, in the end, returns the reader to a stunning conclusion in the original Venice . . . and the bedazzled sense of having read a truly original and thrilling work of art. Barrel Fever: Stories and Essays ![]() Calypso ![]() If you've ever laughed your way through David Sedaris's cheerfully misanthropic stories, you might think you know what you're getting with Calypso. You'd be wrong. When he buys a beach house on the Carolina coast, Sedaris envisions long, relaxing vacations spent playing board games and lounging in the sun with those he loves most. And life at the Sea Section, as he names the vacation home, is exactly as idyllic as he imagined, except for one tiny, vexing realization: it's impossible to take a vacation from yourself. With Calypso, Sedaris sets his formidable powers of observation toward middle age and mortality. Make no mistake: these stories are very, very funny—it's a book that can make you laugh 'til you snort, the way only family can. Sedaris's powers of observation have never been sharper, and his ability to shock readers into laughter unparalleled. But much of the comedy here is born out of that vertiginous moment when your own body betrays you and you realize that the story of your life is made up of more past than future. This is beach reading for people who detest beaches, required reading for those who loathe small talk and love a good tumor joke. Calypso is simultaneously Sedaris's darkest and warmest book yet—and it just might be his very best. David Sedaris Diaries: A Visual Compendium ![]() In this richly illustrated book, readers will for the first time experience the diaries David Sedaris has kept for nearly 40 years in the elaborate, three-dimensional, collaged style of the originals. A celebration of the unexpected in the everyday, the beautiful and the grotesque, this visual compendium offers unique insight into the author's view of the world and stands as a striking and collectible volume in itself. Compiled and edited by Sedaris's longtime friend Jeffrey Jenkins, and including interactive components, postcards, and never-before-seen photos and artwork, this is a necessary addition to any Sedaris collection, and will enthrall the author's fans for many years to come. Holidays on Ice: Stories ![]() Naked ![]() Squirrel Seeks Chipmunk: A Modest Bestiary ![]() In "The Toad, the Turtle, and the Duck," three strangers commiserate about animal bureaucracy while waiting in a complaint line. In "Hello Kitty," a cynical feline struggles to sit through his prison-mandated AA meetings. In "The Squirrel and the Chipmunk," a pair of star-crossed lovers is separated by prejudiced family members. With original illustrations by Ian Falconer, author of the bestselling Olivia series of children's books, these stories are David Sedaris at his most observant, poignant, and surprising. Theft by Finding: Diaries ![]() David Sedaris tells all in a book that is, literally, a lifetime in the making For forty years, David Sedaris has kept a diary in which he records everything that captures his attention-overheard comments, salacious gossip, soap opera plot twists, secrets confided by total strangers. These observations are the source code for his finest work, and through them he has honed his cunning, surprising sentences. Now, Sedaris shares his private writings with the world. Theft by Finding, the first of two volumes, is the story of how a drug-abusing dropout with a weakness for the International House of Pancakes and a chronic inability to hold down a real job became one of the funniest people on the planet. Written with a sharp eye and ear for the bizarre, the beautiful, and the uncomfortable, and with a generosity of spirit that even a misanthropic sense of humor can't fully disguise, Theft By Finding proves that Sedaris is one of our great modern observers. It's a potent reminder that when you're as perceptive and curious as Sedaris, there's no such thing as a boring day. When You Are Engulfed in Flames ![]() Trying to make coffee when the water is shut off, David considers using the water in a vase of flowers and his chain of associations takes him from the French countryside to a hilariously uncomfortable memory of buying drugs in a mobile home in rural North Carolina. In essay after essay, Sedaris proceeds from bizarre conundrums of daily life-having a lozenge fall from your mouth into the lap of a fellow passenger on a plane or armoring the windows with LP covers to protect the house from neurotic songbirds-to the most deeply resonant human truths. Culminating in a brilliant account of his venture to Tokyo in order to quit smoking, David Sedaris's sixth essay collection is a new masterpiece of comic writing from "a writer worth treasuring" (Seattle Times). Praise for When You Are Engulfed in Flames: "Older, wiser, smarter and meaner, Sedaris...defies the odds once again by delivering an intelligent take on the banalities of an absurd life." —Kirkus Reviews This latest collection proves that not only does Sedaris still have it, but he's also getting better....Sedaris's best stuff will still—after all this time—move, surprise, and entertain." —Booklist Table of Contents: It's Catching Keeping Up The Understudy This Old House Buddy, Can You Spare a Tie? Road Trips What I Learned That's Amore The Monster Mash In the Waiting Room Solutions to Saturday's Puzzle Adult Figures Charging Toward a Concrete Toadstool Memento Mori All the Beauty You Will Ever Need Town and Country Aerial The Man in the Hut Of Mice and Men April in Paris Crybaby Old Faithful The Smoking Section Making a Literary Life ![]() Carolyn See distills a lifetime of experience as novelist, memoirist, critic, and creative-writing professor into this marvelously engaging how-to book. Partly the nuts and bolts of writing (plot, point of view, character, voice) and partly an inspirational guide to living the life you dream of, Making a Literary Life takes you from the decision to “become” a writer to three months after the publication of your first book. A combination of writing and life strategies (do not tell everyone around you how you yearn to be a writer; send a “charming note” to someone you admire in the industry five days a week, every week, for the rest of your life; find the perfect characters right in front of you), Making a Literary Life is for people not usually considered part of the literary loop: the non–East Coasters, the secret scribblers. With sagacity, a magical sense of humor, and an abiding belief in the possibilities offered to “ordinary” people living “ordinary” lives, Carolyn See has summed up her life’s work in a book so beguiling, irreverent, and giddily inspiring that you won’t even realize it’s changing your life until it already has. From the Hardcover edition. Lucinella ![]() Lore Segal's tour de force look at the New York literary scene was a hit when it was first released in the 1970s, winning the praise of the literary elite. John Garnder called it “magical.” William Gass said it was “witty, elegant, beautiful.” Stanley Elkin called it “a shamelessly wonderful novel, so flawless one feels civilized reading it.” It's been a cult classic ever since, and appears here in its full, original text, as fresh as ever: the story of the whimsical New York poet Lucinella and her adventures among the literati. It starts at Yaddo writers colony, where life is idyllic, meals are served to you in your rooms, and cocktails are ready at day's end … and still the writers complain and compete. Then it moves back to New York City, where the pampered once again face reality, and wonder: Will a different husband … or the right publisher … or the perfect filing system … put life in order? Lucinella and her circle feel lacking and keep looking, busily going to parties and watching one another 's lives closely for signs of happiness, love and despair. Segal depicts it all with a perfect blend of love and malice. And at the center is Lucinella herself, so full of humanity and frailty that these divertissements do her to death. “Here,” as Cynthia Ozick says, “is the enchanted microcosm, the laughter of mortality.” The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners. The Dead Girls' Class Trip: Selected Stories ![]() The Tale of Genji ![]() My Brother's Book ![]() There Are Rivers In The Sky ![]() All the Sonnets of Shakespeare ![]() As You Like it Cd (Caedmon Shakespeare) ![]() The Comedy of Errors: Third Series ![]() Hamlet: Revised Edition ![]() Histories: Volume 1 ![]() Shakespeare’s histories—containing within their crowded tableaux all of the tragedies, confusions, and beauties of human life—are not only drama of the highest order. They also serve as windows through which generations have made themselves familiar with crucial episodes in English history. For an Elizabethan England that had already emerged onto the stage of world power and was hungry to understand the sources and nature of its identity, Shakespeare provided a grandeur born of the transforming power of his art. This volume contains Henry VI, Parts 1, 2, and 3; Richard III; and King John. The texts, authoritatively edited by Sylvan Barnet, are supplemented with textual notes, bibliographies, a detailed chronology of Shakespeare’s life and times, and a substantial introduction in which Tony Tanner discusses each play individually and in the context of Shakespeare’s work. Histories: Volume 2 ![]() King Lear ![]() The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the play's foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader. A Midsummer Night's Dream ![]() MUCH ADO ABOUT NOTHING CD (Caedmon Shakespeare) ![]() Romances (Everyman's Library) ![]() Shakespeare's Sonnets: Revised ![]() The Tempest ![]() Alden and Virginia Vaughan's edition of The Tempest is highly valued for its authority and originality and this revision brings it up-to-date, making it even more relevant and useful to studetns and theatre practitioners. The Sonnets and Narrative Poems (Everyman's Library) ![]() Tragedies: Volume 1 (Everyman's Library) ![]() Tragedies: Volume 2 ![]() (Book Jacket Status: Not Jacketed) Twelfth Night: Third Series ![]() The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the play's foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader. Winter's Tale Cd (Caedmon Shakespeare) ![]() Comedies : Volume 1 ![]() Shakespeare forged his tremendous art in the crucible of his comic imagination, which throughout his life enveloped and contained his tragic one. His early comedies—with their baroque poetic exuberance, intense theatricality, explosive bursts of humor, and superbly concrete realizations of the dialects of love—capture as in a chrysalis all that he was to become. They provide a complete inventory of the mind of our greatest writer in the middle of his golden youth. This volume contains The Comedy of Errors, The Taming of the Shrew, The Two Gentlemen of Verona, Love's Labor's Lost, A Midsummer Night's Dream, and it's companion piece, Romeo and Juliet, which Tony Tanner describes in his introduction as "a tragedy by less than one minute." The texts, authoritatively edited by Sylvan Barnet, are supplemented with textual notes, bibliographies, a detailed chronology of Shakespeare's life and times, and a substantial introduction in which Tanner discusses each play individually and in the context of Shakespeare's oeuvre. Comedies, Vol. 2 (Everyman's Library) ![]() Shakespeare’s later comedies were written at the astonishing pace of about two plays a year. In them, he moves beyond the farce of his earlier comedies to richer and more varied dramas. These range from the famous “problem plays,” which blend humor with tragedy, to the idyllic romances set in such timeless locales as the Forest of Arden. They contain some of his wittiest and most memorable characters, from cross-dressing heroines, bantering lovers, and wisecracking fools to the villainous but sympathetic Shylock and the boisterous and bawdy Falstaff. This volume contains The Merchant of Venice, The Merry Wives of Windsor, Much Ado About Nothing, As You Like It, Twelfth Night, All’s Well That Ends Well, and Measure for Measure. The authoritatively edited text of the plays is supplemented with footnotes, bibliographies, a detailed chronology of Shakespeare’s life and times, and a substantial introduction in which Tony Tanner discusses each play individually and in the context of Shakespeare’s work. Shakespeare: Poems (Everyman's Library Pocket Poets) ![]() Kolyma Stories ![]() Kolyma Stories is a masterpiece of twentieth-century literature, an epic array of short fictional tales reflecting the fifteen years that Varlam Shalamov spent in the Soviet Gulag. This is the first of two volumes (the second to appear in 2019) that together will constitute the first complete English translation of Shalamov’s stories and the only one to be based on the authorized Russian text. Shalamov spent six years as a slave in the gold mines of Kolyma before finding a less intolerable life as a paramedic in the prison camps. He began writing his account of life in Kolyma after Stalin’s death in 1953. His stories are at once the biography of a rare survivor, a historical record of the Gulag, and a literary work of unparalleled creative power, insight, and conviction. The Peach Blossom Fan ![]() In the mid-1640s, famine sweeps through China. The Ming dynasty, almost 300 years old, lurches to a bloody end. Peking falls to the Manchus, the emperor hangs himself, and Ming loyalists take refuge in the southern capital of Nanking. Two valiant generals seek to defend the city, but nothing can overcome the corruption, decadence, and factionalism of the court in exile. The newly installed emperor cares for nothing but theater, leaving practical matters to the insidious Ma Shih-ying. Ma’s crony Juan Ta-ch’eng is as unscrupulous an operator as he is sophisticated a poet. He diverts resources from the starving troops in order to stage a spectacular production of his latest play. History, however, has little time for make-believe, though the earnest members of the Revival Club, centered on the handsome young scholar Hou Fang-yü and his lover Fragrant Princess, struggle to discover a happy ending. Contested Will: Who Wrote Shakespeare? ![]() As Contested Will makes clear, much more than proper attribution of Shakespeare’s plays is at stake in this authorship controversy. Underlying the arguments over whether Christopher Marlowe, Francis Bacon, or the Earl of Oxford wrote Shakespeare’s plays are fundamental questions about literary genius, specifically about the relationship of life and art. Are the plays (and poems) of Shakespeare a sort of hidden autobiography? Do Hamlet, Macbeth, and the other great plays somehow reveal who wrote them? Shapiro is the first Shakespeare scholar to examine the authorship controversy and its history in this way, explaining what it means, why it matters, and how it has persisted despite abundant evidence that William Shakespeare of Stratford wrote the plays attributed to him. This is a brilliant historical investigation that will delight anyone interested in Shakespeare and the literary imagination. The Playbook: A Story of Theater, Democracy, and the Making of a Culture War ![]() Shakespeare in a Divided America: What His Plays Tell Us About Our Past and Future ![]() A Year in the Life of William Shakespeare: 1599 ![]() Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen. James Shapiro illuminates both Shakespeare’s staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history. The Year of Lear: Shakespeare in 1606 ![]() In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare’s great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age forty-two, he found his footing again, finishing a play he had begun the previous autumn—King Lear—then writing two other great tragedies, Macbeth and Antony and Cleopatra. It was a memorable year in England as well—and a grim one, in the aftermath of a terrorist plot conceived by a small group of Catholic gentry that had been uncovered at the last hour. The foiled Gunpowder Plot would have blown up the king and royal family along with the nation’s political and religious leadership. The aborted plot renewed anti-Catholic sentiment and laid bare divisions in the kingdom. It was against this background that Shakespeare finished Lear, a play about a divided kingdom, then wrote a tragedy that turned on the murder of a Scottish king, Macbeth. He ended this astonishing year with a third masterpiece no less steeped in current events and concerns: Antony and Cleopatra. The Year of Lear sheds light on these three great tragedies by placing them in the context of their times, while also allowing us greater insight into how Shakespeare was personally touched by such events as a terrible outbreak of plague and growing religious divisions. For anyone interested in Shakespeare, this is an indispensable book. Proust's Way: A Field Guide to in Search of Lost Time ![]() Store of the Worlds: The Stories of Robert Sheckley ![]() Robert Sheckley was an eccentric master of the American short story, and his tales, whether set in dystopic cityscapes, ultramodern advertising agencies, or aboard spaceships lighting out for hostile planets, are among the most startlingly original of the twentieth century. Today, as the new worlds, alternate universes, and synthetic pleasures Sheckley foretold become our reality, his vision begins to look less absurdist and more prophetic. This retrospective selection, chosen by Jonathan Lethem and Alex Abramovich, brings together the best of Sheckley’s deadpan farces, proving once again that he belongs beside such mordant critics of contemporary mores as Bruce Jay Friedman, Terry Southern, and Thomas Pynchon. Picture Within a Picture: An Illustrated Guide to the Origins of Chinese Characters ![]() And So It Goes: Kurt Vonnegut: A Life ![]() A Washington Post Notable Nonfiction Book for 2011 The first authoritative biography of Kurt Vonnegut Jr., a writer who changed the conversation of American literature. In 2006, Charles Shields reached out to Kurt Vonnegut in a letter, asking for his endorsement for a planned biography. The first response was no ("A most respectful demurring by me for the excellent writer Charles J. Shields, who offered to be my biographer"). Unwilling to take no for an answer, propelled by a passion for his subject, and already deep into his research, Shields wrote again and this time, to his delight, the answer came back: "O.K." For the next year—a year that ended up being Vonnegut's last—Shields had access to Vonnegut and his letters. And So It Goes is the culmination of five years of research and writing—the first-ever biography of the life of Kurt Vonnegut. Vonnegut resonates with readers of all generations from the baby boomers who grew up with him to high-school and college students who are discovering his work for the first time. Vonnegut's concise collection of personal essays, Man Without a Country, published in 2006, spent fifteen weeks on the New York Times bestseller list and has sold more than 300,000 copies to date. The twenty-first century has seen interest in and scholarship about Vonnegut's works grow even stronger, and this is the first book to examine in full the life of one of the most influential iconoclasts of his time. Tomb of Sand: A Novel ![]() Head First Java ![]() Dime-Store Alchemy: The Art of Joseph Cornell ![]() In Dime-Store Alchemy, poet Charles Simic reflects on the life and work of Joseph Cornell, the maverick surrealist who is one of America’s great artists. Simic’s spare prose is as enchanting and luminous as the mysterious boxes of found objects for which Cornell is justly renowned. New and Selected Poems: 1962-2012 ![]() For over fifty years, Charles Simic has been widely celebrated for his brilliant and innovative poetic imagery, his sardonic wit, and a voice all his own. He has been awarded nearly every major literary prize for his poetry, including a Pulitzer and a MacArthur grant, in addition to serving as the poet laureate of the United States in 2007 and 2008. In this new volume, he distills his life’s work, combining for the first time the best of his early poems with his later works—including nearly three dozen revisions—along with seventeen new, never-before-published poems. Simic’s body of work draws inspiration from a range of topics, from the inscrutability of ordinary life to American blues, from folktales to marriage and war. Consistently exciting and unexpected, the nearly four hundred poems in this volume represent the best of one of America’s most distinguished and original poets. Endymion ![]() Hyperion —with a novel even more magnificent than its predecessors. Dan Simmons's Hyperion was an immediate sensation on its first publication in 1989. This staggering multifaceted tale of the far future heralded the conquest of the science fiction field by a man who had already won the World Fantasy Award for his first novel (Song of Kali) and had also published one of the most well-received horror novels in the field, Carrion Comfort. Hyperion went on to win the Hugo Award as Best Novel, and it and its companion volume, The Fall of Hyperion, took their rightful places in the science fiction pantheon of new classics. Now, six years later, Simmons returns to this richly imagined world of technological achievement, excitement, wonder and fear. Endymion is a story about love and memory, triumph and terror—an instant candidate for the field's highest honors. The Fall of Hyperion ![]() the world of Hyperion, the mysterious Time Tombs are opening. And the secrets they contain mean that nothing—nothing anywhere in the universe—will ever be the same. Hyperion ![]() The Rise of Endymion ![]() The time of reckoning has arrived. As a final genocidal Crusade threatens to enslave humanity forever, a new messiah has come of age. She is Aenea and she has undergone a strange apprenticeship to those known as the Others. Now her protector, Raul Endymion, one-time shepherd and convicted murderer, must help her deliver her startling message to her growing army of disciples. But first they must embark on a final spectacular mission to discover the underlying meaning of the universe itself. They have been followed on their journey by the mysterious Shrike—monster, angel, killing machine—who is about to reveal the long-held secret of its origin and purpose. And on the planet of Hyperion, where the story first began, the final revelation will be delivered—an apocalyptic message that unlocks the secrets of existence and the fate of humankind in the galaxy. Oxford English Dictionary, 2nd Edition, Version 4.0 ![]() Most importantly, OED v4.0 on CD-ROM boasts superb search-and-retrieval software, designed specifically for the electronic version, enabling you to investigate the Dictionary in ways not possible with the print edition. Questions which might have taken years of patient research can now be answered in seconds. System Requirements Windows: Intel Pentium 4 1.6GHz processor or equivalent (2GHz recommended); Microsoft Windows Vista, Windows XP, Windows Server 2003, Windows 2000. Macintosh: Power PC G4 867MHz or faster processor; Intel Core Duo 2.13GHz or faster processor; Mac OS X v.10.4x or 10.5x. All platforms: 512MB of RAM; 1Gb free hard disk space; minimum monitor capability: 1024 x 768 pixels and high color (16 bits per pixel, ie 65,536 colors); local CD-ROM/DVD drive (for installation); runs from hard drive only. The Lost Father ![]() Now a woman of twenty-eight and finally on her own in medical school, Mayan becomes obsessed with the father she never knew, leading her to hire detectives to dredge up the past, thus eroding her savings, ruining her career, and flirting with madness in a search spanning two continents. "Ratifies the achievement of Anywhere But Here, attesting to its author's...dazzling literary gift and uncommon emotional wisdom." —New York Times "A breathtaking piece of fiction; Simpson is a writer who can break our heart and mend it in the same sentence." —Cleveland Plain Dealer Off Keck Road: A Novella ![]() As a high school student in Green Bay, Bea Maxwell raised money for good causes; later, she became a successful real estate agent and an accomplished knitter. The one thing missing from her life is a romantic relationship. She soon settles comfortably into the role of stylish spinster and do-gooder. Woven into Bea's story are stories of other lifelong residents of Green Bay and the changes time brings to a town and its residents. This pure and simple work once again proves Mona Simpson one of the defining writers of her generation. A Regular Guy : A Novel ![]() This time the father is a millionaire biotechnology magnate named Tom Owens. Into Owens's charmed life comes Jane, born out of wedlock, raised in communes, and now dispatched into his care by a mother who is no longer capable of providing it; Tom is far from ready for this responsibility. Fans of Simpson's previous novels will not be disappointed by this excursion into the cracked world of family relations. "Simpson is an attentive observer and a fluent stylist, but it is the element of subtle surprise that draws us through these pages, the magnetism of an original mind that holds us fast." —Booklist Mary Olivier: A Life ![]() As a child, Mary Olivier's dreamy disposition and fierce intelligence set her apart from her Victorian family, especially her mother, "Little Mamma," whose dazzling looks cannot hide her meager love for her only daughter. Mary grows up in a world of her own, a solitude that leaves her free to explore her deepest passions, for literature and philosophy, for the austere beauties of England's north country, even as she continues to attend to her family. But in time the independence Mary values—at almost any cost—threatens to become a form of captivity itself. WHY VEGAN? ![]() The Code Book: The Science of Secrecy from Ancient Egypt to Quantum Cryptography ![]() Apple Pro Training Series: Logic Pro 7 and Logic Express 7 (Apple Pro Training) ![]() The Blue Fox: A Novel ![]() Engineer of Human Souls ![]() Charles Dickens ![]() Slater’s account, rooted in deep research but written with affection, clarity, and economy, illuminates the context of each of the great novels while locating the life of the author within the imagination that created them. It highlights Dickens’ boundless energy, his passion for order and fascination with disorder, his organizational genius, his deep concern for the poor and outrage at indifference towards them, his susceptibility towards young women, his love of Christmas and fairy tales, and his hatred of tyranny. Richly and precisely illustrated with many rare images, this masterly work on the complete Dickens, man and writer, becomes the indispensable guide and companion to one of the greatest novelists in the language. (20090910) Brewster: A Novel ![]() A powerful story about an unforgettable friendship between two teenage boys and their hopes for escape from a dead-end town.The year is 1968. The world is changing, and sixteen-year-old Jon Mosher is determined to change with it. Racked by guilt over his older brother’s childhood death and stuck in the dead-end town of Brewster, New York, he turns his rage into victories running track. Meanwhile, Ray Cappicciano, a rebel as gifted with his fists as Jon is with his feet, is trying to take care of his baby brother while staying out of the way of his abusive, ex-cop father. When Jon and Ray form a tight friendship, they find in each other everything they lack at home, but it’s not until Ray falls in love with beautiful, headstrong Karen Dorsey that the three friends begin to dream of breaking away from Brewster for good. Freedom, however, has its price. As forces beyond their control begin to bear down on them, Jon sets off on the race of his life—a race to redeem his past and save them all. Mark Slouka's work has been called "relentlessly observant, miraculously expressive" (New York Times Book Review). Reverberating with compassion, heartache, and grace, Brewster is an unforgettable coming-of-age story from one of our most compelling novelists. A Thousand Acres ![]() This powerful twentieth-century reimagining of Shakespeare's King Lear centers on a wealthy Iowa farmer who decides to divide his farm among his three daughters. When the youngest objects, she is cut out of his will, which sets in motion a chain of events that brings dark truths to light. Ambitiously conceived and stunningly written, A Thousand Acres spins the most fundamental themes of truth, justice, love, and pride into a universally acclaimed masterpiece. The Stone Face ![]() The Invisible Hand ![]() Just Kids ![]() Woolgathering ![]() Is It Too Late to Run Away and Join the Circus: A Guide for your Second Life ![]() The Best of The Joy of Tech ![]() Apple Training Series: AppleScript 1-2-3 ![]() In AppleScript 1-2-3 Apple's AppleScript product manager, Sal Soghoian, teaches beginners how to address nearly any automation task on the Macintosh. Broken down into three parts, the book starts by explaining AppleScript fundamentals through a series of hands-on how-tos designed to teach you how to write functional scripts. The second section expands on the knowledge gained in the first section with an in-depth examination of useful AppleScript tools and techniques, and the third section uses sample scripts to demonstrate how to automate Apple and third-party applications. If you're looking to work more productively by automating your workflow, you'll want this primer written by the leading expert in the field-no one knows more about AppleScript than Sal. Ain't I a Woman? ![]() A School for Fools ![]() The Faraway Nearby ![]() In this exquisitely written new book by the author of A Paradise Built in Hell, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories—of her mother and her decline from memory loss, of a trip to Iceland, of an illness—Solnit revisits fairytales and entertains other stories: about arctic explorers, Che Guevara among the leper colonies, and Mary Shelley’s Dr. Frankenstein, about warmth and coldness, pain and kindness, decay and transformation, making art and making self. Woven together, these stories create a map which charts the boundaries and territories of storytelling, reframing who each of us is and how we might tell our story. Orwell's Roses ![]() Far From the Tree: Parents, Children and the Search for Identity ![]() Solomon’s startling proposition is that diversity is what unites us all. He writes about families coping with deafness, dwarfism, Down syndrome, autism, schizophrenia, multiple severe disabilities, with children who are prodigies, who are conceived in rape, who become criminals, who are transgender. While each of these characteristics is potentially isolating, the experience of difference within families is universal, as are the triumphs of love Solomon documents in every chapter. All parenting turns on a crucial question: to what extent parents should accept their children for who they are, and to what extent they should help them become their best selves. Drawing on forty thousand pages of interview transcripts with more than three hundred families, Solomon mines the eloquence of ordinary people facing extreme challenges. Whether considering prenatal screening for genetic disorders, cochlear implants for the deaf, or gender reassignment surgery for transgender people, Solomon narrates a universal struggle toward compassion. Many families grow closer through caring for a challenging child; most discover supportive communities of others similarly affected; some are inspired to become advocates and activists, celebrating the very conditions they once feared. Woven into their courageous and affirming stories is Solomon’s journey to accepting his own identity, which culminated in his midlife decision, influenced by this research, to become a parent. Elegantly reported by a spectacularly original thinker, Far from the Tree explores themes of generosity, acceptance, and tolerance—all rooted in the insight that love can transcend every prejudice. This crucial and revelatory book expands our definition of what it is to be human. One Day in the Life of Ivan Denisovich ![]() First published in 1962, this book is considered one of the most significant works ever to emerge from Soviet Russia. Illuminating a dark chapter in Russian history, it is at once a graphic picture of work camp life and a moving tribute to man's will to prevail over relentless dehumanization, told by "a literary genius whose talent matches that of Dostoyevsky, Turgenev, Tolstoy, [and] Gorky" (Harrison Salisbury, New York Times). Lost Property: Memoirs and Confessions of a Bad Boy ![]() As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980 ![]() As Consciousness is Harnessed to Flesh follows Sontag through the turbulent years of the 1960s—from her trip to Hanoi at the peak of the Vietnam War to her time making films in Sweden—up to 1981 and the beginning of the Reagan era. This is an invaluable record of the inner workings of one of the most inquisitive and analytical thinkers of the twentieth century at the height of her power. It is also a remarkable document of one individual’s political and moral awakening. I, Etcetera ![]() The Greek Plays: Sixteen Plays by Aeschylus, Sophocles, and Euripides ![]() The great plays of Ancient Greece are among the most enduring and important legacies of the Western world. Not only is the influence of Greek drama palpable in everything from Shakespeare to modern television, the insights contained in Greek tragedy have shaped our perceptions of the nature of human life. Poets, philosophers, and politicians have long borrowed and adapted the ideas and language of Greek drama to help them make sense of their own times. This exciting curated anthology features a cross section of the most popular—and most widely taught—plays in the Greek canon. Fresh translations into contemporary English breathe new life into the texts while capturing, as faithfully as possible, their original meaning. This outstanding collection also offers short biographies of the playwrights, enlightening and clarifying introductions to the plays, and helpful annotations at the bottom of each page. Appendices by prominent classicists on such topics as “Greek Drama and Politics,” “The Theater of Dionysus,” and “Plato and Aristotle on Tragedy” give the reader a rich contextual background. A detailed time line of the dramas, as well as a list of adaptations of Greek drama to literature, stage, and film from the time of Seneca to the present, helps chart the history of Greek tragedy and illustrate its influence on our culture from the Roman Empire to the present day. With a veritable who’s who of today’s most renowned and distinguished classical translators, The Greek Plays is certain to be the definitive text for students, scholars, theatrical professionals, and general readers alike for years to come. Advance praise for The Greek Plays “Mary Lefkowitz and James Romm deftly have gathered strong new translations from Frank Nisetich, Sarah Ruden, Rachel Kitzinger, Emily Wilson, as well as from Mary Lefkowitz and James Romm themselves. There is a freshness and pungency in these new translations that should last a long time. I admire also the introductions to the plays and the biographies and annotations provided. Closing essays by five distinguished classicists: the brilliant Daniel Mendelsohn and the equally skilled David Rosenbloom, Joshua Billings, Mary-Kay Gamel, and Gregory Hays all enlightened me. This seems to me a helpful light into our gathering darkness.”—Harold Bloom “The reception of Ancient Greek theater is as lively as it’s ever been in its 2,500-year history, both on the stage and on the page. Thanks to these sixteen brilliant new renditions by five leading scholar-translators, the three great Athenian masters of tragic drama, Aeschylus, Sophocles, and Euripides, speak to us once again in powerfully contemporary accents on such fundamental issues as gender, religion, and democratic politics.”—Paul Cartledge, author Democracy: A Life “The Greek Plays is destined to become a perennial collection, essential reading for students, scholars, and lovers of Greek tragedy alike. This engaging compilation imbues all the ancient plays within its pages with new life by offering rich, informative historical, literary, and cultural context and fresh, accessible translations by some of the most talented classicists working in the field today.”—Bryan Doerries, author of The Theater of War: What Ancient Greek Tragedies Can Teach Us Today Oedipus The King ![]() Telluria ![]() The Gate ![]() The Comforters ![]() The Informed Air: Essays ![]() Spark’s scope is amazing, and her striking, glancing insights are precise and unforgettable. From the mysteries of Job’s sufferings, she glides to Dame Edith Sitwell’s cocktail advice about how to handle a nasty publisher, and on to the joys of success. The Novels of Muriel Spark: Volume 2 Two ![]() The Prime of Miss Jean Brodie, The Girls of Slender Means, The Driver's Seat, The Only Problem ![]() The brevity of Muriel Spark’s novels is equaled only by their brilliance. These four novels, each a miniature masterpiece, illustrate her development over four decades. Despite the seriousness of their themes, all four are fantastic comedies of manners, bristling with wit. Spark’s most celebrated novel, The Prime of Miss Jean Brodie, tells the story of a charismatic schoolteacher’s catastrophic effect on her pupils. The Girls of Slender Means is a beautifully drawn portrait of young women living in a hostel in London in the giddy postwar days of 1945. The Driver’s Seat follows the final haunted hours of a woman descending into madness. And The Only Problem is a witty fable about suffering that brings the Book of Job to bear on contemporary terrorism. All four novels give evidence of one of the most original and unmistakable voices in contemporary fiction. Characters are vividly etched in a few words; earth-shaking events are lightly touched on. Yet underneath the glittering surface there is an obsessive probing of metaphysical questions: the meaning of good and evil, the need for salvation, the search for significance. Apple Pro Training Series: Motion 4 ![]() DVD-ROM includes lesson and media files Focused lessons take you step by step through real-world projects Accessible writing style puts expert instructors at your side Ample illustrations help you master techniques fast Lesson goals and time estimates help you plan your time Chapter review questions summarize what you’ve learned and help you prepare for the Apple Pro certification exam The Faerie Queene ![]() Like Phoebus lampe throughout the world doth shine’ The Faerie Queene was one of the most influential poems in the English language. Dedicating his work to Elizabeth I, Spenser brilliantly united Arthurian romance and Italian renaissance epic to celebrate the glory of the Virgin Queen. Each book of the poem recounts the quest of a knight to achieve a virtue: the Red Crosse Knight of Holinesse, who must slay a dragon and free himself from the witch Duessa; Sir Guyon, Knight of Temperance, who escapes the Cave of Mammon and destroys Acrasia’s Bowre of Bliss; and the lady-knight Britomart’s search for her Sir Artegall, revealed to her in an enchanted mirror. Although composed as a moral and political allegory, The Faerie Queene’s magical atmosphere captivated the imaginations of later poets from Milton to the Victorians. This edition includes the letter to Raleigh, in which Spenser declares his intentions for his poem, the commendatory verses by Spenser’s contemporaries and his dedicatory sonnets to the Elizabethan court, and is supplemented by a table of dates and a glossary. The Child That Books Built: A Life in Reading ![]() In this extended love letter to children's books and the wonders they perform, Francis Spufford makes a confession: books were his mother, his father, his school. Reading made him who he is. To understand the thrall of fiction, Spufford goes back to his earliest encounters with books, exploring such beloved classics as The Wind in the Willows, The Little House on the Prairie, and the Narnia chronicles. He re-creates the excitement of discovery, writing joyfully of the moment when fuzzy marks on a page become words, which then reveal . . . a dragon. Weaving together child development, personal reflection, and social observation, Spufford shows the force of fiction in shaping a child: how stories allow for escape from pain and for mastery of the world, how they shift our boundaries of the sayable, how they stretch the chambers of our imagination. Fired by humanity, curiosity, and humor, The Child That Books Built confirms Spufford as a profound and original thinker, evoking in the process the marvel of reading as if for the first time. Is that Kafka?: 99 Finds ![]() In the course of compiling his highly acclaimed three-volume biography of Kafka, while foraying to libraries and archives from Prague to Israel, Reiner Stach made one astounding discovery after another: unexpected photographs, inconsistencies in handwritten texts, excerpts from letters, and testimonies from Kafka’s contemporaries that shed surprising light on his personality and his writing. Is that Kafka? presents the crystal granules of the real Kafka: he couldn’t lie, but he tried to cheat on his high-school exams; bitten by the fitness fad, he avidly followed the regime of a Danish exercise guru; he drew beautifully; he loved beer; he read biographies voraciously; he made the most beautiful presents, especially for children; odd things made him cry or made him furious; he adored slapstick. Every discovery by Stach turns on its head the stereotypical version of the tortured neurotic―and as each one chips away at the monolithic dark Kafka, the keynote, of all things, becomes laughter. For Is that Kafka? Stach has assembled 99 of his most exciting discoveries, culling the choicest, most entertaining bits, and adding his knowledge-able commentaries. Illustrated with dozens of previously unknown images, this volume is a singular literary pleasure. Kafka: The Decisive Years ![]() Kafka: The Decisive Years is at once an extraordinary portrait of the writer and a startlingly original contribution to the art of literary biography. Kafka: The Early Years ![]() The biography also provides a colorful panorama of Kafka’s wider world, especially the convoluted politics and culture of Prague. Before World War I, Kafka lived in a society at the threshold of modernity but torn by conflict, and Stach provides poignant details of how the adolescent Kafka witnessed violent outbreaks of anti-Semitism and nationalism. The reader also learns how he developed a passionate interest in new technologies, particularly movies and airplanes, and why another interest―his predilection for the back-to-nature movement―stemmed from his “nervous” surroundings rather than personal eccentricity. The crowning volume to a masterly biography, this is an unmatched account of how a boy who grew up in an old Central European monarchy became a writer who helped create modern literature. Kafka: The Years of Insight ![]() In these years, Kafka was spared military service at the front, yet his work as a civil servant brought him into chilling proximity with its grim realities. He was witness to unspeakable misery, lost the financial security he had been counting on to lead the life of a writer, and remained captive for years in his hometown of Prague. The outbreak of tuberculosis and the collapse of the Austro-Hungarian Empire constituted a double shock for Kafka, and made him agonizingly aware of his increasing rootlessness. He began to pose broader existential questions, and his writing grew terser and more reflective, from the parable-like Country Doctor stories and A Hunger Artist to The Castle. A door seemed to open in the form of a passionate relationship with the Czech journalist Milena Jesenská. But the romance was unfulfilled and Kafka, an incurably ill German Jew with a Czech passport, continued to suffer. However, his predicament only sharpened his perceptiveness, and the final period of his life became the years of insight. The Judges of the Secret Court: A Novel About John Wilkes Booth ![]() Before the Feast ![]() The House on Via Gemito ![]() Object Lessons: The Paris Review Presents the Art of the Short Story ![]() John Steinbeck: Travels with Charley and Later Novels 1947-1962: The Wayward Bus / Burning Bright / Sweet Thursday / The Winter of Our Discontent ![]() After Babel ![]() Anno Domini ![]() Antigones: How the Antigone Legend Has Endured in Western Literature, Art, and Thought ![]() The Death of Tragedy ![]() Errata: An Examined Life ![]() George Steiner: A Reader ![]() Grammars of Creation ![]() The Idea of Europe: An Essay ![]() In this remarkable short book, the foremost intellectual of our age brings a lifetime of erudition to bear on a subject that he has grappled with for decades, and whose future is profoundly uncertain. The Idea of Europe finds George Steiner reckoning with Europe from a number of different angles. “Europe,” he writes, “is the place where Goethe’s garden almost borders on Buchenwald, where the house of Corneille abuts on the market-place in which Joan of Arc was hideously done to death.” It is, in other words, a continent rich with contradiction, whose many tensions—cultural, social, political, economic, and religious—have for centuries conspired to pull it apart, even as it has become more and more unified. But what lies ahead for a continent whose borders are growing and economic might is strengthening, even as its cultural identity recedes? A continent where, in Steiner’s words, “young Englishmen choose to rank David Beckham high above Shakespeare and Darwin in their list of national treasures”? This is the trajectory that Steiner explores so brilliantly in The Idea of Europe. In Bluebeard's Castle: Some Notes Towards the Redefinition of Culture ![]() Lessons of the Masters ![]() Pivotal in the unfolding of Western culture are Socrates and Jesus, charismatic masters who left no written teachings, founded no schools. In the efforts of their disciples, in the passion narratives inspired by their deaths, Steiner sees the beginnings of the inward vocabulary, the encoded recognitions of much of our moral, philosophical, and theological idiom. He goes on to consider a diverse array of traditions and disciplines, recurring throughout to three underlying themes: the master's power to exploit his student's dependence and vulnerability; the complementary threat of subversion and betrayal of the mentor by his pupil; and the reciprocal exchange of trust and love, of learning and instruction between master and disciple. Forcefully written, passionately argued, Lessons of the Masters is itself a masterly testament to the high vocation and perilous risks undertaken by true teacher and learner alike. A Long Saturday: Conversations ![]() In a stimulating series of conversations, Steiner and journalist Laure Adler discuss a range of topics, including Steiner’s boyhood in Vienna and Paris, his education at the University of Chicago and Harvard, and his early years in academia. Books are a touchstone throughout, but Steiner and Adler’s conversations also range over music, chess, psychoanalysis, the place of Israel in Jewish life, and beyond. Blending thoughts on subjects of broad interest in the humanities—the issue of honoring Richard Wagner and Martin Heidegger in spite of their politics, or Virginia Woolf’s awareness of the novel as a multivocal form, for example—with personal reflections on life and family, Steiner demonstrates why he is considered one of today’s greatest minds. Revealing and exhilarating, A Long Saturday invites readers to pull up a chair and listen in on a conversation with a master. Martin Heidegger ![]() "It would be hard to imagine a better introduction to the work of philosopher Martin Heidegger."—George Kateb, The New Republic My Unwritten Books ![]() In this fiercely original and audacious work, George Steiner tells of seven books which he did not write. Because intimacies and indiscretions were too threatening. Because the topic brought too much pain. Because its emotional or intellectual challenge proved beyond his capacities. The actual themes range widely and defy conventional taboos: the torment of the gifted when they live among—when they confront—the very great; the experience of sex in different languages; a love for animals greater than for human beings; the costly privilege of exile; a theology of emptiness. Yet a unifying perception underlies this diversity. The best we have or can produce is only the tip of the iceberg. Behind every good book, as in a lit shadow, lies the book which remained unwritten, the one that would have failed better. No Passion Spent: Essays 1978-1995 ![]() Nostalgia for the Absolute ![]() The Poetry of Thought: From Hellenism to Celan ![]() “The poetic genius of abstract thought,” Steiner believes, “is lit, is made audible. Argument, even analytic, has its drumbeat. It is made ode. What voices the closing movements of Hegel’s Phenomenology better than Edith Piaf’s non de non, a twofold negation which Hegel would have prized? This essay is an attempt to listen more closely.” Real Presences ![]() "A real tour de force. . . . All the virtues of the author's astounding intelligence and compelling rhetoric are evident from the first sentence onward."—Anthony C. Yu, Journal of Religion The Portage to San Cristobal of A. H.: A Novel (Phoenix Fiction Series) ![]() "Two readings have convinced me that this is a fiction of extraordinary power and thoughtfulness. . . . [A] remarkable novel."—Bernard Bergonzi, Times Literary Supplement "In this tour de force Mr. Steiner makes his reader re-examine, to whatever conclusions each may choose, a history from which we would prefer to avert our eyes."—Edmund Fuller, Wall Street Journal "Portage largely avoids both the satisfactions of the traditional novel and the horrifying details of Holocaust literature. Instead, Steiner has taken as his model the political imaginings of an Orwell or Koestler. . . . He has produced a philosophic fantasy of remarkable intensity."—Otto Friedrich, Time Tolstoy or Dostoevsky: An Essay in the Old Criticism, Second Edition ![]() The Charterhouse of Parma ![]() Balzac considered it the most important French novel of his time. André Gide later deemed it the greatest of all French novels, and Henry James judged it to be a masterpiece. Now, in a major literary event, Pulitzer Prize-winning poet and distinguished translator Richard Howard presents a new rendition of Stendhal's epic tale of romance, adventure, and court intrigue set in early nineteenth-century Italy. The Charterhouse of Parma chronicles the exploits of Fabrizio del Dongo, an ardent young aristocrat who joins Napoleon's army just before the Battle of Waterloo. Yet perhaps the novel's most unforgettable characters are the hero's beautiful aunt, the alluring Duchess of Sanseverina, and her lover, Count Mosca, who plot to further Fabrizio's political career at the treacherous court of Parma in a sweeping story that illuminates an entire epoch of European history. "Stendhal has written The Prince up to date, the novel that Machiavelli would write if he were living banished from Italy in the nineteenth century," noted Balzac in his famous review of The Charterhouse of Parma. "Never before have the hearts of princes, ministers, courtiers, and women been depicted like this. . . . One sees perfection in every detail. . . . [It] has the magnitude of a canvas fifty feet by thirty, and at the same time the manner, the execution, is Dutch in its minuteness. . . . The Charterhouse of Parma often contains a whole book in a single page. . . . It is a masterpiece." This edition includes original illustrations by Robert Andrew Parker and Notes and a Translator's Afterword by Richard Howard. Cures for Love ![]() All books in this series: Cures for Love Doomed Love The Eaten Heart First Love Forbidden Fruit The Kreutzer Sonata A Mere Interlude Of Mistresses, Tigresses and Other Conquests The Seducers Diary Scarlet and Black ![]() Second Chances: Shakespeare and Freud ![]() The Life and Opinions of Tristram Shandy, Gentleman (English Library) ![]() Special Edition Using FileMaker Pro 7 ![]() The Collected Poems of Wallace Stevens ![]() Wallace Stevens : Collected Poetry and Prose ![]() An Apology for Idlers ![]() Fire ![]() The Help ![]() Aibileen is a black maid in 1962 Jackson, Mississippi, who's always taken orders quietly, but lately she's unable to hold her bitterness back. Her friend Minny has never held her tongue but now must somehow keep secrets about her employer that leave her speechless. White socialite Skeeter just graduated college. She's full of ambition, but without a husband, she's considered a failure. Together, these seemingly different women join together to write a tell-all book about work as a black maid in the South, that could forever alter their destinies and the life of a small town... Music and the Mind ![]() ResEdit Complete ![]() Myst IV: Revelation (Prima Official Game Guide) ![]() My Name Is Barbra ![]() Darkness Visible: A Memoir of Madness ![]() Havanas in Camelot: Personal Essays ![]() Lie Down in Darkness ![]() My Generation: Collected Nonfiction ![]() My Generation is the definitive gathering of William Styron’s nonfiction, exposing the core of this greatly gifted, highly convivial, and profoundly serious artist from his literary emergence in the 1950s to his death in 2006. Here are fifty years of Styron’s essays, memoirs, reviews, op-eds, articles, eulogies, and speeches, reflecting the same brilliant style and informed thinking that he brought to his towering fiction and to a deeply committed public life. Including many newly collected and never-before-published items, this compendium ranges from the original mission statement of The Paris Review, which Styron helped found in 1953, to a 2001 tribute to his friend Philip Roth—creating an essential overview of arts and letters during the post–World War II years. In these pages, Styron writes vividly of childhood days in Tidewater Virginia spent going to movies, not reading books. (“It does not mean the death of literacy or creativity if one is drenched in popular culture at an early age.”) He recalls being among the group of soldiers who would have been sent to invade Japan and were saved by Truman’s decision to drop the atomic bomb, which Styron feels was the right choice, “even though its absolute rightness can never be proved.” And he writes as few others have about midlife battles with clinical depression, “a pain that is all but indescribable, and therefore to everyone but the sufferer almost meaningless.” Here, too, are Styron’s personal encounters with world leaders, fellow authors, and friends, each of whom comes memorably to life. Styron recalls sharing contraband Cuban cigars with JFK (“a naughty memento, a conversation piece with a touch of scandal”), getting lost in the snow with Robert Penn Warren, and party-hopping with the young James Jones (an experience he likens to “keeping company with a Roman emperor”). The beginnings of his masterpieces The Confessions of Nat Turner and Sophie’s Choice are chronicled here, along with the controversy that greeted the former upon its 1967 publication. Throughout, Styron celebrates the men and women of his generation, whose lives were forged in the crucible of World War II. Whether he’s recounting a walk with his dog, musing on the Modern Library’s list of the hundred best English-language novels of the twentieth century, or contemplating America’s fraught racial legacy from his point of view as the grandson of a woman who owned slaves, William Styron writes always in urgent, finely calibrated prose. These fascinating pieces bring readers closer to this great writer and the world he observed, interacted with, and changed. Praise for My Generation “William Styron’s My Generation: Collected Nonfiction is both unsurpassably charming and unflinchingly honest, whether recounting the fallout from The Confessions of Nat Turner or reminiscing about the slave-owning grandmother who warned him never to forget he was a Southerner.”—Vogue “At its most accomplished, Styron’s non-fiction mixes a conscientious, richly traditional prose style with a strong current of fellow feeling, a certain awe at the human condition, which is what gives power to his best fiction. . . . Styron stood tall in his generation, and the best of him will stand up over time.”—USA Today “A must for every Styron fan’s library.”—BBC The Confessions of Nat Turner ![]() This Quiet Dust: And Other Writings ![]() A Tidewater Morning ![]() The Art of War ![]() Offering ancient wisdom on how to use skill, cunning, tactics and discipline to outwit your opponent, this bestselling 2000-year-old military manual is still worshipped by soldiers on the battlefield and managers in the boardroom as the ultimate guide to winning. Zen Mind, Beginner's Mind: Informal Talks on Zen Meditation and Practice ![]() In the thirty years since its original publication, Zen Mind, Beginner's Mind has become one of the great modern Zen classics, much beloved, much re-read, and much recommended as the best first book to read on Zen. Suzuki Roshi presents the basics—from the details of posture and breathing in zazen to the perception of nonduality—in a way that is not only remarkably clear, but that also resonates with the joy of insight from the first to the last page. It's a book to come back to time and time again as an inspiration to practice. As a Man Grows Older ![]() Confessions of Zeno ![]() Zeno's Conscience ![]() Italo Svevo’s masterpiece tells the story of a hapless, doubting, guilt-ridden man paralyzed by fits of ecstasy and despair and tickled by his own cleverness. His doctor advises him, as a form of therapy, to write his memoirs; in doing so, Zeno reconstructs and ultimately reshapes the events of his life into a palatable reality for himself–a reality, however, founded on compromise, delusion, and rationalization. With cigarette in hand, Zeno sets out in search of health and happiness, hoping along the way to free himself from countless vices, not least of which is his accursed “last cigarette!” (Zeno’s famously ineffectual refrain is inevitably followed by a lapse in resolve.) His amorous wanderings win him the shrill affections of an aspiring coloratura, and his confidence in his financial savoir-faire involves him in a hopeless speculative enterprise. Meanwhile, his trusting wife reliably awaits his return at appointed mealtimes. Zeno’s adventures rise to antic heights in this pioneering psychoanalytic novel, as his restlessly self-preserving commentary inventively embroiders the truth. Absorbing and devilishly entertaining, Zeno’s Conscience is at once a comedy of errors, a sly testimonial to the joys of procrastination, and a surpassingly lucid vision of human nature by one of the most important Italian literary figures of the twentieth century. (Book Jacket Status: Jacketed) Zeno's Conscience: A Novel ![]() Great Housewives of Art ![]() Waterland (Everyman's Library (Cloth)) ![]() In the flat, watery Fen Country of East Anglia, a passionate history teacher named Tom Crick is being forced into early retirement from the school where he has taught for thirty years. When a student rebelliously questions the value of the subject to which Tom has devoted his life, Tom responds with his own personal retrospective. His story—intertwined with the stories of the local wetlands, the French Revolution, and World War II, among other things—throws light onto the dark circumstances of the current day, revealing how his wife’s tragic youth led to the events surrounding his forced retirement. A monumental tribute to the past, a gripping multigenerational family saga, and a powerful affirmation of the history of self, this exceptional novel illuminates the cycles of time in which we live. Book Jacket Status: Jacketed Introduction by Tim Bunding Gulliver's Travels ![]() An immediate success on its publication in 1726, GULLIVER'S TRAVELS was read, as John Gay put it, "from the cabinet council to the nursery." Dean Swift's great satire is presented here in its unexpurgated entirety. Werner's Nomenclature of Colours: Adapted to Zoology, Botany, Chemistry, Mineralogy, Anatomy, and the Arts ![]() In the late eighteenth century, mineralogist Abraham Gottlob Werner devised a standardized color scheme that allowed him to describe even the subtlest of chromatic differences with consistent terminology. His scheme was then adapted by an Edinburgh flower painter, Patrick Syme, who used the actual minerals described by Werner to create the color charts in the book, enhancing them with examples from flora and fauna. In the pre-photographic age, almost all visual details had to be captured via the written word, and scientific observers could not afford ambiguity in their descriptions. Werner's handbook became an invaluable resource for naturalists and anthropologists, including Charles Darwin, who used it to identify colors in nature during his seminal voyage on the HMS Beagle. Werner's terminology lent both precision and lyricism to Darwin's pioneering writings, enabling his readers to envision a world they would never see. Werner's Nomenclature of Colours is a charming artifact from the golden age of natural history and global exploration. This beautiful pocket-size facsimile is certain to delight and inform a new generation of artists and scientists. Abigail ![]() The Door ![]() An NYRB Classics Original The Door is an unsettling exploration of the relationship between two very different women. Magda is a writer, educated, married to an academic, public-spirited, with an on-again-off-again relationship to Hungary’s Communist authorities. Emerence is a peasant, illiterate, impassive, abrupt, seemingly ageless. She lives alone in a house that no one else may enter, not even her closest relatives. She is Magda’s housekeeper and she has taken control over Magda’s household, becoming indispensable to her. And Emerence, in her way, has come to depend on Magda. They share a kind of love—at least until Magda’s long-sought success as a writer leads to a devastating revelation. Len Rix’s prizewinning translation of The Door at last makes it possible for American readers to appreciate the masterwork of a major modern European writer. Iza's Ballad ![]() An NYRB Classics Original Like Magda Szabó’s internationally acclaimed novel The Door, Iza’s Ballad is a striking story of the relationship between two women, in this case a mother and a daughter. Ettie, the mother, is old and from an older world than the rapidly modernizing Communist Hungary of the years after World War II. From a poor family and without formal education, Ettie has devoted her life to the cause of her husband, Vince, a courageous magistrate who had been blacklisted for political reasons before the war. Iza, their daughter, is as brave and conscientious as her father: Active in the resistance against the Nazis, she is now a doctor and a force for progress. Iza lives and works in Budapest, and when Vince dies, she is quick to bring Ettie to the city to make sure her mother is close and can be cared for. She means to do everything right, and Ettie is eager to do everything to the satisfaction of the daughter she is so proud of. But good intentions aside, mother and daughter come from two different worlds and have different ideas of what it means to lead a good life. Though they struggle to accommodate each other, increasingly they misunderstand and hurt each other, and the distance between them widens into an abyss. . . . Katalin Street ![]() From the author of The Door, selected as one of the New York Times "10 Best Books of 2015," this is a heartwrenching tale about a group of friends and lovers torn apart by the German occupation of Budapest during World War II. In prewar Budapest three families live side by side on gracious Katalin Street, their lives closely intertwined. A game is played by the four children in which Bálint, the promising son of the Major, invariably chooses Irén Elekes, the headmaster’s dutiful elder daughter, over her younger sister, the scatterbrained Blanka, and little Henriette Held, the daughter of the Jewish dentist. Their lives are torn apart in 1944 by the German occupation, which only the Elekes family survives intact. The postwar regime relocates them to a cramped Soviet-style apartment and they struggle to come to terms with social and political change, personal loss, and unstated feelings of guilt over the deportation of the Held parents and the death of little Henriette, who had been left in their protection. But the girl survives in a miasmal afterlife, and reappears at key moments as a mute witness to the inescapable power of past events. As in The Door and Iza’s Ballad, Magda Szabó conducts a clear-eyed investigation into the ways in which we inflict suffering on those we love. Katalin Street, which won the 2007 Prix Cévennes for Best European novel, is a poignant, somber, at times harrowing book, but beautifully conceived and truly unforgettable. All That Man Is: A Novel ![]() Winner of the 2016 Paris Review Plimpton Prize for Fiction A magnificent and ambitiously conceived portrait of contemporary life, by a genius of realism All That Man Is traces the arc of life from the spring of youth to the winter of old age by following nine men who range from the working-class ex-grunt to the pompous college student, the middle-aged loser to the Russian oligarch. Ludicrous and inarticulate, shocking and despicable, vital, pitiable, and hilarious, these men paint a picture of modern manhood. David Szalay is a master of a new kind of realism that vibrates with detail, intelligence, relevance, and devastating pathos. In All That Man Is, a Man Booker Prize finalist and the winner of the Gordon Burn Prize and the Plimpton Prize, he brilliantly illuminates the physical and emotional terrain of an increasingly globalized Europe. “Szalay’s prose . . . is frequently brilliant, remarkable for its grace and economy . . . [All That Man Is] has a new urgency now that the post-Cold War dream of a Europe of open borders and broad, shared identity has come under increasing question.” ―Garth Greenwell, The New York Times Book Review “Szalay does so much and so well that we come to view his snapshots of lives as brilliant, captivating dramas.” ―Star Tribune (Minneapolis) “A 100-megawatt novel: intelligent, intricate, so very well made, the form perfectly fitting the content. When I reached the end, I turned straight back to the start to begin again.” ―The Sunday Times (London) Poems New and Collected ![]() Pereira Maintains ![]() The Best of Tagore: Edited and Introduced by Rudrangshu Mukherjee ![]() The Backyard Bird Chronicles ![]() A Cat, A Man, and Two Women ![]() The Goldfinch ![]() Composed with the skills of a master, The Goldfinch is a haunted odyssey through present day America and a drama of enthralling force and acuity. It begins with a boy. Theo Decker, a thirteen-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art. As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle. The Goldfinch is a novel of shocking narrative energy and power. It combines unforgettably vivid characters, mesmerizing language, and breathtaking suspense, while plumbing with a philosopher's calm the deepest mysteries of love, identity, and art. It is a beautiful, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate. Divorcing ![]() Scattershot: Life, Music, Elton, and Me ![]() Real Life: A Novel ![]() Mrs. Palfrey at the Claremont ![]() Other Worlds: Peasants, Pilgrims, Spirits, Saints ![]() Cocoa Programming for Dummies ![]() Enough About Love ![]() Anna and Louise could be sisters, but they don’t know each other. They are both married with children, and for the most part, they are happy. On almost the same day, Anna, a psychiatrist, crosses paths with Yves, a writer, while Louise, a lawyer, meets Anna’s analyst, Thomas. Love at first sight is still possible for those into their forties and long-married. But when you have already mapped out a life path, a passionate affair can come at a high price. For our four characters, their lives are unexpectedly turned upside down by the deliciously inconvenient arrival of love. For Anna, meeting Yves has brought a flurry of excitement to her life and made her question her values, her reliable husband, and her responsibilities to her children. For Louise, a successful career woman in a stable and comfortable marriage, her routine is uprooted by the youthful passion she feels for Thomas. Thought-provoking, sophisticated, and, above all, amusing, Enough About Love captures the euphoria of desire through tender and unflinching portraits of husbands, wives, and lovers. Ascending Chaos: The Art of Masami Teraoka 1966-2006 ![]() Paintings By Masami Teraoka ![]() Bedtime Stories ![]() In Bedtime Stories, great writers of the past two centuries explore the boundaries between the real and the unreal, between waking and dreaming. From the surreal night visions of Nathaniel Hawthorne’s “Young Goodman Brown” to the unspeakable horror that haunts two little girls in A. S. Byatt’s “The Thing in the Forest,” from Washington Irving’s comical “The Legend of Sleepy Hollow” to Ursula K. LeGuin’s sly perspective on Sleeping Beauty in “The Poacher,” these spellbinding stories transform the stuff of fables and fairy tales into high art. Isak Dinesen, Vladimir Nabokov, Angela Carter, Julio Cortázar, Steven Millhauser, Neil Gaiman, Haruki Murakami, and many more mingle their voices in this one-volume gateway to dreams—the perfect bedside companion for fiction lovers everywhere. Christmas Stories ![]() Now joining Everyman’s Library—the most extensive and distinguished collectible library of the world’s greatest works—is an appealing new collection in a small Pocket Classics format, perfect for gift giving and reading pleasure. Christmas Stories is a treasury of short fiction by great writers of the past two centuries—from Dickens and Tolstoy to John Updike and Alice Munro. As a literary subject, Christmas has inspired everything from intimate domestic dramas to fanciful flights of the imagination, and the full range of its expression is represented in this wonderfully engaging anthology. Goblins frolic in the graveyard of an early Dickens tale and a love-struck ghost disrupts a country estate in Elizabeth Bowen’s “Green Holly.” The plight of the less fortunate haunts Chekhov’s “Vanka” and Willa Cather’s “The Burglar’s Christmas” but takes a boisterously comic turn in Damon Runyon’s “Dancing Dan’s Christmas” and in John Cheever’s “Christmas Is a Sad Season for the Poor.” From Vladimir Nabokov’s intensely moving story of a father’s grief in “Christmas” to Truman Capote’s hilarious yet heartbreaking “A Christmas Memory,” from Grace Paley’s Jewish girl starring in the Christmas pageant in “The Loudest Voice” to the dysfunctional family ski holiday in Richard Ford’s “Crèche”—each of the stories gathered here is imbued with Christmas spirit (of one kind or another), and all are richly and indelibly entertaining. Garden Stories ![]() Love Stories ![]() Here are nineteen stories from a rich array of writers, and here is every kind of romantic entanglement: from the raw, erotic passion of D. H. Lawrence and Colette to the wickedly cynical comedy of Dorothy Parker and Roald Dahl, from the yearnings of unrequited romantic illusions in F. Scott Fitzgerald’s “Winter Dreams” to the agonizing madness of jealousy in Vladimir Nabokov’s “That in Aleppo Once . . .” The objects of passion in these stories range from a glamorous silent-movie starlet in Elizabeth Bowen’s haunting “Dead Mabelle” to an emotionally opaque heart surgeon in Margaret Atwood’s “Bluebeard’s Egg.” Jhumpa Lahiri plumbs the depths of despair between a husband and wife separated by tragedy, while Lorrie Moore movingly portrays a husband and wife for whom tragedy becomes a bond. Katherine Mansfield, Tobias Wolff, and William Trevor explore the intricacies of long-term relationships, while Guy de Maupassant, Italo Calvino, and T. C. Boyle portray the initial, elemental force of love. A collection as alluring, moving, and intoxicating as its timeless theme. New York Stories ![]() Writers have always been enthralled and inspired by New York City, and their vibrant and varied stories provide a kaleidoscopic vision of the city’s high life, low life, nightlife, and everything in between. From the wisecracking Broadway guys and dolls of Damon Runyon to the glittering ballrooms of Edith Wharton, from the jazz- soaked nightspots of Jack Kerouac and James Baldwin to the starry- eyed tourists in John Cheever and Shirley Jackson to the ambitious immigrants conjured by Edwidge Danticat and Junot Diaz— this is New York in all its grittiness and glamour. Here is the hectic, dazzling chaos of Times Square and the elegant calm of galleries in the Met; we meet Yiddish matchmakers in the Bronx, Haitian nannies in Central Park, starving artists, and hedonistic yuppies—a host of vivid characters nursing their dreams in the tiny apartments, the lonely cafés, and the bustling streets of the city that never sleeps. Shaken and Stirred: Intoxicating Stories ![]() In this lively collection, wine snobs receive their comeuppances at the hands of Roald Dahl and Edgar Allan Poe; innocents overimbibe in tales by Jack London and Alice Munro; riotous partying exacts a comic price in stories by P. G. Wodehouse and Kingsley Amis; Charles Jackson and Jean Rhys chronicle liquor-soaked epiphanies; while John Cheever, Vladimir Nabokov, and Robert Coover set their characters afloat on surreal, soul-revealing adventures. Here, too, are well-lubricated tales by Dickens, Twain, Beckett, Colette, Dorothy Parker, F. Scott Fitzgerald, Dawn Powell, Clarice Lispector, Joy Williams, Penelope Lively, and many more. The settings include hotels and restaurants, a wine cellar in Italy, a café in Paris, a bar in Dublin, a New York nightclub, Jazz Age speakeasies, suburban lawn parties, and the occasional jail cell, and are peopled by lovers and loners, bartenders and chorus girls, youths taking their first sips and experienced tipplers waking with hangovers. Whether living it up or drowning their sorrows, the vividly drawn characters in these sparkling pages will leave you shaken and stirred. Stories of Art and Artists ![]() Writers have long been fascinated by the idea of artistic genius, the relationship between portraits and their subjects, the inspirational role of muses, and the effects on artists of ambition, failure, and success. Art forms featured in these pages include sculpture, pottery, architecture, miniatures, landscapes, portraits, and abstract painting, illumined in brilliant stories by such great writers as Honoré de Balzac, Hermann Hesse, Franz Kafka, Marguerite Yourcenar, John Berger, William Boyd, Doris Lessing, Valerie Martin, Julian Barnes, Orhan Pamuk, and A. S. Byatt. Their dazzling literary evocations of the visual arts—using one art form to reflect on another—make Stories of Art and Artists an irresistible gift for lovers of art of all kinds. (Book Jacket Status: Jacketed) Buddha, Vol 1: Kapilavastu ![]() Buddha, Vol. 2: The Four Encounters ![]() Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor. Buddha, Vol. 3: Devadatta ![]() The third volume of this epic graphic novel send Siddhartha further into a world mired in pain and suffering. The journey to peace and enlightenment looms far but bright. Prince Siddhartha quickly learns that the monk's path is covered in thorns and self-abuses much more profound than shaving your head. His new companions Dhepa and Assaji accompany him to plague-ridden town, ruled by the ravashing Visakha. On a different path filled with as many vararies is Devadatta, an orphan who learns only that bad almost always gets worse. To strange cities, and dire prophecies... Buddha, Vol. 4: The Forest of Uruvela ![]() In this fourth volume of the award-winning graphic novel biography, Buddha slowly discovers that his destiny lies in a path not readily available to him. With fellow ascetics Dhepa who has complete faith in the purifying quality of painful physical ordeals, and Assaji, who can predict everyone's death to the hour, Buddha travels through the kingdom of Magadha into the Forest of Uruvela, where The Middle Path and Enlightenment wait beyond a series of death-defying trials. Awake under the Pippala tree... Buddha, Vol. 5: Deer Park ![]() Buddha, Vol. 6: Ananda ![]() When Ananda and his bandit buddy attack the Fire Shrine of the Brahmin brothers Kassapa, it is none other than the Awakened One who happens by. Buddha must confront his eternal enemy, Mara, before he can open the eyes of arrogant priests and hardened criminals. Buddha, Vol. 7: Prince Ajatasattu ![]() Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor. Buddha, Vol. 8: Jetavana ![]() Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor. Keep It Moving: Lessons for the Rest of Your Life ![]() At seventy-seven, Twyla Tharp is revered not only for the dances she makes—but for her astounding regime of exercise and non-stop engagement. She is famed for religiously hitting the gym each morning at daybreak, and utilizing that energy to propel her breakneck schedule as a teacher, writer, creator, and lecturer. This book grew out of the question she was asked most frequently: “How do you keep working?” In Twyla’s own words: “This book is a collection of what I’ve learned in the past fifty-five years: from the moment I committed to a life in dance up until today...it identifies a ‘disease’ and offers a cure. That disease, simply put, is our fear of time’s passing and the resulting aging process. The remedy? This book in your hands.” Keep It Moving is a series of no-nonsense mediations on how to live with purpose as time passes. From the details of how she stays motivated to the stages of her evolving fitness routine, Tharp models how fulfillment depends not on fortune—but on attitude, possible for anyone willing to try and keep trying. Culling anecdotes from Twyla’s life and the lives of other luminaries, each chapter is accompanied by a small exercise that will help anyone develop a more hopeful and energetic approach to the everyday. Twyla will tell you what the beauty-fitness-wellness industry won’t: chasing youth is a losing proposition. Instead, Keep It Moving focuses you on what’s here and where you’re going—the book for anyone who wishes to maintain their prime for life. An Adultery: A Novel ![]() Collected Poems ![]() The Primary Colors: Three Essays ![]() The Secondary Colors: Three Essays ![]() Collected Poems of Dylan Thomas 1934-1952 (New Directions Book) ![]() The Death of the King's Canary ![]() Quite Early One Morning ![]() Lives of a Cell: Notes of a Biology Watcher ![]() We Are Not Ourselves: A Novel ![]() Dante's Divine Comedy ![]() Walden ![]() (Book Jacket Status: Jacketed) Where I Lived, and What I Lived For ![]() Thoreau's account of his solitary and self-sufficient home in the New England woods remains an inspiration to the environmental movement—a call to his fellow men to abandon their striving, materialistic existences of 'quiet desperation' for a simple life within their means, finding spiritual truth through awareness of the sheer beauty of their surroundings. Night of Fire: A Novel ![]() A house is burning, threatening the existence of its six tenants—including a failed priest; a naturalist; a neurosurgeon; an invalid dreaming of his anxious boyhood; and their landlord, whose relationship to the tenants is both intimate and shadowy. At times, he shares their preoccupations and memories. He will also share their fate. In Night of Fire, the passions and obsessions in a dying house loom and shift, from those of the hallucinating drug addict in the basement to the landlord training his rooftop telescope on the night skies. As the novel progresses, the tenants’ diverse stories take us through an African refugee camp, Greek Orthodox monasteries, and the cremation grounds of India. Haunting the edges of their lives are memories. Will these remembrances be consumed forever by the flames? Or can they survive in some form? Night of Fire is Colin Thubron’s fictive masterpiece: a novel of exquisite beauty, philosophical depth, and lingering mystery that is a brilliant meditation on life itself. Thurber: Writings and Drawings (Library of America) ![]() Mozart in the Jungle: Sex, Drugs, and Classical Music ![]() Mozart in the Jungle offers a stark contrast between the rarefied experiences of overpaid classical musician superstars and those of the working-class musicians. For lovers of classical music, Mozart in the Jungle is the first true, behind-the-scenes look at what goes on backstage and in the Broadway pit. Kapo ![]() All My Puny Sorrows ![]() All My Puny Sorrows is the latest novel from Miriam Toews, one of Canada's most beloved authors — not only because her work is rich with deep human feeling and compassion but because her observations are knife-sharp and her books wickedly funny. And this is Toews at her finest: a story that is as much a comedy as it is a tragedy, a goodbye grin from the friend who taught you how to live. A Guest at the Feast: Essays ![]() House of Names ![]() The Magician: A Novel ![]() The Master: A Novel ![]() Nora Webster: A Novel ![]() On James Baldwin ![]() Flights ![]() Nabokov: The Mystery of Literary Structures ![]() Anna Karenina: Introduction by John Bayley ![]() Childhood, Boyhood, and Youth ![]() A Confession ![]() A Confession and Other Religious Writings ![]() The Cossacks ![]() The Devil ![]() Leo Tolstoy is known for epic novels that brilliantly dissect society, but the novella The Devil may be the most personally revealing—and startling—fiction he ever wrote. He thought it so scandalous, in fact, that he hid the manuscript in the upholstery of a chair in his office so his wife wouldn't find it, and he would never allow it to be published in his lifetime. Perhaps that's because the gripping tale of an aristocratic landowner slowly overcome with unrelenting sexual desire for one of the peasants on his estate was strikingly similar to an affair Tolstoy himself had. Regardless, the tale—presented here with the two separate endings Tolstoy couldn't decide between—is a scintillating study of sexual attraction and human obsession. The Art of The Novella Series Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time. Divine and Human ![]() Great Short Works of Leo Tolstoy ![]() The Kreutzer Sonata ![]() All books in this series: Cures for Love Doomed Love The Eaten Heart First Love Forbidden Fruit The Kreutzer Sonata A Mere Interlude Of Mistresses, Tigresses and Other Conquests The Seducers Diary War and Peace ![]() As Napoleon's army invades, Tolstoy brilliantly follows characters from diverse backgrounds—peasants and nobility, civilians and soldiers—as they struggle with the problems unique to their era, their history, and their culture. And as the novel progresses, these characters transcend their specificity, becoming some of the most moving—and human—figures in world literature. Translated by Louise and Aylmer Maude. (Book Jacket Status: Not Jacketed) Three-Volume Boxed Set Collected Shorter Fiction - Volume 1 ![]() Collected Shorter Fiction - Volume 2 ![]() Charles Dickens: A Life ![]() When Charles Dickens died in 1870, The Times of London successfully campaigned for his burial in Westminster Abbey, the final resting place of England's kings and heroes. Thousands flocked to mourn the best recognized and loved man of nineteenth-century England. His books had made them laugh, shown them the squalor and greed of English life, and also the power of personal virtue and the strength of ordinary people. In his last years Dickens drew adoring crowds to his public appearances, had met presidents and princes, and had amassed a fortune. Like a hero from his novels, Dickens trod a hard path to greatness. Born into a modest middle-class family, his young life was overturned when his profligate father was sent to debtors' prison and Dickens was forced into harsh and humiliating factory work. Yet through these early setbacks he developed his remarkable eye for all that was absurd, tragic, and redemptive in London life. He set out to succeed, and with extraordinary speed and energy made himself into the greatest English novelist of the century. Years later Dickens's daughter wrote to the author George Bernard Shaw, "If you could make the public understand that my father was not a joyous, jocose gentleman walking about the world with a plum pudding and a bowl of punch, you would greatly oblige me." Seen as the public champion of household harmony, Dickens tore his own life apart, betraying, deceiving, and breaking with friends and family while he pursued an obsessive love affair. Charles Dickens: A Life gives full measure to Dickens's heroic stature-his huge virtues both as a writer and as a human being- while observing his failings in both respects with an unblinking eye. Renowned literary biographer Claire Tomalin crafts a story worthy of Dickens's own pen, a comedy that turns to tragedy as the very qualities that made him great-his indomitable energy, boldness, imagination, and showmanship-finally destroyed him. The man who emerges is one of extraordinary contradictions, whose vices and virtues were intertwined as surely as his life and his art. Phi: A Voyage from the Brain to the Soul ![]() From one of the most original and influential neuroscientists at work today, here is an exploration of consciousness unlike any other—as told by Galileo, who opened the way for the objectivity of science and is now intent on making subjective experience a part of science as well. Galileo’s journey has three parts, each with a different guide. In the first, accompanied by a scientist who resembles Francis Crick, he learns why certain parts of the brain are important and not others, and why consciousness fades with sleep. In the second part, when his companion seems to be named Alturi (Galileo is hard of hearing; his companion’s name is actually Alan Turing), he sees how the facts assembled in the first part can be unified and understood through a scientific theory—a theory that links consciousness to the notion of integrated information (also known as phi). In the third part, accompanied by a bearded man who can only be Charles Darwin, he meditates on how consciousness is an evolving, developing, ever-deepening awareness of ourselves in history and culture—that it is everything we have and everything we are. Not since Gödel, Escher, Bach has there been a book that interweaves science, art, and the imagination with such originality. This beautiful and arresting narrative will transform the way we think of ourselves and the world. A Confederacy of Dunces (Evergreen Book) ![]() The Neon Bible ![]() Inside .Mac ![]() Mac OS X Pocket Reference ![]() Everything Ravaged, Everything Burned: Stories ![]() In the stories of Wells Tower, families fall apart and messily try to reassemble themselves. His version of America is touched with the seamy splendor of the dropout, the misfit: failed inventors, boozy dreamers, hapless fathers, wayward sons. Combining electric prose with savage wit, Everything Ravaged, Everything Burned is a major debut, announcing a voice we have not heard before. The Book of Songs: The Ancient Chinese Classic of Poetry ![]() The Great Enigma: New Collected Poems ![]() In day's first hours consciousness can grasp the world as the hand grips a sun-warmed stone. Translated into fifty languages, the poetry of Tomas Transtromer has had a profound influence around the world, an influence that has steadily grown and has now attained a prominence comparable to that of Pablo Neruda's during his lifetime. But if Neruda is blazing fire, Transtromer is expanding ice. The Great Enigma: New Collected Poems gathers all the poems Tomas Transtromer has published, from his distinctive first collection in 1954, 17 Poems, through his epic poem Baltics ("my most consistent attempt to write music"), and The Sad Gondola, published six years after he suffered a debilitating stroke in 1990 ("I am carried in my shadow / like a violin / in its black case."), to his most recent slim book, The Great Enigma, published in Sweden in 2004. Also included is his prose-memoir Memories Look at Me, containing keys into his intensely spiritual, metaphysical poetry (like the brief passage of insect collecting on Runmaro Island when he was a teenager). Firmly rooted in the natural world, his work falls between dream and dream; it probes "the great unsolved love" with the opening up, through subtle modulations, of "concrete words." Bodily Secrets ![]() Excursions in the Real World: Memoirs ![]() Barchester Towers ![]() Can You Forgive Her? ![]() The Duke's Children: The Only Complete Edition (Everyman's Library (Cloth)) ![]() Trollope wrote The Duke’s Children, his final Palliser novel, as a four-volume work but was required by his publisher to reduce it to three, necessitating the loss of nearly sixty-five thousand words. A team of researchers led by Steven Amarnick has worked with the manuscript at Yale’s Beinecke Library to restore the novel to its original form. The result is richer and more complex, with a subtly different ending, a clearly superior book to the one that has always been published. Plantagenet Palliser, the Duke of Omnium, has lost both his vivacious wife, Lady Glencora, and his position as prime minister of Great Britain. The bereft duke is left to try to manage his three grown children, whose rebellions take the various forms of gambling debts, university pranks, and unsuitable romantic attachments. But though he fails to understand his offspring, Palliser truly cares for them, and he navigates the clash of generations with a growing awareness of the necessity of compromises, both political and personal. Insightful, entertaining, and compassionate—and now restored to its full glory—The Duke’s Children is a fitting conclusion to the epic Palliser series, one of the most remarkable achievements of British fiction. The Eustace Diamonds ![]() Cutting Through Spiritual Materialism ![]() This new edition includes a foreword by Chögyam Trungpa's son and lineage holder, Sakyong Mipham. The Book of Salt: A Novel ![]() The Color of Air [SIGNED] ![]() Territory of Light: A Novel ![]() “Yuko Tsushima is one of the most important Japanese writers of her generation.” ―Foumiko Kometani, The New York Times I was puzzled by how I had changed. But I could no longer go back . . . It is spring. A young woman, left by her husband, starts a new life in a Tokyo apartment. Territory of Light follows her over the course of a year, as she struggles to bring up her two-year-old daughter alone. Her new home is filled with light streaming through the windows, so bright she has to squint, but she finds herself plummeting deeper into darkness, becoming unstable, untethered. As the months come and go and the seasons turn, she must confront what she has lost and what she will become. At once tender and lacerating, luminous and unsettling, Yuko Tsushima’s Territory of Light is a novel of abandonment, desire, and transformation. It was originally published in twelve parts in the Japanese literary monthly Gunzo, between 1978 and 1979, each chapter marking the months in real time. It won the inaugural Noma Literary Prize. Castle Gripsholm ![]() Castle Gripsholm, the best and most beloved work by Kurt Tucholsky, is a short novel about an enchanted summer holiday. It begins with an assignment: Tucholsky’s publisher wants him to write something light and funny, otherwise about whatever Tucholsky wants. A deal is struck and the story is off: about Peter, a writer; his girlfriend, known as the Princess; and a summer vacation far from the hurly-burly of Berlin. Peter and the Princess have rented a small house attached to a historic castle in Sweden, and they have five weeks of long days and white nights at their disposal; five weeks for swimming and walking and sex and talking and visits with Peter’s buddy Karlchen and with Billy, the Princess’s best friend. It is perfect, until they meet a weeping girl fleeing the cruel headmistress of a home for children. The vacationers decide they must free the girl and send her back to her mother in Switzerland, which brings about an encounter with authority that casts a worrying shadow over their radiant summer idyll. Soon they must return to Germany. What kind of fairy tale are they living in? Fathers and Children ![]() First Love ![]() All books in this series: Cures for Love Doomed Love The Eaten Heart First Love Forbidden Fruit The Kreutzer Sonata A Mere Interlude Of Mistresses, Tigresses and Other Conquests The Seducers Diary First Love and Other Stories ![]() A Sportsman's Notebook ![]() These beautifully embellished, evocative stories were not only universally popular with the reading public but, through the influence they exerted on important members of the Tsarist bureaucracy, contributed to the major political event of mid–nineteenth–century Russia, the Great Emancipation of the serfs in 1861. Rarely has a book that offers such undiluted literary pleasure also been so strong a force for significant social change. With an introduction by Ivan Turgenev, this version was translated by Charles and Natasha Hepburn. (Book Jacket Status: Jacketed) Chaucer: A European Life ![]() More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life―yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer’s adventurous life, focusing on the places and spaces that fired his imagination. Uncovering important new information about Chaucer’s travels, private life, and the early circulation of his writings, this innovative biography documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer’s experiences as a prisoner of war in France, as a father visiting his daughter’s nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer’s writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales. By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant’s son became the poet of The Canterbury Tales. The Palm-Wine Drinkard and My Life In The Bush Of Ghosts ![]() Autobiography of Mark Twain, Vol. 1 ![]() Autobiography of Mark Twain, Volume 2: The Complete and Authoritative Edition ![]() The eagerly-awaited Volume 2 delves deeper into Mark Twain’s life, uncovering the many roles he played in his private and public worlds. Filled with his characteristic blend of humor and ire, the narrative ranges effortlessly across the contemporary scene. He shares his views on writing and speaking, his preoccupation with money, and his contempt for the politics and politicians of his day. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view. Editors: Benjamin Griffin and Harriet E. Smith Associate Editors: Victor Fischer, Michael B. Frank, Sharon K. Goetz and Leslie Diane Myrick Collected Nonfiction, Volume 1: Selections from the Autobiography, Letters, Essays, and Speeches (Everyman's Library (Cloth)) ![]() Whether crossing the Atlantic and Pacific Oceans or blazing through Europe and the Americas, Twain turned his trademark wit, candor, and acerbic sarcasm on all his experiences. We can trace his personal evolution through his ambition-filled missives home to Missouri after moving out west to be a fledgling reporter, his raucous stories of navigating a steamboat down the Mississippi, his romantic-turned-elegiac sentiments for his wife, Livy, and, later in life, his darker reflections on the ills of society. Often too outrageous not to be true, Twain’s real-life adventures added to his enduring legend, while his clear-eyed view of humanity has provided an unmatched blend of entertainment and moral integrity for generations of readers. Collected Nonfiction, Volume 2: Selections from the Memoirs and Travel Writings (Everyman's Library (Cloth)) ![]() Twain’s playful exuberance and remarkable storytelling gifts are on full display as he regales readers with real-life adventures in these rollicking, shrewd, and hilarious autobiographical works. In these pages, we follow him through his stint as a fledgling reporter out west to his attempt to navigate a steamboat on the Mississippi River, and all during his experiences as an irreverent and skeptical traveler through Europe and the Holy Land. Gleefully iconoclastic, whether he is puncturing the pretensions of others or aiming his satirical barbs squarely at himself, Twain also proves to be deeply compassionate, as fierce in his condemnation of injustice as he is skillful in mining the humor in human folly. Long hailed as “the Lincoln of our literature,” Twain here demonstrates the rich and fertile a blend of contradictions he harborded as much as the dynamic nation he came to embody—and define. The Complete Short Stories ![]() Mark Twain’s famous novels Tom Sawyer and Huckleberry Finn have long been hailed as major achievements, but the father of American literature also made his mark as a master of the humorous short story. All the tales he wrote over the course of his lengthy career are gathered here, including such immortal classics as “The Notorious Jumping Frog of Calaveras County,” “The Man That Corrupted Hadleyburg," “The Diary of Adam and Eve,” and “The $30,000 Bequest.” Twain’s inimitable wit, his nimble plotting, and his unerring insight into human nature are on full display in these wonderfully entertaining stories. Joan of Arc ![]() Because of Mark Twain's antipathy to institutional religion, one might expect an anti-Catholic bias toward Joan or at least toward the bishops and theologians who condemned her. Instead one finds a remarkably accurate biography of the life and mission of Joan of Arc told by one of this country's greatest storytellers. The very fact that Mark Twain wrote this book and wrote it the way he did is a powerful testimony to the attractive power of the Catholic Church's saints. This is a book that really will inform and inspire. The Man that Corrupted Hadleyburg ![]() Mark Twain : Historical Romances : The Prince and the Pauper / A Connecticut Yankee in King Arthur's Court / Personal Recollections of Joan of Arc ![]() Mark Twain : Mississippi Writings : Tom Sawyer, Life on the Mississippi, Huckleberry Finn, Pudd'nhead Wilson ![]() Mark Twain : The Innocents Abroad, Roughing It (Library of America) ![]() Mark Twain: A Tramp Abroad, Following the Equator, Other Travels ![]() Mark Twain: The Gilded Age and Later Novels: The Gilded Age / The American Claimant / Tom Sawyer Abroad / Tom Sawyer, Detective / No. 44, The Mysterious Stranger ![]() The Gilded Age (1873), a collaboration with Hartford neighbor Charles Dudley Warner, sends up an age when vast fortunes piled up amid thriving corruption and a city Twain knew well, Washington, D.C., full of would-be power brokers and humbug. The novel also gives us one of Twain's most enduring characters, Colonel Sellers, who returns in The American Claimant (1892), an encore performance that moves beyond the worldly satire of its predecessor into realms of sheer inventive mayhem. Tom Sawyer Abroad (1894) and Tom Sawyer, Detective (1896) extend the adventures of Huck and Tom. No. 44, The Mysterious Stranger (1908), an astonishing psychic adventure set in the gothic gloom of a medieval Austrian village, offers a powerful and uncanny exploration of the powers of the human mind. Tom Sawyer and Huckleberry Finn (Everyman's Library) ![]() Sciencia: Mathematics, Physics, Chemistry, Biology, and Astronomy for All ![]() Last Week Tonight with John Oliver Presents a Day in the Life of Marlon Bundo ![]() HBO's Emmy-winning Last Week Tonight with John Oliver presents a children's picture book about a Very Special boy bunny who falls in love with another boy bunny. Meet Marlon Bundo, a lonely bunny who lives with his Grampa, Mike Pence - the Vice President of the United States. But on this Very Special Day, Marlon's life is about to change forever... With its message of tolerance and advocacy, this charming children's book explores issues of same sex marriage and democracy. Sweet, funny, and beautifully illustrated, this book is dedicated to every bunny who has ever felt different. Japanese Tales ![]() With black-and-white illustrations throughout Part of the Pantheon Fairy Tale and Folklore Library Reunion: Introduction by Ali Smith ![]() Always Looking: Essays on Art ![]() Always Looking opens with “The Clarity of Things,” the Jefferson Lecture in the Humanities for 2008. Here, in looking closely at individual works by Copley, Homer, Eakins, Norman Rockwell, and others, the author teases out what is characteristically “American” in American art. This talk is followed by fourteen essays, most of them written for The New York Review of Books, on certain highlights in Western art of the last two hundred years: the iconic portraits of Gilbert Stuart and the sublime landscapes of Frederic Edwin Church, the series paintings of Monet and the monotypes of Degas, the richly patterned canvases of Vuillard and the golden extravagances of Klimt, the cryptic triptychs of Beckmann, the personal graffiti of Miró, the verbal-visual puzzles of Magritte, and the monumental Pop of Oldenburg and Lichtenstein. The book ends with a consideration of recent works by a living American master, the steely sculptural environments of Richard Serra. John Updike was a gallery-goer of genius. Always Looking is, like everything else he wrote, an invitation to look, to see, to apprehend the visual world through the eyes of a connoisseur. Assorted Prose ![]() Higher Gossip: Essays and Criticism ![]() This collection of miscellaneous prose opens with a self-portrait of the writer in winter, a Prospero who, though he fears his most dazzling performances are behind him, reveals himself in every sentence to be in deep conversation with the sources of his magic. It concludes with a moving meditation on a modern world robbed of imagination—a world without religion, without art—and on the difficulties of faith in a disbelieving age. In between are previously uncollected stories and poems, a pageant of scenes from seventeenth-century Massachusetts, five late "golf dreams," and several of Updike's commentaries on his own work. At the heart of the book are his matchless reviews—of John Cheever, Ann Patchett, Toni Morrison, William Maxwell, John le Carré, and essays on Aimee Semple McPherson, Max Factor, and Albert Einstein, among others. Also included are two decades of art criticism—on Chardin, El Greco, Blake, Turner, Van Gogh, Max Ernest, and more. Updike's criticism is gossip of the highest order, delivered in an intimate and generous voice. Hugging the Shore: Essays and Criticism ![]() “Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea,” writes John Updike in his Foreword to this collection of literary considerations. But the sailor doth protest too much: This collection begins somewhere near deep water, with a flotilla of short fiction, humor pieces, and personal essays, and even the least of the reviews here—those that “come about and draw even closer to the land with another nine-point quotation”—are distinguished by a novelist’s style, insight, and accuracy, not just surface sparkle. Indeed, as James Atlas commented, the most substantial critical articles, on Melville, Hawthorne, and Whitman, go out as far as Updike’s fiction: They are “the sort of ambitious scholarly reappraisal not seen in this country since the death of Edmund Wilson.” With Hugging the Shore, Michiko Kakutani wrote, Updike established himself “as a major and enduring critical voice; indeed, as the pre-eminent critic of his generation.” In the Beauty of the Lilies ![]() John Updike: Novels 1959-1965 ![]() John Updike: Novels 1968-1975 ![]() John Updike: Novels 1978-1984 ![]() John Updike: Novels 1986–1990 ![]() John Updike: Novels 1996–2000 ![]() John Updike: The Collected Stories ![]() Here, in two career-spanning volumes, are 186 unforgettable stories, from Ace in the Hole” (1953), a sketch of a Rabbit-like ex-basketball player written when Updike was a Harvard senior, to The Full Glass” (2008), the author’s toast to the visible world, his own impending disappearance from it be damned.” Based on new archival research, each story is presented in its final definitive form and in order of composition, established here for the first time. This unprecedented collection of American masterpieces is not just the publishing event of the season, it is a national literary treasure. The Maples Stories ![]() Collected together for the first time in hardcover, these eighteen classic stories from across John Updike’s career form a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published a story, “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement. Seventeen Maples stories were collected in 1979 in a paperback edition titled Too Far to Go, prompted by a television adaptation. Now those stories appear in hardcover for the first time, with the addition of a later story, “Grandparenting,” which returns us to the Maples’s lives long after their wrenching divorce. My Father's Tears and Other Stories ![]() “Personal Archaeology” considers life as a sequence of half-buried layers, and “The Full Glass” distills a lifetime’s happiness into one brimming moment of an old man’s bedtime routine. High-school class reunions, in “The Walk with Elizanne” and “The Road Home,” restore their hero to youth’s commonwealth where, as the narrator of the title story confides, “the self I value is stored, however infrequently I check on its condition.” Exotic locales encountered in the journeys of adulthood include Morocco, Florida, Spain, Italy, and India. The territory of childhood, with its fundamental, formative mysteries, is explored in “The Guardians,” “The Laughter of the Gods,” and “Kinderszenen.” Love’s fumblings among the bourgeoisie yield the tart comedy of “Free,” “Delicate Wives,” “The Apparition,” and “Outage.” In sum, American experience from the Depression to the aftermath of 9/11 finds reflection in these glittering pieces of observation, remembrance, and imagination. Olinger Stories ![]() Rabbit Angstrom : The Four Novels : Rabbit, Run, Rabbit Redux, Rabbit Is Rich, Rabbit at Rest ![]() Seek My Face: A Novel ![]() Self-Consciousness: Memoirs ![]() Still Looking: Essays on American Art ![]() After beginning with early American portraits, landscapes, and the transatlantic career of John Singleton Copley, Still Looking then considers the curious case of Martin Johnson Heade and extols two late-nineteenth-century masters, Winslow Homer and Thomas Eakins. Next, it discusses the eccentric pre-moderns James McNeill Whistler and Albert Pinkham Ryder, the competing American Impressionists and Realists in the early twentieth century, and such now-historic avant-garde figures as Alfred Stieglitz, Marsden Hartley, Arthur Dove, and Elie Nadelman. Two appreciations of Edward Hopper and appraisals of Jackson Pollock and Andy Warhol round out the volume. America speaks through its artists. As Updike states in his introduction, “The dots can be connected from Copley to Pollock: the same tense engagement with materials, the same demand for a morality of representation, can be discerned in both.” On Just Looking “Some of these essays are marvelous examples of critical explanation, in which the psychological concerns of the novelist drive the eye from work to work in an exhibition until a deep understanding of the art emerges.” —Arthur Danto, The New York Times Book Review “These are remarkably elegant little essays, dense in thought and perception but offhandedly casual in style. Their brevity makes more acute the sense of regret one feels to see them end.” —Jeremy Strick, Newsday The Women Who Got Away ![]() Gertrude and Claudius ![]() Gertrude and Claudius also amounts to a running theological argument, in which men constantly impale themselves on metaphysical principle while the adulterous queen is willing "to accept the world at face value, as a miracle daily renewed." (That would explain Gertrude's snap diagnosis of her neurotic son: "Too much German philosophy.") A superlative satellite to Shakespeare's creation, Updike's novel is likely to retain a kind of subordinate rank, even within his own capacious body of work. Still, it's packed with enough post-Elizabethan insight about men and women, parents and children, to suggest that the play's not the thing—not always, anyway. —James Marcus The Complete Henry Bech ![]() From his birth in 1923 to his belated paternity and public apotheosis as a spry septuagenarian in 1999, Bech plugs away, globetrotting in the company of foreign dignitaries one day and schlepping in tattered tweeds on the college lecture circuit the next. By turns cynical and naïve, wry and avuncular, and always amorous, he is Updike’s most endearing confection—a Lothario, a curmudgeon, and a winsome literary icon all in one. A perfect forum for Updike's limber prose, The Complete Henry Bech is an arch portrait of the literary life in America from an incomparable American writer. Letters of Note ![]() Letters Of Note ![]() More Letters Of Note ![]() Borne: A Novel ![]() “Am I a person?” Borne asked me. “Yes, you are a person,” I told him. “But like a person, you can be a weapon, too.” In Borne, a young woman named Rachel survives as a scavenger in a ruined city half destroyed by drought and conflict. The city is dangerous, littered with discarded experiments from the Company―a biotech firm now derelict―and punished by the unpredictable predations of a giant bear. Rachel ekes out an existence in the shelter of a run-down sanctuary she shares with her partner, Wick, who deals his own homegrown psychoactive biotech. One day, Rachel finds Borne during a scavenging mission and takes him home. Borne as salvage is little more than a green lump―plant or animal?―but exudes a strange charisma. Borne reminds Rachel of the marine life from the island nation of her birth, now lost to rising seas. There is an attachment she resents: in this world any weakness can kill you. Yet, against her instincts―and definitely against Wick’s wishes―Rachel keeps Borne. She cannot help herself. Borne, learning to speak, learning about the world, is fun to be with, and in a world so broken that innocence is a precious thing. For Borne makes Rachel see beauty in the desolation around her. She begins to feel a protectiveness she can ill afford. “He was born, but I had borne him.” But as Borne grows, he begins to threaten the balance of power in the city and to put the security of her sanctuary with Wick at risk. For the Company, it seems, may not be truly dead, and new enemies are creeping in. What Borne will lay bare to Rachel as he changes is how precarious her existence has been, and how dependent on subterfuge and secrets. In the aftermath, nothing may ever be the same. Divide Me By Zero ![]() The American Idea: The Best of the Atlantic Monthly ![]() —The Editors of The Atlantic Monthly, 2006 This landmark collection of writings by the illustrious contributors of The Atlantic Monthly is a one-of-a-kind education in the history of American ideas. The Atlantic Monthly was founded in 1857 by a remarkable group that included some of the towering figures of nineteenth-century intellectual life: Ralph Waldo Emerson, Oliver Wendell Holmes, Henry Wadsworth Longfellow, and James Russell Lowell.For 150 years, the magazine has continued to honor its distinguished pedigree by publishing many of America’s most prominent political commentators, journalists, historians, humorists, storytellers, and poets. Throughout the magazine’s history, Atlantic contributors have unflinchingly confronted the fundamental subjects of the American experience: war and peace, science and religion, the conundrum of race, the role of women, the plight of the cities, the struggle to preserve the environment, the strengths and failings of our politics, and, especially, America’s proper place in the world. This extraordinary anthology brings together many of the magazine’s most acclaimed and influential articles. “Broken Windows,” by James Q. Wilson and George L. Kelling, took on the problem of inner-city crime and gave birth to a new way of thinking about law enforcement. “The Roots of Muslim Rage,” by Bernard Lewis, prophetically warned of the dangers posed to the West by rising Islamic extremism. “Letter from Birmingham Jail,” by Martin Luther King, Jr., became one of the twentieth century’s most famous reflections upon—and calls for—racial equality. And “The Fifty-first State,” by James Fallows, previewed in astonishing detailthe mess in which America would find itself in Iraqa full six months before the invasion.The collection also highlights some of The Atlantic’s finest moments in fiction and poetry—from the likes of Twain, Whitman, Frost, Hemingway, Nabokov, and Bellow—affirming the central role of literature in defining and challenging American society. Rarely has an anthology so vividly captured America. Serious and comic, touching and tough, The American Idea paints a fascinating portrait of who we are, where we have come from, and where we are going. Great Ideas Box Set #1 ![]() The perfect gift for the true book lover, the Great Ideas series offers groundbreaking works by some of history's most prodigious thinkers packaged with beautiful type-driven covers that highlight the bookmaker's art. Now six favorites from our initial list of twelve are available as a boxed set: Common Sense, by Thomas Paine Meditations, by Marcus Aurelius On the Shortness of Life, by Seneca The Prince, by Niccolò Machiavelli Why I Am So Wise, by Friedrich Nietzsche Why I Write, by George Orwell Offering great literature in great packages at great prices, the Great Ideas Boxed Set is ideal for those readers who want to explore and savor the great ideas that have shaped our world. Little Black Classics Box Set ![]() This spectacular box set of the 80 books in the Little Black Classics series showcases the many wonderful and varied writers in Penguin Black Classics. From India to Greece, Denmark to Iran, the United States to Britain, this assortment of books will transport readers back in time to the furthest corners of the globe. With a choice of fiction, poetry, essays and maxims, by the likes of Chekhov, Balzac, Ovid, Austen, Sappho and Dante, it won't be difficult to find a book to suit your mood. Little Black Classics celebrate the huge range and diversity of the Penguin Classics list - from drama to poetry, from fiction to history, with books taken from around the world and across numerous centuries. The Little Black Classics Box Set includes: · The Atheist's Mass (Honoré de Balzac) · The Beautifull Cassandra (Jane Austen) · The Communist Manifesto (Fredrich Engels and Karl Marx) · Cruel Alexis (Virgil) · The Dhammapada (Anon) · The Dolphins, the Whales and the Gudgeon (Aesop) · The Eve of St Agnes (John Keats) · The Fall of Icarus (Ovid) · The Figure in the Carpet (Henry James) · The Gate of the Hundred Sorrows (Rudyard Kipling) · Gooseberries (Anton Chekhov) · The Great Fire of London (Samuel Pepys) · The Great Winglebury Duel (Charles Dickens) · How a Ghastly Story Was Brought to Light by a Common or Garden Butcher's Dog (Johann Peter Hebel) · How Much Land Does A Man Need? (Leo Tolstoy) · How To Use Your Enemies (Baltasar Gracián) · How We Weep and Laugh at the Same Thing (Michel de Montaigne) · I Hate and I Love (Catullus) · Il Duro (D. H. Lawrence) · It was snowing butterflies (Charles Darwin) · Jason and Medea (Apollonius of Rhodes) · Kasyan from the Beautiful Mountains (Ivan Turgenev) · Leonardo da Vinci (Giorgio Vasari) · The Life of a Stupid Man (Ryunosuke Akutagawa) · Lips Too Chilled (Matsuo Basho) · Lord Arthur Savile’s Crime (Oscar Wilde) · The Madness of Cambyses (Herodotus · The Maldive Shark (Herman Melville) · The Meek One (Fyodor Dostoyevsky · Mrs Rosie and the Priest (Giovanni Boccaccio) · My Dearest Father (Wolfgang Mozart) · The Night is Darkening Round Me (Emily Brontë) · The nightingales are drunk (Hafez) · The Nose (Nikolay Gogol) · Olalla (Robert Louis Stevenson) · The Old Man in the Moon (Shen Fu), Miss Brill (Katherine Mansfield) · The Old Nure's Story (Elizabeth Gaskell) · On Murder Considered as One of the Fine Arts (Thomas De Quincey) · On the Beach at Night Alone (Walt Whitman) · The Reckoning (Edith Wharton) · Remember, Body… (C. P. Cavafy) · The Robber Bridegroom (Brothers Grimm) · The Saga of Gunnlaug Serpent-tongue (Anon) · Sindbad the Sailor · Sketchy, Doubtful, Incomplete Jottings (Johann Wolfgang von Goethe) · Socrates' Defence (Plato) · Speaking of Siva (Anon) · The Steel Flea (Nikolai Leskov) · The Tell-Tale Heart (Edgar Allan Poe) · The Terrors of the Night (Thomas Nashe) · The Tinder Box (Hans Christian Andersen) · Three Tang Dynasty Poets (Wang Wei) · Trimalchio's Feast (Petronius) · To-morrow (Joseph Conrad), Of Street Piemen (Henry Mayhew) · Traffic (John Ruskin) · Travels in the Land of Serpents and Pearls (Marco Polo) · The Voyage of Sir Francis Drake Around the Whole Globe (Richard Hakluyt) · The Wife of Bath (Geoffrey Chaucer) · The Woman Much Missed (Thomas Hardy) · The Yellow Wall-paper (Charlotte Perkins Gilman) · Wailing Ghosts (Pu Songling) · Well, they are gone, and here must I remain (Samuel Taylor Coleridge) Shakespeare in America: An Anthology from the Revolution to Now: Library of America #251 ![]() From the Hardcover edition. Suffragette Manifestos ![]() Three Japanese Buddhist Monks ![]() Vintage Minis Boxset ![]() Conspicuous Consumption ![]() With its wry portrayal of a shallow, materialistic 'leisure class' obsessed by clothes, cars, consumer goods and climbing the social ladder, this withering satire on modern capitalism is as pertinent today as it was when it was written over a century ago. The Art of Shakespeare's Sonnets ![]() Close to Jedenew ![]() It begins like a classic German fable: Children from the rural village of Jedenew, Poland, get together late at night to play together in the dark woods. But their game is to pretend they live in the imaginary world of the Jedenew that came before them-when it wasn't occupied by the Nazis, and their Jewish friends weren't mysteriously disappearing one by one. Kevin Vennemann's writing-already a sensation with the major publishing houses of Europe-is evocative of W.G. Sebald for its lyrical style and bold intelligence. The innovative simultaneous plot-consisting of the real and imaginative world of the children-has earned comparison to the piercing analogies of Kafka. But the accessible and absorbing narrative of Close to Jedenew, as well as its beautifully lush prose, signals the emergence of one of the most original and masterful young writers to appear in decades. The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners. I Malavoglia: The House by the Medlar Tree ![]() Little Novels of Sicily ![]() Kandinsky: Complete Writings On Art ![]() Three Novels: Journey to the Center of the Earth / Twenty Thousand Leagues Under the Sea / Round the World in Eighty Days ![]() Hamster Princess: Ratpunzel ![]() The Diver's Clothes Lie Empty: A Novel ![]() In Vendela Vida’s taut and mesmerizing novel of ideas, a woman travels to Casablanca, Morocco, on mysterious business. While checking into her hotel, the woman is robbed of her wallet and passport—all of her money and identification. Though the police investigate, the woman senses an undercurrent of complicity between the hotel staff and the authorities—she knows she’ll never recover her possessions. Stripped of her identity, she feels burdened by the crime yet strangely liberated by her sudden freedom to be anyone she chooses. A chance encounter with a movie producer leads to a job posing as a stand-in for a well-known film star. The star reels her in deeper, though, and soon she’s inhabiting the actress’s skin off set, too—going deeper into the Casablancan night and further from herself. And so continues a strange and breathtaking journey full of unexpected turns, an adventure in which the woman finds herself moving further and further away from the person she once was. Told with vibrant, lush detail and a wicked sense of humor, The Diver’s Clothes Lie Empty is part literary mystery, part psychological thriller—an unforgettable novel that explores free will, power, and a woman’s right to choose not her past, perhaps not her present, but certainly her future. This is Vendela Vida’s most assured and ambitious novel yet. 1876: A Novel ![]() The centennial of the United States was celebrated with great fanfare—fireworks, exhibitions, pious calls to patriotism, and perhaps the most underhanded political machination in the country's history: the theft of the presidency from Samuel Tilden in favor of Rutherford B. Hayes. This was the Gilded Age, when robber barons held the purse strings of the nation, and the party in power was determined to stay in power. Gore Vidal's 1876 gives us the news of the day through the eyes of Charlie Schuyler, who has returned from exile to regain a lost fortune and arrange a marriage into New York society for his widowed daughter. And although Tammany Hall has faltered and Boss Tweed has fled, the effects of corruption reach deep, even into Schuyler's own family. Burr: A Novel ![]() Here is an extraordinary portrait of one of the most complicated—and misunderstood—figures among the Founding Fathers. In 1804, while serving as vice president, Aaron Burr fought a duel with his political nemesis, Alexander Hamilton, and killed him. In 1807, he was arrested, tried, and acquitted of treason. In 1833, Burr is newly married, an aging statesman considered a monster by many. But he is determined to tell his own story, and he chooses to confide in a young New York City journalist named Charles Schermerhorn Schuyler. Together, they explore both Burr's past—and the continuing civic drama of their young nation. Burr is the first novel in Gore Vidal's Narratives of Empire series, which spans the history of the United States from the Revolution to post-World War II. With their broad canvas and sprawling cast of fictional and historical characters, these novels present a panorama of American politics and imperialism, as interpreted by one of our most incisive and ironic observers. The City and the Pillar: A Novel ![]() Jim, a handsome, all-American athlete, has always been shy around girls. But when he and his best friend, Bob, partake in “awful kid stuff,” the experience forms Jim’s ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men. Creation: A Novel ![]() Cyrus Spitama, grandson of the prophet Zoroaster and lifelong friend of Xerxes, spent most of his life as Persian ambassador for the great king Darius. He traveled to India, where he discussed nirvana with Buddha, and to the warring states of Cathay, where he learned of Tao from Master Li and fished on the riverbank with Confucius. Now blind and aged in Athens–the Athens of Pericles, Sophocles, Thucydides, Herodotus, and Socrates–Cyrus recounts his days as he strives to resolve the fundamental questions that have guided his life’s journeys: how the universe was created, and why evil was created with good. In revisiting the fifth century b.c.–one of the most spectacular periods in history–Gore Vidal illuminates the ideas that have shaped civilizations for millennia. Empire: A Novel ![]() In this extraordinarily powerful epic Gore Vidal recreates America's Gilded Age—a period of promise and possibility, of empire-building and fierce political rivalries. In a vivid and beathtaking work of fiction, where the fortunes of a sister and brother intertwine with the fates of the generation, their country, and some of the greatest names of their day, including President McKinley, Theodore Roosevelt, William Jennings Bryan, William and Henry James, the Astors, the Vanderbilts, and the Whitneys, Gore Vidal sweeps us from the nineteenth century into the twentieth, from the salvaged republic of Lincoln to a nation boldly reaching for the world. The Essential Gore Vidal : A Gore Vidal Reader ![]() He writes about other writers—Tennessee Williams, Henry James, Montaigne, Edmund Wilson—and about public life, and his own life, which has been complicated and rich. This collection (the only single volume that includes both Vidal's fiction and his essays) contains two complete long works—Myra Breckinridge, perhaps his most famous novel, and The Best Man, a play about the American presidency. There are selections from The City and the Pillar, his early, controversial novel about homosexual love, and excerpts from such later works as Julian, Duluth, and Live from Golgotha. Selections from the American history novels—Burr, Lincoln, 1876, Empire, Hollywood, and Washington, D.C.—have been woven together to provide a continuous narrative. There are twenty-five essays here, on the many subjects that have engaged Vidal during his long career. The editor, Fred Kaplan, who is writing the first major biography of Vidal, has provided an introduction to the work as a whole as well as an introductory explanation of each selection. He has also prepared a biographical chronology and a bibliography. The Golden Age: A Novel ![]() The Golden Age offers up U.S. history as only Gore Vidal can, with unrivaled penetration, wit, and high drama, allied to a classical view of human fate. It is a supreme entertainment that is not only sure to be a major bestseller but that will also change listeners' understanding of American history and power. Hollywood ![]() In his brilliant and dazzling new novel, Gore Vidal sweeps us into one of the most fascinating periods of American political and social change. The time is 1917. In Washington, President Wilson is about to lead the United States into the Great War. In California, a new industry is born that will transform America: moving pictures. Here is history as only Gore Vidal can re-create it: brimming with intrigue and scandal, peopled by the greats of the silver screen and American politics, from Charlie Chaplin and Douglas Fairbanks to Franklin D. Roosevelt and the author's own grandfather, the blind Senator Gore. With Hollywood, Vidal once again proves himself a superb storyteller and a perceptive chronicler of human nature's endless deceptions. Imperial America ![]() Julian: A Novel ![]() Julian the Apostate, nephew of Constantine the Great, was one of the brightest yet briefest lights in the history of the Roman Empire. A military genius on the level of Julius Caesar and Alexander the Great, a graceful and persuasive essayist, and a philosopher devoted to worshipping the gods of Hellenism, he became embroiled in a fierce intellectual war with Christianity that provoked his murder at the age of thirty-two, only four years into his brilliantly humane and compassionate reign. A marvelously imaginative and insightful novel of classical antiquity, Julian captures the religious and political ferment of a desperate age and restores with blazing wit and vigor the legacy of an impassioned ruler. Lincoln: A Novel ![]() To most Americans, Abraham Lincoln is a monolithic figure, the Great Emancipator and Savior of the Union, beloved by all. In Gore Vidal's Lincoln we meet Lincoln the man and Lincoln the political animal, the president who entered a besieged capital where most of the population supported the South and where even those favoring the Union had serious doubts that the man from Illinois could save it. Far from steadfast in his abhorrence of slavery, Lincoln agonizes over the best course of action and comes to his great decision only when all else seems to fail. As the Civil War ravages his nation, Lincoln must face deep personal turmoil, the loss of his dearest son, and the harangues of a wife seen as a traitor for her Southern connections. Brilliantly conceived, masterfully executed, Gore Vidal's Lincoln allows the man to breathe again. Live from Golgotha: The Gospel According to Gore Vidal ![]() As a stream of visitors from twentieth-century America channel in to the first-century Holy Land—Mary Baker Eddy, Shirley MacLaine, Oral Roberts and family—Timothy struggles to complete his story. But is Timothy's text really Hacker-proof? And how will he deal with the truth about Jesus' eating disorder? Above all, will he get the anchor slot for the Big Show at Golgotha without representation by a major agency, like CAA 1,896 years in the future? Tune in. Myra Breckinridge ![]() With a new introduction by Camille Paglia "I am Myra Breckinridge, whom no man will ever possess." So begins the irresistible testimony of the luscious instructor of Empathy and Posture at Buck Loner's Academy of Drama and Modeling. Myra has a secret that only her surgeon shares; a passion for classic Hollywood films, which she regards as the supreme achievements of Western culture; and a sacred mission to bring heteronormative civilization to its knees. Fifty years after its first publication unleashed gales of laughter, delight, and ferocious dissent ("Has literary decency fallen so low?" asked Time), Myra Breckinridge's moment to instruct and delight has once again arrived. Palimpsest: A Memoir ![]() Point to Point Navigation: A Memoir ![]() Selected Essays of Gore Vidal ![]() United States Essays 1952-1992 ![]() The Kindness of Strangers ![]() Salka Viertel’s autobiography tells of a brilliant, creative, and well-connected woman’s pilgrimage through the darkest years of the twentieth century, a journey that would take her from a remote province of the Austro-Hungarian Empire to Hollywood. The Kindness of Strangers is, to quote the New Yorker writer S. N. Behrman, “a very rich book. It provides a panorama of the dissolving civilizations of the twentieth century. In all of them the author lived at the apex of their culture and artistic aristocracies. Her childhood . . . is an entrancing idyll. In Berlin, in Prague, in Vienna, there appears Karl Kraus, Kafka, Rilke, Robert Musil, Schoenberg, Einstein, Alban Berg. There is the suffering and disruption of the First World War and the suffering and agony after it, which is described with such intimacy and vividness that you endure these terrible years with the author. Then comes the migration to Hollywood, where Salka’s house on Mabery Road becomes a kind of Pantheon for the gathered artists, musicians, and writers. It seems to me that no one has ever described Hollywood and the life of writers there with such verve.” Doomed Love ![]() All books in this series: Cures for Love Doomed Love The Eaten Heart First Love Forbidden Fruit The Kreutzer Sonata A Mere Interlude Of Mistresses, Tigresses and Other Conquests The Seducers Diary The Aeneid (Everyman's Library) ![]() Laurus ![]() Janet Fitch, LARB "In LAURUS, Vodolazkin aims directly at the heart of the Russian religious experience and perhaps even at that maddeningly elusive concept that is cherished to the point of cliché: the Russian soul.” Ken Kalfus in The New Yorker Brilliant storytelling ... a uniquely lavish, multilayered work.” Booklist LAURUS is without a doubt one of the most moving and mysterious books you will read in this or any other year.” The American Conservative A timeless epic ... pointed, touching, and at times humorous, unpredictably straying from the path and leading readers along a wild chase through time, language, and medieval Europe.” Asymptote Journal An epic journey novel in all the best traditions. There are countless colorful characters, exciting twists of fate, and profound truths in the protagonist’s words and deeds The Idiot meets Canterbury Tales meets The Odyssey. Highly recommended.” Russian Life Magazine "Love, faith, and a quest for atonement are the driving themes of an epic, prizewinning Russian novel that, while set in the medieval era, takes a contemporary look at the meaning of time.... With flavors of Umberto Eco and The Canterbury Tales, this affecting, idiosyncratic novel ... is an impressive achievement." Kirkus Reviews Anna Karenina: A Novel in Eight Parts ![]() Candide and Other Stories ![]() Player Piano ![]() A Man without a Country ![]() Armageddon in Retrospect ![]() Cat's Cradle ![]() Complete Stories ![]() Selected and introduced by longtime Vonnegut friends and scholars Dan Wakefield and Jerome Klinkowitz, Complete Stories puts Vonnegut's great wit, humor, humanity, and artistry on full display. An extraordinary literary feast for new readers, Vonnegut fans, and scholars alike. Dead-eye Dick ![]() Fates Worse Than Death ![]() If This Isn't Nice, What Is?: Advice to the Young-The Graduation Speeches ![]() Selected and introduced by fellow novelist and friend Dan Wakefield, the speeches in If This Isn’t Nice, What Is? capture this side of Kurt Vonnegut for the first time in book form. There are nine speeches, seven given at colleges, one to the Indiana Civil Liberties Union, one on the occasion of Vonnegut receiving the Carl Sandburg Award. In each of these talks Vonnegut takes pains to find the few things worth saying and a conversational voice to say them in that isn’t heavy-handed or pretentious or glib, but funny and serious and joyful even if sometimes without seeming so. Jailbird ![]() Kurt Vonnegut: Novels & Stories 1950-1962: Player Piano / The Sirens of Titan / Mother Night / Stories ![]() Kurt Vonnegut: Novels & Stories 1963-1973: Cat's Cradle / God Bless You, Mr. Rosewater / Slaughterhouse-Five / Breakfast of Champions / Stories ![]() Capturing Vonnegut in pyrotechnic mid-career, this first volume of a projected three-volume edition gathers four of his most acclaimed novels. Cat's Cradle (1963) is a comedy of the end of the world (it ends with ice). God Bless You, Mr. Rosewater (1965) is the tale of a so-called fool, his money, and the lawyer who contrives to part them (it ends with fire). Slaughterhouse-Five (1969), Vonnegut's breakout book and one of the iconic masterpieces of twentieth-century American literature, is the tale of Billy Pilgrim, who, being unstuck in time, is doomed to continually relive both the firebombing of Dresden and his abduction by space aliens. And, in a text enhanced by the author's spirited line drawings, Breakfast of Champions (1973) describes the fateful meeting of "two lonesome, skinny, fairly old white men," one of whom disastrously believes that everyone else is a robot. The volume is rounded out with three brilliant short stories and revealing autobiographical accounts of the bombing of Dresden. Kurt Vonnegut: Novels 1976–1985 ![]() Kurt Vonnegut: Novels 1987-1997: Bluebeard / Hocus Pocus / Timequake: Library of America #273 ![]() Kurt Vonnegut: The Last Interview: And Other Conversations ![]() During his long career Kurt Vonnegut won international praise for his novels, plays, and essays. In this new anthology of conversations with Vonnegut—which collects interviews from throughout his career—we learn much about what drove Vonnegut to write and how he viewed his work at the end. From Kurt Vonnegut's Last Interview Is there another book in you, by chance? No. Look, I’m 84 years old. Writers of fiction have usually done their best work by the time they’re 45. Chess masters are through when they’re 35, and so are baseball players. There are plenty of other people writing. Let them do it. So what’s the old man’s game, then? My country is in ruins. So I’m a fish in a poisoned fishbowl. I’m mostly just heartsick about this. There should have been hope. This should have been a great country. But we are despised all over the world now. I was hoping to build a country and add to its literature. That’s why I served in World War II, and that’s why I wrote books. When someone reads one of your books, what would you like them to take from the experience? Well, I’d like the guy—or the girl, of course—to put the book down and think, “This is the greatest man who ever lived.” Like Shaking Hands with God: A Conversation about Writing ![]() The setting was a bookstore in New York City, the date Thursday, October 1, 1998. Before a crowd of several hundred, Vonnegut and Stringer took up the challenge of writing books that would make a difference and the concomitant challenge of living from day to day. As Vonnegut said afterward, ""It was a magical evening."" A book for anyone interested in why the simple act of writing things down can be more important than the amount of memory in our computers. Look at the Birdie: Unpublished Short Fiction ![]() Here are tales both cautionary and hopeful, each brimming with Vonnegut's trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned "murder counselor" concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing– and provide insight into the development of his early style–collectively, they have a timeless quality that makes them just as relevant today as when they were written. It's impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut. Featuring a Foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut' s characteristically insouciant line drawings, Look at the Birdie is an unexpected gift for readers who thought his unique voice had been stilled forever–and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius. Read "Hello, Red" and "The Petrified Ants," two of the stories from the collection, as single-story e-books before Look at the Birdie goes on sale. Available wherever e-books are sold. Love, Kurt: The Vonnegut Love Letters, 1941-1945 ![]() Mother Night ![]() Palm Sunday ![]() Pity the Reader: On Writing With Style ![]() Here is an entirely new side of Kurt Vonnegut, Vonnegut as a teacher of writing. Of course he's given us glimpses before, with aphorisms and short essays and articles and in his speeches. But never before has an entire book been devoted to Kurt Vonnegut the teacher. Here is pretty much everything Vonnegut ever said or wrote having to do with the writing art and craft, altogether a healing, a nourishing expedition. McConnell has outfitted us for the journey, and in these 37 chapters covers the waterfront of how one American writer brought himself to the pinnacle of the writing art, and we can all benefit as a result. Kurt Vonnegut was one of the few grandmasters of American literature, whose novels continue to influence new generations about the ways in which our imaginations can help us to live. Few aspects of his contribution have not been plumbed—fourteen novels, collections of his speeches, his essays, his letters, his plays—so this fresh view of him, written by a former student, is a bonanza for writers and readers and Vonnegut fans everywhere. Sucker's Portfolio: A Collection of Previously Unpublished Writing ![]() These stories trace trivial human lives and mundane desires, which is precisely where Vonnegut’s inimitable perspective as a humanist shines, illuminating his alternating hopeful and dismal outlook, although undoubtedly focusing on the latter. Here as in his greatest novels, Vonnegut’s writing takes us to the darkest corners of the human soul and with wit and humor, manages to remind us of our potential to be something greater. Episode List This book was initially released in episodes as a Kindle Serial. All episodes are now available for immediate download as a complete book. Learn more about Kindle Serials Timequake ![]() We Are What We Pretend To Be: The First and Last Works ![]() Written to be sold under the pseudonym of “Mark Harvey,” Basic Training was never published in Vonnegut’s lifetime. It appears to have been written in the late 1940s and is therefore Vonnegut’s first ever novella. It is a bitter, profoundly disenchanted story that satirizes the military, authoritarianism, gender relationships, parenthood and most of the assumed mid-century myths of the family. Haley Brandon, the adolescent protagonist, comes to the farm of his relative, the old crazy who insists upon being called The General, to learn to be a straight-shooting American. Haley’s only means of survival will lead him to unflagging defiance of the General’s deranged (but oh so American, oh so military) values. This story and its thirtyish author were no friends of the milieu to which the slick magazines’ advertisers were pitching their products. When Vonnegut passed away in 2007, he left his last novel unfinished. Entitled If God Were Alive Today, this last work is a brutal satire on societal ignorance and carefree denial of the world’s major problems. Protagonist Gil Berman is a middle-aged college lecturer and self-declared stand-up comedian who enjoys cracking jokes in front of a college audience while societal dependence on fossil fuels has led to the apocalypse. Described by Vonnegut as, “the stand-up comedian on Doomsday,” Gil is a character formed from Vonnegut’s own rich experiences living in a reality Vonnegut himself considered inevitable. Along with the two works of fiction, Vonnegut’s daughter, Nanette shares reminiscences about her father and commentary on these two works—both exclusive to this edition. In this fiction collection, published in print for the first time, exist Vonnegut’s grand themes: trust no one, trust nothing; and the only constants are absurdity and resignation, which themselves cannot protect us from the void but might divert. While Mortals Sleep: Unpublished Short Fiction ![]() Smart, whimsical, and often scathing, the fiction of Kurt Vonnegut influenced a generation of American writers—including Dave Eggers, author of this volume’s Foreword. In these previously unpublished gems, Vonnegut’s originality infuses a unique landscape of factories, trailers, and bars—and characters who pit their dreams and fears against a cruel and sometimes comically indifferent world. Here are stories of men and machines, art and artifice, and how ideals of fortune, fame, and love take curious twists in ordinary lives. An ambitious builder of roads, commanding an army of bulldozers, graders, and asphalt spreaders, fritters away his free time with miniature trains—until the women in his life crash his fantasy land. Trapped in a stenography pool, a young dreamer receives a call from a robber on the run, who presents her with a strange proposition. A crusty newspaperman is forced onto a committee to judge Christmas displays—a job that leads him to a suspiciously ostentatious ex-con and then a miracle. A hog farmer’s widow receives cryptic, unsolicited letters from a man in Schenectady about “the indefinable sweet aches of the spirit.” But what will she find when she goes to meet him in the flesh? These beautifully rendered works are a testament to Vonnegut’s unique blend of observation and imagination. Like a present left behind by a departed loved one, While Mortals Sleep bestows upon us a shimmering Kurt Vonnegut gift: a poignant reflection of our world as it is and as it could be. Slapstick ![]() Wampeters Foma & Granfalloons 1ST Edition ![]() The Hare with Amber Eyes: A Hidden Inheritance ![]() Costa Book Award Winner for Biography Galaxy National Book Award Winner (New Writer of the Year Award) Edmund de Waal is a world-famous ceramicist. Having spent thirty years making beautiful pots—which are then sold, collected, and handed on—he has a particular sense of the secret lives of objects. When he inherited a collection of 264 tiny Japanese wood and ivory carvings, called netsuke, he wanted to know who had touched and held them, and how the collection had managed to survive. And so begins this extraordinarily moving memoir and detective story as de Waal discovers both the story of the netsuke and of his family, the Ephrussis, over five generations. A nineteenth-century banking dynasty in Paris and Vienna, the Ephrussis were as rich and respected as the Rothchilds. Yet by the end of the World War II, when the netsuke were hidden from the Nazis in Vienna, this collection of very small carvings was all that remained of their vast empire. Gaudy Bauble ![]() Olivia Laing Gaudy Bauble stages a glittering world populated by GoldSeXUal StatuEttes, anti-drag kings, Gilbert-&-George-like lesbians, maverick detectives, a transgender army equipped with question-mark-shaped helmets, and birds who have dyke written all over them. Everyone interferes with the plot. No one is in control of the plot. Surprises happen as a matter of course: A faux research process produces actual results. Hundreds of lipstick marks reanimate a dying body. And the Deadwood-to-Dynamo Audience Prize goes to whoever turns deadestwood into dynamost. Gaudy Bauble stages what happens when the disenfranchised are calling the shots. Riff-raff are running the show and they are making a difference. Cookies (irresistible biscuits, brownies and bars) ![]() Both Flesh and Not: Essays ![]() David Foster Wallace was beloved for his inimitable voice and wit-and, for many of his readers, admired as much for his astonishingly perceptive and inventive essays as he was for his fiction. Both Flesh and Not gathers fifteen of Wallace's seminal essays, all published in book form for the first time. Never has Wallace's seemingly endless curiosity been more evident than in this compilation of work spanning nearly 20 years of writing. Here, Wallace turns his critical eye with equal enthusiasm toward Roger Federer and Jorge Luis Borges; Terminator 2 and The Best of the Prose Poem; the nature of being a fiction writer and the quandary of defining the essay; the best underappreciated novels and the English language's most irksome misused words; and much more. In addition to these essays, Both Flesh and Not includes a selection from Wallace's personal vocabulary list, an assembly of unusual words and definitions that serve as a reminder of Wallace's ferocious love of language. A sweeping, exhilarating collection of some of the author's most emotionally immediate work, Both Flesh and Not reminds us why A.O. Scott, writing in the New York Times, called David Foster Wallace "The best mind of his generation." Brief Interviews with Hideous Men : Stories ![]() The Broom of the System: A Novel ![]() Consider the Lobster and Other Essays ![]() The David Foster Wallace Reader ![]() Wallace's explorations of morality, self-consciousness, addiction, sports, love, and the many other subjects that occupied him are represented here in both fiction and nonfiction. Collected for the first time are Wallace's first published story, "The View from Planet Trillaphon as Seen In Relation to the Bad Thing" and a selection of his work as a writing instructor, including reading lists, grammar guides, and general guidelines for his students. A dozen writers and critics, including Hari Kunzru, Anne Fadiman, and Nam Le, add afterwords to favorite pieces, expanding our appreciation of the unique pleasures of Wallace's writing. The result is an astonishing volume that shows the breadth and range of "one of America's most daring and talented writers" (Los Angeles Times Book Review) whose work was full of humor, insight, and beauty. Everything and More: A Compact History of Infinity (Great Discoveries) ![]() Fate, Time, and Language: An Essay on Free Will ![]() Fate, Time, and Language presents Wallace's brilliant critique of Taylor's work. Written long before the publication of his fiction and essays, Wallace's thesis reveals his great skepticism of abstract thinking made to function as a negation of something more genuine and real. He was especially suspicious of certain paradigms of thought-the cerebral aestheticism of modernism, the clever gimmickry of postmodernism-that abandoned "the very old traditional human verities that have to do with spirituality and emotion and community." As Wallace rises to meet the challenge to free will presented by Taylor, we witness the developing perspective of this major novelist, along with his struggle to establish solid logical ground for his convictions. This volume, edited by Steven M. Cahn and Maureen Eckert, reproduces Taylor's original article and other works on fatalism cited by Wallace. James Ryerson's introduction connects Wallace's early philosophical work to the themes and explorations of his later fiction, and Jay Garfield supplies a critical biographical epilogue. Girl With Curious Hair ![]() Oblivion: Stories ![]() The Pale King ![]() The Pale King remained unfinished at the time of David Foster Wallace's death, but it is a deeply compelling and satisfying novel, hilarious and fearless and as original as anything Wallace ever undertook. It grapples directly with ultimate questions—questions of life's meaning and of the value of work and society—through characters imagined with the interior force and generosity that were Wallace's unique gifts. Along the way it suggests a new idea of heroism and commands infinite respect for one of the most daring writers of our time. Something to Do with Paying Attention ![]() String Theory: David Foster Wallace on Tennis: A Library of America Special Publication ![]() Gathered for the first time in a deluxe collector's edition, here are David Foster Wallace's legendary writings on tennis, five tour-de-force pieces written with a competitor's insight and a fan's obsessive enthusiasm. Wallace brings his dazzling literary magic to the game he loved as he celebrates the other-worldly genius of Roger Federer; offers a wickedly witty disection of Tracy Austin's memoir; considers the artistry of Michael Joyce, a supremely disciplined athlete on the threshold of fame; resists the crush of commerce at the U.S. Open; and recalls his own career as a "near-great" junior player. Whiting Award-winning writer John Jeremiah Sullivan provides an introduction. A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments ![]() This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life ![]() Writing with his one-of-a-kind blend of causal humor, exacting intellect, and practical philosophy, David Foster Wallace probes the challenges of daily living and offers advice that renews us with every reading. Programming Web Graphics with Perl & GNU Software (O'Reilly Nutshell) ![]() Infinite Jest: A Novel ![]() The Tenants of Moonbloom ![]() Edward Lewis Wallant's astonishing comic tour de force is a neglected masterpiece of 1960s America. Henry David Thoreau: A Life ![]() But there was much more to Thoreau than his brief experiment in living at Walden Pond. A member of the vibrant intellectual circle centered on his neighbor Ralph Waldo Emerson, he was also an ardent naturalist, a manual laborer and inventor, a radical political activist, and more. Many books have taken up various aspects of Thoreau’s character and achievements, but, as Laura Dassow Walls writes, “Thoreau has never been captured between covers; he was too quixotic, mischievous, many-sided.” Two hundred years after his birth, and two generations after the last full-scale biography, Walls restores Henry David Thoreau to us in all his profound, inspiring complexity. Walls traces the full arc of Thoreau’s life, from his early days in the intellectual hothouse of Concord, when the American experiment still felt fresh and precarious, and “America was a family affair, earned by one generation and about to pass to the next.” By the time he died in 1862, at only forty-four years of age, Thoreau had witnessed the transformation of his world from a community of farmers and artisans into a bustling, interconnected commercial nation. What did that portend for the contemplative individual and abundant, wild nature that Thoreau celebrated? Drawing on Thoreau’s copious writings, published and unpublished, Walls presents a Thoreau vigorously alive in all his quirks and contradictions: the young man shattered by the sudden death of his brother; the ambitious Harvard College student; the ecstatic visionary who closed Walden with an account of the regenerative power of the Cosmos. We meet the man whose belief in human freedom and the value of labor made him an uncompromising abolitionist; the solitary walker who found society in nature, but also found his own nature in the society of which he was a deeply interwoven part. And, running through it all, Thoreau the passionate naturalist, who, long before the age of environmentalism, saw tragedy for future generations in the human heedlessness around him. “The Thoreau I sought was not in any book, so I wrote this one,” says Walls. The result is a Thoreau unlike any seen since he walked the streets of Concord, a Thoreau for our time and all time. Berlin Stories ![]() In 1905 the young Swiss writer Robert Walser arrived in Berlin to join his older brother Karl, already an important stage-set designer, and immediately threw himself into the vibrant social and cultural life of the city. Berlin Stories collects his alternately celebratory, droll, and satirical observations on every aspect of the bustling German capital, from its theaters, cabarets, painters’ galleries, and literary salons, to the metropolitan street, markets, the Tiergarten, rapid-service restaurants, and the electric tram. Originally appearing in literary magazines as well as the feuilleton sections of newspapers, the early stories are characterized by a joyous urgency and the generosity of an unconventional guide. Later pieces take the form of more personal reflections on the writing process, memories, and character studies. All are full of counter-intuitive images and vignettes of startling clarity, showcasing a unique talent for whom no detail was trivial, at grips with a city diving headlong into modernity. Little Snow Landscape ![]() A Schoolboy's Diary and Other Stories ![]() The Big Door Prize ![]() Milking the Moon: A Southerner's Story of Life on This Planet ![]() — Eugene Walter Eugene Walter was the best-known man you’ve never heard of. In his 76 years, he ate of “the ripened heart of life,” to quote a letter from Isak Dinesen, one of his many illustrious friends. He savored the porch life of his native Mobile, Alabama, in the 1920s and ’30s. He stumbled into the Greenwich Village art scene in late-1940s New York. He was a ubiquitous presence in Paris’s expatriate café society in the 1950s, where he was part of the Paris Review at its inception. Perhaps most remarkably of all for a poor Southern boy, he spent the 1960s in Rome, where he participated in the golden age of Italian cinema–including a role in Fellini’s 8 1?2–and entertained some of the most famous people in the world. As recorded by Katherine Clark toward the end of Walter’s life, his story–enlivened with personal glimpses of luminaries from William Faulkner and Martha Graham to Judy Garland and Leontyne Price–is an eyewitness history of the heart of the last century and a pitch-perfect addition to the Southern literary tradition. Most of all, this sumptuous oral biography conveys the spirit and charm of a truly unique American who defied the odds and authority, embarked on life, and went wherever his fancy and whimsy led him. “Whenever I found myself in the presence of Eugene Walter, I thought that everyone’s life could be turned into a work of art. His was. Eugene Walter was a prince of whimsy and magic, and he turned his daily world upside down and made it elfin, cat-haunted, and hilarious. He could snap his fingers, and art would fall out all over the place. Milking the Moon has perfect pitch and flawlessly captures Eugene’s pixilated wonderland of a life. I am so grateful to Katherine Clark for the job she has done, for bringing this incredible man’s story to the page with such wit, panache, and style. I love this book–I couldn’t put it down!”–Pat Conroy “Truman Capote lied to harm others; Eugene Walter, sometimes known as the other Capote, the good one, lied only to delight others.”–Gore Vidal “Eugene Walter held the nearest thing to a salon; he was an unofficial reception committee and all roads led to him.”–Muriel Spark “Eugene Walter is one of those personages who turn up in life and leave, well, an indelible impression in which all personal characteristics–manner, speech, dress, and so on– are memorably distinctive.”–George Plimpton, from the Foreword The Untidy Pilgrim (Deep South Books) ![]() Chess Choice Challenge 2 ![]() ONE CROWN The Fire This Time: A New Generation Speaks about Race ![]() In this bestselling, widely lauded collection, Jesmyn Ward gathers our most original thinkers and writers to speak on contemporary racism and race, including Carol Anderson, Jericho Brown, Edwidge Danticat, Kevin Young, Claudia Rankine, and Honoree Jeffers. “An absolutely indispensable anthology” (Booklist, starred review), The Fire This Time shines a light on the darkest corners of our history, wrestles with our current predicament, and imagines a better future. Envisioned as a response to The Fire Next Time, James Baldwin’s groundbreaking 1963 essay collection, these contemporary writers reflect on the past, present, and future of race in America. We’ve made significant progress in the fifty-odd years since Baldwin’s essays were published, but America is a long and painful distance away from a “post-racial society”—a truth we must confront if we are to continue to work towards change. Baldwin’s “fire next time” is now upon us, and it needs to be talked about; The Fire This Time “seeks to place the shock of our own times into historical context and, most importantly, to move these times forward” (Vogue). Sing, Unburied, Sing: A Novel ![]() “The heart of Jesmyn Ward’s Sing, Unburied, Sing is story—the yearning for a narrative to help us understand ourselves, the pain of the gaps we’ll never fill, the truths that are failed by words and must be translated through ritual and song...Ward’s writing throbs with life, grief, and love, and this book is the kind that makes you ache to return to it.” —Buzzfeed In Jesmyn Ward’s first novel since her National Book Award–winning Salvage the Bones, this singular American writer brings the archetypal road novel into rural twenty-first-century America. An intimate portrait of a family and an epic tale of hope and struggle, Sing, Unburied, Sing journeys through Mississippi’s past and present, examining the ugly truths at the heart of the American story and the power—and limitations—of family bonds. Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager. His mother, Leonie, is an inconsistent presence in his and his toddler sister’s lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children’s father is White. She wants to be a better mother but can’t put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the brutal reality of her circumstances. When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love. Rich with Ward’s distinctive, lyrical language, Sing, Unburied, Sing is a majestic new work and an unforgettable family story. Swift Programming The Big Nerd Ranch Guide ![]() Picasso Midi (Jumbo) ![]() Why They Can't Write: Killing the Five-Paragraph Essay and Other Necessities ![]() Warner blames this on decades of educational reform rooted in standardization, assessments, and accountability. We have done no more, Warner argues, than conditioned students to perform "writing-related simulations," which pass temporary muster but do little to help students develop their writing abilities. This style of teaching has made students passive and disengaged. Worse yet, it hasn’t prepared them for writing in the college classroom. Rather than making choices and thinking critically, as writers must, undergraduates simply follow the rules―such as the five-paragraph essay―designed to help them pass these high-stakes assessments. In Why They Can’t Write, Warner has crafted both a diagnosis for what ails us and a blueprint for fixing a broken system. Combining current knowledge of what works in teaching and learning with the most enduring philosophies of classical education, this book challenges readers to develop the skills, attitudes, knowledge, and habits of mind of strong writers. The Writer's Practice: Building Confidence in Your Nonfiction Writing ![]() After a decade of teaching writing using the same methods he’d experienced as a student many years before, writer, editor, and educator John Warner realized he could do better. Drawing on his classroom experience and the most persuasive research in contemporary composition studies, he devised an innovative new framework: a step-by-step method that moves the student through a series of writing problems, an organic, bottom-up writing process that exposes and acculturates them to the ways writers work in the world. The time is right for this new and groundbreaking approach. The most popular books on composition take a formalistic view, utilizing “templates” in order to mimic the sorts of rhetorical moves academics make. While this is a valuable element of a writing education, there is room for something that speaks more broadly. The Writer’s Practice invites students and novice writers into an intellectually engaging, active learning process that prepares them for a wider range of academic and real-world writing and allows them to become invested and engaged in their own work. The Corner That Held Them ![]() Sylvia Townsend Warner’s The Corner That Held Them is a historical novel like no other, one that immerses the reader in the dailiness of history, rather than history as the given sequence of events that, in time, it comes to seem. Time ebbs and flows and characters come and go in this novel, set in the era of the Black Death, about a Benedictine convent of no great note. The nuns do their chores, and seek to maintain and improve the fabric of their house and chapel, and struggle with each other and with themselves. The book that emerges is a picture of a world run by women but also a story—stirring, disturbing, witty, utterly entrancing—of a community. What is the life of a community and how does it support, or constrain, a real humanity? How do we live through it and it through us? These are among the deep questions that lie behind this rare triumph of the novelist’s art. Up From Slavery: An Autobiography ![]() Eliot: Poems (Everyman's Library Pocket Poets) ![]() Heaven's Breath: A Natural History of the Wind ![]() Heaven’s Breath is an encyclopedic and enchanting book that opens dazzling new perspectives on history, nature, and humanity. The Complete Calvin and Hobbes ![]() Calvin and Hobbes is unquestionably one of the most popular comic strips of all time. The imaginative world of a boy and his real-only-to-him tiger was first syndicated in 1985 and appeared in more than 2,400 newspapers when Bill Watterson retired on January 1, 1996. The entire body of Calvin and Hobbes cartoons published in a truly noteworthy tribute to this singular cartoon in The Complete Calvin and Hobbes. Composed of three hardcover, four-color volumes in a sturdy slipcase, this New York Times best-selling edition includes all Calvin and Hobbes cartoons that ever appeared in syndication. This is the treasure that all Calvin and Hobbes fans seek. The Book: On the Taboo Against Knowing Who You Are ![]() Colloquial Greek: A Complete Language Course (Paperback) ![]() Black Mischief, Scoop, The Loved One, The Ordeal of Gilbert Pinfold ![]() In honor of the hundredth anniversary of Evelyn Waugh’s birth, four of the master’s most wickedly scathing comedies are here brought together in one volume. Black Mischief is Waugh at his most mischievous–inventing a politically loopy African state as a means of pulverizing politics at home. In Scoop, it is journalism’s turn to be drawn and quartered. The Loved One (which became a famously hilarious film) sends up the California mortuary business. And The Ordeal of Gilbert Pinfold is a burst of fictionalized autobiography in which Pinfold goes mad, more or less, on board an ocean liner. Here in four short–very different–novels are the mordant wit, inspired farce, snapping dialogue, and amazing characters that are the essence of everything Waugh ever wrote. Brideshead Revisited (Everyman's Library) ![]() The Complete Short Stories ![]() Evelyn Waugh's short stories are the marvelous, concentrated riffs of his comic genius, revealing in miniaturized perfection all the elements that made him the greatest comic writer of our century. We find in them Waugh's almost superhuman technical skill as a writer and his quicksilver attentiveness to the minutiae of human absurdity, as well as his worldly knowledge, his tenderness, his perceptive compassion, and his sophisticated, disabused, but nevertheless forceful idealism. The thirty-nine stories collected here include such small masterpieces as "Mr. Loveday's Little Outing" and "Scott-King's Modern Europe"; an alternative ending to Waugh's novel A Handful of Dust; a "missing chapter" in the life of Charles Ryder, the hero of Brideshead Revisited; and two linked stories, remnants of an abandoned novel that Waugh considered his best writing. This edition contains the original illustrations to "Love Among the Ruins," as well as more than thirty graphics produced by the author as an Oxford undergraduate in the 1920s. Decline and Fall (Everyman's Library Classics) ![]() A Handful of Dust ![]() The depravity and polished savagery of these characters offer an opportunity for Waugh's rapier wit and subtly to "show us fear in a handful of dust." "Waugh's technique is relentless and razor-edged...by any standard it is super satire." (Chicago Daily News) The Sword of Honour Trilogy ![]() This trilogy of novels about World War II, largely based on his own experiences as an army officer, is the crowning achievement of Evelyn Waugh’s career. Its central character is Guy Crouchback, head of an ancient but decayed Catholic family, who at first discovers new purpose in the challenge to defend Christian values against Nazi barbarism, but then gradually finds the complexities and cruelties of war too much for him. Yet, though often somber, the Sword of Honour trilogy is also a brilliant comedy, peopled by the fantastic figures so familiar from Waugh’s early satires. The deepest pleasures these novels afford come from observing a great satiric writer employ his gifts with extraordinary subtlety, delicacy, and human feeling, for purposes that are ultimately anything but satiric. Waugh Abroad: The Collected Travel Writing ![]() Thirty years’ worth of Evelyn Waugh’s inimitable travel writings have been gathered together for the first time in one volume. Waugh’s accounts of his travels–spanning the years from 1929 to 1958–describe journeys through the West Indies, Mexico, South America, the Holy Land, and Africa. And just as his travels informed his fiction, his novelist’s sensibility is apparent in each of these pieces. Waugh pioneered the genre of modern travel writing in which the comic predicament of the traveler is as central as the world he encounters. He wrote with as sharp an eye for folly as for foliage, and a delight in the absurd, not least where his own comfort and dignity are concerned. From his fresh take on the well-traveled and hence already “fully labeled” Mediterranean region in Labels, to a close-up view of Haile Selassie’s coronation in Remote People, from a comically miserable stint in British Guiana. Charisma and Disenchantment: The Vocation Lectures ![]() The German sociologist Max Weber is one of the most venturesome, stimulating, and influential theorists of the modern condition. Among his most significant works are the so-called vocation lectures, published shortly after the end of World War I and delivered at the invitation of a group of student activists. The question the students asked Weber to address was simple and haunting: In a modern world characterized by the division of labor, economic expansion, and unrelenting change, was it still possible to consider an academic or political career as a genuine calling? In response Weber offered his famous diagnosis of “the disenchantment of the world,” along with a challenging account of the place of morality in the classroom and in research. In his second lecture he introduced the notion of political charisma, assigning it a central role in the modern state, even as he recognized that politics is more than anything “a slow and difficult drilling of holes into hard boards.” Damion Searls’s new translation brings out the power and nuance of these celebrated lectures. Paul Reitter and Chad Wellmon’s introduction describes their historical and biographical background, reception, and influence. Weber’s effort to rethink the idea of a public calling at the start of the tumultuous twentieth century is revealed to be as timely and stirring as ever. The Great Glass Sea ![]() Twins Yarik and Dima have been inseparable since childhood. Living on their uncle’s farm after the death of their father, the boys once spent their days helping farmers in fields, their nights spellbound by their uncle’s tales. Years later, they labor together at the Oranzheria, a sea of glass erected over acres of cropland and lit by space mirrors that ensnare the denizens of Petroplavilsk in perpetual daylight. Now the twins have only work in commonstalwart Yarik married with children, oppressed by the burden of responsibility; dreamer Dima living alone with his mother, wistfully planning the brothers’ return to their uncle’s land. But an encounter with the Oranzerhia’s billionaire owner changes their lives forever and soon both men find themselves poster boys for opposing ideologies that threaten to destroy not only the lives of those they love but the love that has bonded them since birth. A breathtakingly ambitious novel of love, loss, and light, set amid a bold vision of an alternative present-day Russia. Love in the Void: Where God Finds Us ![]() Why is it that Simone Weil, with her short, troubled life and confounding insights into faith and doubt, continues to speak to today’s spiritual seekers? Was it her social radicalism, which led her to renounce privilege? Her ambivalence toward institutional religion? Her combination of philosophical rigor with the ardor of a mystic? Albert Camus called Simone Weil “the only great spirit of our time.” André Gide found her “the most truly spiritual writer of this century.” Her intense life and profound writings have influenced people as diverse as T. S. Eliot, Charles De Gaulle, Pope Paul VI, and Adrienne Rich. The body of work she left―most of it published posthumously―is the fruit of an anguished but ultimately luminous spiritual journey. After her untimely death at age thirty-four, Simone Weil quickly achieved legendary status among a whole generation of thinkers. Her radical idealism offered a corrective to consumer culture. But more importantly, she pointed the way, especially for those outside institutional religion, to encounter the love of God – in love to neighbor, love of beauty, and even in suffering. SIMONE WEIL THE POWER OF WORDS /ANGLAIS ![]() Basic Black With Pearls ![]() Shirley and Coenraad’s affair has been going on for decades, but her longing for him is as desperate as ever. She is a Toronto housewife; he works for an international organization known only as the Agency. Their rendezvous take place in Tangier, in Hong Kong, in Rome and are arranged by an intricate code based on notes slipped into issues of National Geographic. He recognizes her by her costume: a respectable black dress and string of pearls; his appearance, however, is changeable. But something has happened, the code has been discovered, and Coenraad sends Shirley (who prefers to be known as “Lola Montez”) to Toronto, the last place she wants to go. There the trail leads her through the sites of her impoverished immigrant childhood and sends her, finally, to her own house, where she discards her pearls and trades in her basic black for a dress of vibrant multicolored silk. Helen Weinzweig published her first novel when she was fifty-eight. Basic Black with Pearls, her second, won the Toronto Book Award and has since come to be recognized as a feminist landmark. Here Weinzweig imbues the formal inventiveness of the nouveau roman with psychological poignancy and surprising humor to tell a story of simultaneous dissolution and discovery. The Time Machine, The Invisible Man, The War of the Worlds ![]() The first great novel to imagine time travel, The Time Machine (1895) follows its scientist narrator on an incredible journey that takes him finally to Earth’s last moments—and perhaps his own. The scientist who discovers how to transform himself in The Invisible Man (1897) will also discover, too late, that he has become unmoored from society and from his own sanity. The War of the Worlds (1898)—the seminal masterpiece of alien invasion adapted by Orson Welles for his notorious 1938 radio drama, and subsequently by several filmmakers—imagines a fierce race of Martians who devastate Earth and feed on their human victims while their voracious vegetation, the red weed, spreads over the ruined planet. Here are three classic science fiction novels that, more than a century after their original publication, show no sign of losing their grip on readers’ imaginations. The Frog in the Throat ![]() And How Are You, Dr. Sacks?: A Biographical Memoir of Oliver Sacks ![]() MR. WILSON'S CABINET OF WONDER : Pronged Ants, Horned Humans, Mice on Toast, and Other Marvels of Jurassic Technology ![]() Apartment in Athens ![]() Good-Bye Wisconson ![]() The Pilgrim Hawk: A Love Story ![]() A work of classical elegance and concision, The Pilgrim Hawk stands with Faulkner’s The Bear as one of the ï¬nest American short novels: a beautifully crafted story that is also a poignant evocation of the implacable power of love. A Visit to Priapus and Other Stories ![]() A Cool Million and The Dream Life of Balso Snell: Two Novels ![]() The Essential Rebecca West: Uncollected Prose ![]() Myths and Legends of Hawaii (Tales of the Pacific Ser.) ![]() From Ritual to Romance ![]() Apple Pro Training Series: Final Cut Pro 7 ![]() Each chapter presents a complete lesson in an aspect of video editing and finishing, using professional broadcast footage. After marking and editing clips to create a rough cut, you’ll learn how to trim and refine the cut before moving on to complex tasks such as adding titles, creating transitions and motion effects, applying filters, and working with multi-format and multi-camera footage. The book covers Final Cut Pro’s exciting new features, including iChat Theater support, the redesigned speed tools, and sharing projects on a Blu-ray disc. DVD-ROM includes lesson and media files for over 40 hours of training Focused lessons take you step-by-step through professional, real-world projects Accessible writing style puts an expert instructor at your side Ample illustrations and keyboard shortcuts help you master techniques fast Lesson goals and time estimates help you plan your time Chapter review questions summarize what you’ve learned and prepare you for the Apple Certified Pro Exam The Age of Innocence ![]() The Age of Innocence, one of Edith Wharton’s most renowned novels and the first by a woman to win the Pulitzer Prize, exquisitely details the struggle between love and responsibility through the experiences of men and women in Gilded Age New York. The novel follows Newland Archer, a young, aristocratic lawyer engaged to the cloistered, beautiful May Welland. When May’s disgraced cousin Ellen arrives from Europe, fleeing her marriage to a Polish Count, her worldly, independent nature intrigues Archer, who soon falls in love with her. Trapped by his passionless relationship with May and the social conventions that forbid a relationship with Ellen, Archer finds himself torn between possibility and duty. Wharton’s profound understanding of her characters’ lives makes the triangle of Archer, May, and Ellen come to life with an irresistible urgency. A wry, incisive look at the ways in which love and emotion must negotiate the complex rules of high society, The Age of Innocence is one of Wharton's finest, most illuminative works. With an introduction by Peter Washington The Custom of the Country (Everyman's Library Classics) ![]() Ethan Frome, Summer, Bunner Sisters ![]() These three brilliantly wrought, tragic novellas explore the repressed emotions and destructive passions of working-class people far removed from the social milieu usually inhabited by Edith Wharton's characters. Ethan Frome is one of Wharton's most famous works; it is a tightly constructed and almost unbearably heartbreaking story of forbidden love in a snowbound New England village. Summer, also set in rural New England, is often considered a companion to Ethan Frome-Wharton herself called it “the hot Ethan”-in its portrayal of a young woman's sexual and social awakening. Bunner Sisters takes place in the narrow, dusty streets of late nineteenth-century New York City, where the constrained but peaceful lives of two spinster shopkeepers are shattered when they meet a man who becomes the unworthy focus of all their pent-up hopes. All three of these novellas feature realistic and haunting characters as vivid as any Wharton ever conjured, and together they provide a superb introduction to the shorter fiction of one of our greatest writers. The House of Mirth ![]() London Stories ![]() Acclaimed historian Jerry White has collected some twenty-six stories to illustrate the extraordinary diversity of both London life and writing over the past four centuries, from Shakespeare’s day to the present. These are stories of fact and fiction and occasionally something in between, some from well-known voices and others practically unknown. Here are dramatic views of such iconic events as the plague, the Great Fire of London, and the Blitz, but also William Thackeray’s account of going to see a man hanged, Thomas De Quincey’s friendship with a teenaged prostitute, and Doris Lessing’s defense of the Underground. This literary London encompasses the famous Baker Street residence of Conan Doyle’s Sherlock Holmes and the bombed-out moonscape of Elizabeth Bowen’s wartime streets, Charles Dicken’s treacherous River Thames and Frederick Treves’s tragic Elephant Man. Graham Greene, Jean Rhys, Muriel Spark, and Hanif Kureishi are among the many great writers who give us their varied Londons here, revealing a city of boundless wealth and ragged squalor, of moving tragedy and riotous joy. (Book Jacket Status: Jacketed) Apple Pro Training Series: OS X Lion Support Essentials: Supporting and Troubleshooting OS X Lion ![]() The Apple Pro Training Series serves as both a self-paced learning tool and the official curriculum for OS X Lion and OS X Lion Server certification programs. Apple Pro Training Series: OS X Support Essentials ![]() The Apple Pro Training Series serves as both a self-paced learning tool and the official curriculum for OS X Mountain Lion and OS X Mountain Lion Server certification programs. Apple Pro Training Series: OS X Support Essentials 10.9: Supporting and Troubleshooting OS X Mavericks ![]() • Covers updated system utilities and new features of OS X Mavericks. • Features authoritative explanations of underlying technologies, troubleshooting, system administration, and much more. • Focused lessons take you step by step through practical, real-world tasks. • Lesson files and bonus material available for download–including lesson review questions summarizing what you’ve learned to prepare you for the Apple certification exam. macOS Support Essentials 10.12 - Apple Pro Training Series: Supporting and Troubleshooting macOS Sierra ![]() The Apple-Certified Way to Learn This is the official curriculum of the macOS Support Essentials 10.12 course and preparation for Apple Certified Support Professional (ACSP) 10.12 certification–as well as a top-notch primer for anyone who needs to support, troubleshoot, or optimize macOS Sierra. The only Apple-certified book on the market, this guide is designed for support technicians, help desk specialists, and ardent Mac users and takes you deep inside the macOS Sierra operating system. You’ll find in-depth, step-by-step instruction on everything from installing and configuring macOS Sierra to managing networks and system administration–all on your way to preparing for the industry-standard ACSP certification. Covers updated system utilities and new features of macOS Sierra, including Siri and Optimized Storage.Features authoritative explanations of underlying technologies, troubleshooting, system administration, and much more.Focused lessons take you step by step through practical, real-world tasks.Lesson files and bonus material available for download–including lesson review questions to help prepare you for the Apple certification exam.Web Edition provides full text of the book available online as part of our Content Update Program with revised content for significant software updates. Riders in the Chariot ![]() Voss (Everyman's Library (Cloth)) ![]() The character of Johann Voss is based on an actual nineteenth-century explorer, Ludwig Leichhardt, who attempted to cross the entire continent of Australia from east to west in 1848 but disappeared in the attempt. With visionary intensity, Patrick White imagines Voss's last journey across the desert and the waterlogged plains of central Australia. But this magisterial novel is also a love story, for the explorer is inextricably bound up with an orphaned young woman whose inner life, like his own, is at odds with the world. In language poetic and passionate yet grounded in shrewd, often comic, social observations and naturalistic portrayals of farmers, convicts, employers, servants, and aborigines, White creates both a spellbinding adventure and a myth for our time. Crook Manifesto: A Novel ![]() The Intuitionist: A Novel ![]() Nominated as one of America’s best-loved novels by PBS’s The Great American Read It is a time of calamity in a major metropolitan city's Department of Elevator Inspectors, and Lila Mae Watson, the first black female elevator inspector in the history of the department, is at the center of it. There are two warring factions within the department: the Empiricists, who work by the book and dutifully check for striations on the winch cable and such; and the Intuitionists, who are simply able to enter the elevator cab in question, meditate, and intuit any defects. Lila Mae is an Intuitionist and, it just so happens, has the highest accuracy rate in the entire department. But when an elevator in a new city building goes into total freefall on Lila Mae's watch, chaos ensues. It's an election year in the Elevator Guild, and the good-old-boy Empiricists would love nothing more than to assign the blame to an Intuitionist. But Lila Mae is never wrong. The sudden appearance of excerpts from the lost notebooks of Intuitionism's founder, James Fulton, has also caused quite a stir. The notebooks describe Fulton's work on the "black box," a perfect elevator that could reinvent the city as radically as the first passenger elevator did when patented by Elisha Otis in the nineteenth century. When Lila Mae goes underground to investigate the crash, she becomes involved in the search for the portions of the notebooks that are still missing and uncovers a secret that will change her life forever. The Nickel Boys: A Novel ![]() In this bravura follow-up to the Pulitzer Prize, and National Book Award-winning #1 New York Times bestseller The Underground Railroad, Colson Whitehead brilliantly dramatizes another strand of American history through the story of two boys sentenced to a hellish reform school in Jim Crow-era Florida. As the Civil Rights movement begins to reach the black enclave of Frenchtown in segregated Tallahassee, Elwood Curtis takes the words of Dr. Martin Luther King to heart: He is "as good as anyone." Abandoned by his parents, but kept on the straight and narrow by his grandmother, Elwood is about to enroll in the local black college. But for a black boy in the Jim Crow South of the early 1960s, one innocent mistake is enough to destroy the future. Elwood is sentenced to a juvenile reformatory called the Nickel Academy, whose mission statement says it provides "physical, intellectual and moral training" so the delinquent boys in their charge can become "honorable and honest men." In reality, the Nickel Academy is a grotesque chamber of horrors where the sadistic staff beats and sexually abuses the students, corrupt officials and locals steal food and supplies, and any boy who resists is likely to disappear "out back." Stunned to find himself in such a vicious environment, Elwood tries to hold onto Dr. King's ringing assertion "Throw us in jail and we will still love you." His friend Turner thinks Elwood is worse than naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble. The tension between Elwood's ideals and Turner's skepticism leads to a decision whose repercussions will echo down the decades. Formed in the crucible of the evils Jim Crow wrought, the boys' fates will be determined by what they endured at the Nickel Academy. Based on the real story of a reform school in Florida that operated for one hundred and eleven years and warped the lives of thousands of children, The Nickel Boys is a devastating, driven narrative that showcases a great American novelist writing at the height of his powers. The Underground Railroad: A Novel ![]() One of the Best books of the Year: The New York Times, The Washington Post, NPR, The Boston Globe, The Seattle Times, HuffPost, Esquire, Minneapolis Star Tribune Look for Whitehead’s acclaimed new novel, The Nickel Boys, available now! Cora is a young slave on a cotton plantation in Georgia. An outcast even among her fellow Africans, she is on the cusp of womanhood—where greater pain awaits. And so when Caesar, a slave who has recently arrived from Virginia, urges her to join him on the Underground Railroad, she seizes the opportunity and escapes with him. In Colson Whitehead's ingenious conception, the Underground Railroad is no mere metaphor: engineers and conductors operate a secret network of actual tracks and tunnels beneath the Southern soil. Cora embarks on a harrowing flight from one state to the next, encountering, like Gulliver, strange yet familiar iterations of her own world at each stop. As Whitehead brilliantly re-creates the terrors of the antebellum era, he weaves in the saga of our nation, from the brutal abduction of Africans to the unfulfilled promises of the present day. The Underground Railroad is both the gripping tale of one woman's will to escape the horrors of bondage—and a powerful meditation on the history we all share. Paris Stories ![]() Perhaps no other European city has so captured the imagination of the artistically and romantically minded. Laurence Sterne explores the temptations of the French capital in a teasing study of foreign mores, and Restif de la Bretonne provides an eyewitness account of the horrors and glories of the French Revolution. Hugo, Balzac, Flaubert, and Zola offer fascinating portraits of the growing metropolis’s teeming humanity; the Goncourt brothers chronicle its glittering literary circles; and Huysmans describes a memorable evening at the Folies Bergère. Colette recounts the sensual adventures of a young girl in the decadent Paris of the early twentieth century, while F. Scott Fitzgerald revels in its urban glamour. Jean Rhys’s lost heroines wander from café to café, James Baldwin celebrates the city’s sexual freedoms, and Raymond Queneau gleefully reinvents the language of the street. In more recent decades, Michel Tournier’s North African immigrant walks a camel along the boulevards and Nobel laureate Patrick Modiano nostalgically maps the famed Parisian arrondissements. Theatrical and elegant, seamy and intellectual, Paris has never lost its alluring power, richly evoked in these compelling and seductive tales. Walt Whitman Speaks: His Final Thoughts on Life, Writing, Spirituality, and the Promise of America: A Library of America Special Publication ![]() Toward the end of his life, Walt Whitman was visited almost daily at his home in Camden, New Jersey, by the young poet and social reformer Horace Traubel. After each visit, Traubel meticulously recorded their conversation, transcribing with such sensitivity that Whitman’s friend John Burroughs remarked that he felt he could almost hear the poet breathing. In Walt Whitman Speaks, acclaimed author Brenda Wineapple draws from Traubel’s extensive interviews an extraordinary gathering of Whitman’s observations that conveys the core of his ethos and vision. Here is Whitman the sage, champion of expansiveness and human freedom. Here, too, is the poet’s more personal side—his vivid memories of Thoreau, Emerson, and Lincoln, his literary judgments on writers such as Shakespeare, Goethe, and Tolstoy, and his expressions of hope in the democratic promise of the nation he loved. The result is a keepsake edition to touch the soul, capturing the distilled wisdom of America’s greatest poet. Whitman: Poems (Everyman's Library Pocket Poets) ![]() Walt Whitman: Poetry and Prose ![]() David Bowie's Low ![]() Applescript for the Internet (Visual QuickStart Guide) ![]() The Red White & Blue ![]() Beautiful and Impossible Things: Selected Essays of Oscar Wilde ![]() The Decay of Lying: And Other Essays ![]() Oscar Wilde: Collected Works ![]() Plays, Prose Writings and Poems (Everyman's Library) ![]() The Bridge of San Luis Rey (Perennial Classics) ![]() Thornton Wilder:The Bridge of San Luis Rey and Other Novels 1926-1948 ![]() The Woman of Andros, based on the Andria of Roman writer Terence, is a meditation on the ancient world filtered through the sensibility of a meditative courtesan; Heaven's My Destination, a departure from Wilder's historical themes, is a picaresque romp through Depression-era America; and The Ides of March takes up the story of Julius Caesar's assassination by imagining the exchange of letters among such prominent ancient figures as Catullus, Cleopatra, Cicero, and Caesar himself, "groping in the open seas of his unlimited power for the first principles which should guide him." The volume concludes with a selection of early short stories-among them "Précautions Inutiles," published here for the first time-and a selection of essays that offers Wilder's insights into the works of Stein and Joyce, as well as a lecture on letter writers that bears on both The Bridge of San Luis Rey and The Ides of March. English Renaissance Poetry: A Collection of Shorter Poems from Skelton to Jonson ![]() Poetry in English as we know it was largely invented in England between the early 1500s and 1630, and yet for many years the poetry of the era was considered little more than a run-up to Shakespeare. The twentieth century brought a reevaluation, and the English Renaissance has since come to be recognized as the period of extraordinary poetic experimentation that it was. Never since have the possibilities of poetic form and, especially, poetic voice—from the sublime to the scandalous and slangy—been so various and inviting. This is poetry that speaks directly across the centuries to the renaissance of poetic exploration in our own time. John Williams’s celebrated anthology includes not only some of the most famous poems by some of the most famous poets of the English language (Sir Thomas Wyatt, John Donne, and of course Shakespeare) but also-—-and this is what makes Williams’s book such a rare and rich resource—the strikingly original work of little-known masters like George Gascoigne and Fulke Greville. Nothing but the Night ![]() John Williams’s first novel is a brooding psychological noir. Arthur Maxley is a young man at the end of his emotional rope. Having dropped out of college, he’s holed up in a big-city hotel, living off an allowance from his family, feeling nothing but alone and doing nothing but drinking to forget it. What’s brought him to this point? Something is troubling him, something is haunting him, something he cannot bring himself either to face or to turn away from. And now his father has come to town, a hail-fellow-well-met kind of guy. They’ve been estranged for years, and yet Arthur wants to meet—and so he does, reeling away from the encounter for a night of drinking and dancing and a final reckoning with the traumatizing past that readers will not soon forget. This edition of Nothing but the Night includes an interview with Nancy Gardner Williams, the author’s widow. Stoner ![]() John Williams’s luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world. Ninety-Nine Stories of God ![]() This series of short, fictional vignettes explores our day-to-day interactions with an ever-elusive and arbitrary God. It’s the Book of Common Prayer as seen through a looking glass―a powerfully vivid collection of seemingly random life moments. The figures that haunt these stories range from Kafka (talking to a fish) to the Aztecs, Tolstoy to Abraham and Sarah, O. J. Simpson to a pack of wolves. Most of Williams’s characters, however, are like the rest of us: anonymous strivers and bumblers who brush up against God in the least expected places or go searching for Him when He’s standing right there. The Lord shows up at a hot-dog-eating contest, a demolition derby, a formal gala, and a drugstore, where he’s in line to get a shingles vaccination. At turns comic and yearning, lyric and aphoristic, Ninety-Nine Stories of God serves as a pure distillation of one of our great artists. The Velveteen Rabbit ![]() Tarka the Otter ![]() Tolstoy: A Biography ![]() Setting the World on Fire ![]() Edmund Wilson: Literary Essays and Reviews of the 1920s & 30s: The Shores of Light / Axel's Castle / Uncollected Reviews ![]() Literary Essays and Reviews of the 1920s and 30s presents Wilson in the extraordinary first phase of his career, participating in a cultural renaissance and grappling with the crucial issues of his era. The Shores of Light (1952) is Wilson's magisterial assemblage of early reviews, sketches, stories, memoirs, and other writings into a teeming panorama of America's literary life in a period of exuberant expansion and in the years of political and economic strife that followed. Wilson traces the emergence of a new American writing as he reviews the work of Hemingway, Stevens, Cummings, Dos Passos, Wilder, and many others, including his close friends F. Scott Fitzgerald and Edna St. Vincent Millay. Little escapes his notice: burlesque shows and Henry James, Soviet theater and the magic of Harry Houdini, the first novels of Malraux and the rediscovery of Edgar Allan Poe. Axel's Castle (1931), his pioneering overview of literary modernism, includes penetrating studies of Yeats, Eliot, Proust, Joyce, Gertrude Stein, and others. For several generations this book has stood as an indispensable companion to some of the crucial turning points in modern literature. Both these classic works display abundantly Wilson's extraordinary erudition and unquenchable curiosity, his visionary grasp of larger historical meanings, his gift for acute psychological portraiture, and the matchless suppleness and lucidity of his prose. For Wilson, there are no minor subjects; every literary occasion sparks writing that is witty, energetic, and alive to the undercurrents of his time. In addition this volume includes a number of uncollected reviews from the same period, including discussions of H. L. Mencken, Edith Wharton, and Bernard Shaw Edmund Wilson: Literary Essays and Reviews of the 1930s & 40s: The Triple Thinkers, The Wound and the Bow, Classics and Commercials, Uncollected Reviews ![]() Literary Essays and Reviews of the 1930s and 40s gives us Wilson at the midpoint of his extraordinary career as critic and scholar, and includes in complete form three of his most significant books. The Triple Thinkers (1938, revised 1948) and The Wound and the Bow (1941) give us Wilson at the height of his powers, in a series of extended literary studies marked by his unique combination of criticism, biographical narrative, and psychological analysis. Here are his dazzling portraits of Pushkin and Flaubert, Dickens and Henry James, Kipling and Casanova, equally sensitive to historical context and his subjects' inner lives; his scintillating reader's guide to the mysteries of Finnegans Wake and his celebrated exploration of the nature of creativity through the figure of Sophocles' wounded hero Philoctetes. Classics and Commercials (1950) is Wilson's gathering of the best of his reviews from the 1940s, a collection that exemplifies the range and omnivorousness of his interests. In the exact and fluent prose that makes him an unfailing delight to read, Wilson takes on everything from Gogol and Tolstoy to contemporaries like James M. Cain, Katherine Anne Porter, Dorothy Parker, and William Faulkner. Whether registering his qualms about detective novels, parsing the etiquette manuals of Emily Post, or paying tribute to the comic genius of Evelyn Waugh, Wilson turns any critical occasion into the highest kind of pleasure. The volume is completed with a selection of uncollected reviews from this period, including Wilson's observations on the work of William Maxwell, Saul Bellow, and Anais Nin. To the Finland Station ![]() Advice to Writers: A Compendium of Quotes, Anecdotes, and Writerly Wisdom from a Dazzling Array of Literary Lights ![]() Private Notebooks: 1914-1916 ![]() Tractatus Logico-philosophicus ![]() Laughing Gas ![]() The result is Anglo-American farce with the lightest of touches, and another hilarious Wodehouse romp! The Best of Wodehouse: An Anthology ![]() With a New Introduction by John Mortimer P.G. Wodehouse (1881-1975) was perhaps the most widely acclaimed British humorist of the twentieth century. Throughout his career, he brilliantly examined the complex and idiosyncratic nature of English upper-crust society with hilarious insight and wit. The works in this volume provide a wonderful introduction to Wodehouse’s work and his unique talent for joining fantastic plots with authentic emotion. In The Code of the Woosters, Wodehouse’s most famous duo, Bertie Wooster and his unflappable valet Jeeves, risks all to steal a cream jug. Uncle Fred in the Springtime, part of the famous Blandings Castle series, follows Uncle Fred as he attempts to ruin the Duke of Blandings while he is preoccupied with his favorite pig. Fourteen stories feature some of Wodehouse’s most memorable characters, and three autobiographical pieces provide a revealing look into Wodehouse’s life. With his gift for hilarity and his ever-human tone, Wodehouse and his work have never felt more lively. Bach: Essays on His Life and Music ![]() Johann Sebastian Bach holds a singular position in the history of music. A uniquely gifted musician, he combined outstanding performing virtuosity with supreme creative powers and remarkable intellectual discipline. More than two centuries after his lifetime, Bach's work continues to set musical standards. The noted Bach scholar Christoph Wolff offers in this book new perspectives on the composer's life and remarkable career. Uncovering important historical evidence, the author demonstrates significant influences on Bach's artistic development and brings fresh insight on his work habits, compositional intent, and the musical traditions that shaped Bach's thought. Wolff reveals a composer devoted to an ambitious and highly individual creative approach, one characterized by constant self-criticism and self-challenge, the absorption of new skills and techniques, and the rethinking of riches from the musical past. Readers will find illuminating analyses of some of Bach's greatest music, including the B Minor Mass, important cantatas, keyboard and chamber compositions, the Musical Offering, and the Art of Fugue. Discussion of how these pieces "work" will be helpful to performers—singers, players, conductors—and to everyone interested in exploring the conceptual and contextual aspects of Bach's music. All readers will find especially interesting those essays in which Wolff elaborates on his celebrated discoveries of previously unknown works: notably the fourteen "Goldberg" canons and a collection of thirty-three chorale preludes. Representing twenty-five years of scholarship, these essays—half of which appear here in English for the first time—have established Christoph Wolff as one of the world's preeminent authorities on J. S. Bach. All students, performers, and lovers of Bach's music will find this an engaging and enlightening book. The New Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents ![]() A New Kind of Science ![]() Wolfram uses his approach to tackle a remarkable array of fundamental problems in science: from the origin of the Second Law of thermodynamics, to the development of complexity in biology, the computational limitations of mathematics, the possibility of a truly fundamental theory of physics, and the interplay between free will and determinism. Written with exceptional clarity, and illustrated by more than a thousand original pictures, this seminal book allows scientists and non-scientists alike to participate in what promises to be a major intellectual revolution. Le schizo et les langues ![]() Germs: A Memoir of Childhood ![]() A Vindication of the Rights of Woman ![]() Mary Wollstonecraft's passionate declaration of female independence shattered the stereotype of docile, decorative womanhood, anticipated a new era of equality and established her as the founder of modern feminism. BROKEN ESTATE ![]() The Fun Stuff: And Other Essays ![]() How Fiction Works (Tenth Anniversary Edition): Updated and Expanded ![]() How Fiction Works is a scintillating study of the magic of fiction―an analysis of its main elements and a celebration of its lasting power. Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional character? What constitutes a telling detail? When is a metaphor successful? Is Realism realistic? Why do some literary conventions become dated while others stay fresh? James Wood ranges widely, from Homer to Make Way for Ducklings, from the Bible to John le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, How Fiction Works will be enlightening to writers, readers, and anyone else interested in what happens on the page. The Irresponsible Self ![]() The Nearest Thing to Life ![]() Serious Noticing: Selected Essays, 1997-2019 ![]() Ever since the publication of his first essay collection, The Broken Estate, in 1999, James Wood has been widely regarded as a leading literary critic of the English-speaking world. His essays on canonical writers (Gustav Flaubert, Herman Melville), recent legends (Don DeLillo, Marilynne Robinson) and significant contemporaries (Zadie Smith, Elena Ferrante) have established a standard for informed and incisive appreciation, composed in a distinctive literary style all their own. Together, Wood’s essays, and his bestselling How Fiction Works, share an abiding preoccupation with how fiction tells its own truths, and with the vocation of the writer in a world haunted by the absence of God. In Serious Noticing, Wood collects his best essays from two decades of his career, supplementing earlier work with autobiographical reflections from his book The Nearest Thing to Life and recent essays from The New Yorker on young writers of extraordinary promise. The result is an essential guide to literature in the new millennium. Upstate: A Novel ![]() Apple Pro Training Series: Pages, Numbers, and Keynote ![]() The Magician's Doubts ![]() The book comes fully to terms with Nabokov's blend of playfulness and seriousness, delving into the real delight of reading him and the odd disquiet that lurks beneath that pleasure. Wood's speculations spin outward to illuminate the ambiguities and aspirations of the modern novel, and to raise the question of how we uncover "the author" in a work, without falling into the obvious biographical traps. The Magician's Doubts slices through the dustier conventions of criticism and never loses sight of the emotional and sensual pleasure of reading. Brown Girl Dreaming ![]() A Room of One's Own ![]() A Room of One's Own ![]() The Common Reader: No. 1 ![]() Genius and Ink: Virginia Woolf on How to Read ![]() Monday or Tuesday ![]() "Doesn't one always think of the past, in a garden with men and women lying under the trees? Aren't they one's past, all that remains of it, those men and women, those ghosts lying under the trees . . . one’s happiness, one's reality?" Originally hand-printed at her Hogarth Press in Richmond, Monday or Tuesday is the only collection of short stories that Virginia Woolf published during her lifetime, providing a fascinating insight into the early stages of development of themes that would blossom in her later masterpieces. From the impressionist description of four groups of people walking by a flowerbed in the botanic gardens at Kew to the soaring flight of a heron above the teeming life of towns and cities below, and the reveries of a woman as she looks at a mark on the wall, the eight pieces included in this volume showcase Woolf's inimitable observational powers and her boldly modern style of writing. Mrs. Dalloway (Everyman's Library (Cloth)) ![]() As Mrs. Dalloway prepares for the party she is giving that evening, a series of events intrudes on her composure. Her husband is invited, without her, to lunch with Lady Bruton (who, Clarissa notes anxiously, gives the most amusing luncheons). Meanwhile, Peter Walsh appears, recently from India, to criticize and confide in her. His sudden arrival evokes memories of a distant past, the choices she made then, and her wistful friendship with Sally Seton. Woolf then explores the relationships between women and men, and between women, as Clarissa muses, "It was something central which permeated; something warm which broke up surfaces and rippled the cold contact of man and woman, or of women together.... Her relation in the old days with Sally Seton. Had not that, after all, been love?" While Clarissa is transported to past afternoons with Sally, and as she sits mending her green dress, Warren Smith catapults desperately into his delusions. Although his troubles form a tangent to Clarissa's web, they undeniably touch it, and the strands connecting all these characters draw tighter as evening deepens. As she immerses us in each inner life, Virginia Woolf offers exquisite, painful images of the past bleeding into the present, of desire overwhelmed by society's demands. —Joannie Kervran Stangeland Orlando: Introduction by Jeanette Winterson ![]() The Voyage Out ![]() The Waves ![]() To the Lighthouse (Everyman's Library (Cloth)) ![]() Though its fame as an icon of twentieth-century literature rests primarily on the brilliance of its narrative technique and the impressionistic beauty of its prose, To the Lighthouse is above all the story of a quest, and as such it possesses a brave and magical universality. Observed across the years at their vacation house facing the gales of the North Atlantic, Mrs. Ramsay and her family seek to recapture meaning from the flux of things and the passage of time. Though it is the death of Mrs. Ramsay on which the novel turns, her presence pervades every page in a poetic evocation of loss and memory that is also a celebration of domestic life and its most intimate details. Virginia Woolf’s great book enacts a powerful allegory of the creative consciousness and its momentary triumphs over fleeting material life. Swimming Underground: My Years in the Warhol Factory ![]() How to Read Heidegger ![]() The Pasta Cookbook ![]() Richard Wright: The Library of America Unexpurgated Edition: Native Son / Uncle Tom's Children / Black Boy / and more ![]() Why Buddhism is True: The Science and Philosophy of Meditation and Enlightenment ![]() Robert Wright famously explained in The Moral Animal how evolution shaped the human brain. The mind is designed to often delude us, he argued, about ourselves and about the world. And it is designed to make happiness hard to sustain. But if we know our minds are rigged for anxiety, depression, anger, and greed, what do we do? Wright locates the answer in Buddhism, which figured out thousands of years ago what scientists are only discovering now. Buddhism holds that human suffering is a result of not seeing the world clearly—and proposes that seeing the world more clearly, through meditation, will make us better, happier people. In Why Buddhism is True, Wright leads readers on a journey through psychology, philosophy, and a great many silent retreats to show how and why meditation can serve as the foundation for a spiritual life in a secular age. At once excitingly ambitious and wittily accessible, this is the first book to combine evolutionary psychology with cutting-edge neuroscience to defend the radical claims at the heart of Buddhist philosophy. With bracing honesty and fierce wisdom, it will persuade you not just that Buddhism is true—which is to say, a way out of our delusion—but that it can ultimately save us from ourselves, as individuals and as a species. Chocky ![]() It’s not terribly unusual for a boy to have an imaginary friend, but Matthew’s parents have to agree that his—nicknamed Chocky—is anything but ordinary. Why, Chocky demands to know, are there twenty-four hours in a day? Why are there two sexes? Why can’t Matthew solve his math homework using a logical system like binary code? When the questions Chocky asks become too advanced and, frankly, too odd for teachers to answer, Matthew’s parents start to wonder if Chocky might be something far stranger than a figment of their son’s imagination. Chocky, the last novel Wyndham published during his life, is a playful investigation of what being human is all about, delving into such matters as child-rearing, marriage, learning, artistic inspiration—and ending with a surprising and impassioned plea for better human stewardship of the earth. The Story of the Stone, or The Dream of the Red Chamber, Vol. 1: The Golden Days ![]() The Story of the Stone, Vol. 2: The Crab-Flower Club ![]() "The Story of the Stone" (c. 1760), also known as "The Dream of the Red Chamber", is one of the greatest novels of Chinese literature. The fifth part of Cao Xueqin's magnificent saga, "The Dreamer Awakes", was carefully edited and completed by Gao E some decades later. It continues the story of the changing fortunes of the Jia dynasty, focussing on Bao-yu, now married to Bao-chai, after the tragic death of his beloved Dai-yu. Against such worldly elements as death, financial ruin, marriage, decadence and corruption, his karmic journey unfolds. Like a sleepwalker through life, Bao-yu is finally awakened by a vision, which reveals to him that life itself is merely a dream, 'as moonlight mirrored in the water'. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. The Story of the Stone: Or, The Dream of the Red Chamber, Vol. 3: The Warning Voice ![]() Divided into five volumes, of which The Warning Voice is the third, it charts the glory and decline of the illustrious Jia family (a story which closely accords with the fortunes of the author's own family). The two main characters, Bao-yu and Dai-yu, are set against a rich tapestry of humour, realistic detail and delicate poetry, which accurately reflects the ritualized hurly-burly of Chinese family life. But over and above the novel hangs the constant reminder that there is another plane of existence - a theme which affirms the Buddhist belief in a supernatural scheme of things. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. Cocoa Programming ![]() When Nietzsche Wept: A Novel of Obsession ![]() To Paradise: A Novel ![]() The Collected Poems of Marguerite Young ![]() A Blue Tale and Other Stories ![]() For the devoted readers of Yourcenar, this collection allows a rare glimpse at the beginnings of a writer's craft. In these accomplished but forgotten pieces, edited and introduced by her biographer, Josyane Savigneau, the reader will find the blend of fable and fairy tale of Oriental Tales, the psychological chronicle of Dear Departed, the ironic realism of A Coin in Nine Hands. Read as an introduction to Yourcenar's work, the stories take us into the writer's workshop, as it were, to the early days of creation. In either case, A Blue Tale and Other Stories carries the unmistakable voice of a formidable and vastly talented writer. Marguerite Yourcenar (her pseudonym was an anagram of her family name, Crayencour) was born in Brussels in 1903 and died in Maine in 1987. One of the most respected writers in the French language, she is best known as the author of the best-selling Memoirs of Hadrian and The Abyss. She was awarded many literary honors, most notably election to the Académie Francaise in 1980, the first woman to be so honored. A Coin in Nine Hands: A Novel (Phoenix Fiction) ![]() Dear Departed: A Memoir ![]() Dreams and Destinies ![]() Fires (Phoenix Fiction) ![]() "The unwritten novel among the fantasies and aphorisms of Fires is a classic tale."—Stephen Koch, New York Times Book Review How Many Years: A Memoir ![]() Memoirs of Hadrian ![]() That Mighty Sculptor, Time ![]() The Abyss: A Novel ![]() Yourcenar : Oeuvres Romanesques ![]() Lessons for a Child Who Arrives Late ![]() A mascot for an electronics store dreams of making it in the drug world of Rio de Janeiro. A tin man ponders the mysteries of death as a heart starts to take charge of his limbs, while in a place not so far away a boy tries to play the piano like Margarita, the teacher’s cruel and beautiful niece. In stories filled with violence and tenderness, love and disconnection, Carlos Yushimito’s long-anticipated debut explores the subtle space of estrangement. Carlos Yushimito was born in Lima, Peru, in 1977. In 2008, he was chosen as one of the best young writers in Latin America by Casa de las Americas and the Centro Onelio Cardoso de Cuba; and in 2010, by Granta as one of the Best Young Spanish Language Novelists. He recently joined the University of California, Riverside, faculty after receiving a PhD from Brown University. Valerie Miles is an American writer, editor, and translator who lives in Barcelona. In 2003, she co-founded Granta en español. She writes and reviews for the New York Times, The Paris Review, El País, La Nación, La Vanguardia, and el ABC, among others. The Shadow of the Wind ![]() We (Modern Library Classics) ![]() –George Orwell An inspiration for George Orwell’s 1984 and a precursor to the work of Philip K. Dick and Stanislaw Lem, We is a classic of dystopian science fiction ripe for rediscovery. Written in 1921 by the Russian revolutionary Yevgeny Zamyatin, this story of the thirtieth century is set in the One State, a society where all live for the collective good and individual freedom does not exist. The novel takes the form of the diary of state mathematician D-503, who, to his shock, experiences the most disruptive emotion imaginable: love for another human being. At once satirical and sobering–and now available in a powerful new modern translation–We speaks to all who have suffered under repression of their personal and artistic freedom. “One of the greatest novels of the twentieth century.” –Irving Howe The Enchanter: Nabokov and Happiness ![]() Plunging into the enchanted and luminous worlds of Speak, Memory; Ada, or Ardor; and the infamous Lolita, Azam Zanganeh seeks out the Nabokovian experience of time, memory, sexual passion, nature, loss, love in all its forms, and language in all its allusions. She explores Nabokov's geography-from his Russian childhood to the landscapes of "his" America-suffers encounters with his beloved "nature," hallucinates an interview with the master, and seeks the "crunch of happiness" in his singular vocabulary. This beautifully illuminated book will both reignite the passion of experienced Nabokovians and lure the innocent reader to a well of delights as yet unseen. 12 black-and-white illustrations Pessoa: A Biography ![]() Tomorrow, and Tomorrow, and Tomorrow: A novel ![]() The Mad Boy, Lord Berners, My Grandmother and Me: An Aristocratic Family, a High-Society Scandal and an Extraordinary Legacy ![]() Among the glittering stars of British society, Sofka Zinovieff’s grandparents lived and loved with abandon. Robert Heber-Percy was a dashing young man who would rather have a drink than open a book, so his involvement with Jennifer Fry, a beautiful socialite famous for her style and charm, was not surprising. But by the time Robert met and married Jennifer, he had already been involved with a man—Gerald, Lord Berners—for more than a decade. Stout, eccentric, and significantly older, Gerald was a well-known composer, and at home among scholars. He also owned one of Britain’s loveliest stately homes, Faringdon House in Oxfordshire. The two made an unlikely couple, especially because they lived together at Faringdon House when homosexuality was illegal. And then a pregnant Jennifer moved into Faringdon in 1942, creating a formidable ménage à trois. In this gorgeous, entertaining narrative of bohemian aristocracy illustrated with dozens of photographs, Sofka Zinovieff probes the mysteries of her grandparents and the third man in their marriage. Who was Gerald, and what brought Robert and Jennifer together under his roof? Why did Jennifer marry Robert? Piecing together the complicated reality behind the scandals of revelry and sexuality, she finally allows old ghosts to rest. Red Clocks: A Novel ![]() A New York Times Editor's Choice An Amazon Best Book of the Month An Indie Next Pick One of Wall Street Journal's Twelve Books to Read This Winter An Esquire most anticipated book of 2018 An Elle Best Book of Winter A Popsugar most anticipated book of Fall A Ploughshares most anticipated book of Fall A Nylon Best Book of the Month One of Publishers Weekly's most anticipated titles of Fall 2017 Five women. One question. What is a woman for? In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom. Ro, a single high-school teacher, is trying to have a baby on her own, while also writing a biography of Eivør, a little-known 19th-century female polar explorer. Susan is a frustrated mother of two, trapped in a crumbling marriage. Mattie is the adopted daughter of doting parents and one of Ro's best students, who finds herself pregnant with nowhere to turn. And Gin is the gifted, forest-dwelling herbalist, or "mender," who brings all their fates together when she's arrested and put on trial in a frenzied modern-day witch hunt. RED CLOCKS is at once a riveting drama, whose mysteries unfold with magnetic energy, and a shattering novel of ideas. In the vein of Margaret Atwood and Eileen Myles, Leni Zumas fearlessly explores the contours of female experience, evoking THE HANDMAID'S TALE for a new millennium. This is a story of resilience, transformation, and hope in tumultuous-even frightening-times. Beware of Pity ![]() "Stefan Zweig was a dark and unorthodox artist; it's good to have him back."—Salman Rushdie The great Austrian writer Stefan Zweig was a master anatomist of the deceitful heart, and Beware of Pity, the only novel he published during his lifetime, uncovers the seed of selfishness within even the finest of feelings. Hofmiller, an Austro-Hungarian cavalry officer stationed at the edge of the empire, is invited to a party at the home of a rich local landowner, a world away from the dreary routine of the barracks. The surroundings are glamorous, wine flows freely, and the exhilarated young Hofmiller asks his host's lovely daughter for a dance, only to discover that sickness has left her painfully crippled. It is a minor blunder that will destroy his life, as pity and guilt gradually implicate him in a well-meaning but tragically wrongheaded plot to restore the unhappy invalid to health. Chess Story ![]() Travelers sailing from New York to Buenos Aires find that on board with them is the world champion of chess. He is, as they soon discover, an arrogant and unfriendly man. They gather together to try their skills against him and are soundly defeated. Then a mysterious passenger steps forward to advise them and their fortunes change. How he came to possess his extraordinary grasp of the game of chess and at what cost lie at the heart of Zweig’s story, which is also a meditation on the burden of memory and the ways in which resistance and vulnerability are entwined in the human spirit. The Collected Novellas of Stefan Zweig: Burning Secret, A Chess Story, Fear, Confusion, Journey into the Past ![]() To read anything by Zweig is to risk addiction; in this collection the power of his writing—which, with its unabashed intensity and narrative drive, made him one of the bestselling and most acclaimed authors in the world—is clear and irresistible. Each of these stories is a bolt of experience, unforgettable and unique. Five of Stefan Zweig's most powerful novellas, containing some of his most famous and best-loved work: • Burning Secret • A Chess Story • Fear • Confusion • Journey into the Past (Stand alone paperback editions of individual novellas from Pushkin and New York Review of Books will remain in print.) The Collected Stories of Stefan Zweig ![]() Deluxe, clothbound edition. The Post-Office Girl ![]() The post-office girl is Christine, who looks after her ailing mother and toils in a provincial Austrian post office in the years just after the Great War. One afternoon, as she is dozing among the official forms and stamps, a telegraph arrives addressed to her. It is from her rich aunt, who lives in America and writes requesting that Christine join her and her husband in a Swiss Alpine resort. After a dizzying train ride, Christine finds herself at the top of the world, enjoying a life of privilege that she had never imagined. But Christine’s aunt drops her as abruptly as she picked her up, and soon the young woman is back at the provincial post office, consumed with disappointment and bitterness. Then she meets Ferdinand, a wounded but eloquent war veteran who is able to give voice to the disaffection of his generation. Christine’s and Ferdinand’s lives spiral downward, before Ferdinand comes up with a plan which will be either their salvation or their doom. Never before published in English, this extraordinary book is an unexpected and haunting foray into noir fiction by one of the masters of the psychological novel. |