Ardent Spirits: Leaving Home, Coming Back ![]() He gives often moving, and frequently comic, portraits of his great teachers in England — such men as Lord David Cecil, Nevill Coghill, and W. H. Auden, who was the most distinguished English-language poet of those years. In London the poet and editor Stephen Spender becomes his first publisher and a generous friend who introduces him to rewarding figures like the essayist Cyril Connolly and George Orwell's encouraging widow, Sonia. He spends rich months traveling in Britain and on the Continent; and above all he undergoes the first loves of his life — one with an Oxford colleague whom he describes as a "romantic friend" and another with an older man. Back in the States, in his first class at Duke he meets a startlingly gifted student in the sixteen-year-old Anne Tyler; and he soon combines the difficult pleasures of teaching English composition and literature with his own hard delight in learning to write a first novel. At the end of three lonely years, he completes the novel — A Long and Happy Life — and returns to England for a fourth year before his novel appears in Britain and America and meets with a success that sets the pace for an ongoing life of fiction, poetry, plays, essays, and translations (Ardent Spirits is his thirty-eighth volume). The droll memories recorded here amount to the unsurpassed — and, again, often comical — story of a writer's beginnings; and the young man who emerges has proven his right to stand by his fellows of whatever sex and goal. Ardent Spirits is a book that penetrates deeply into the life of a writer, a teacher, and a steadfast lover. Blue Calhoun: A Novel ![]() April 28, 1956, was the day Blue Calhoun met a sixteen-year-old girl named Luna. And for the next three decades, their love has borne consequences of the most shattering — and ultimately, perhaps healing — kind for everyone they know. As Blue recounts the years and their events for us — fervently, tenderly, knowing full well his own deep responsibility — we are made witnesses to a story of classic dimensions, a story of love and suffering, family and friendship, death and redemption. Clear Pictures: First Loves First Guides ![]() Kate Vaiden ![]() A Long and Happy Life: A Novel ![]() Ecstatically reviewed and winner of the William Faulkner Award for a notable first novel when it was published in 1962, A Long and Happy Life launched the career of Reynolds Price, a writer considered to be "one of our greatest novelists" (HARPER LEE). Midstream: An Unfinished Memoir ![]() WHEN REYNOLDS PRICE DIED IN JANUARY 2011, he left behind one final piece of writing—two hundred candid, heartrending, and marvelously written manuscript pages about a critical period in his young adulthood. Picking up where his previous memoir, Ardent Spirits, left off, the work documents a brief time from 1961 to 1965, perhaps the most leisurely of Price’s life, but also one of enormous challenge and growth. Price gave it the title Midstream. Approaching thirty, Price writes, is to face the notion that “This is it. I’m now the person I’m likely to be . . . from here to the end.” Midstream, which begins when Price is twenty-eight, details the final youthful adventures of a man on the cusp of artistic acclaim. Here, Price chases a love to England, only to meet heartbreak. Determined to pursue other pleasures, he travels to Sweden for a friend’s wedding, then journeys to Rome with British poet Stephen Spender and spends an afternoon with Richard Burton and Elizabeth Taylor. Price returns to the United States, where he finds company with a group of artists as he awaits the 1962 publication of his first novel, A Long and Happy Life. “Few writers have made as dramatic an entrance on the American literary stage,” declared The New York Times on the book’s success. Price would settle into a tranquil life in North Carolina, buy a house, and resume teaching. Concluding with his mother’s death and Price’s new endeavors—a second novel and foray into Hollywood screenwriting—Midstream offers a poignant portrait of a man at the threshold of true adulthood, navigating new responsibilities and pleasures alike. It is a fitting bookend for Price’s remarkable career, and it reinforces his place in the pantheon of American literature. *** FROM ANNE TYLER’S FOREWORD TO MIDSTREAM “Just look at him flying across the campus, curls bouncing, dark eyes flashing, and a black cape (I swear it) flaring out behind him. Actually he never owned a black cape; he told me that, years later. He said it was a navy jacket, just tossed over his shoulders. But still, he was wearing a virtual cape, if you know what I mean. He was an exclamation point in a landscape of mostly declarative sentences. He lived in a house-trailer out in the woods; he invited us to come there and drink smoky-tasting tea in handmade mugs. Speaking with a trace of an English accent from his recent studies at Oxford (for he had a genius for unintentional mimicry, which he said could become a curse in certain situations), he told us funny, affectionate tales about his childhood in backwater Macon. Most of us came from Macons of our own; we were astonished to hear that they were fit subjects for storytelling. All over again, inspiration hit. Let us out of there! We had to get back to our rooms and start writing.” The Surface of Earth ![]() The Surface of Earth is the work of one of America's supreme masters of fiction, a journey across time and the poignantly evoked America of the first half of our century that explores the mysterious topography of the powers of love, home, and identity. In his evocation of the hungers, defeats, and rewards of individuals in moments of dark solitude and radiant union, Price has created an enduring literary testament to the range of human life. |